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Paul McCartney & Wings: One Hand Clapping 1974 Live Studio Sessions Available For The First Time

Eric Alper
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Paul McCartney & Wings: One Hand Clapping 1974 Live Studio Sessions Available For The First Time

The wait is over: With the June 14 release of One Hand Clapping, one of the most bootlegged live albums in musical history will finally receive a proper release. In August 1974, when Band on the Run was enjoying a seven-week consecutive #1 stint at the top of the UK album charts, Paul McCartney and Wings headed to Abbey Road Studios for the filming of a video documentary and possible live studio album – One Hand Clapping. Despite overwhelming demand for newly recorded material from the biggest band in the world at that time, One Hand Clapping was never officially released. You can pre-order it here.

Filmed and recorded over four days and directed by David Litchfield, the release of One Hand Clapping is a historic moment for Paul McCartney fans. Over the years, various parts of One Hand Clapping have been bootlegged with varying degrees of success. Some of the material has also appeared on official McCartney releases. However, the June 14 release of One Hand Clapping, which features the original artwork designed for the project, including a TV sales brochure for the unreleased film at the time, is the first time the audio for the film—plus several additional songs recorded off-camera–have been officially issued.

One Hand Clapping showcased Wings‘ new line-up, fresh off their return from Nashville, where they recorded the classic single Junior’s Farm. Following the sudden departure of Denny Seiwell and Henry McCullough the previous year on the eve of recording the Wings masterpiece Band on the Run, Paul, Linda, and Denny Laine were now joined by guitarist Jimmy McCulloch and drummer Geoff Britton. Additionally joining the band in the studio were orchestral arranger Del Newman and saxophonist Howie Casey, who had previously played with Paul in Hamburg and would go on to join the Wings touring band.

Opening with an instrumental jam that would become the One Hand Clapping theme song, the album features live-in-studio renditions of Wings mega-hits “Live and Let Die,” “Band on the Run,” “Jet,” “My Love,” “Hi, Hi, Hi,” “Junior’s Farm,” Paul’s much loved solo song “Maybe I’m Amazed,” reworked extracts of Beatles’ classics “Let It Be,” “The Long and Winding Road” and “Lady Madonna,” the Moody Blues hit “Go Now” with Denny Laine singing, and a Paul solo piano version of the Harry Akst/Benny Davis Tin Pan Alley classic “Baby Face.”

One Hand Clapping will be released in multiple formats, including an online exclusive 2LP + 7” package featuring an exclusive vinyl single of previously unreleased solo performances recorded on the final day of the sessions in the backyard of Abbey Road studios. These include the unreleased track “Blackpool,” The Beatles’ iconic “Blackbird,” Wings B-side “Country Dreamer,” and cover versions of Eddie Cochran’s “Twenty Flight Rock” (the first song Paul played to John Lennon when they met in 1957) and Buddy Holly’s “Peggy Sue” and “I’m Gonna Love You Too.”
One Hand Clapping serves as a celebration of the enduring legacy of Paul McCartney and Wings. It captured a moment when Wings had found and defined their signature sound – just as Paul had shaped popular culture the decade before with The Beatles, he was doing it once again in the 70s with Wings. This recording gives an insight into the inner workings of the band as they work and play together in the studio. It also underscores Paul’s incredible talent as a live performer: Fifty years on, Paul is still performing many of these songs in packed stadiums across the world.

2LP vinyl
SIDE ONE
One Hand Clapping* 02:15
Jet* 03:59
Soily* 03:55
C Moon/Little Woman Love* 03:19
Maybe I’m Amazed* 04:52
My Love* 04:15
SIDE TWO
Bluebird* 03:27
Let’s Love* 01:09
All of You* 02:04
I’ll Give You a Ring* 02:03
Band on the Run* 05:20
Live and Let Die* 03:26
Nineteen Hundred and Eighty Five* 05:50
Baby Face* 01:56
** Previously released as bonus audio on Archive Collection releases
*Previously released 2010 Band on the Run Archive Collection DVD
LP 2
SIDE ONE
Let Me Roll It** 04:28
Blue Moon of Kentucky 03:05
Power Cut 01:33
Love My Baby 01:13
Let It Be 01:02
The Long and Winding Road/Lady Madonna 02:10
SIDE TWO
Junior’s Farm 04:17
Sally G 03:28
Tomorrow 02:12
Go Now 03:35
Wild Life 04:30
Hi, Hi, Hi 03:57
** Previously released as bonus audio on Archive Collection releases

7″ Single – D2C exclusive with 2LP
Side One
Blackpool 01:43
Blackbird 02:27
Country Dreamer** 02:17
Side Two
Twenty Flight Rock 02:08
Peggy Sue 01:24
I’m Gonna Love You Too 01:10

2CD edition
CD 1
One Hand Clapping* 02:15
Jet* 03:59
Soily* 03:55
C Moon/Little Woman Love* 03:19
Maybe I’m Amazed* 04:52
My Love* 04:15
Bluebird* 03:27
Let’s Love* 01:09
All of You* 02:04
I’ll Give You a Ring* 02:03
Band on the Run* 05:20
Live and Let Die* 03:26
Nineteen Hundred and Eighty Five* 05:50
Baby Face* 01:56
** Previously released as bonus audio on Archive Collection releases
*Previously released 2010 Band on the Run Archive Collection DVD
CD 2
Let Me Roll It** 04:28
Blue Moon of Kentucky 03:05
Power Cut 01:33
Love My Baby 01:13
Let It Be 01:02
The Long and Winding Road/Lady Madonna 02:10
Junior’s Farm 04:17
Sally G 03:28
Tomorrow 02:12
Go Now 03:35
Wild Life 04:30
Hi, Hi, Hi 03:57
** Previously released as bonus audio on Archive Collection releases

Chris Farley and Phil Hartman Answers Fan’s Questions On CNBC In 1994

Eric Alper
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0
Chris Farley and Phil Hartman Answers Fan’s Questions On CNBC In 1994

Saturday Night Live comedians Phil Hartman and Chris Farley took part in a TV special on CNBC back in 1994 where fans were able to call into the show and ask the two anything they wanted about SNL.

The Beavis and Butt-Head Mintia Japanese Candy Ad From The 1990s

Eric Alper
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0
The Beavis and Butt-Head Mintia Japanese Candy Ad From The 1990s

The Beavis and Butt-Head Mintia Japanese Candy ad was a unique and unexpected collaboration that brought together the iconic animated duo with the popular Japanese candy brand, Mintia. This playful advertisement featured Beavis and Butt-Head engaging in their classic antics while promoting the Mintia candies.

ODUMODUBLVCK And Shallipopi’s Joint Tour – ‘Nigeria’s Most Wanted Tour’ Kicks Off This Spring

Eric Alper
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0
ODUMODUBLVCK And Shallipopi’s Joint Tour – ‘Nigeria’s Most Wanted Tour’ Kicks Off This Spring

Afrobeats artists Shallipopi and ODUMODUBLVCK announce their co-headline ‘Nigeria’s Most Wanted Tour 2024’, the first-ever joint tour in Afrobeats history. Produced by Live Nation, the 9-city tour kicks off on April 27 at Uptown Theater in Minneapolis, making stops across the U.S. in New York, Atlanta, Los Angeles and more before wrapping up in Dallas at House of Blues on May 27.

Their joint single, “Cast”, released in November 2023 peaked at #1 on TurnTable Top 100 and at Top 10 on Billboard US Afrobeats. Shallipopi & ODUMODUBLVCK’s individual projects “Presido La Pluto” and “EZIOKWU” also peaked at #1 on the TurnTable Top 100 Albums lists with #1 hits “Elon Musk” and “Ex-Convict” from Shallipopi and “Blood On the Dance Floor” feat. Wale & Bloody Civilian + “Declan Rice” from ODUMODUBLVCK.

Shallipopi (Crown Uzama), also known as Pluto Presido, stands as a testament to the boundless potential of creativity and the rapid influence of social media in the music world. Hailing from Benin in Nigeria, Shallipopi has crafted a unique niche for himself as an exceptionally talented singer and trendsetter. It was 2023 that witnessed his meteoric ascent, as he unleashed his hit single “Elon Musk.” The song became an instant sensation, catapulting him into the spotlight and setting the stage for a series of subsequent triumphs. Hits like “Sharpiru” and the electrifying remix of “Elon Musk” further solidified his status as a musical force to be reckoned with. Determined to surpass his own achievements, Shallipopi collaborated with Fireboy DML and Zlatan on a much-anticipated second remix of “Elon Musk.” This strategic move not only broadened his listener base but also earned him his very first number one hit, the infectious track titled “Ex-Convict.” Shallipopi’s impact isn’t limited solely to his musical prowess. His debut EP, aptly titled “Planet Pluto,” along with his debut album “Presido La Pluto,” both soared to the coveted number one spot on the charts upon their release in July and November 2023, respectively. Marking another milestone in his extraordinary journey, he launched his record label -“Plutomania Records” in October of 2023 with two signees – Zerrydl & Tega Boi Dc who have both featured on previous projects with him. Shallipopi’s fusion of raw talent, unrelenting determination, and unwavering dedication positions him as a true trendsetter.

ODUMODUBLVCK, born Tochukwu Gbubemi Ojogwu, has emerged as a prominent voice inNigerian Hip-Hop, seamlessly blending drill, grime, and Afrobeat influences. His viral 2023 single, “Declan Rice,” showcased his shapeshifting flows, paving the way for his critically acclaimed mixtape “EZIOKWU” on NATIVE Records/Def Jam. Despite his diverse musical aesthetics, ODUMODUBLVCK emphasizes the universality of his songs, aiming to connect with a broad audience. Originally a soccer enthusiast from Abuja, ODUMODUBLVCK absorbed Ghanaian music from his father’s collection and later drew inspiration from artists such as Sisqó, Sean Paul, Lil Wayne, 50 Cent, and JAY-Z. Stylistically influenced by 50 Cent and inspired by JAY-Z’s journey to superstardom, ODUMODUBLVCK navigates the music scene with determination.“EZIOKWU” made history as the first Hip-Hop/Rap album to yield a No. 1 song in Nigeria, according to the Turntable Charts. The mixtape propelled ODUMODUBLVCK to become the most streamed artist in Nigeria at a time on Spotify and set a record for the longest-charting #1 Album by a rapper on Spotify NG, spending 15 weeks at the top. Additionally, he achieved the milestone of being the fastest Nigerian rapper to surpass 100 million streams across all credits on Spotify.

NIGERIA’S MOST WANTED TOUR DATES:
Sat Apr 27 – Minneapolis, MN – Uptown Theater
Sun Apr 28 – Boston, MA – Big Night Live
Thu May 02 – New York, NY – Irving Plaza
Wed May 08 – Silver Spring, MD – The Fillmore Silver Spring
Sun May 12 – Atlanta, GA – Tabernacle
Sat May 18 – Los Angeles, CA – The Wiltern
Wed May 22 – San Francisco, CA – The Fillmore
Fri May 24 – Houston, TX – House of Blues Houston
Mon May 27 – Dallas, TX – House of Blues Dallas

Mexican Electronic Titans Moenia Are Back, Announcing Their ‘Pixel Tour USA’

Eric Alper
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0
Mexican Electronic Titans Moenia Are Back, Announcing Their ‘Pixel Tour USA’

Mexican electronic music legends, Moenia, return to the US with their Pixel Tour USA, produced by Live Nation. Renowned for their innovative sound, unique performances, and strong musical influence, they’re ready to thrill their loyal fans across the country.

The 14-city tour kicks off on August 23 at the House of Blues in Houston, TX. It continues across the US in Los Angeles, San Francisco, Seattle and more, wrapping up in Chicago at the House of Blues on September 15.

Formed in 1992, Mœnia has carved their name as pioneers of electronic music in Mexico. Their unique blend of synthpop, techno, and ambient sounds, infused with Latin influences, captivated audiences worldwide. Hits like “Ni Tu, Ni Nadie,” “Dejame Entrar,” and “Estabas Ahí” became anthems, solidifying their status as icons. Throughout their career, Mœnia has consistently pushed boundaries, experimenting with new sounds and themes. Their impact extends far beyond their own music, inspiring generations of Latin artists and shaping the landscape of alternative and electronic music in Latin America.

Emerging in 1992, Moenia brought a synth-pop sound inspired by 80s European electronic music bands. Their debut single, “No Puedo Estar Sin Ti,” released in 1997, paved the way for their self-titled debut album, which achieved Gold Record status. Pioneers in the Latin music industry, Moenia introduced innovative concepts like multimedia concerts, music DVDs, and à la carte shows where fans could choose the setlist. Their #HagamosContacto tour saw three sold-out nights at Mexico City’s Teatro Metropolitan, culminating in a sold-out show at the Auditorio Nacional on January 31, 2020. 2023 saw the release of Stereo Hits Vol II, featuring 11 reimagined versions of iconic Hispanic Rock and Pop songs. Their Pixel Tour dominated Latin America and Mexico, including a sold-out show at the Auditorio Nacional, with such high demand that a second date sold out within a month.Fueled by this success, Moenia embarks on the Pixel Tour USA with 14 dates across major cities in the United States.

TOUR DATES:

Fri Aug 23 Houston, TX House of Blues

Sat Aug 24 Dallas, TX House of Blues

Sun Aug 25 Austin, TX Emo’s

Tue Aug 27 El Paso, TX Lowbrow Palace

Thu Aug 29 Anaheim, CA House of Blues

Fri Aug 30 Los Angeles, CA The Belasco

Sat Aug 31 San Diego, CA House of Blues

Wed Sep 04 Sacramento, CA Ace of Spades

Thu Sep 05 San Francisco, CA The Fillmore

Sat Sep 07 Salt Lake City, UT The Depot

Sun Sep 08 Las Vegas, NV House of Blues

Wed Sep 11 Seattle, WA Neptune

Thu Sep 12 Portland, OR Roseland Theater

Sun Sep 15 Chicago, IL House of Blues

About Moenia

Aaron May Announces First Headline ‘MAKEORBREAK’ North American Tour 2024

Eric Alper
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0
Aaron May Announces First Headline ‘MAKEORBREAK’ North American Tour 2024

With platinum-certified hits and millions of streams under his belt, Houston rapper Aaron May is set to make his official debut to the touring stage with his headlining MAKEORBREAK NORTH AMERICAN TOUR 2024 this May. Produced by Live Nation, the 14-city trek kicks off on May 9th at Neptune Theatre in Seattle making stops across North America in Los Angeles, his hometown of Houston, New York, and more before wrapping up in Chicago at Concord Music Hall on June 1st.

Hailing from Houston’s Alief neighborhood, Aaron May has carved an unconventional path to success. Inspired by the positive reception of his debut video “Ride” on Reddit at just 17, May wrote, recorded, and produced much of his acclaimed debut album, CHASE, while still in high school for only a few hundred dollars. Released independently in February 2019, CHASE’s timeless energy, propelled by the platinum-certified single “Let Go,” garnered significant support from Spotify, Apple Music, Complex Magazine, and others, sparking a wave of label interest. Despite offers, May chose to remain fiercely independent, continuing to self-release hit singles, EPs, and collaborations. Now, five years and 750 million streams later, he maintains full ownership of his masters and publishing, funding his own marketing efforts and often taking on roles as producer and director for his music videos and those of fellow artists on his Houston-based label, MOVEINTHEAM. Currently, May is in the final stages of completing his highly anticipated new project set for release this Spring.

AARON MAY MAKEORBREAK 2024 TOUR DATES:
Thu May 09 | Seattle, WA | Neptune Theatre
Sat May 11 | San Francisco, CA | The Fillmore
Sun May 12 | San Diego, CA | SOMA
Tue May 14 | Los Angeles, CA | The Belasco
Fri May 17 | San Antonio, TX | Paper Tiger
Sat May 18 | Dallas, TX | South Side Music Hall
Sun May 19 | Houston, TX | House of Blues Houston
Tue May 21 | Austin, TX | Emo’s
Thu May 23 | Atlanta, GA | Buckhead Theatre
Sat May 25 | New York, NY | Irving Plaza
Sun May 26 | Silver Spring, MD | The Fillmore Silver Spring
Tue May 28 | Philadelphia, PA | Theatre of Living Arts
Thu May 30 | Toronto, ON | The Opera House
Sat Jun 01 | Chicago, IL | Concord Music Hall

My Next Read: “First Things First: Hip-Hop Ladies Who Changed the Game” By Nadirah Simmons

Eric Alper
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My Next Read: “First Things First: Hip-Hop Ladies Who Changed the Game” By Nadirah Simmons

This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music.

FIRST THINGS FIRST, hip-hop is not just the music, and women have played a big role in shaping the way it looks today. FIRST THINGS FIRST takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.)

There are chapters on music legends like Nicki Minaj, Lil’ Kim and Mary J. Blige, tv and radio hosts like Big Lez and Angie Martinez, and so many more ladies I would name but I don’t want to spoil the book! There are games, charts and some fire images, too.

Altogether, FIRST THINGS FIRST is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn’t have their facts straight on the ladies in hip-hop, you can hit them with “first things first”…

Rock & Roll Hall Of Fame Announces 2024 Inductees

Eric Alper
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Rock & Roll Hall Of Fame Announces 2024 Inductees

The Rock & Roll Hall of Fame Foundation announced tonight the 2024 Inductees for music’s highest honor in the following categories: 

Performer Category: 

  • Mary J. Blige 
  • Cher 
  • Dave Matthews Band 
  • Foreigner 
  • Peter Frampton 
  • Kool & The Gang 
  • Ozzy Osbourne 
  • A Tribe Called Quest 

Musical Influence Award: 

  • Alexis Korner 
  • John Mayall 
  • Big Mama Thornton 

Musical Excellence Award: 

  • Jimmy Buffett 
  • MC5 
  • Dionne Warwick 
  • Norman Whitfield 

Ahmet Ertegun Award: 

  • Suzanne de Passe 

The 2024 Rock & Roll Hall of Fame Induction will be live on Saturday, October 19th at the Rocket Mortgage Fieldhouse in Cleveland, Ohio. The 2024 ceremony will once again stream live on Disney+ with a special airing on ABC at a later date and available on Hulu the next day. 

“Rock & Roll is an ever-evolving amalgam of sounds that impacts culture and moves generations,” said John Sykes, Chairman of the Rock & Roll Hall of Fame Foundation. “This diverse group of inductees each broke down musical barriers and influenced countless artists that followed in their footsteps.” 

The Inductees were announced live on ABC this evening by Ryan Seacrest and Rock & Roll Hall of Fame inductee Lionel Richie during the “Rock & Roll Hall of Fame Night” episode of “American Idol,” where the Top 14 American Idol finalists took on songs from legendary Rock & Roll Hall of Fame Inductees as America voted live for the Top 12. The episode will be available tomorrow on Hulu. 

The Induction categories include: 

  • Performers: artists who have created music whose originality, impact, and influence has changed the course of rock & roll. 
  • Musical Influence Award: artists whose music and performance style have directly influenced, inspired, and evolved rock & roll and music impacting youth culture. 
  • Musical Excellence Award: given to artists, musicians, songwriters and producers whose originality and influence creating music have had a dramatic impact on music. 
  • Ahmet Ertegun Award: non-performing industry professionals who have had a major influence on the creative development and growth of rock & roll and music that has impacted youth culture. 

To be eligible, an individual artist or band must have released its first commercial recording at least 25 years prior to the year of nomination. 4 out of the 8 Inductees in the Performer category were on the ballot for the first time, including Cher, Foreigner, Kool & the Gang and Peter Frampton. 

Ticket on sale information will be announced at a later date. Select Rock & Roll Hall of Fame donors and members receive exclusive Induction ticket opportunities.

Background Music Market Size Is Set To Grow By USD 421.73 Million From 2023-2027

Eric Alper
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Background Music Market Size Is Set To Grow By USD 421.73 Million From 2023-2027

The global background music market size is estimated to grow by USD 421.73 mn from 2023-2027, according to Technavio. The market is estimated to grow at a CAGR of over 7.69% during the forecast period. Background music significantly enhances retail environments by influencing shopper engagement, relaxation, and productivity. It provides a branded experience, sets shopping pace, offers stress relief, and boosts employee morale. Keywords: recorded sound, soothing shopping environment, marketing tools (commercials, films, videos), soft tunes, stress relief, visual content, personalized experiences (fitting rooms, virtual spaces), positive mood, productivity, younger demographics, low volume, health consciousness, fitness centers, travel.

The Background Music Market in Europe is thriving, with retailers investing in modern infrastructures to enhance consumer relationships. BGM plays a crucial role in shopping centers and commercial hubs, including retail stores, cafes & restaurants, leisure & hospitality, and public organizations. Music streaming and digital subscription-based services provide value-added options, while AV systems deliver soothing shopping environments with soft tunes, commercials, films, and marketing videos. Music can influence mood, from positive arousal to relaxation, and is used in various settings, such as fitting rooms, virtual spaces, and elevators. Younger demographics prefer low volume music to reduce stress and tension, while high-performance environments may require motivating beats. BGM is also used in malls and elevators to create a positive working atmosphere and improve cognitive function and creativity.

  • The music industry has experienced significant revenue growth in the past three years, primarily driven by subscription-based streaming services. Traditional pay-per-track/album sales were costly, leading to piracy. Affordable monthly subscriptions (USD5.99–USD9.99) offer unlimited song streams, making music consumption more accessible. Background music is now used in various sectors, including retail, hospitality, healthcare, and corporate environments, enhancing ambience, customer engagement, and productivity. Keywords: streaming music, subscription services, background music, retail, hospitality, healthcare, corporate sector, customer engagement, ambience, productivity.
  • The Background Music Market faces intense competition, with slim profit margins due to high artist royalties. Providers rely on subscribers and music sales for income, but user base growth is challenging due to music-streaming startups. Key markets include retail, hospitality, corporate sectors, and digital subscriptions. Background music enhances consumer experience, engagement, and productivity, using ambient sounds, recorded music, and AV systems.

In the dynamic and evolving business landscape, the Background Music Market occupies a significant role in various sectors such as Retail, Hospitality, Healthcare, Restaurants, and Entertainment Venues. This market offers digital subscription-based music and digital broadcasts, including TouchTunes’ Ambient Music, to enhance the consumer shopping experience. The soothing shopping environment created by soft tunes is essential for customer engagement and modern infrastructures. The Marketing aspect of background music is crucial for value-added options, as it can influence consumer relationships and business productivity. Modern infrastructures in the Retail sector and Recreation industries employ background music to improve the ambience and provide complementary food offerings. Background music also plays a role in commercials, films, and marketing videos, contributing to the overall success of a business. Moreover, background music can positively impact sleep quality, making it an essential component of the Healthcare sector.

In the realm of digital content creation, the Background Music Market holds a significant position. This market is characterized by a multitude of providers offering a vast array of music compositions for various applications. These compositions are created using advanced technology and techniques, such as Consumer-made music, Custom music, and Royalty-free music. The market caters to diverse sectors, including Advertising, Film and Television, Gaming, and Education. The use of Background Music is essential for creating engaging and immersive experiences, enhancing the overall impact of multimedia content. The market is continuously evolving, with new technologies and trends shaping its future. For instance, the emergence of Artificial Intelligence and Machine Learning is enabling the creation of personalized music experiences. The Background Music Market is a dynamic and ever-growing industry that plays a crucial role in shaping the multimedia landscape.

Secondary Tickets Market Size To Increase By USD 50.14 Billion Between 2022 To 2027

Eric Alper
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0
Secondary Tickets Market Size To Increase By USD 50.14 Billion Between 2022 To 2027

The global secondary tickets market size is estimated to grow by USD 50.14 bn from 2023 to 2027, according to Technavio. The market is estimated to grow at a CAGR of 20.96% during the forecast period. The secondary tickets market experienced a spike in demand in 2021 due to increased Internet usage and faster speeds. Developing countries like Pakistan, India, and Brazil saw significant Internet speed improvements. Network providers offered affordable data plans, expanding access. However, ethical concerns arose with ticket scalping, fraudulent activities, and inflated prices. Blockchain technology emerged as a solution for authentic ticket ownership and equitable allocation.

The secondary tickets market in North America is experiencing significant growth, driven by the popularity of live events such as music concerts, sporting events, and theater performances. The US and Canada are the major contributors to this market, with the US holding the largest share due to its robust media and entertainment industry. However, this market is not without its challenges. Fraudulent activities, including ticket scalping and the resale of tickets at exorbitant costs, pose moral concerns for sincere fans. Dishonest persons use bots and automated software to buy tickets in bulk, leading to risks for consumer trust. Technological changes, such as blockchain technology, aim to ensure ticket ownership and authenticity, offering acceptable prices and equitable ticket allocation in a user-friendly ecosystem. Despite these advancements, consumer complaints persist due to inflated prices and deceptive advertising on third-party platforms. As the market continues to evolve, it is essential to address these challenges through sophisticated security measures, algorithms, and user-friendly interfaces to ensure a fair and transparent market for individual sellers, professional resellers/brokers, and casual sellers alike. The global secondary tickets market commands a significant presence in the entertainment industry, with events in various categories, including concerts, sports events, and special experiences, catering to the growing demands of the middle class and urbanized population.

Commenting on the market trends, a Senior Analyst of Technavio, stated,” The secondary tickets market employs dynamic pricing, allowing flexible ticket prices for events based on demand. Factors like holidays, injuries, team records, and weather impact prices. Cut-offs prevent extreme fluctuations. In the global market, urbanization and digital platforms expand access to casual sellers, offering trips, experiences, and entertainment for the middle class. Ethical concerns arise regarding fraud and unfair competition. Dynamic pricing fuels demand for sold-out concerts, big athletic events, and blockbuster theatrical plays, with restricted quantities available on secondary ticket marketplaces.”

In the Secondary Tickets Market, demand for Sold-Out concerts, Big Athletic Events, and Blockbuster Theatrical Plays often leads to a Spike in Demand and exorbitant costs. Customer Willingness to pay these prices, coupled with Convenience, can create an environment for Fraudulent Activities such as Ticket Scalping and the Resale of Tickets through Unofficial Channels or Third-Party Platforms. Dishonest Persons may use Automated Software, Bots, and Deceptive Advertising to sell Secondary Tickets at Inflated Prices, posing Risks to Sincere Fans. Ethical concerns and Moral Dilemmas arise due to Unfair Competition and the potential for Dishonest Persons to profit from the Restricted Quantity of tickets available. Maintaining Customer Trust and combating Fraud in the Secondary Tickets Market is essential to ensure a fair and transparent experience for all participants.

In the secondary tickets market, fans and enthusiasts can purchase tickets for various events through numerous channels. These channels can include blockbuster events, concerts, or sports competitions. Fraudulent activities, such as counterfeit tickets, can pose a significant threat in this market. Customers must take precautions to ensure the authenticity of their tickets. The use of secure platforms and reputable sellers is crucial. Additionally, consumers should be aware of the consequences of purchasing tickets from unauthorized sources. Deciphering the complexities of the secondary tickets market can be challenging, but with the right knowledge and resources, fans can securely and confidently obtain tickets to their desired events.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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