Rick Astley performs his classic hit Never Gonna Give You Up with ‘Shape Of You’ by Ed Sheeran in the Radio 2 Piano Room, performed with the BBC Concert Orchestra at BBC’s Maida Vale Studios.
Record Store Day Announces Paramore As 2024 Ambassadors
Paramore’s appointment as Record Store Day ambassadors marks a significant moment for both the band and the annual event celebrating independent record stores, this year happening on April 20, 2024. With their energetic blend of pop-punk and alternative rock, Paramore has captivated audiences worldwide, earning critical acclaim and a dedicated fanbase. As ambassadors, they symbolize the spirit of grassroots music culture and the importance of supporting local record stores. Their involvement underscores the enduring relevance of physical music formats and the communal experience of browsing through vinyl records and discovering new music. Paramore’s commitment to the music community aligns perfectly with the ethos of Record Store Day, making them ideal ambassadors to champion the cause of independent music retailers and celebrate the unique culture they foster.
The band writes, “After a long career in the music industry we have decided to announce that… we are going to continue to have a long career in the music industry (sorry for any inconvenience).
Our first order of business as a freshly independent Paramore is to shine a light on independent record stores— a vital part of our journey from music obsessed school friends to professional music makers.
With that being said, we are humbled to be your Ambassadors for Record Store Day 2024. The timing feels kismet.
The discovery of music was always meant to be romantic. Indie record shops are some of the only spaces we’ve got that offer a tangible, tactile experience of music discovery.
In this world that feels more disconnected and hostile than ever, it feels important to remain in touch (literally) with what inspires us, empowers us, or simply brings us joy.
Thankfully, for all our sakes, there still survives among the chaos, the purity and radical simplicity of a great record store.
Independently yours,
Paramore”
The Beatles Are Releasing A 3″ Turntable For Record Store Day
Coming April 20, 2024 to record stores, a “mini” celebration of The Beatles’ historic Ed Sullivan appearances, sixty years ago. A revamped mini-turntable, and 3″ records for four of the songs they played on that explosive television moment.
The Beatles 3″ turntable package comes fully equipped with the ability to stream vinyl via external speakers with the built-in Bluetooth transmitter, and also:
● Pre-mounted AT3600L moving magnet cartridge.
● Full-size turntable features like adjustable pitch control, a clear dust cover, headphone jack, and post adapters for large-hole records.
● Aux output with RCA conversion cable included
● Four 3-inch Beatles releases with unique, collectible artwork
● Matching record carrying case that can hold up to ten 3-inch records
Each 3″ single, ” Want to Hold Your Hand,” “Till There Was You,” “Saw Her Standing There,’” and “She Loves You”, also sold separately.
DJ Cummerbund Mashes Rage Against the Machine’s ‘Testify’ With ‘Fireball’ by Pitbull And Throws In U2 And The Rockettes
DJ Cummerbund’s Testifireball imagines what it might be like to attend a raucous concert where Rage Against The Machine and Pitbull have joined forces and smashed their two respective songs together – “Testify” and “Fireball” – to create a chaotic aural amalgamation, and throws in Randy “Macho Man” Savage, U2 and The Rockettes because he can.
Remember “Born to Add,” That Sesame Street Tribute to Bruce Springsteen’s ‘Born to Run’?
“Born to Add” is a charming Sesame Street parody of Bruce Springsteen’s iconic track “Born to Run,” featuring the lovable muppets Bruce Stringbean and Clarice from the S Street Band. Originally aired in 1979, the clip brilliantly captures Springsteen’s signature aesthetic and the emotional intensity of the original song. With clever nods to Springsteen’s distinctive vocal style and the fervent piano melodies reminiscent of “Jungleland,” another track from the acclaimed Born to Run album, the parody encapsulates the essence of the timeless hit while infusing it with Sesame Street’s whimsical charm.
AC/DC Announces 2024 Tour Dates And A New Bass Player
AC/DC has unveiled plans for an electrifying summer tour across Europe, featuring a fresh lineup set to ignite stages with their iconic rock anthems. The Power Up tour, comprising 21 dates, will commence on May 17 in Gelsenkirchen, Germany, and culminate on Aug. 17 in Dublin, Ireland. Fans can anticipate an unforgettable experience as the legendary band brings their signature sound to renowned venues throughout the continent.
In a departure from previous lineups, drummer Phil Rudd and bassist Cliff Williams will not be part of the tour. The stage will be ablaze with the dynamic presence of lead guitarist Angus Young, singer Brian Johnson, and rhythm guitarist Stevie Young, joined by powerhouse drummer Matt Laug and former Jane’s Addiction bassist Chris Chaney. Tickets for these highly anticipated shows will be available for purchase starting Feb. 16, promising audiences an electrifying journey through AC/DC’s legendary catalog of hits.
AC/DC Power Up 2024 European Tour Dates
May 17: Gelsenkirchen, Germany – Veltins Arena
May 21: Gelsenkirchen, Germany – Veltins Arena
May 25: Reggio Emilia, Italy – RCF Arena
May 29: Seville, Spain – La Cartuja Stadium
June 5: Amsterdam, the Netherlands – Johan Cruyff Arena
June 9: Munich, Germany – Olympic Stadium
June 12: Munich, Germany – Olympic Stadium
June 16: Dresden, German – Messe
June 23: Vienna, Austria – Ernst Happel Stadium
June 26: Vienna, Austria – Ernst Happel Stadium
June 29: Zurich, Switzerland – Letzigrund Stadium
July 3: London, England – Wembley Stadium
July 7: London, England – Wembley Stadium
July 13: Hockenheim, Germany – Ring
July 17: Stuttgart, Germany – Wasen
July 21: Bratislava, Slovakia – Old Airport
July 27: Nuremberg, Germany – Zeppelinfeld
July 21: Hannover, Germany – Messe
Aug. 9: Dessel, Belgium – Festivalpark Stenehei
Aug. 13: Paris, France – Hippodrome Paris Longchamp
Aug. 17: Dublin, Ireland – Croke Park
My Next Read: “Electronically Yours: Vol. I: My Autobiography” by Martyn Ware
This is a music autobiography to remember. This is the story of Martyn Ware.
The Human League and Heaven 17 were among some of the most pioneering bands of the 1980s, with Ware having played an integral role in each of their numerous successes. A young lad from the heart of post-war Sheffield, Ware formed The Human League a few years out of school in his early twenties. Described by David Bowie as ‘the future of music’, it wasn’t long before the band become known for their innovative and infectiously catchy singles such as ‘Being Boiled’, touring with the likes of Siouxsie and the Banshees and Iggy Pop before Ware’s departure. Heaven 17 followed suit, with their soon-to-be classic albums, Penthouse & Pavement and The Luxury Gap, featuring several colossal hits. Ground-breaking icons in new wave and synth pop, both groups remain some of the biggest-selling bands across the UK and worldwide.
In Electronically Yours, Martyn takes us through his incredible route to stardom; from his austere upbringing in various council houses and close teenage friendship with former-bandmate Phil Oakey, to the white-hot experimentation in the ‘Synth Britannia’ era and his production career, which allowed him to work with some of the world’s greatest singers, including Tina Turner. But it’s not just his life inside the industry which is compelling; a proud socialist, Martyn writes poignantly about politics – how it can be a soulful, personal, moral duty – and its role in his music creation and Britain today. With charming meditations on culture, humour, travel and sport, Martyn also shares his love of 60s films, explains why Venice is the most beautiful city in the world, and reveals how Sheffield Wednesday has forever been his first and eternal passion.
A huge page-turner and always warmly told, Electronically Yours sees Martyn talk candidly for the very first time about his extraordinary journey. Discover amusing anecdotes, raw confessions, and moving reflections of a life well and truly lived at the height of the music industry.
The Evolution of the Super Bowl Halftime Show: From Spectacle to Cultural Phenomenon
By Mitch Rice
The Super Bowl Halftime Show has become an iconic spectacle ingrained in American culture. What started as a simple entertainment break during the championship game of the National Football League (NFL) has evolved into a global phenomenon, blending music, dance, technology, and celebrity culture. This evolution reflects broader shifts in entertainment, marketing, and audience expectations over the years. From modest beginnings to elaborate productions with massive budgets, the Super Bowl Halftime Show has continuously pushed boundaries, capturing the attention of millions worldwide.
The inaugural Super Bowl in 1967 featured a modest halftime show consisting of marching bands and drill teams. In the following decades, the halftime entertainment primarily comprised college marching bands, local performers, and occasionally big names in music, such as Up with People and Carol Channing. These early shows served as intermissions, focusing more on traditional forms of entertainment rather than the extravagant productions we see today.
The turning point for the Super Bowl Halftime Show came in 1993 with Michael Jackson’s performance at Super Bowl XXVII. Jackson’s electrifying performance set a new standard, transforming the halftime show into a must-see event. His combination of showmanship, dance, and hit songs captivated the audience and garnered unprecedented viewership. Jackson’s performance not only elevated the halftime show’s status but also established a blueprint for future performers to follow.
Following Michael Jackson’s groundbreaking performance, the Super Bowl Halftime Show increasingly became a platform for top-tier musical acts. Throughout the late 1990s and early 2000s, iconic artists such as Diana Ross, Aerosmith, Britney Spears, *NSYNC, and U2 graced the halftime stage. These performances integrated elaborate stage setups, choreography, and special effects, showcasing the evolving production values of the show. The infusion of pop culture icons attracted a broader audience beyond football enthusiasts, solidifying the halftime show’s status as a cultural event.
Despite its popularity, the Super Bowl Halftime Show hasn’t been without controversy. The infamous “wardrobe malfunction” incident during Janet Jackson and Justin Timberlake’s performance in 2004 sparked widespread debate and led to increased scrutiny of future halftime shows. In response, the NFL implemented stricter guidelines and vetting processes for performers, ensuring that the show remained family-friendly. Additionally, technological advancements played a significant role in enhancing the halftime experience, with LED screens, pyrotechnics, and intricate stage designs becoming commonplace.
In recent years, the Super Bowl Halftime Show has evolved into a cultural extravaganza that transcends sports. The lineup of performers has grown more diverse, reflecting the varied tastes of the global audience. Superstars like Beyoncé, Bruno Mars, Lady Gaga, and Shakira have delivered memorable performances that blend music, dance, and social commentary. These shows often incorporate elements of spectacle and surprise, generating buzz and anticipation months in advance. Moreover, the halftime show has become a prime marketing opportunity for artists to promote their latest projects and reach a massive audience in one fell swoop.
The evolution of the Super Bowl Halftime Show mirrors broader shifts in entertainment, technology, and audience engagement. What began as a simple halftime intermission has transformed into a global cultural event that captivates millions of viewers worldwide. From Michael Jackson’s groundbreaking performance to the elaborate spectacles of today, the halftime show continues to push boundaries and redefine the intersection of sports and entertainment. As we look to the future, one thing is certain: the Super Bowl Halftime Show will remain a cornerstone of American popular culture for years to come.
March 13 at Commodore Ballroom: A Celebration of Love: Honouring Rob Pattee’s 42 Years in the Music Industry
A Celebration of Love: Honouring Rob Pattee’s 42 Years in the Music Industry
Wednesday, March 13, 2024, Commodore Ballroom, 7pm-10pm. Tickets now available at www.ticketweb.ca
RPM Music Services proudly announces a heartwarming celebration in honour of Rob Pattee, a stalwart figure in the music industry with 42 years of dedication and passion. Rob, a long-time agent and friend to many in the world of music, has been diagnosed with terminal liver cancer stemming from a rare genetic condition known as “Alpha 1 Antitrypsin Deficiency,” the same condition that claimed his sister’s life last year.
In the spirit of celebrating Rob’s remarkable career and life, friends, colleagues, and fans are invited to join the event, aptly titled “A Celebration of Love.” The gathering aims to allow Rob to share joyous moments with his extensive network of friends and associates while he can. The event will feature live performances by renowned acts, including Daniel Powter, Hot Hot Heat, Bif Naked, WideMouth Mason, Washboard Union, Crystal Shawanda, Karen Lee Batten, and many more, with a few surprises in store.
Pattee, the force behind RPM Music Services, continues to leave an indelible mark on the music industry, serving as a manager, agent, talent buyer, and advocate for artists. His career includes notable achievements, such as being the first agent for hit artists like Nickelback, Wide Mouth Mason, Hedley, Hot Hot Heat, Daniel Powter, and Bif Naked.
As an exclusive buyer for venues across Western Canada, Pattee established relationships with artists, club owners, and promoters such as House of Blues, Live Nation, and Whistler World Ski Festival to ensure successful, top-quality shows.
Despite facing health challenges, Rob remains grateful for the support and participation of the acts he has worked with over the years, who will perform at this special celebration. The event promises to be a night filled with music, camaraderie, and love, reflecting the essence of Rob’s enduring impact on the music community.
Partial Proceeds will be donated to Alpha One Canada and will be accepted at the door.
Pattee is deeply committed to the wider music community, having served for 15 years as Director on the board of Music BC, a provincial non-profit organization dedicated to providing education and opportunities for musicians across British Columbia, and as a faculty member at the Peak Performance Boot Camp, an artist-development initiative coordinated by Music BC and The Peak FM.
Pattee formed RPM Music Services in 2006 as a boutique management, booking, and consulting agency to help artists fulfill their career aspirations and to help manage their expectations at every level. RPM Music Services offers live performance critiques while Pattee’s expertise helps artists in cultivating dedicated, lifelong fans.
In addition to his work, Rob is deeply committed to the music community, having served on the board of Music BC for 15 years and contributing as a faculty member at the Peak Performance Boot Camp.
To purchase tickets, please visit www.ticketweb.ca.
Montreal Jazz Pianist Simon Denizart Releases “Speedball” From Upcoming ‘Piece Of Mind’ Album
Today, Montreal-via-France jazz pianist and composer Simon Denizart is pleased to announce his fifth full-length Piece of Mind arriving March 29th. He shares a taste of the new album with the intoxicating and mysterious new song “Speedball.” Enticing piano melodies and stuttering drum beats draw the listener in with hypnotic energy.
Simon explains: “Speedball is a track that immerses you in raw emotion and makes you feel the rush of the unknown. Through dynamic rhythms and staccato melodies, this song captures the essence of adrenalin and the giddiness of risk-taking.”
“Speedball” accompanies recent releases “35 Years of Mistakes” “Music Box” and “9-4,” (All About Jazz Song of the Day) on the virtuoso’s upcoming full-length, Piece of Mind, out March 29th via Nettwerk/Justin Time Records.
Originally from Créteil, France, jazz pianist and composer Simon Denizart now calls Montréal, Québec Canada home. He arrived in 2011 and quickly made a name for himself as one of the city’s top players. With a nod to world music, his style and repertoire can be soft, sensitive and energizing with subtle and accessible melodies. His first three releases (labels 270 Sessions and Laborie Jazz) were all nominated for ADISQ Awards (Québec Grammy®) in the Album of the Year category, jazz. Selected for the 2014 Rimouski Festival’s next generation competition, he won the audience prize which enabled him to travel and perform throughout Québec. He received significant praise and recognition from CBC/SRC having been chosen as one of their rising stars with the Radio Canada Revelation Award which highlights and encourages the next generation of emerging artists.
Recently signed to Justin Time Records worldwide – Simon’s fifth album ‘Piece of Mind’ proves to be his most innovative yet with influences borrowed from jazz, classical and electronic music. Always sensitive to developing new sounds and sonorities with the piano, Simon offers solid melodic and rhythmic playing. On ‘Piece of Mind’ Simon is supported by his long-time collaborators; virtuoso Elli Miller Maboungou on percussion and Michel Medrano Brindis on drums. Jonathan Arseneau’s electric bass brings an unrivaled groove to the compositions and sometimes transforms into an electric guitar thanks to the bassist’s palette of effects. Finally, the string trio present on half of the compositions transports the listener into the cinematic universe of the French pianist.
Simon tours frequently and has performed in Germany, the Czech Republic, Poland and his native country France. Stay tuned for 2024 tour dates to support the release of ‘Piece of Mind’.