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The CNE Announces Its 2026 Concert Lineup With Shaggy, Lupe Fiasco, Tom Cochrane, Lights, The Trews and Silverstein

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The Canadian National Exhibition has dropped its first round of 2026 concert headliners, and it’s a strong opening statement for what organizers are calling the Year of Music at the CNE. The 18-day fair runs August 21 through September 7, and all concerts are free with CNE admission, with a new Front Row VIP Experience add-on available at the Bell SOUNDSTAGE at the Bandshell. Advance ticket discounts of up to 35% are on sale now at TheEx.com/tickets.

The newly named Bell SOUNDSTAGE at the Bandshell, rebranded in partnership with Billboard Canada and Rolling Stone Canada through ArtsHouse Media Group, marks the 90th anniversary of the beloved outdoor stage with a lineup that spans hip-hop, reggae, rock, post-hardcore, and electropop. Opening Day on August 21 belongs to Grammy-winning Chicago rapper Lupe Fiasco, who emerges 20 years after his landmark debut ‘Food & Liquor’ with a catalog that includes 12 Grammy nominations, three platinum singles, and one of hip-hop’s most consistently celebrated bodies of work. The following evening, platinum-selling Canadian singer-songwriter and Billboard Canada’s inaugural 2025 Visionary Award recipient Lights takes the stage, bringing her genre-blurring indie, alternative, and dance sound to a hometown crowd.

August 23 brings the only Diamond-selling dancehall artist in music history. Shaggy, born Orville Richard Burrell in Kingston, Jamaica, has sold more than 40 million album units worldwide, logged multiple Billboard Hot 100 hits including “It Wasn’t Me” and “Boombastic,” earned a Grammy for his joint album with Sting ’44/876,’ and produced “Banana” with Conkarah, which crossed two billion digital streams. His new album ‘Lottery,’ featuring Sting, Robin Thicke, Akon, and Aidonia, drops May 15. The Trews, one of Canada’s most successful rock bands with 20 Top Ten Rock Radio singles and support slots for The Rolling Stones, KISS, and Bruce Springsteen, headline August 27 behind their latest album ‘The Bloody Light.’ Silverstein, Ontario-formed post-hardcore veterans with over one billion streams and 25-plus years in the game, close out September 3, and eight-time JUNO Award winner and Canadian Music Hall of Fame inductee Tom Cochrane closes the announced lineup September 5 with a catalog that includes “Life Is a Highway,” “Lunatic Fringe,” and “Big League.”

More artists are still to be announced across all five CNE music stages, including the newly added NXNE Stage in partnership with NXNE Music Festival & Conference. The 2026 CNE runs August 21 through September 7. Full details at TheEx.com.

Opening Day, Friday August 21: Lupe Fiasco

Saturday, August 22: Lights

Sunday, August 23: Shaggy

Thursday, August 27: The Trews

Thursday, September 3: Silverstein

Saturday, September 5: Tom Cochrane

Elmiene and Baby Rose Unite on New Version of “Honour” as His North American Tour Kicks Off Today

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Elmiene launches his North American headline tour tonight in Detroit, and he’s doing it with a brand new version of “Honour” featuring rising soul star Baby Rose, out now. The track, taken from his debut album ‘sounds for someone,’ gets a whole new dimension from Baby Rose’s grounding, self-aware verse, her vocal locking in with Elmiene’s with a seamlessness that makes the collaboration feel entirely natural. The two voices approach the song’s themes of intimacy and uncertainty from complementary emotional angles, and the result is one of the more compelling R&B releases of the spring.

‘sounds for someone’ is a 12-track debut that traces two decades of familial trials and triumphs through deeply personal songwriting and production from an exceptional lineup including Sampha, Jeff “Gitty” Gitelman, No I.D., and Raphael Saadiq, who also contributes as a featured artist. Single “Reclusive” has already crossed 13 million combined streams. NME gave the record five stars, calling it cinematic. Rolling Stone UK awarded four stars, praising his “astounding range and control.” DIY added four more, noting a vocal “that can break and fix hearts within the space of one single song.” That’s a critical reception most debut albums don’t come close to.

The British-Sudanese vocalist has been building to this moment with real intention. His COLORS session sparked instant fandom. His NPR Tiny Desk Concert has surpassed one million views and earned praise for his “vintage voice.” He sold out O2 Academy Brixton, performed at the BET Awards, supported Stevie Wonder at British Summer Time Hyde Park, and received nominations for the BRITs Rising Star Award and the Ivor Novello Rising Star Award. His This Is The Remix EP saw his own tracks reimagined by Timbaland, Blxst, and IAMNOBODI.

The North American leg runs through May 31 in Los Angeles, touching 18 cities across the U.S. and Canada. The UK and European leg follows in late November, closing December 8 at London’s Eventim Apollo. These are rooms that match exactly where Elmiene is right now, and based on everything he’s delivered so far, they’re going to feel too small before long.

Tour Dates:

April 30, Detroit, MI, St. Andrew’s Hall

May 1, Chicago, IL, Riviera Theatre

May 3, Toronto, ON, Opera House

May 6, Brooklyn, NY, Brooklyn Paramount

May 7, Silver Spring, MD, The Fillmore

May 9, Philadelphia, PA, Theatre of Living Arts

May 11, Charlotte, NC, The Fillmore

May 12, Nashville, TN, Brooklyn Bowl

May 14, Birmingham, AL, Saturn

May 15, Atlanta, GA, Coca Cola Roxy

May 17, Houston, TX, House of Blues

May 19, Austin, TX, Emo’s

May 20, Dallas, TX, House of Blues

May 23, Salt Lake City, UT, The Depot

May 26, Sacramento, CA, Ace of Spades

May 27, Berkeley, CA, The UC Theatre

May 29, Phoenix, AZ, Crescent Ballroom

May 31, Los Angeles, CA, The Wiltern

November 29, Amsterdam, NL, Melkweg

November 30, Berlin, DE, The Metropol

December 2, Paris, FR, Salle Pleyel

December 3, Brussels, BE, Ancienne Belgique

December 5, Bristol, UK, O2 Academy

December 6, Manchester, UK, Albert Hall

December 8, London, UK, Eventim Apollo

Def Leppard Release ‘Greatest Hits’ on Vinyl and Head Out on a UK and European Tour This June

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Def Leppard are marking 2026 with a freshly mastered ‘Greatest Hits’ vinyl release, available June 12 in two formats: standard black vinyl and a special edition blood red marbled vinyl featuring exclusive 2026 tour artwork, the latter available exclusively on the road. Pre-orders are live now at defleppard.com.

The 10-track collection pulls from the core of one of rock’s most bulletproof catalogs, covering “Pour Some Sugar on Me,” “Hysteria,” “Photograph,” “Love Bites,” “Rock of Ages,” “When Love and Hate Collide,” “Bringin’ On the Heartbreak,” “Foolin’,” “Animal,” and “Armageddon It.” For a band that has sold more than 110 million albums worldwide and holds two Diamond Awards in the U.S., this is exactly the kind of distillation their catalog deserves on vinyl.

The release arrives on the heels of an already packed year. Def Leppard completed a sold-out Las Vegas residency, toured India, and released a brand new single “Rejoice,” available now with a lyric video. The Rock & Roll Hall of Fame inductees, who also recently received their star on the Hollywood Walk of Fame, show no signs of easing up.

The UK and European tour runs through June and July 2026, with Extreme joining as special guests on most dates. Highlights include a headline show at The O2 in London and the band’s first Paris show in nearly 30 years, a milestone for European fans who’ve waited a long time for that one. Full dates and tickets at defleppard.com.

‘Greatest Hits’ Track Listing:

Side One:

Pour Some Sugar on Me

Hysteria

Photograph

Love Bites

Animal

Side Two:

Rock of Ages

When Love and Hate Collide

Bringin’ On the Heartbreak

Foolin’

Armageddon It

James Wesley Releases “One Best Friend,” a Traditional Country Ballad About a Boy and His Rescue Dog

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Got it. Here it is properly:


James Wesley Releases “One Best Friend,” a Traditional Country Ballad About a Boy and His Rescue Dog

TAGS: James Wesley, Phil O’Donnell, Lee Adams, Rodney Clawson, Dan Frizsell, Taylor Swift,


James Wesley has released “One Best Friend” on National Pet Adoption Day, and the timing adds real meaning to an already emotionally charged piece of songwriting. The new single is a warm, vivid traditional country ballad co-written by Wesley alongside Grammy-nominated songwriter Phil O’Donnell, whose credits include George Strait, Blake Shelton, Montgomery Gentry, Craig Morgan, and Darius Rucker, and Lee Adams, a Nashville industry veteran who has helped champion more than 50 number one country hits throughout her career in radio and record promotion. It’s out now on all major streaming platforms.

The song follows a young boy who moves to a lonely new hometown and finds an unexpected companion in a wandering black lab who becomes his constant through childhood, growing pains, and adulthood. The storytelling is specific and unhurried, wrapped in warm production that suits Wesley’s emotionally grounded vocal delivery perfectly. “I feel this is one of the more touching songs that I have had a hand in writing,” Wesley says. “Some individuals only have pets, who love unconditionally, steal our hearts and become our best friends.”

Wesley is a country singer-songwriter whose career spans more than two decades of honest, blue-collar storytelling. Born and raised in Mound Valley, Kansas, he first entered the national spotlight in 1999 before reinventing himself creatively in Nashville, signing with Broken Bow Records and releasing a string of successful singles including “Real” (number 22, Billboard Hot Country Songs) and “Didn’t I” (number 24). In 2011, he opened for Taylor Swift on the Speak Now Tour, performing for arena crowds across the country.

His 2014 contribution to the Merle Haggard tribute album ‘Working Man’s Poet,’ recording “I’m a Lonesome Fugitive” and “The Fightin’ Side of Me,” underlined exactly where Wesley’s musical heart lives. His catalog, including “Thank a Farmer,” “Walking Contradiction,” and “Hooked Up,” has always reflected small-town values, hard work, and real life told without embellishment.

“One Best Friend” is the kind of song that lands hardest for anyone who’s experienced that particular, irreplaceable kind of loyalty.

Tony Wilson, Hot Chocolate Co-Founder and ‘You Sexy Thing’ Co-Writer, Dies at 89

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Tony Wilson, the Trinidadian bassist, vocalist, and songwriter who co-founded the British soul band Hot Chocolate and helped craft some of the most joyful, enduring pop songs of the 1970s, died on April 24, 2026, at his home in Trinidad. He was 89. No cause of death was given. His family confirmed the news on social media with a message that was as simple and powerful as any lyric he ever wrote: “Dad left us today. He left a lot of music behind… forever and ever.”

Wilson was born in Trinidad on October 8, 1936, and came to music early, cycling through a series of local bands — The Flames, The Souvenirs, The Corduroys — before making his way to London, where the city’s churning, competitive music scene would eventually deliver him to the doorstep that changed everything. His neighbor across the hall was a young man named Errol Brown. The two began writing together almost immediately, and Hot Chocolate was born.

Their first break arrived in characteristically audacious fashion. They recorded a reggae version of John Lennon’s “Give Peace a Chance” — without permission — and sent it directly to Lennon himself. Lennon not only approved it, he signed the band to Apple Records on the spot. It was a beginning that announced Hot Chocolate’s confidence and creativity in equal measure, and it set the template for everything that followed: bold ideas, executed with charm, landing exactly where they needed to land.

What followed was one of the most consistent commercial runs in British pop history. The band scored at least one hit every year for fifteen consecutive years from 1970 — a record at the time — and became the first predominantly Black British group to achieve major chart success in America. The songs Wilson co-wrote with Brown were deceptively sophisticated: “Love Is Life,” “Brother Louie,” “Emma,” and the track that would outlive every era and every decade it passed through, “You Sexy Thing.” Released in 1975, it reached number three on the Billboard Hot 100, found a second life in 1997 when it anchored the film The Full Monty, and has never really left the cultural conversation since. It is one of the most recognizable opening bars in the history of pop music.

Behind that success was a tension that would ultimately cost Wilson his place in the band he helped build. He had been Hot Chocolate’s original frontman, but producer Mickie Most gradually pushed Errol Brown forward as the lead voice, a shift that sat uneasily with Wilson even as his bandmates acknowledged he had the stronger singing voice. The breaking point came in an argument over royalties for “You Sexy Thing” — at the time just a B-side — and Wilson walked away in 1975. Brown later reflected with candor on what that departure meant financially: “That one argument must have cost him millions of pounds.”

Wilson’s solo career produced two albums, I Like Your Style (1976) and Catch One (1979), neither of which made a significant commercial impact. He released a final compilation in 1988 and then stepped back from the music industry, eventually returning to Trinidad. The songs, of course, kept going without him — through films, through television, through every generation of listeners who discovered “You Sexy Thing” as if for the first time and felt the same thing everyone always felt: pure, uncomplicated delight.

When Brown died in 2015, Wilson paid quiet tribute on social media. A bass guitar he had owned was lovingly restored on the BBC programme The Repair Shop in 2022, a small reminder that the instruments of a life in music outlast almost everything else.

His son Danny, reflecting on old diaries his mother had unearthed from 1970 and 1971, offered perhaps the most honest and moving summation of his father’s life: the staggering work, the knock-backs, the meticulous documentation of record sales, the sheer determination to make the world hear the songs he had written. “He meant so much to so many people,” Danny wrote. “Many posts make reference to how overlooked and underrated his music was — and although totally biased, I have to agree.”

Tony Wilson is survived by his children, including his son Danny and his daughter, whose words announced his passing to the world.

Video: 1971 German Talk Show Clip Where a Music Producer Destroys the Table With an Axe

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In 1971, German music producer Rolf-Ulrich Kaiser appeared on a West German talk show opposite Nikel Pallat, decided mid-argument that his point could best be made by taking an axe to the studio table, did exactly that, then calmly collected the microphones on his way out, while two guests quietly pulled their chairs back up to the wreckage to continue the discussion.

Video: Suzanne Ciani’s 1980 David Letterman Appearance Is Nine Minutes of Electronic Music History

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Originally broadcast on NBC on August 14, 1980, Suzanne Ciani’s nine-minute appearance on the David Letterman Show is a genuinely remarkable document, the pioneering electronic musician and synthesizer innovator demonstrating her specialized sound-processing equipment live on late-night television, explaining how she created sound effects for commercials, and performing with the orchestra in a segment that remains one of the more quietly influential appearances in the history of the format.

Video: This Rare 1969 VHS Footage of John Fahey on ‘Guitar Guitar’ Is an Absolute Treasure

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Found on a VHS tape in a Chicago record shop in the late 1990s and now uploaded in the best quality available, this 1969 appearance by John Fahey on ‘Guitar Guitar’ with host Laura Weber is the kind of footage that reminds you why archival preservation matters, a loose, genuinely transfixing conversation and performance session featuring Fahey playing “Red Pony,” “The Death of the Clayton Peacock,” and more, complete with the moment he ashes his cigarette directly into the body of his guitar and sends the host into a complete tizzy.

Video: Ace Frehley Steals the Room in This Remastered KISS Interview on The Tom Snyder Show, Halloween 1979

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Halloween night, 1979, and KISS sat down with Tom Snyder for one of their most memorable television appearances, and as the comments make perfectly clear, it’s Ace Frehley who makes the whole thing worth watching, loose, funny, and completely himself in a way that lights up the screen every time the camera finds him. This remastered first segment captures exactly why the Spaceman was so beloved, and why this interview has been revisited by KISS fans for over four decades.

Get Verified on LinkedIn. Here’s Why It Matters More Than You Think.

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There’s a small thing you can do on LinkedIn right now that takes less than five minutes, costs nothing, and will quietly change the way people perceive you before they’ve read a single word of your profile. Most people haven’t done it. You probably haven’t either. It’s identity verification, and I think about it the same way I think about showing up on time — it’s a small signal that tells people something much larger about who you are.

We’ve all spent real time on our LinkedIn profiles. We’ve rewritten the headline three times. Agonized over the summary. Gone back and forth on whether to list that contract job from 2019. And yet most of us leave one of the easiest credibility signals on the table, completely untouched, because we either didn’t notice it or assumed it was meant for someone else. It isn’t. It’s meant for you.

The verification badge — that small checkmark that appears on your profile — does something deceptively powerful. It tells every recruiter, journalist, potential client, or collaborator who lands on your page that LinkedIn itself has confirmed you are who you say you are. That’s not a small thing. In a world overrun with fake profiles, AI-generated identities, and people who’ve learned to be deeply skeptical of anyone they haven’t met in person, a verified badge cuts through all of that noise before you’ve even said hello.

Think about what your LinkedIn profile actually does in the world. It’s the first result when someone Googles your name. It’s the page a reporter checks before deciding whether to quote you. It’s what a potential business partner pulls up while you’re still on the phone with them. Every signal on that page matters, and the verification badge is one of the loudest quiet signals available to you.

Getting it is genuinely straightforward. Open the LinkedIn app, go to your profile, and look for the option to verify your identity. LinkedIn works with two methods — one through a service called CLEAR, which uses a quick face scan, and one through a standard government-issued ID. Neither takes long. Your personal information isn’t stored by LinkedIn directly; the verification is handled by third-party partners who exist specifically for this purpose. You can remove the verification at any time if you ever change your mind. It’s free.

What strikes me most about verification is what it represents beyond the checkmark itself. It’s an act of accountability. It says you’re not hiding. It says you stand behind your name, your history, your work. In industries built on relationships and trust — music, media, marketing, any field where your reputation is your currency — that kind of transparency is worth more than most people realize.

I’ve seen profiles with impressive titles and long lists of accomplishments get scrolled past in seconds. And I’ve seen simpler profiles with a verification badge earn an extra moment of attention, a second look, a message that turns into an opportunity. People are busy. They make fast decisions. Give them every reason to trust you quickly, because you rarely get a second chance to make that first impression land.

If you’re reading this and you haven’t verified your LinkedIn profile yet, close this and go do it now. Seriously. Whatever you were planning to do next can wait five minutes. This one’s easy, and easy wins are rare enough that you should take every one you can find.