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Hard Rock Risers Lost In Hollywood Get Brutally Honest on “I Should Have Known Better”

Eric Alper
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Hard Rock Risers Lost In Hollywood Get Brutally Honest on “I Should Have Known Better”

Lost In Hollywood are back, and they’re not pulling any punches. The hard rock outfit releases “I Should Have Known Better” alongside a music video, their most emotionally direct and sonically intense work yet. It’s out now.

The track hits that specific nerve where regret stops being self-pity and starts becoming something harder and more useful. Lost In Hollywood write personal songs that don’t stay personal for long, and “I Should Have Known Better” lands with the kind of weight that makes it immediately relatable. The balance of raw heaviness and cinematic atmosphere is exactly what this band does best, and here it’s sharper than ever.

The single follows a strong run of releases including “The Fire,” “Pretty Skin,” “Like a River” (featuring Of Virtue), and “The Art of Being Torn Out” (featuring Half Me), each one adding range and credibility to a catalog that keeps getting more compelling. Collaborations haven’t softened their identity one bit.

Lost In Hollywood continue to build something real. Every release tightens the sound, deepens the emotional stakes, and widens the audience. “I Should Have Known Better” is another strong entry in a catalog that rewards close listening.

JUNO-Nominated Blues-Rock Guitar Slinger Spencer Mackenzie Reimagines a Rory Gallagher Classic

Eric Alper
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JUNO-Nominated Blues-Rock Guitar Slinger Spencer Mackenzie Reimagines a Rory Gallagher Classic

Spencer Mackenzie takes on a classic and makes it his own. The JUNO-nominated, Maple Blues Award-winning Southern Ontario guitarist releases “Don’t Know Where I’m Going,” his fourth single from the upcoming album ‘Empty Chairs’, out now via Gypsy Soul Records.

The original is an acoustic Rory Gallagher track. Mackenzie’s version is anything but. He cranks the voltage, laying down a deep, gritty guitar tone over a fast-moving rhythm section that transforms the song into a full blues-rock statement. It’s the kind of reimagining that respects the source while staking its own territory, and Mackenzie pulls it off with confidence.

‘Empty Chairs’ is produced by Ross Hayes Citrullo, a two-time JUNO-nominated producer, mixer, engineer, and Emmy Award-winning recording mixer, known as the guitarist of The Commoners. The album draws on blues tradition and present-day blues-rock energy in equal measure, featuring electrifying guitar, punchy riffs, soaring organ, dynamic vocals, and an explosive rhythm section throughout.

Mackenzie has built his reputation across Canadian, European, and U.S. stages, with appearances at the Montreal International Jazz Festival, Festival d’été de Québec, Moulin Blues Ospel, and Ribs & Blues Raalte, sharing stages with Walter Trout, Fantastic Negrito, Samantha Fish, and Jesse Dayton.

Zac Brown Band Member Caroline Jones Is Fully Committed on “You’re It For Me, Honey”

Eric Alper
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Zac Brown Band Member Caroline Jones Is Fully Committed on “You’re It For Me, Honey”

Caroline Jones is having a moment, and ‘Good Omen’ is the proof. The singer-songwriter, multi-instrumentalist, and Zac Brown Band member releases “You’re It For Me, Honey,” the latest single from her forthcoming album, out February 13th via Nashville Harbor Records & Entertainment.

The track is a 90s country-pop-inspired declaration of devotion, written during Jones’ maternity leave and drawn directly from her real-life marriage. It’s confident, flirtatious, and genuinely fun, exactly the kind of song that reminds you great country writing doesn’t always have to carry weight to carry meaning.

“I wrote this song when I was home on my maternity leave and I just knew it could be a very Shania-esque song,” Jones shares. “It was a lot of fun writing it because it’s so empowering and very tongue-in-cheek.” The comparison earns itself. The track lands with warmth and a knowing wink, and it fits perfectly alongside the album’s broader emotional range.

“You’re It For Me, Honey” joins “All The Things,” “Divorce In A Small Town,” “No Tellin’,” and the title track in previewing ‘Good Omen’s’ 12-song tracklist. Jones’ Good Omen headlining tour is underway now, running nearly 20 dates across the U.S. through May.

Morgan Evans and Laci Kaye Booth Deliver Stunning Duet “Two Broken Hearts”

Eric Alper
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Morgan Evans and Laci Kaye Booth Deliver Stunning Duet “Two Broken Hearts”

Morgan Evans and Laci Kaye Booth make a compelling pair. The Australian-born, Nashville-based Evans teams up with the Geffen Records singer-songwriter on “Two Broken Hearts,” a stripped-back duet written by Evans with Fraser Churchill and out now via Solrise Records and Virgin Music Group.

The song is raw and unguarded, two voices navigating the complicated space between heartbreak and connection. Evans and Booth’s harmonies carry real emotional weight, and the lyric doesn’t flinch. It’s the kind of track that lands differently each time you hear it, and Evans knows it.

“This song still hits me like the day I wrote it,” Evans says. “It wasn’t written as a duet, but Lace’s voice took it somewhere I couldn’t have imagined on my own.” That chemistry is audible throughout, and it makes “Two Broken Hearts” one of the more quietly affecting country releases so far this year.

The single joins “Beer Back Home” as the second preview of Evans’ sophomore album ‘Steel Town’, arriving March 20th. Written during time spent back in his hometown of Newcastle, Australia, the record finds Evans returning to Nashville with sharper focus and deeper material.

Country Hitmaker Chase Matthew Delivers New Single “Holdin’ It Down” While on World Tour

Eric Alper
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Country Hitmaker Chase Matthew Delivers New Single “Holdin’ It Down” While on World Tour

HEADLINE

Country Hitmaker Chase Matthew Delivers New Single “Holdin’ It Down” While on World Tour

BLOG POST

Chase Matthew is not slowing down. The Warner Records Nashville artist releases his new single “Holdin’ It Down,” a roots-deep country track co-written with Ethan Escue, Alex Maxwell, Jordan Centers, Presley Aaron, and Evan Mayo. It’s out now.

The song is a grounded, genuine celebration of small-town life and generational values, the kind of track that doesn’t reach for metaphor when the real thing works better. Square forty fields, half-tons circled in parking lots, a way of life worth protecting. Matthew delivers it with the kind of direct conviction that made his audience pay attention in the first place, and the song holds up strong.

“Holdin’ It Down” follows Matthew’s multi-week No. 1 “Darlin’,” the breakthrough single that established him as one of country’s most compelling new voices. The momentum hasn’t let up. He’s a current iHeartRadio Award nominee for Best New Country Artist of the Year and was named one of CRS’ New Faces of 2026.

Matthew is currently on the road for his “Holdin’ It Down” World Tour, running through the U.S. and Australia this summer. The live show brings the same directness and personal weight that defines his recordings, and right now he’s building the kind of touring track record that sticks.

Punk Legends NOFX Are Getting the Documentary Treatment They Absolutely Deserve

Eric Alper
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Punk Legends NOFX Are Getting the Documentary Treatment They Absolutely Deserve

NOFX is getting a documentary, and it sounds exactly like you’d expect from the most successful independent punk group in history. Fat Mike announced ’40 Years of Fuckin’ Up’ at The Punk Rock Museum’s NOFX Exhibit in January, and the film is currently in post-production. Director James Buddy Day, known for ‘The Secrets We Bury’ and ‘Psycho: The Lost Tapes of Ed Gein’, is at the helm.

The film follows Fat Mike, Aaron “El Hefe” Abeyta, Eric Melvin, and Erik “Smelly” Sandin across four decades of chaos, survival, and improbable success. The premise is simple: how did a group of self-described untalented teenage punks build an independent empire entirely on their own terms? The answer, apparently, involves ambulances.

“Most people wouldn’t be ok with releasing a film that shows footage of getting whipped in their dungeon, or their drug use for the past 20 years,” Fat Mike says. “I’m not like most people.” The doc promises unreleased NOFX songs, available only to filmgoers. That alone makes it an event.

The team is crashing SXSW with sneak peek screenings March 15th and 16th at Brushy Creek Commons in Austin, TX, complete with surprise Q&As. Tickets are on sale now, and the film heads to curated theaters worldwide starting in April, with full rollout details coming soon.

Produced by Fat Mike and executive produced alongside Abeyta, Sandin, Melvin, Gary Ousdahl, Day, Cisco Adler, and Jon Nadeau for Pyramid Productions, with score by Fat Mike and Matt Nasir.

A Second Sphere Is Coming to the U.S. and the D.C. Region Is Ready

Eric Alper
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A Second Sphere Is Coming to the U.S. and the D.C. Region Is Ready

Sphere is expanding. Sphere Entertainment Co., the State of Maryland, Prince George’s County, and Peterson Companies have announced plans to develop a new Sphere venue at National Harbor, just 15 minutes outside Washington, D.C. It would be the second Sphere in the U.S. and the first to use a smaller-scale design model.

The National Harbor venue would seat 6,000 and bring the full Sphere technology stack: a 16K by 16K interior LED display (the highest-resolution screen in the world), Sphere Immersive Sound, haptic seating, 4D environmental effects, and the iconic Exosphere exterior display. Nothing gets stripped out.

The numbers behind this project are significant. Development would draw on approximately $200 million in combined public and private incentives, support 2,500 construction jobs, and generate 4,750 permanent positions once operational. Annual economic impact is projected to exceed $1 billion for the region.

Sphere Las Vegas, already ranked No. 1 on both Billboard’s and Pollstar’s 2025 lists of top-grossing venues worldwide, sets the standard this new venue builds toward. National Harbor welcomes more than 15 million visitors annually, making it one of the most strategically placed entertainment destinations on the East Coast.

“Our focus has always been on creating a global network of Spheres across forward-looking cities,” says Sphere Entertainment Executive Chairman and CEO James L. Dolan. The National Harbor project joins a growing portfolio that includes Las Vegas and a planned venue in Abu Dhabi. Final development remains subject to definitive agreements and governmental approvals.

Kenny Chesney Returns to Sphere With Overhauled Setlist

Eric Alper
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Kenny Chesney Returns to Sphere With Overhauled Setlist

HEADLINE

Country Music Hall of Famer Kenny Chesney Returns to Sphere With Overhauled Setlist

BLOG POST

Kenny Chesney is heading back to Sphere. The East Tennessee songwriter and newly inducted Country Music Hall of Fame member returns to Las Vegas for five shows, June 19–27, building on what became one of the most talked-about residencies in recent country music history.

Chesney made history at Sphere as the first solo artist and first country act to perform there, landing between Bruce Springsteen & the E Street Band and Metallica on Pollstar’s Top 10 Touring Acts of the Millennium. The residency earned a Pollstar Awards Residency of the Year nomination.

This time, the setlist gets a significant overhaul. Chesney says 30 to 40 percent of the material could be songs he’s rarely or never performed live, made possible by Sphere’s unique configuration and the intimacy it creates despite the venue’s size. With 36 Country Airplay No. 1s and 99 charting singles to pull from, the possibilities run deep.

“We’re having a great time trying things out, finding our way inside them,” Chesney says. “I think we’re gonna surprise some people.” The performances draw from the same space that produced the immersive Guitars, Tiki Bars and A Whole Lotta Love Experience, and the music sounds exactly as alive as that billing promises.

Chesney’s book, Heart Life Music, is out now and sitting atop the New York Times Bestseller lists in both Hardcover Nonfiction and Combined Print & E-Book Nonfiction.

2026 Sphere Dates: June 19, 20, 24, 26, 27 – Sphere, Las Vegas, NV

AlphaTheta Launches ‘One Through Music Collection’ Apparel Line Inspired By DJ Culture

Eric Alper
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AlphaTheta Launches ‘One Through Music Collection’ Apparel Line Inspired By DJ Culture

– AlphaTheta announces its first apparel collection, a 2-part line inspired by the brand’s mission: “One Through Music.” AlphaTheta aims to connect people through music and deliver enriching experiences to people around the world. In a move to extend this vision into everyday life, the company is entering the lifestyle category and launching its first apparel collection. The range of clothes and accessories provides new styles for music lovers to wear in a variety of settings, from curating vibes at home in cozy essentials to hitting the big stage in statement pieces.

The “One Through Music collection” draws inspiration from vintage record shops and the evolution of DJ culture, weaving together nostalgia and modern design. At the heart of the collection is “The Record Man,” a playful character carrying a stack of records as a nod to the thrill of crate digging. From the excitement of discovery when finding new vinyl to the art of assembling tracks for a DJ set, the design embodies the very essence of musical experience. Completing the collection is a collared work jacket with a turntable graphic on the back and a black cap bearing the “One Through Music” mission, celebrating the enduring spirit of DJ culture.

Complementing the collection, the “AlphaTheta collection” also features everyday essentials: A hoodie, T-shirt, and sweatpants in classic black with AlphaTheta branding. The clean, timeless aesthetic blends comfort and functionality for the perfect music-inspired wardrobe staple.

ONE THROUGH MUSIC COLLECTION

  • OTM Record Man Short Sleeve Tee
  • OTM Record Man Long Sleeve Crew
  • OTM Work Jacket
  • OTM Cap

 AlphaTheta COLLECTION

  • AT Short Sleeve Tee
  • AT Hoodie
  • AT Sweatpants

Wireless Audio Device Market Set To Hit $81.39 Billion By 2032 As Earbuds And Smart Hearables Surge

Eric Alper
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0
Wireless Audio Device Market Set To Hit $81.39 Billion By 2032 As Earbuds And Smart Hearables Surge

According to MarketsandMarkets, the Wireless Audio Device Market is expected to reach USD 81.39 billion by 2032 from USD 60.01 billion in 2025, registering a CAGR of 4.4% during the forecast period.

Wireless Audio Device Market Size & Forecast:

  • Market Size Available for Years: 2021–2032
  • 2025 Market Size: USD 60.01 billion
  • 2032 Projected Market Size: USD 81.39 billion
  • CAGR (2025–2032): 4.4%

Wireless Audio Device Market Trends & Insights:

  • The wireless audio device market is experiencing strong growth, driven by increasing consumer demand for compact, cable-free, and high-performance audio products, such as true wireless earbuds, wireless headphones, and smart hearables, which enhance convenience, mobility, and sound quality.
  • By product, the True Wireless Hearables/Earbuds segment is expected to register the highest CAGR of 5.6%.
  • By technology, the Bluetooth segment is projected to grow at the fastest rate of 4.9% from 2025 to 2032.
  • By application, the automotive segment is projected to grow at the highest rate during the forecast period.
  • By region, Asia Pacific accounted for a 39.8% share of the global wireless audio device market in 2024.

The Europe wireless audio device market is driven by the increasing adoption of smart and connected consumer electronics across households and commercial spaces. Growing consumer demand for portable, high-quality, and convenience-focused audio solutions is further accelerating market growth. In addition, continuous advancements in Bluetooth and Wi-Fi technologies, along with the integration of voice assistants and smart home ecosystems, are strengthening adoption across the region.

The true wireless hearables/earbuds segment is estimated to record the highest CAGR during the forecast period in the wireless audio device market due to a combination of lifestyle, technology, and ecosystem-driven factors. Consumers increasingly prefer compact, cable-free audio solutions that offer convenience, mobility, and seamless connectivity with smartphones, tablets, and wearables. The rapid growth of remote work, online entertainment, fitness activities, and on-the-go media consumption has significantly boosted demand for lightweight and portable audio devices. Continuous advancements in Bluetooth standards, active noise cancellation, battery efficiency, and fast-charging technologies have enhanced user experience and performance, encouraging frequent upgrades. In addition, the integration of smart features such as voice assistants, touch controls, biometric sensors, and AI-enabled sound optimization is expanding the use cases of true wireless earbuds beyond music listening. Competitive pricing, frequent product launches, and strong adoption among younger consumers further support rapid market penetration. Moreover, increasing smartphone penetration and the gradual removal of headphone jacks are accelerating the shift toward true wireless hearables globally, contributing to their strong growth outlook.

The consumer application captured the largest share of the wireless audio device market in 2024 due to the widespread adoption of smartphones, smart TVs, laptops, and wearable devices that increasingly rely on wireless audio connectivity. Rising demand for personal entertainment, including music streaming, gaming, and video content consumption, significantly boosted sales of wireless headphones, earbuds, and speakers among individual users. Additionally, the growing popularity of work-from-home and hybrid work models increased the use of wireless audio devices for virtual meetings and communication. Continuous product innovation, such as improved sound quality, active noise cancellation, longer battery life, and seamless Bluetooth connectivity, further strengthened consumer preference. The availability of a wide range of products across different price ranges, coupled with strong brand presence and extensive online and offline retail channels, also supported higher consumer adoption. As a result, consumer-focused usage dominated overall demand, enabling the segment to maintain the largest market share in 2024.

Asia Pacific held the largest market share in 2024 due to its large and technology-driven population, rapid smartphone penetration, and expanding middle-class consumer base. Countries such as China, India, Japan, and South Korea witnessed strong demand for wireless headphones, earbuds, and speakers driven by rising consumption of music streaming, gaming, and video content. The region is also a major manufacturing hub for consumer electronics, enabling cost-effective production, faster product launches, and wide availability of devices across price ranges. Increasing urbanization, improving internet connectivity, and growing adoption of Bluetooth-enabled and smart devices further supported market growth. Additionally, aggressive marketing strategies, frequent product upgrades, and the presence of both global and regional brands strengthened adoption across mass and premium segments. These factors collectively enabled Asia Pacific to dominate the wireless audio device industry in 2024.

Key companies operating in the wireless audio device companies are Apple Inc. (US), HARMAN International (US), Xiaomi (China), Sony Corporation (Japan), Imagine Marketing Limited (India), Sonos, Inc. (US), Masimo (US), Bose Corporation (US), Sennheiser electronic GmbH & Co. KG (Germany), VOXX International Corp. (US), and Marshall Group AB (Sweden), among others.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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