The influence of 1960s rock legends Moby Grape has long been acknowledged by a diverse range of artists, from Robert Plant and Little Steven to Beck, Chrissie Hynde, Cat Power, and Jeff Tweedy. The band’s five distinct songwriters created a timeless musical tapestry that continues to resonate with new generations. Yet, while Moby Grape’s legacy thrives, one of its most integral members—bassist and singer Bob Mosley—never received the recognition he deserved for his 1972 Warner Bros. solo debut Bob Mosley… until now.
Today, OMAD Records is proud to announce the long-awaited reissue of Bob Mosley, newly remastered and available on CD beginning December 6. The original sessions captured Mosley’s formidable musical vision at its peak. With raw, bluesy rockers like “The Joker,” the horn-driven soul of “Gypsy Wedding,” and the country-tinged yearning of “Thanks,” the album is a testament to Mosley’s vocal prowess and muscular bass playing. Supported by drummer Allen Wehr, guitarists Woodie Berry and Frank Smith, the Memphis Horns, and pedal steel from Ed Black, the record brims with energy and emotion—yet its initial release never achieved the widespread acclaim it deserved.
Enter singer, songwriter, and producer John DeNicola, a lifelong Moby Grape devotee who was inspired to give this unsung gem the sonic depth it always merited. DeNicola’s own track record includes co-writing the iconic hits “(I’ve Had) The Time of My Life” and “Hungry Eyes” for the Dirty Dancing soundtrack, earning him an Academy Award and a Grammy nomination. He also discovered the band Kara’s Flowers, which later evolved into Maroon 5. Through his boutique label OMAD, DeNicola has consistently championed artistry and authenticity.
Upon revisiting Bob Mosley, DeNicola was struck by the thinness of the original mix—particularly in the low-end frequencies. “It’s a record that should have soared, and I felt like the bass and drums deserved more presence,” he says. Though the original multitracks had gone missing, DeNicola obtained the master two-track DDP file from Warner Bros. and employed innovative “de-mix” technology and AI-driven separation tools. By isolating and rebalancing the rhythm section, DeNicola has finally brought out the warmth, depth, and groove that Mosley intended.
“I’m really happy with it,” DeNicola enthuses. “This record now sounds as it should have from the start—bolder, fuller, more alive. Bob Mosley’s talent always shone through, but now it’s presented as it was meant to be heard.”
In an era when physical media is experiencing a resurgence, OMAD’s reissue of Bob Mosley on CD—and potentially on vinyl—offers a fresh opportunity for both longtime fans and newcomers to discover this lost masterpiece. All profits from the release will go directly to Mosley himself, a former Marine who has faced personal challenges over his 81 years but remains a cherished figure in the rock pantheon.
“Bob’s doing well these days,” DeNicola notes. “With this release, listeners can finally understand and believe his worth, just like he asks on the opening track ‘The Joker.’ His voice, his bass, and his songs deserve this moment in the spotlight.”
For more information, or to order the CD, please visit OMAD Records.
