Who would not like a better experience on their online gambling platform? However, there’s more to gambling than the games, and many factors need to be considered. From payment gateways to security, the discerning player needs to be on the lookout for many new developments. Chief among these is the development of tax-free online casinos. As the name suggests, these casinos allow users to keep 100% of their winnings, with the only loser in the game being the tax man.
Tax-free casinos are especially popular in countries where gambling taxes are high, providing an attractive alternative for players who want to maximize their rewards. Learning how these casinos operate and why they’ve become so appealing is essential for anyone exploring the world of online gaming.
How does a tax-free casino work?
The idea of keeping all your winnings may sound too good to be true, but platforms that use tax-free online casinos operate within strict legal frameworks. These platforms are typically licensed in jurisdictions where gambling winnings are not taxed, such as Malta or other EU countries.
Here’s the lowdown:
Licensing: Casinos licensed in tax-free regions abide by the laws of their regulatory bodies. This ensures fairness and security while eliminating taxes on winnings.
Player Benefits: Since players aren’t responsible for paying gambling taxes, they take home the full amount of their earnings.
Legal Clarity: With absolute transparency, these tax-free casinos operate within the law, and there is no risk of hidden fees, unexpected deductions, or other nasty surprises to eat into your winnings.
Choosing a tax-free casino is about more than just avoiding taxes; it’s about playing on platforms that prioritize player satisfaction.
Why Players Prefer Tax-Free Casinos
There’s more benefit to tax-free casinos than the obvious. These platforms have become player favourites for many reasons. The top three draw cards to tax-free casinos are:
Maximized Winnings: Every cent you win goes straight into your account.
Ease of Use: Without the need to calculate or report taxes, the gaming experience feels smoother and more straightforward.
Global Appeal: Tax-free casinos attract players from around the world, offering a level playing field for everyone.
This combination of financial and practical advantages is why so many players are making the switch.
Tax-Free Gaming in Practice
For those looking to explore this option, tax free casinos offer insights into how these systems work. With trusted licensing and a focus on transparency, these casinos provide a stress-free gaming environment.
The Future of Tax-Free Casinos
Tax-free casinos are becoming the go-to model and a cornerstone in the online gaming industry. Nothing beats the rewarding and hassle-free experience of taking all your winnings with you.
And over and above their tax benefits, tax-free casinos feature the latest in gaming tech, from live dealer games to mobile-friendly interfaces, so you can enjoy old favourites and exciting new games even when you are on the go. The focus on innovation puts them at the coalface of audience participation, ensuring a gaming experience that’s always exciting and always rewarding.
Final Thoughts
Industry trends come, and industry trends go, but tax-free online casinos are not a trend. They are the future of the industry and the solution to the most frustrating part of gambling: having to give up a slice of the pie to the tax man. By operating in tax-friendly jurisdictions, these casinos deliver players with a better and far more rewarding gambling experience.
Whether you are a seasoned gambler or just the occasional punter, exploring tax-free platforms is the game changer the industry has been waiting for. And while tax-free gambling is definitely the big winner, there’s a lot more innovation in the market sector. Keeping an eye on the industry news is a great way to know where the industry is headed and will make for a more rewarding gambling experience going forward.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
Shaped by Sound, a new original music performance series produced by PBS North Carolina, has officially announced its launch for Thursday, February 6. The program spotlights North Carolina’s rich musical history and cultural impact, showcasing the state’s role as an influential catalyst in a diverse range of genres, including indie rock, R&B, alt-country, jazz, bluegrass, folk and hip-hop.
The premiere episode will feature a riveting full-band performance from acclaimed singer-songwriter Iron & Wine. Accompanied by a bespoke visual display by shadow puppeteers from Emmy Award-winning collective Manual Cinema (Julia Miller and Lizi Breit), the episode also offers first-hand insight into Iron & Wine’s songwriting process and more. “I like using words as a color palette,” explains Beam in the premiere episode’s interview segment with Shaped by Sound host and producer James Mieczkowski. Beam is currently on tour in support of his latest album, Light Verse, which was released in April on Sub Pop.
Watch a sneak peek of Iron & Wine’s episode of Shaped by Sound, featuring a performance of “All In Good Time” – originally a duet with Fiona Apple, and currently GRAMMY-nominated for Best American Roots Song.
Additional artists to appear on Shaped by Sound this season will include Grammy-nominated jazz vocalist Nnenna Freelon and hip-hop prodigy Reuben Vincent, following the legacy of North Carolina’s musical greats across generations like Nina Simone and 9th Wonder (who discovered Vincent when he was just 13 years old). Other episodes of the series will feature pioneering folk musician and historian Alice Gerrard and indie-rock stalwarts Superchunk, whose founding of Merge Records played a pivotal role in the rise of North Carolina’s indie and alternative music scene.
Presented as a 13-part series, Shaped by Sound pairs breathtaking live studio performances by North Carolina artists with intimate conversations about their creative journeys. Each 30-minute episode offers an exclusive look at the artists and stories that have shaped the state’s dynamic music scene. The series will also be accompanied by a longer-form video podcast and a range of digital extras. Shaped by Sound will air on PBS North Carolina as well as stream on pbsnc.org, the free PBS app and YouTube.
“North Carolina has a tremendously vibrant music scene,” says Mieczkowski (host/producer). “Music helps shape who we are as people and as a community. Through working on this series with such a diverse group of North Carolina musicians, I’ve come to understand we all can find common ground within sounds that offer a sense of place and belonging. We hope viewers are inspired by the series and the artists’ profound connections to our state and its culture.”
“This exciting program showcases our state’s incredibly talented musicians,” said Pamela B. Cashwell, Secretary of the N.C. Department of Natural and Cultural Resources. “Shaped by Sound enables viewers to discover some of our state’s top artists from the comfort of their home. We’re thrilled to help celebrate North Carolina music, one of our most treasured assets.”
Shaped by Sound is made possible through support from Come Hear NC, a program of the newly-established North Carolina Music Office within the N.C. Department of Natural and Cultural Resources. Launched by the state’s Governor Roy Cooper in 2024, the N.C. Music Office aims to enhance economic development driven by creative economies in the state, while increasing awareness of North Carolina’s vibrant music heritage, culture and education. With the initiative’s launch this past summer, North Carolina became one of the first four states in the nation to establish an official Music Office – as a means to advocate for musicians, music educators and industry professionals through the state.
Listen to a special curated playlist of songs by all the NC musicians featured this season on Shaped by Sound HERE.
Broadcast Schedule:
New episodes of Shaped by Sound premiere Thursday nights at 9:30 PM on PBS NC through May 1. Visit pbsnc.org/schedule for the latest scheduling information.
Episode 1: Iron & Wine
Premieres Thursday, February 6, 9:30 PM
Singer-songwriter Iron & Wine (aka Sam Beam) has multiple Grammy nominations, and his songs have been included in numerous film, TV and commercial productions. Despite this exposure, he lives a quiet family life in NC. In this episode, he performs his introspective songs, including the Grammy-nominated “All in Good Time,” with a full band and shadow puppeteers from the collective Manual Cinema.
Episode 2: Sluice
Premieres Thursday, February 13, 9:30 PM
What happens when you open the floodgates to your emotions and channel them into music? Sluice’s Justin Morris and Avery Sullivan perform songs from their latest record, Radial Gate, named one of 2023’s best albums by The Guardian, as well as new unreleased tracks. They also discuss how their atmospheric music is inspired by the “beauty of living” and our deeply complex relationship with nature.
Episode 3: Superchunk
Premieres Thursday, February 20, 9:30 PM
What’s more punk rock than believing and investing in yourself? The Triangle-based indie rock band Superchunk harnesses the frenetic energy they’ve developed over decades of touring in a performance for the ages. They also discuss how their DIY mentality generated the iconic label Merge Records and share what it’s like to see both young and old fans sing their hearts out to their songs.
Episode 4: Nnenna Freelon
Premieres Thursday, February 27, 9:30 PM
Jazz legend Nnenna Freelon has seven Grammy nominations and has performed in the most prestigious venues on the planet. But for the first time in her 40-year career, she’s releasing an album of original songs. In this episode, she performs her new material and discusses how experimenting with music besides jazz standards allowed her to get “underneath the skin.”
Episode 5: Sonny Miles
Premieres Thursday, March 6, 9:30 PM
Gospel, soul, jazz, R&B and hip-hop—there isn’t much that lives outside the musical universe of Winston-Salem native Sonny Miles. In 2019, one of his musical collaborations caught the ear of President Barack Obama, who included the song on his popular playlist. In this episode, Sonny discusses Afrofuturism, being inspired by the sounds of his Nana’s house and what it’s like to be “in the pocket.”
Episode 6: Alice Gerrard
Premieres Thursday, March 13, 9:30 PM
For 80 years, Alice Gerrard has studied, played and preserved American folk music, influencing countless musicians, including Emmylou Harris and Rhiannon Giddens. In addition to being one of the foremost historians of the genre, she’s a Grammy nominee and a musical legend. Alice is joined on stage by Rebecca Branson Jones (pedal steel), Reed Stutz (mandolin) and Tatiana Hargreaves (fiddle).
Episode 7: Mipso
Premieres Thursday, March 20, 9:30 PM
On the surface, the quartet Mipso may seem like a traditional folk-bluegrass band with its exquisite harmonies, melodies and instrumentation. Zoom in, however, and you’ll also hear layers of modern sounds and influences. In this episode, band members Jacob Sharp and Joseph Terrell discuss coming back to NC to play together, crafting a live record and the Japanese origin of the band’s unique name.
Episode 8: Blue Cactus
Premieres Thursday, March 27, 9:30 PM
The cosmic country of Blue Cactus’ Steph Stewart and Mario Arnez has been likened to artists as diverse as Fleetwood Mac, Bobbie Gentry and David Bowie. Playing with a full band, they deliver a dreamy performance that will keep your head in the clouds. Plus, they share their fascination with Western wear, their appreciation for “Weird Al” Yankovic and why it’s important to look for silver linings.
Episode 9: Shirlette Ammons
Premieres Thursday, April 3, 9:30 PM
Shirlette Ammons is a Peabody Award-winning producer, poet and hip-hop artist based in Durham, NC. On her latest album, Spectacles, she blends aspects of her eastern North Carolina roots with her love for her Triangle-based community to explore the concept of spectacle: how we see, what we see and how we’re seen. Shirlette is joined on stage by a full band and Raleigh’s own Rissi Palmer.
Episode 10: Town Mountain
Premieres Thursday, April 10, 9:30 PM
More Asheville than Nashville, this country-rock outfit combines bluegrass with honky-tonk to create a rollicking sound all its own. The band’s Phil Barker and Robert Greer discuss the Asheville music scene in the wake of Hurricane Helene, “working man’s vintage” and “frying pan tunes” and the evolution of their distinctive style.
Episode 11: Blue Footed Boobies
Premieres Thursday, April 17, 9:30 PM
Strap in, folks—the Blue Footed Boobies are ready to rock. The Wilmington duo brings their raw and bombastic guitars and drums to the Shaped by Sound stage. They also discuss the electric feeling of a live show, van conversations and the importance of being in a band with your best friend.
Episode 12: Fancy Gap
Premieres Thursday, April 24, 9:30 PM
The indie duo Fancy Gap, a new musical collaboration by Raleigh natives Stuart McLamb (of The Love Language) and Charles Crossingham, aims for pure pop-rock bliss. They bring their lush and expansive songs to the Shaped by Sound stage. Plus, they discuss the Golden Age of Radio, how music can create a sense of place and how creating well-crafted songs is like making a juicy cheeseburger.
Episode 13: Reuben Vincent
Premieres Thursday, May 1, 9:30 PM
Charlotte-based rapper Reuben Vincent started with a laptop and a dream. That dream became a reality when he was discovered by legendary hip-hop producer 9th Wonder at the age of 13. Reuben brings his thought-provoking lyricism to the Shaped by Sound stage and discusses his family’s Liberian heritage, the hip-hop renaissance in the Queen City and what it’s like to work with 9th Wonder.
The second annual Montreux Jazz Festival Miami (February 28-March 2) has announced several exciting additions to its star-studded lineup. NAACP Image Award and BET Award-winner WILLOW, the musician, actress and author celebrated for her boundary-pushing sound, will perform on Friday, February 28, on a bill that includes previously announced Jon Batiste & Friends. On Saturday, March 1, the legendary Chaka Khan, a 10-time GRAMMY Award-winner and the unparalleled “Queen of Funk,” will perform. Saturday’s previously announced headliner is innovative singer, songwriter, rapper and actress Janelle Monáe.
7-time GRAMMY and Latin GRAMMY Award-winning pianist Gonzalo Rubalcaba and 16-time GRAMMY and Latin GRAMMY Award-winning clarinetist and saxophonist Paquito D’Rivera have been added to the Sunday, March 2 “La Descarga” Afro-Cuban jam, co-hosted by Jon Batiste and Cimafunk, with a dazzling array of beloved Cuban musicians including Alfredo Rodriguez, Cimafunk & La Tribu, Pedrito Martinez, Robe L Ninho, Wampi, Yissy Garcia, trumpet superstar Ibrahim Maalouf, and violinist Yilian Cañizares with the support of the Montreux Jazz Artists Foundation.
The Montreux Jazz Festival Miami, returning to 1500-capacity The Hangar at Regatta Harbour in Coconut Grove, promises a spectacular weekend of one-of-a-kind musical moments in an intimate setting. Five-time GRAMMY Award winner Jon Batiste will kick off the weekend on Friday with his specially curated “Jon Batiste & Friends” show. Batiste and his band Stay Human will also host after hours Montreux Jam Sessions each night following the headliner performances.
Batiste played a key role in bringing the Montreux Jazz Festival to Miami. He is also a co-owner of the festival and curated this year’s lineup. Batiste headlined the inaugural edition and hosted the late night Jam Sessions that made international news. Says Batiste, “Bringing the soul of Montreux to the heart of Miami is an honor. It’s a rare festival where the room is intimate and musical collaboration and improvisation are central to the experience. We had an unforgettable experience last year and can’t wait to be back.”
Attendees can enjoy food from Michelin-starred Chef Henrique Sá Pessoa’s Sereia, the buzzworthy Celia’s, and more, as well as explore a pop-up installation from Dante’s HiFi, the Wynwood-based audiophile vinyl bar. Festival VIP ticket holders will have the opportunity to attend masterclasses with select artists.
Says Mathieu Jaton, CEO of Montreux Jazz Festival: “The first edition of the Montreux Jazz Festival in Miami was an incredible success, with the city embracing our music, spirit, and legacy with open arms. As we prepare for the second edition, we are thrilled to bring even more unforgettable performances and experiences to Miami’s vibrant music scene. We look forward to deepening our connection with this beautiful city and celebrating the rich, diverse sounds that make the Montreux Jazz Festival so unique.”
*Friday February 28:
Jon Batiste & Friends, WILLOW
*Saturday March 1:
Chaka Khan, Janelle Monáe
*Sunday March 2:
Afro-Cuban “La Descarga” hosted by Jon Batiste and Cimafunk with Alfredo Rodriguez, Cimafunk & La Tribu, Pedrito Martinez, Robe L Ninho, Wampi, Yissy Garcia, Gonzalo Rubalcaba, Paquito D’Rivera, trumpet superstar Ibrahim Maalouf and violinist Yilian Cañizares with the support of the Montreux Jazz Artists Foundation. Sunday will also feature Bogotá-based musical ensemble and Latin GRAMMY nominees Monsieur Periné, as well as a set from Alfredo Rodriguez
Single-day ticket prices for Montreux Jazz Festival Miami begin at $129, with VIP tickets at $569 and Legend tickets at $999. Payment plans are also available.
The 2024 inaugural edition of the festival featured Jon Batiste, Rock and Roll Hall Famer Daryl Hall, Queen of Axé Daniela Mercury, as well as Cimafunk, The Wailers, Cory Henry, Emily Estefan, Israel Houghton, Cécile McLorin Salvant, Lia de Itamaracá, Justin Kauflin, Adrian Cota & The Winston House Band, ELEW, and Mathis Picard.
As California battles unprecedented wildfires, the music world is holding its breath, wondering if the 67th Annual Grammy Awards will be postponed or even canceled. Set to take place in Los Angeles this February, the Grammys are more than a night of music—it’s the industry’s way of celebrating creativity and resilience. But with air quality at dangerous levels, travel restrictions in place, and power outages affecting much of Southern California, the question isn’t just about logistics. It’s about safety and respect for the communities suffering through these devastating fires. Could the Grammys, one of music’s most significant nights, really go dark this year?
As wildfires continue to ravage California, several high-profile events have been canceled or postponed out of safety concerns and respect for affected communities. The Pasadena Playhouse productions of Anything Goes in Concert and Follies in Concert, originally scheduled for late January, have been canceled due to the Eaton Fire. The Mammoth Film Festival, set for February 20-24, has also announced its postponement. Hollywood has felt the impact, with the red-carpet premieres for One of Them Days starring Keke Palmer and The Last Showgirl featuring Pamela Anderson both canceled. Even the Critics Choice Awards, initially planned for January 12 at the Santa Monica Airport, have been rescheduled for later in the month. These cancellations reflect the broader toll of the fires, as safety and resource allocation take precedence over celebrations.
If they do move the Grammys, it wouldn’t be the first time in recent memory – due to concerns about the continuous spread of the coronavirus, the Grammy ceremony will not be taking place on January 31, 2021 as originally scheduled were moved to March 14.
Beyoncé once again cemented her legacy in the 2025 Grammy nominations list, leading the pack with 11 nods for her groundbreaking country-themed album, COWBOY CARTER. This year, Beyoncé made history by becoming the most-nominated artist in Grammy history, now boasting an incredible 99 nominations over her career. She surpasses her previous tie with husband Jay-Z, who holds 88 nominations, showcasing their unparalleled influence in the music industry.
Joining Beyoncé among the top nominees are Charli XCX, Billie Eilish, Kendrick Lamar, and Post Malone, each earning seven nominations and reflecting a year of diverse and dynamic artistry. Rising stars Sabrina Carpenter and Chappell Roan, along with pop powerhouse Taylor Swift, are close behind with six nominations each, promising a night that celebrates both established icons and fresh voices.
Award shows and celebratory events have a unique ability to bring people together, offering moments of unity and hope during times of crisis. Music, in particular, has always served as a balm for the soul, a way to connect and find strength. However, in the face of a disaster like the ongoing California fires, it’s worth asking whether such events should go on. Beyond concerns of safety and logistics, there’s the issue of optics and resource allocation. Events like the Grammys require extensive use of police, security, and venue staff—resources that could be better utilized in aiding communities, managing evacuations, and ensuring public safety during this critical time. While it’s important to celebrate creativity, it’s equally vital to show sensitivity and prioritize the well-being of those in immediate need. Canceling or postponing might not only be a practical decision but also a gesture of solidarity and respect for the hardships so many are enduring.
Either way, look for an announcement sooner than later.
UPDATE: JANUARY 13, 2025:
The 2025 Grammy Awards will proceed as scheduled on Feb. 2 in Los Angeles, with the telecast dedicated to raising funds for wildfire relief efforts.
The show will air live from the Crypto.com Arena.
“Our hearts go out to everyone affected by the devastating wildfires in Los Angeles. This city is our home, and we mourn the loss of life and destruction that have come to it in recent days,” Recording Academy CEO Harvey Mason Jr. and Tammy Hurt, chair of the board of trustees, shared in a letter to Academy members. “In close coordination with local authorities to ensure public safety and responsible use of area resources, the 67th Grammy Awards telecast on CBS on Feb. 2 will proceed as planned. This year’s show, however, will carry a renewed sense of purpose: raising additional funds to support wildfire relief efforts and honoring the bravery and dedication of first responders who risk their lives to protect ours.”
Rising star trombonist Nanami Haruta debuts with a breathtaking all-star session teaming her with master trombonist Michael Dease.
Out February 28, 2025 via Origin Records, The Vibe boasts an all-star rhythm section stocked with modern giants of the tradition: pianist Xavier Davis, bassist Rodney Whitaker and drummer Ulysses Owens Jr. Alongside Dease, who switches to baritone sax on two tracks, Haruta feels right at home among these virtuosic veterans, revealing a dexterity and creative imagination far beyond her years.
“Nanami has this ethereal deftness on the trombone that makes you forget how cumbersome and challenging it can be,” Dease says. “Her musical spirit has the fire of Detroit’s Curtis Fuller mingled with the pastoral charm of her native Japan’s Sapporo countryside. I see her potential to become the leading voice on trombone in her generation, and I know Nanami will play a role in the future of jazz music.”
For Dease to draw comparisons to Curtis Fuller is no small compliment – he has long cited the legendary trombonist as one of his primary heroes and the reason that he initially switched from saxophone to the ‘bone. The pair play direct homage to Fuller on The Vibe with his composition “Algonquin,” originally recorded in 1957 for Fuller’s Bone & Bari with baritone saxophonist Tate Houston. Dease, who recently has been enjoying a parallel career on the low horn, steps into Houston’s role as Haruta ably plays the Fuller part. Whitaker’s own deep connection to the tune is threaded throughout, as he and Fuller both lived on Detroit’s Algonquin Street.
Haruta’s own journey to the Motor City environs (Lansing, to be exact) started in Sapporo, the capital of the Hokkaido prefecture, the largest and northernmost of Japan’s islands. She started out playing classical piano but switched to the trombone at the age of eight to play in her elementary school band. She can’t recall what exactly the initial attraction was, other than the fact that, “the name was kind of funny,” but grew to love the instrument for its ability to parallel the sound of the human voice.
Haruta took to the instrument, and to jazz, almost immediately. “Classical piano was boring to me because it meant practicing exactly the same thing over and over again,” she says. “Everything about jazz is so hip. Even if I play the same tunes, even with the same solo order, it sounds completely different every time. With jazz, I always feel like I’m creating the music.”
By 2019 Haruta’s gifts were being recognized both on bandstands in her native Japan and with honors like the Most Outstanding Student Award at that year’s Seiko Summer Jazz Camp in Tokyo. But perhaps the more important takeaway from the camp was her connection with Dease, who encouraged her to relocate to the States and study with him at MSU.
Haruta was set to make the move in 2020 – but like everything in that lockdown year, those plans were interrupted. Instead, she took the opportunity to leave Sapporo for the more thriving jazz scene in Tokyo as pandemic restrictions eased. “Tokyo has a big jazz community and many great musicians,” she says. “I was gigging almost every day, which really changed my playing.”
With that experience under her belt Haruta was even better prepared to embrace the lessons at MSU, where she finally arrived in the summer of 2023. There she’s been mentored not only by Dease but by Whitaker and Davis, both of whom have enlisted her for their own bands. She’s also continued to garner accolades, including the Yamaha Young Performing Artist Award, the Michigan Jazz Festival Award, top spot at the Carl Fontana Jazz Trombone Soloist Competition, and as part of the Dease-led ensemble that won the Kai Winding Jazz Trombone Ensemble Competition.
One listen to The Vibe will convince any listener not swayed by this growing list of laurels. The album’s carefully chosen repertoire reveals Haruta’s ability to navigate a wide variety of settings. In addition to the Fuller classic, the contemporary jazz canon is represented by two choices by modern masters: pianist Renee Rosnes’ spirited “Girlie’s World,” which opens the album, and bassist Christian McBride’s powerful “Sister Rosa.” There are also two compositions from the pen of co-producer Gregg Hill, whose music Dease has featured on two recent recordings.
Dease himself offers the tender ballad “How It Goes,” highlighted by an elegant Whitaker solo, while the bassist contributes “Jamerson’s Lullaby,” a graceful tribute to Whitaker’s son Jamerson.
The album is rounded out by three of Haruta’s own tunes. The dancing, buoyant “Toshi” is an ode to her first mentor, the late pianist Toshiaki Yamada, who, Haruta says, “showed me how to love the music and find meaning in the music. He told me never to play without thought.” The lovely “Heartstrings” is a serenade to Haruta’s romantic partner, while “Woodpecker” is a jaunty bop number whose insistent rhythm echoes the hammering sound of its avian title.
The Vibe closes with a gorgeous rendition of the Alex North classic “Unchained Melody,” inspired by its inclusion in one of Haruta’s favorite films, Ghost. Here the band is pared down to just Haruta, Whitaker, and guitarist Chris Minami, an MSU peer, fully revealing the nimble control and breathtaking expressive beauty of Haruta’s sound.
“A Heart That Never Closes,” the new song from Mary Chapin Carpenter, Julie Fowlis and Karine Polwart, is out today. The track is the latest unveiled from the trio’s first collaborative album, Looking For The Thread, which will be released January 24 via Thirty Tigers (pre-order/pre-save here).
In celebration of the project, the trio will play six shows in the U.K. in March, including sold-out dates in Sunderland and Edinburgh. “An Evening with Mary Chapin Carpenter, Julie Fowlis, and Karine Polwart” will feature tracks from the new album, as well as songs from across their respective catalogues, accompanied by their transatlantic band. Full details can be found at www.marychapincarpenter.com.
Conceived in the remote west of Scotland and recorded at the renowned Real World studios, Looking For The Thread is a rich, resonant and unique record—one that supports and illuminates the core characteristics of each artist while bringing forth a powerful collective identity.
Produced by Bonny Light Horseman’s Josh Kaufman (Bob Weir, The National), the 10-track album features a world-class musical ensemble: Rob Burger (piano, organ, accordion, keys), Chris Vatalaro (drums, percussion), Cameron Ralston (bass) and Kaufman himself (guitar, keys), as well as additional contributions from Caoimhin O’Raghallaigh, whose work has been featured in The Gloaming, productions at the Abbey Theatre and in the film Brooklyn.
Looking For The Thread is grounded in mutual respect stretching back decades, as Polwart and Fowlis are dedicated fans of Carpenter while Carpenter, in turn, has long admired the pair. After first setting up a Dropbox to share ideas remotely, the three convened in January 2023 to perform alongside Robert Vincent at Song Circle, an event at Celtic Connections in Glasgow. From there, they headed north to a writing retreat at Kinlochmoidart House, where Looking For The Threadwas born.
“That first visit to Kinlochmoidart helped us feel that we had some things that might serve us,” says Carpenter. “We’d gather in the beautiful room where the fire was, play and sing together, and then go off to our little corners and work on stuff on our own, come back together, and get to the next step.”
The album, which features two tracks sung in Scottish Gaelic (led by Fowlis), was completed in a week at Real World studios, where the songs were recorded live—everyone playing together in the same room. “The songs hadn’t been pre-produced to within an inch of their lives, and the band hadn’t heard them in advance,” says Polwart. “The musicians were such attentive listeners, none of them overplaying, all of them bringing a beautiful textural quality. There was something really beautiful and fresh about it.”
One of music’s “most reliable and empathetic songwriters” (Pitchfork), Carpenter has sold over 16 million records over the course of her renowned career. With hits like “Passionate Kisses” and “He Thinks He’ll Keep Her,” she has won five Grammy Awards (with 18 nominations), two CMA Awards, two ACM Awards and is one of only fifteen female members of the Nashville Songwriters Hall of Fame. Additionally, Carpenter’s record, One Night Lonely (Live), was nominated for Best Folk Album at the 65th Annual Grammy Awards. A rare solo performance, the album was recorded at Virginia’s legendary Wolf Trap and features songs from across her acclaimed career, including from her latest studio album, The Dirt And The Stars. Most recently, Carpenter unveiled her new podcast, “Hope is a Muscle,” which finds Carpenter in conversation with people from all walks of life.
Karine Polwart is a multi-award-winning Scottish songwriter, folk-singer and storyteller, whose words and music conjure the connected magic and mystery of worlds, seen and unseen. Across numerous solo albums, collaborative projects, theatre shows and flights of imagination, Polwart has established herself as one of the most vital voices in Scottish music.
Julie Fowlis is an internationally renowned, award-winning singer whose extraordinary voice evokes the power and beauty of the Hebridean islands and Highland landscapes she calls home. Among her many and varied achievements, she will forever be recognized for singing the theme songs to Brave, Disney Pixar’s Oscar-, Golden Globe- and BAFTA-winning animated film.
LOOKING FOR THE THREAD TRACK LIST
Gradh Geal Mo Chridhe
A Heart That Never Closes
Rebecca
Looking For The Thread
Hold Everything
Silver In The Blue
You Know Where You Are
Satellite
Buidheann Mo Chridhe Clann Ualrig
Send Love
CONFIRMED 2025 TOUR DATES
March 2—Manchester, U.K.—Aviva Studios
March 3—Birmingham, U.K.—Town Hall
March 5—London, U.K.—London Palladium
March 6—Sunderland, U.K.—The Fire Station (SOLD OUT)
March 7—Edinburgh, U.K.—Festival Theatre (SOLD OUT)
March 8—Edinburgh, U.K.—Festival Theatre
Singer-songwriter Evan Honor releases his highly anticipated single featuring Michal Leah titled “Waiting Ain’t Easy,” available everywhere now. The new single blends the acoustic cross-genre style and showcases the talent from both Evan and Michal.
“Michal has one of the best voices I’ve heard in person. Been a big fan of her stuff for awhile now. This song that we wrote and recorded together in my studio means so much to me. I’ve been in a long distance relationship for almost a year and it’s a very real representation of how I’ve felt the last year. It’s very simple production but I love it so much and I hope people like it,” shares Evan.
The release of the new single follows the announcement of his upcoming Spring Tour ’25 dates alongside support from Sierra Carson, Tim Craig, Jacob Wright, barrett, Timmy Skelly, Winyah, and Winnie Pearl. Kicking off in Little Rock, Arkansas, the genre blending singer-songwriter will bring his “cut-to-the-bone style of songwriting and rugged vocals” (Billboard), across the states for a 36 date tour ending in Nashville, TN at Brooklyn Bowl on May 17th, 2025.
SPRING TOUR ’25
02/23 – Little Rock, AR – Revolution Music Room
02/24 – Tulsa, OK – The Vanguard
02/26 – Santa Fe, NM – Meow Wolf
02/28 – Tempe, AZ – Extra Innings Festival
03/01 – San Diego, CA – Music Box
03/02 – Malibu, CA – Aviator Nation
03/03 – Pomona, CA – The Glass House
03/05 – Bakersfield, CA – Buck Owens’ Crystal Palace
03/06 – Los Angeles, CA – El Rey Theatre
03/08 – San Francisco, CA – The Fillmore
03/10 – Vancouver, B.C. – Hollywood Theatre
03/11 – Seattle, WA – The Crocodile
03/12 – Portland, OR – Wonder Ballroom
03/14 – Salt Lake City, UT – Soundwell
03/15 – Englewood, CO – Gothic Theatre
03/17 – Omaha, NE – The Waiting Room
03/20 – Chicago, IL – Thalia Hall
03/21 – Milwaukee, WI – Turner Hall Ballroom
03/22 – St. Louis, MO – Delmar Hall
04/10 – Charlottesville, VA – Ting Pavilion
04/23 – Athens, GA – Georgia Theatre
04/25 – Jacksonville, FL – Jack Rabbits
04/26 – North Charleston, SC – High Water Music Festival
04/27 – Wilmington, NC – Greenfield Lake Amphitheater
04/29 – Knoxville, TN – Barley’s Taproom
05/01 – Raleigh, NC – Lincoln Theatre
05/02 – Norfolk, VA – The NorVa
05/03 – Washington, D.C. – 9:30 Club
05/05 – Asbury Park, NJ – The Stone Pony
05/06 – Pawtucket, RI – The Met
05/07 – Portland, ME – Portland House of Music
05/09 – Montreal, QC – Le Studio TD
05/10 – Woodstock, NY – Bearsville Theater
05/13 – Buffalo, NY – Town Ballroom
05/14 – Ann Arbor, MI – Blind Pig
05/16 – Nashville, Tennessee – Brooklyn Bowl
Released on November 14, 1983, Eurythmics’ Touch was the third studio record from Annie Lennox and Dave Stewart, and marked the duo’s ascent into pop royalty, boasting a rich tapestry of synth-pop brilliance and emotive songwriting. With hits like “Here Comes the Rain Again,” “Who’s That Girl?” and “Right by Your Side,” Touch solidified their reputation as innovative trailblazers. But behind the iconic tracks lies a treasure trove of lesser-known tidbits about this classic. Here are five facts that might just surprise you.
1. Speedy Recording, Timeless Impact
Remarkably, Touch was recorded and mixed in just three weeks at Eurythmics’ studio, The Church, in London. The album’s polished production belies its brisk timeline, a testament to the duo’s synergy and vision. Annie Lennox and Dave Stewart tapped into a creative whirlwind, proving that lightning can indeed strike quickly in the studio.
2. “Here Comes the Rain Again” Was Born in the Clouds
The haunting melancholy of “Here Comes the Rain Again” has its roots in a literal gray day. Written while the duo stayed at New York’s Mayflower Hotel, the song began with Stewart playing moody chords on his Casio keyboard. Lennox glanced out at the overcast cityscape and delivered the now-iconic line, “Here comes the rain again.” The song’s lush string arrangement, crafted by Michael Kamen and recorded under challenging conditions at The Church, became a defining feature.
3. Annie Lennox’s Gender-Bending Brilliance
The music video for “Who’s That Girl?” was as groundbreaking as the song itself, with Lennox playing both a sultry lounge singer and an Elvis-inspired male character. The provocative visuals solidified her status as a gender-bending icon, challenging conventions of femininity and masculinity in pop culture. This dual performance also made Lennox one of MTV’s most talked-about stars in the early ‘80s.
4. “Right by Your Side” and the Caribbean Connection
With its sunny calypso vibe, “Right by Your Side” marked a stylistic departure for Eurythmics. The song’s marimba, synthesized steel drums, and horn section evoked tropical warmth, offering a sharp contrast to the brooding tones of their previous hits. This playful track showcased the duo’s versatility and willingness to push boundaries within the synth-pop genre.
5. A Remix Album Before It Was Trendy
Years ahead of the remix album craze, Eurythmics released Touch Dance in May 1984. Featuring extended and reimagined versions of tracks from Touch, it gave fans a fresh perspective on songs they thought they knew. It also underscored the duo’s forward-thinking approach to music production and engagement with emerging club culture.
Forty years on, Touch remains a cornerstone of Eurythmics’ legacy, blending raw emotion with sonic innovation. From its experimental production techniques to Annie Lennox’s magnetic persona, the album encapsulates a moment when pop dared to be intelligent, daring, and deeply human. Whether you’re discovering Touch for the first time or revisiting it with fresh ears, its magic is undeniable.
Released in October 1983, Culture Club’s Colour by Numbers stands tall as one of the quintessential albums of the 1980s. Propelled by the worldwide smash hit “Karma Chameleon,” this second studio effort solidified the group’s status as global pop icons, led by Boy George, who just happened to have one of the greatest soul voices from a British singer in the modern era. It’s an album that merged style with substance, blending catchy hooks with deeper lyrical musings. While its platinum accolades and chart dominance are well-known, here are five lesser-known gems about Colour by Numbers that might surprise even the most ardent fans.
1. A Star-Studded Recording Line-Up
While the core of Culture Club—Boy George, Roy Hay, Mikey Craig, and Jon Moss—brought their distinctive sound, the album also benefited from some heavyweight session musicians. Keyboardist Phil Pickett, who co-wrote hits like “Karma Chameleon” and “It’s a Miracle,” added a refined polish. Meanwhile, backing vocalist Helen Terry provided the soaring soul on tracks like “Church of the Poison Mind,” her performance so powerful that many thought she might launch a solo career off the back of the record.
2. “Karma Chameleon” Almost Didn’t Happen
Despite being the album’s crown jewel and a global chart-topper, “Karma Chameleon” initially faced resistance within the band. Boy George penned it while vacationing in Egypt, but the group felt it sounded too much like a country song. Thankfully, they came around, and the harmonica riff played by Judd Lander became one of the most recognizable hooks of the decade.
3. A Nod to Stevie Wonder and Gilbert O’Sullivan
Culture Club wore their influences on their sleeves while crafting this album. “Church of the Poison Mind” borrows its upbeat rhythm and melodic charm from Stevie Wonder’s 1966 hit “Uptight (Everything’s Alright),” while the jaunty melody of “It’s a Miracle” drew inspiration from Gilbert O’Sullivan. These nods to musical history gave the album a rich, cross-generational appeal.
4. Beating Michael Jackson—At Least in the UK
While Colour by Numbers couldn’t unseat Thriller in the U.S., the album was an unchallenged chart-topper in the UK, where it reigned at number one. In the UK, it outsold Thriller during its peak and became one of the fastest-selling albums of the era. This marked a rare moment when the King of Pop’s juggernaut took second place to a new wave band led by a flamboyant frontman.
5. A Live Orchestral Revival
In 2014, Boy George revisited the magic of Colour by Numbers in a one-night-only performance with the BBC Philharmonic Orchestra in Manchester. The show featured guest performances by artists like Jimmy Somerville and John Grant, reinterpreting the album’s tracks with lush, symphonic arrangements. This tribute underscored the album’s timeless quality and cemented its place in pop history.
Colour by Numbers is a snapshot of 1980s pop at its finest, blending fashion, music, and social commentary into a singular package. From its infectious melodies to its boundary-pushing aesthetic, it remains a shining beacon of the era. If you haven’t spun this masterpiece in a while, it’s time to rediscover why Culture Club captivated the world and why Colour by Numbers is still making waves, one rainbow-colored track at a time.
If you have moved to Dubai or adopted a pet, you are looking for a good vet. They know your pet health is important and you want the greatest treatment. How do you pick in this busy city with so many options. This post covers all you need to know to identify the best veterinary hospital Dubai. From top notch facilities to caring staff, it will cover all the criteria and secret tips to give your pet VIP treatment.
Evaluating the Credentials and Expertise of Veterinarians.
You want the best for your pet health. Choosing the proper Dubai clinic requires assessing veterinarians credentials and expertise.
Certifications and Qualifications.
First verify the vet education. Search for recognized veterinary degrees and specialized certifications. A board certified veterinarian has completed extensive training and passed specialty tests. Ask about their qualifications a reputable vet will gladly provide them.
Experience and Specializations.
Experience often provides wisdom but new grads are skilled. Consider the vet experience and specialty in treating your pet. Some vets specialize in exotic pets others in cats and dogs. Find a specialist vet for your pet health issues.
Continuing Education.
Your vet must keep up with the latest treatments and technologies since veterinary care is always changing. Enquire about their continued education. Attend seminars and workshops, or get certified. A vet who loves studying will likely give your pet cutting edge care.
Reviews and Advice.
Credentials are vital but examine other pet owners experiences. Ask friends and pet communities for recommendations and read online reviews. A vet with a good reputation is more likely to treat your pet well.
Remember that the right vet makes you and your pet feel comfortable and cared for and has outstanding qualifications. Trust your instincts and find a vet who shares your pet healthcare goals.
Assessing the Clinic Facilities and Equipment.
When picking a Dubai veterinary clinic, check their facilities and equipment. Lets examine what to look for in a well equipped clinic for your pet.
State of the Art Medical Equipment.
Make sure the clinic has modern medical equipment. Digital Xray scanners, ultrasound machines and in house laboratories help speed up and improve pet diagnosis. In emergencies vets can treat quickly and precisely with these modern tools.
Comfortable and Clean Environment.
Next inspect the clinic cleanliness and comfort. Waiting areas, exam rooms and kennels must be clean. You would not treat your pet in a dirty environment, right. Check for clean well maintained spaces, separate places for cats and dogs to prevent stress and proper ventilation and temperature control.
Pet Friendly Design.
Finally evaluate the clinic décor for pets. Non slip floors to prevent accidents, can larger breeds move freely. These little touches can improve your pet comfort during visits.
Remember, a well equipped clinic with top notch facilities will likely give complete pet care. Please tour possible clinics and ask about their equipment and facilities. Your pet will appreciate it.
Examining the Quality of Care and Customer Service.
You should prioritize care and service while picking a Dubai veterinary facility. You want to give your pet the greatest care in a friendly setting.
Expertise and Qualifications of the Veterinary Team.
Prioritize the veterinarian team competence and certifications. Find clinics with expert vets with advanced surgery, dentistry or emergency care training. Ask about the qualifications of support staff like veterinary technicians and assistants who are vital to quality care.
Personalized Attention and Communication.
Good veterinary clinics prioritize personal care and straightforward communication. Watch how the staff treats you and your pet during your initial consultation Are medical diagnoses and treatment strategies explained clearly. Open and empathetic communication may create trust and provide the greatest pet care.
Preventive Care and Wellness Programs.
A good clinic emphasizes preventive care and health. Find clinics with full wellness plans that include checkups, immunizations, parasite prevention and nutritional counseling. These preventive techniques can detect health issues early and improve your pet health saving you money on treatments.
Assessing Medical Expertise.
Find a clinic with skilled vets and staff. Verify their credentials, experience and specialization. A good clinic will include professionals who use the newest veterinary methods and technology. Ask about their continuous education attending conferences or getting certifications is a good sign.
Gauging Customer Service.
The manner in which a clinic handles you and your pet reflects their care. Watch how the staff treats you and other clients. A good clinic will make you feel important and enlighten you about your pet condition.
Consider Location and Accessibility.
If you want the best Dubai veterinary clinic consider location and accessibility. You do not want to spend hours in traffic when your pet requires urgent care.
Proximity to Your Home or Work.
Take into account how close the clinic is to your routine. A convenient clinic reduces stress for you and your pet during checkups and emergencies. You will likely keep up with preventive care if the clinic is closed.
Parking and Public Transportation.
Do not ignore parking convenience. Circling the block with a sick pet is the worst. Look for clinics with enough parking or client only parking. If you take public transit, verify if the clinic is near metro or bus stops. Your future self and pet will appreciate it.
Remember that the best clinic may not be expensive or luxurious. It integrates into your life to make pet care easy. So take a map (or your phone) and find those convenient clinics. Pets will wag their tails in approval.
Veterinary hospital Dubai selection does not have to be complicated. You can locate a good match for you and your pet by considering qualifications, facilities and reviews. Trust your gut if a clinic feels nice, that is a positive sign. Ask lots of inquiries and shop around. Extra work is worth it for your pet wellness. Dubai pet scene is booming, giving you several possibilities. Take your time, research and find a reputable vet to keep your pet happy and healthy for years.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
