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The Orb and David Gilmour Launch ‘Metallic Spheres In Colour’ AI Global Remix Project For Fans

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The Orb and David Gilmour, the guitar and voice of Pink Floyd, recently released ‘Metallic Spheres In Colour,’ a visionary re-interpretation of their 2010 ambient classic ‘Metallic Spheres.’ Now in a new use of artificial intelligence led by major recording artists, they are stretching the creative possibilities of the remix project even further by inviting fans around the world to reimagine music from the new album, as well as its cover art, with AI-powered tools.

Starting today, fans can visit metallicspheres.io to create their own personalized AI track and artwork remixed from portions of ‘Metallic Spheres In Colour.’ Visitors to the site will follow a series of prompts indicating the emotion they want the album’s artwork to convey, plus mood and tempo preferences for the available audio. The site, using artificial intelligence capabilities, then generates a new version for playback. Fans can share links to their creations via social media along with their reimagined album covers, and there will be an opportunity to purchase full length remixes as a download in the coming weeks.

In addition, select fan remixes of the ‘Metallic Spheres In Colour’ album cover image, based on the original image by artist Simon Ghahary, may be included in an upcoming music video supporting the album.

Sony Music Entertainment and Legacy Recordings are collaborating with The Orb and David Gilmour to develop the ‘Metallic Spheres In Colour’ AI project in partnership with Vermillio, the first generative AI platform that empowers creators and protects their work using Authenticated AI. With Vermillio’s generative AI platform, creators can style, own and track AI-powered digital creations using text-to-image and image-to-image styling tools, while creating audio remixes and variations benefitting artists.

An all-new use of artificial intelligence technology by globally renowned recording artists, the ‘Metallic Spheres In Colour’ AI Remix is powered by machine learning and a custom generative AI model developed for the project.

Remixes of the album art are generated from users listening to selections from ‘Metallic Spheres In Colour’s musical movements in a live group setting and typing in text that describes how the audio they are hearing makes them feel. The AI model then creates new images in the style of Ghahary’s original based on the emotions it detects in the language inputs.

Next, fans can reimagine the audio by using sliders to indicate the desired mood (chill -> high energy) and tempo (slower -> faster) they want the music to convey. The user’s choices are then combined with the emotional input from the album art they personalized to create a new remix of the movement selection.

In Spring 2009 Ambient pioneers The Orb and producer Youth were asked to remix a version of Crosby, Stills, Nash & Young’s “Chicago/Change The World”, recorded by David Gilmour in aid of the British Hacker Gary McKinnon, who was facing extradition to the USADavid Gilmour contributed further guitar parts to the mix and Youth and Orb leader Alex Paterson turned this session into a two ambient suites, the 28 minute ‘Metallic’ and the 20-minute ‘Spheres’ and released under the name ‘Metallic Spheres,’ which was initially released in 2010.

‘Metallic Spheres In Colour’ is the new 2023 remix/reimagining of the original ‘Metallic Spheres’ album. This new version has been masterminded by Alex Paterson, founder of The Orb, alongside writing partner and current member of The Orb Michael Rendall and producer Youth. This new version of the album also features brand new artwork created by Simon Ghahary http://www.ghahary.com.

2023 Canadian Music Festivals Buzz Band BuenRostro Selected for Vive Latino On March 16 and 17, 2024

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BuenRostro has been selected to perform at Vive Latino – Festival Iberoamericano de Cultura Musical March 16 and 17, 2024.  It is an annual music festival held in Mexico City. It is one of the most important music festivals in Mexico, featuring a great variety of groups of many genres.  This was announced last night at 18:35 hrs (Hora de la Ciudad de México).

According to Music Festival Wizard, “It’s one of the most important Spanish rock festivals in the world, highlighting acts from all over Ibero-America for nearly twenty years.”

Amazon, the festival sponsor, hopes to share the experience with the more than 170,000 attendees of the festival, which will be known as Vive Latino presented by Amazon starting in 2024.

Soon, the lineup will be announced through the Vive Latino 2024 presented by Amazon playlist.

Amazon is preparing several innovations for the festival through its technology and multiple services such as Amazon.com.mx, Amazon Music, Amazon Prime, Twitch and Alexa.

Mexico City, November 6, 2023 – Amazon joins the Vive Latino festival to celebrate culture and musical diversity with its thousands of attendees. Starting in 2024, Amazon will be the presenter of this important festival and will work hand in hand with the Vive Latino organizers to give the best experience to all its attendees in its two-day event and more than 90 artists.

“We are very proud to become the presenter of one of the most important music festivals in Mexico and Latin America. This long-term partnership is one of the most important for Amazon since our arrival in Mexico in 2015, that’s why we are committed to giving an incredible experience to all attendees of Vive Latino presented by Amazon. Amazon is for everyone and we are planning several unique experiences so that both artists and attendees can learn about the services and benefits that Amazon offers and enjoy the festival to the fullest,” said Gabriel Mas, Chief Marketing Officer of Amazon Mexico.

Music is part of Amazon’s essence, so Amazon Music will play a key role in this collaboration. Since its inception, the Vive Latino festival has encouraged and supported Mexican talent, a goal it shares with Amazon Music.

“Amazon Music is much more than just music. We are deeply passionate about music, but, above all, about providing fans with the best experiences, at home or at live events. Being part of Vive Latino, as presenters, allows us to get closer to fans and create experiences that will connect them with their favorite artists in a special way. We are very grateful to OCESA for trusting us to be such an important part of this incredible festival. We are sure this is the beginning of something very special,” said Paul Forat, Head of Amazon Music Mexico.

This year, the festival will unveil its lineup with the exclusive Vive Latino 2024 playlist presented by Amazon, which will soon be available for free to music fans and Amazon Music users on the app.

Amazon is preparing several innovations for the festival through its technology and multiple services such as Amazon.com.mx, Amazon Music, Amazon Prime, Twitch, Alexa, as well as many surprises for all its attendees and Amazon Prime members, which will be unveiled later. The Vive Latino festival presented by Amazon will have 6 stages, being Amazon and Amazon Music the main ones.

The Vive Latino festival presented by Amazon will take place on Saturday, March 16 and Sunday, March 17, 2024 at the AHR in Mexico City, with the participation of Mexican and international rock, reggae, trap and regional Mexican artists.

 

 

THE ANDY KIM CHRISTMAS Announces Special Performers For Toronto’s Massey Hall December 6

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The Andy Kim Christmas returns to Toronto’s legendary Massey Hall Wednesday, December 6 for another unforgettable evening celebrating the magic of the season with performances from iconic Canadian artists. This year’s show marks the 19th year that luminary musician and Canadian Music Hall of Fame inductee, Andy Kim will bring together some of the nation’s most applauded talent hosted by Sean Cullen for a night of intimate performances featuring Alex Lifeson, Maestro Fresh Wes, Men Without Hats, Ron Sexsmith, Tom Wilson, The Good Brothers, The Sadies, and more. Tickets to the 19th annual celebration are on sale now at MasseyHall.com and TicketMaster.ca with proceeds supporting CAMH’s Gifts of Light

Tickets to The Andy Kim Christmas go on sale Friday, October 27 at MasseyHall.com and TicketMaster.ca, with prices ranging from $35.50- $85.50 plus fees. The complete line up of musical guests taking the stage will be announced in the coming weeks.

“I can’t believe it’s the 19th Annual Andy Kim Christmas supporting CAMH Gifts of Light. I’m so thankful to Toronto’s community of talented artists, each year they come together & donate their time for such a worthy cause,” said Andy Kim. “The heart of this great city continues to inspire as we come together, as one, for an evening of music and love.”

Guests can look forward to a classic variety showcase with special holiday performances from the country’s top acts. Andy Kim’s previous guests include Alex Lifeson, Arkells, Barenaked Ladies, Billy Talent, Bobby Bazini, Broken Social Scene, BUCK65, Buffy Sainte-Marie, Choir! Choir! Choir!, City and Colour, Colin James, Cowboy Junkies, Dan Hill, Feist, Georgia Harmer, High Flyer, Jacksoul, Jake Clemons, Jully Black, Kim Mitchell, Lights, Maestro, Men Without Hats, Metric, Michel Pagliaro, Molly Johnson, Nelly Furtado, Ron Sexsmith, Russell Peters, Sam Roberts, Sarah McLachlan, Scott Helman, Serena Ryder, Sloan, The Sadies, The Sheepdogs, The Strumbellas, The Trews, Tom Cochrane, Tom Wilson, Tyler Shaw, William Prince among many others.

For decades, Kim has entertained and united people through his music. Kim started his music career at age 16 and has received top industry honours including two JUNO Awards, as well as membership in the Songwriters Hall of Fame, the Canadian Music Hall of Fame, Canada’s Walk of Fame, the Key to the City of Toronto, and will be appointed to the Order of Canada in 2024. To this day, Kim’s musical artistry is acclaimed by many who take joy in his numerous hit songs, including nine Billboard Top 40 hits such as the number one hit “Rock Me Gently” and the iconic ”Sugar, Sugar.”

Revealing OSHEAGA 2024 Headliners: NOAH KAHAN and SZA!

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The OSHEAGA Music and Arts Festival presented by Bell in collaboration with Coors Light is shaping up to be an unforgettable weekend of musical delights! At last, here are the headliners who will be joining Green Day for this year’s festival: Noah Kahan and SZA, both recent GRAMMY nominees.

Hailing from Strafford, Vermont (just south of Montreal), Noah Kahan has made a name for himself as a truth-telling troubadour with a knack for writing catchy songs with unfathomable depths. The “Stick Season” singer has had a meteoric rise since he put out his first single, “Hurt Somebody”, to critical and commercial acclaim! Kahan, whose online buzz has been a veritable phenomenon, has over 22 million monthly listeners, and his music has been the soundtrack to millions of TikToks. With a high energy and twangy sound, Kahan has enjoyed being at the top of the Billboard rock and alternative album charts and has collaborated with some of the best and brightest in the business these days, including Kacey Musgraves, Zach Bryan, and a massive hit with Post Malone. On December 2, Kahan will take the Saturday Night Live stage as musical guest, a gig he said in a 2015 tweet that he would “do anything” for. Fans can look forward to chill-inducing singalong moments when Noah Kahan hits the stage on Friday, August 2 at this summer’s OSHEAGA!

Leading the pack this year with 9 new GRAMMY noms, SZA is one of the world’s biggest superstars at the moment, and despite being somewhat shy about fame, her exceptional live shows have been making headlines around the globe. Born Solána Rowe in St Louis, Mi, SZA grew up in Maplewood, New Jersey, where she honed her skills as a performer while studying to be a marine biologist – but her career took a musical turn when she became the first female artist to sign with Top Dawg Entertainment (Kendrick Lamar’s label). Fans will note that this isn’t SZA’s first OSHEAGA: the singer was part of the stellar lineup back in 2015 as well! Since then, her star has been on the rise in a huge way – her debut album, Ctrl, has remained on the Billboard 200 chart since July 2017. Her follow-up, SOS, became the longest-running No. 1 album by a female artist of the decade, and she’s just getting started. With a fresh take on a classic sound, the singer, who cites legendary vocalists like Ella Fitzgerald and Lauryn Hill as primary influences, will be taking the OSHEAGA stage on Sunday, August 4 as a new queen of soul.

Announced earlier this month, Green Day will be playing their first-ever show in the festival’s history this summer, as they take the stage on Saturday, August 3, for what is sure to be an unforgettable night of pure punk rock bliss on! It has been over 6 years since Green Day last “came around” to play a show in Montreal, leaving the sold-out Bell Centre crowd in awe! Just this past week, the band took over the Grey Cup halftime show in Hamilton, ON for an electrifying performance some of their hits, including “Basket Case” and “Boulevard of Broken Dreams”. Many speactators claimed Green Day delivered the greatest halftime show in years! Now, with a new album on the horizon called Saviours, the iconic group is preparing a world tour for 2024 that will showcase their searing new material along with anthems from classic albums like Dookie (celebrating 30 years since its release) and American Idiot (that turns 20 next year).

…and it doesn’t stop here! The full OSHEAGA 2024 lineup will be unveiled in the New Year, and single-day tickets will be available before you know it.

Over the years, OSHEAGA has become a global reference for great music and top-notch festival experiences. Fans now come to the festival to live something they cannot find anywhere else. It’s an indescribable feeling when arriving on-site: the city skyline in the background, a wide variety of top-tier artists, the new talent on multiple stages, all over a perfect island setting.

Photo Gallery: Bush at Hamilton’s FirstOntario Centre

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All photos by Mini’s Memories. You can contact her through Instagram or Twitter

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My Next Read: “60 Songs That Explain the ’90s” by Rob Harvilla

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A companion to the #1 music podcast on Spotify, this book takes readers through the greatest hits that define a weirdly undefinable decade.

The 1990s were a chaotic and gritty and utterly magical time for music, a confounding barrage of genres and lifestyles and superstars, from grunge to hip-hop, from sumptuous R&B to rambunctious ska-punk, from Axl to Kurt to Missy to Santana to Tupac to Britney. In 60 SONGS THAT EXPLAIN THE ’90s, Ringer music critic Rob Harvilla reimagines all the earwormy, iconic hits Gen Xers pine for with vivid historical storytelling, sharp critical analysis, rampant loopiness, and wryly personal ruminations on the most bizarre, joyous, and inescapable songs from a decade we both regret entirely and miss desperately.

MDMP’s ‘Stranger Things’ Featuring Failure’s Kellii Scott and Profiler’s Mike Evans Delves into the Dark and Complicated Realities of Finding Your Place

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When you can’t find your place, all surroundings are strangers.

It’s a dark, complicated world that comes with no manual. It’s a feeling that Hawaii-based MDMP founder and frontman Jeremey Meyer knows personally, and it was the motivation behind the band’s latest single, “Stranger Things.”

“This song is dedicated to everybody who feels they somehow don’t belong in this messed-up world,” Meyer explained. “I myself am a bastard child who tries to make the most of what has been given to me.”

https://www.youtube.com/channel/UCEyEbuONOtWcMXru-CR4b4Q

That spirit is at the essence of MDMP, a one-man band with an endless list of members. Collaboration is the purpose of its existence, and it’s how all of its music has been made.

“Living on a small island has forced me to change mindsets from the traditional band model to realize there are no rules to making good music,” Meyer said. “During the songwriting process, I might have a particular type of sound in mind or even want to expand on a song I heard in the past. It comes to me usually sooner than later that a specific artist or artists would sound awesome on the track, which leads to ‘the ask,’ and if they say ‘yes,’ a new song is born.”

Meyer initially wrote “Stranger Things” for Dave Grohl of Foo Fighters to sing, but he realized it would be impossible to get in touch with the artist. Instead, Meyer played the demo for Matteo Depares, a British producer friend, who begged him to sing and release it himself.

Enter Los Angeles-based drummer Kellii Scott of alternative rock band Failure and Bristol, U.K.-based guitarist Mike Evans of metal band Profiler. Their features helped complete the track, with Meyer holding up his end of the bargain on the mic.

“Stranger things in the night
(Yes we all want to be loved)
Don’t be afraid
There’s something that I need you to know
You’re not alone
Alone.”

It’s a unique process to reach the final product of a complete song, but it’s one that MDMP employs in the music it makes. From Kazakhstan to Taiwan and much more, MDMP has made music with artists far and wide.

“It’s all about collaboration for me,” Meyer explained. “I’m an organizer – an orchestrator of the process. I don’t want it to be all me. I’m a team player. I love anybody who gives me advice or ideas, good or bad. When it comes to music, I don’t know a lot of people who are trying to do a collaborative thing on this level.”

MDMP has been in operation since Meyer moved to Hawaii in the late 2010s. The multi-tasker in chief is originally from Nebraska, where he spent the ‘90s singing about Edgar Allen Poe in English class, playing in the marching band, and soaking up everything from grunge to Metallica to his greatest influence, Trent Reznor of Nine Inch Nails.

Meyer served a few years in the military along with a year in Iraq, then got back into music upon his return stateside. As the bassist in hard rock heroes Sherry Drive, he released two albums and shared stages with the likes of Skid Row and Sick Puppies. All of those experiences, good and bad, now feed into MDMP, Meyer said.

“Some artists are determined to be the same and never change, and they’re going to go down with that ship,” he explained. “I don’t want to do that.”

MDMP released only singles in its first few years, but in 2021, it put out a behemoth of a debut album, “Day One.” Its 27 tracks spanned the sonic and stylistic spectrum, demonstrating the band’s willingness to experiment and collaborate with all sorts of musicians and their backgrounds. MDMP has continued to deliver music since, discovering new sounds and friends with each step.

It’s important to Meyer to think of his musical endeavors as such. In his band’s most-recent work, “Stranger Things,” he extends a hand to those who need companionship and a reassurance of their value. Collaborations don’t have to be official or direct – every day, humans make the wheel spin in conjunction with 8 billion in-name-only strangers.

“I want them to know that there are many of us that feel the same way,” Meyer said. “I love making music, so I hope we can find and have comfort in knowing each other.”

MDMP’s music has already reached hundreds of thousands of people, but there’s still plenty more to go.

“As more people hear MDMP, the hope is to grow the list of contributors with the dream of someday landing a collaborative song on the Billboard charts,” Meyer said. “Maybe this is the one?”

Don’t bet against him. Stranger things have happened.

Les Moontunes Introduce Interstellar Concept Album With Trippy, ’70s Metal-Inspired Single “Elephant Wizard”

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Things can get weird in isolation, and then add unemployment to the mix and you’ve got yourself a recipe for some wild, psychedelic trippy-ness. Such were the conditions leading to Les Moontunes’ dark, strutting, and stunning new single “Elephant Wizard” – available now – off their forthcoming concept album of the same name.

During the thick of isolation in the Covid-19 pandemic, Les Moontunes’ frontman Miguel Dumaine had been laid off from work and his days began bleeding into one another, forming one long, blurry stretch unto nothingness. So he dug deep into his imagination and created a fictional character he christened the Elephant Wizard.

But the Elephant Wizard’s story really began to take shape once the band did a residency in Sussex, New Brunswick. By spending time among the inspirational hills and rivers of rural NB, the band members’ imaginations flourished and the story of the mythical creature trumpeted to life. With their fuzz pedal-tinged single “Elephant Wizard” serving as a sneak peek, we soon discover that the Elephant Wizard is a badass mofo who’s about to stomp into the future to fight off evil and find a better life for himself on Planet Metal.

In the early creation days of Les Moontunes, the band regularly played together in a dark basement, illuminated solely by a cheap plastic mini-disco ball. The light dappled the room with psychedelic revolving colors that created a special atmosphere and inspired their unique style of music. Some of this inspiration is reflected in the atmospheric, ’70s-style lyric video for “Elephant Wizard.”

As for the album itself, Elephant Wizard is a slight change in direction from Les Moontunes’ self-titled debut. Having been influenced by heavier music throughout their lives, the band aimed to paint the Elephant Wizard’s story with heavy, hard hitting tones that paid homage to the sounds of some of their favorite bands of the ’60s and ’70s, while also infusing the record with the modern jazz/soul aesthetic they’ve displayed in their previous work.

This sophomore album also features the band’s two drummers, which since 2019 have been a driving force behind Les Moontunes’ unique sound. The rhythm section (drums, keys, and bass) were recorded live off the floor, which played a major role in the album’s more natural feel.

Producer Mike Trask’s use of analog tape for recording aligned with the tones the band were seeking for this record. In contrast to their debut album, where all the music was written prior to going into the studio, Elephant Wizard contains many sections that were written during the recording process, which adds an element of spontaneity that can be heard in the music.

Winners of the 2021 Music NB awards for both ‘Breakthrough Artist of the Year’ and ‘Video of the Year ‘for their single “Paper Boat”, the seven-piece Les Moontunes released their self-titled debut album in 2021, solidifying their place as rising stars in the Canadian music scene.

All seven members of Les Moontunes are Acadians. Acadians are known for their kitchen parties and musical storytelling, and Les Moontunes’ work has mostly been created from long nights jamming and improvising together. They are part of a group of artists from the East Coast that’s reinventing what an Acadian band sounds like, sharing their culture with the world through their electrifying art. Fans of soul, jazz, hip-hop, and metal will be captivated by this band of groovy cosmonauts, who blend catchy grooves with ambient interstellar jams.

Run The River Unleashes a Timeless Rock & Roll Anthem with ‘Punch The Dark’

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Get ready to groove with another timeless rock & roll track brought to life by Run The River, featuring Joel Manchester on lead vocals and rhythm guitar, Chris Furlotte on drums, Rick Couture on bass with fantastic backup vocals, Ed Legge on lead guitar and excellent backup vocals, and Ross Kinney on keys.

Out now, ‘Punch The Dark’ stands as an anthem for bad days. The track commences with a dramatic opening driven by piano and guitars, giving you that span of a second to wonder what the next instrumental twist will be – exactly where the cheerful melody with classic rock & roll elements gets all your attention.

With a chorus that screams “No, I’m not giving up this time”, ‘Punch The Dark’ is close to the heart for frontman Joel Manchester. “It is an anthem for bad days, difficult experiences, and insurmountable odds when you just need to sing out that things aren’t over yet”, explains the singer and songwriter.

Joel penned this song as a response to his own struggles with mental health, specifically battling through periods of depression and the weight of negative thoughts. He aimed to create a chorus that could serve as a remedy for those poisonous, pessimistic mindsets. The song’s theme contrasts with its overall feel—upbeat, positive, and bright.

‘Sometimes I can feel the earth spin
It’s like I’m barely holding on
I’m heading off into some kind of chaos
Any plans I had are dead and gone
It might be my last time around
But I’m not giving up without a fight
Sometimes you gotta show em what your made of
Punch the dark until you see the light’

It’s crafted in an energetic pop-rock style, featuring powerful guitar work and a determined, rhythmic heartbeat that underscores the message of resilience – a Run The River formula. Drawing inspiration from a diverse array of musical influences, their sources of inspiration span the enduring legacy of Canadian rock icons The Tragically Hip, the timeless rock of Queen and The Beatles, and the rebellious spirit of 90s pop punk exemplified by bands like Blink 182 and Green Day.

Never shying away from experimenting with genres and letting that influence shine through, the band confesses to being obsessed with the writing process and rarely gets together without several new tunes in the works.

Frontman Joel Manchester infuses his music with raw emotion, believing it to be not only a form of expression but a tool for survival. He focuses on crafting simple yet powerful melodies that resonate instantly with listeners, complemented by the dynamic sounds of his bandmates. Drummer Chris Furlotte provides a steady rhythmic backbone, while Rick Couture’s masterful bass lines complete the solid foundation. Ed Legge adds a burst of colour and flavour with his lead guitar wizardry, and Ross Kinney’s expressive keys serve as the enchanting musical cherry on top.

Emphasizing contagious melodies, an unwavering commitment to excellence, and commanding vocal prowess, Run The River emerges as a dynamic force in the realm of Canadian rock bands. Their essence is rooted in a profound passion for sharing music and a collective desire to harmonize through the beautiful journey of life by pouring their hearts into their songs.

Inuit Artists Kendra Tagoona & Tracy Sarazin Celebrate International Inuit Day With Sultans of String Collaboration

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Sultans Of String have shared this new video as an opportunity to celebrate the richness and resilience of diverse Inuit cultures. Tracy Sarazin and Kendra Tagoona have been performing Inuit throat singing for over twenty years, a tradition practiced by Inuit women as a game and a friendly competition.

Throat singing mimics sounds from the Arctic environment, such as the river and the wind. It starts with one person making a sound, and then the next person repeats this sound immediately after. The leader switches the sound and the rhythm in an attempt to make the follower make a mistake.

Tracy and Kendra enjoy sharing the beauty of Inuit culture with national and international audiences. Friends taught them how to throat sing when they were in their early 20s. They wanted to learn to help revitalize this practice, which was almost lost due to colonization practices. Now, they perform to promote reconciliation and share Inuit culture. “We are happy to work with others and share our culture, and also face the hard truths of what happened in the past and move forward” says Tracy Sarazin, originally from Pangnirtung, Nunavut.

“It is very important to collaborate and work together – Indigenous people deserve to fit in in any part of Canadian culture” Tracy continues “Throat singing is a very important part of Inuit culture, that was almost lost during colonization. I’ve been told by my family members that they were not allowed to practice drumming or throat singing. The church and the government tried to take control of Inuit lives and one of the ways to do that was to ban certain things from our culture.”

Sultans violinist Chris McKhool, who was recently awarded the Dr. Duke Redbird Lifetime Achievement Award by Redbird and JAYU Arts for Human Rights for working to amplify these truths through collaborations, says, “This country has a history that has been ignored, distorted, twisted to suit colonialist goals of destroying a people. We are so fortunate for the opportunity to work with Indigenous artists, sharing their stories, their experiences, and their lives with us, so we can continue our work of learning about the history of residential schools, genocide, and intergenerational impacts of colonization. Music has a special capacity for healing, connecting, and expressing truth.”

Sultans of String is a fiercely independent band that has always tried to lift up those around them and has exposed many of their collaborators and special guests to new audiences at their shows, including at JUNOfest, NYC’s legendary Birdland Jazz Club, Celtic Connections Festival in Glasgow, and London’s Trafalgar Square. Led by Queen’s Diamond Jubilee recipient McKhool, they have collaborated with orchestras across North America and have played live on CBC’s Canada Live, BBC TV, Irish National Radio, and SiriusXM in Washington. They have recorded and performed with such diverse luminaries as Paddy Moloney & The Chieftains, Sweet Honey in The Rock, Richard Bona, Alex Cuba, Ruben Blades, Benoit Bourque, and Béla Fleck.

Their work during the pandemic on The Refuge Project amplified the voices of new immigrants and refugees, earning them CFMAs and Best Musical Film at the Cannes World Film Festival.

Thanks to non-indigenous funding streams of Canada Council for the Arts | Conseil des arts du Canada and Ontario Arts Council – Conseil des arts de l’Ontario for their support.