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Toronto All-Star Musicians Join Forces with WoodGreen Community Services to Tackle ‘The Forgotten Homeless’ Crisis

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A major crisis in Toronto has reached a critical point, with over 8,000 people experiencing being homeless every night. These individuals often find shelter in the city, while many more grapple with this, relying on the generosity of relatives, friends, or strangers with little sense of stability.

The problem is exacerbated by Toronto’s severe lack of affordable housing, with the wait being several years long, forcing families to spend over 50% of their income on housing, leaving less for necessities like food and medication.

In response, Toronto-based Richard Todd, best known as the singer/songwriter/guitarist for the band Redpath Traffic, has teamed up with WoodGreen Community Services, one of Toronto’s largest social services organizations, to address this urgent problem with creating “The Forgotten Homelessness” charity single with a cast of all-stars.

“I’m incredibly grateful for WoodGreen’s unwavering commitment to this cause,” says Todd, who is also the founder of Warm it Up!, a Toronto-based initiative dedicated to providing essential items to individuals experiencing homeless. “Our grassroots project aims to raise widespread awareness and to support WoodGreen’s UNMET Needs Campaign.”

Notably, several of Toronto’s top indie artists, including Chris Birkett, Michael Quattro, David Moses, Sarah Siddiqui, Anna Goldsmith, Luciana Santaguida, Shari Tallon, Signe Miranda, and Chattrisse Dolabaille, along with singers Esmaeel Abofakher, Rahaf Alakbani, and Osaze Dolabaille, have joined forces with Todd in this collaborative effort, highlighting how poverty has touched even the city’s artistic community.

Expressing gratitude, Teresa Vasilopoulos, Executive Director of The WoodGreen Foundation, adds, “On behalf of WoodGreen, thank you for this beautiful and uplifting song that highlights the urgent need to provide housing for the unhoused.”

Photo Gallery: The Glorious Sons with The Blue Stones at Hamilton’s FirstOntario Centre

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All photos taken by Mini’s Memories. You can contact her through Instagram

The Glorious Sons
The Glorious Sons
The Glorious Sons
The Glorious Sons
The Glorious Sons
The Glorious Sons
The Glorious Sons
The Blue Stones
The Blue Stones
The Blue Stones
The Blue Stones
The Blue Stones

Vicky von Vicky Returns with “Goodbye My Love” – A Nostalgic Indie-Rock Gem with a Modern Twist

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Toronto indie-rockers Vicky von Vicky are back with “Goodbye My Love,” their third release of 2023. The track’s rock-heavy chord progressions and upbeat tempo are the perfect foil to tender, heartsick lyrics that serve as an ode to a lover already on their way out the door. Perfect for fans of Pixies, The Velvet Underground, or R.E.M., the band’s sound is a nostalgic blend of classic rock and late 20th-century pop — with a unique, irresistible modern twist.

First formed from the ashes of Kingston group Trains of Winter in the late 1990s, the four-piece released two albums before going on hiatus in 2001. Nearly two decades later, in 2019, Vicky von Vicky made their long-anticipated return to the Toronto music scene, carving out their own niche with a distinct style that draws inspiration from a variety of genres, including punk, grunge, soul, and hip-hop. It’s an approach that works and is largely tied together by the strong storytelling characteristic of their whip-smart lyricism.

“Back in May of 2020, I lost my full-time job to cuts that were COVID-related,” Michael Wynn explains. “Shortly over the next couple of days I wrote four or so songs. ‘Goodbye My Love’ was one of them. I go back to the Springsteen style of songwriting here, where you develop characters and a story, largely fictional, that is partially drawn from personal experiences. I usually like to put some sort of twist on it too, like the Pixies would. And for myself, somewhat ironically, when it comes to writing ‘happy-pop’ songs I tend to go the ‘breakup song’ route.”

Wynn knew ‘Goodbye My Love’ was something special, so he presented it, along with the other songs he’d penned, to the rest of the band. The group was blown away and set out to record it, enlisting Nixon Boyd of Hollerado fame to produce the tracks. They soon laid down most of the recordings, working primarily at Nixon’s new Simcoe Mechanical studio in Orillia, before putting finishing touches on vocals and guitars at Nixon’s Toronto-based Banquet Sound space.

The finished song is Vicky von Vicky to the core — the track is catchy, intimate, and addictive, ultimately driven home by rich vocals and a hook that will be stuck in your head for days. “Goodbye My Love” is a must-listen for fans of alternative music, proving that this band is one of Toronto’s rising stars.

GRAMMY and JUNO Award-Winning Chin Injeti Collaborates with daysormay on Atmospheric “Make You Understand”

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A chill and introspective journey through heartbreak, the new single from Chin Injeti “Make You Understand” began as merely a chorus on TikTok and then blossomed into a beautiful collaboration.

“I was in a precarious place at the time,” the Toronto-based songwriter/producer recalls. “A relationship that was hanging by a thread was coming to an end. So, I wrote the chorus and posted it on TikTok, and then my friends from daysormay sampled the chorus and wrote the rest of the song.”

Although it was hardly planned, the collaboration seemed like kismet. “We made the song in two different spaces and then later came together to complete the composition. Musically it’s like XTC meets Mike Dean, with some Kanye-isms. It felt organic and effortless.”

An inspiration and a force of nature, Chin Injeti fuses nostalgic sounds from the ’80s and adds a modern flourish to create refreshingly innovative new music. Formerly known for fronting the JUNO Award-winning Bass is Base, Chin has been releasing his own music independently, all while writing and producing for countless big-name artists.

He’s well-known for his collaborations with DJ Khalil, and together they’ve written and produced songs for 50 Cent, Dr. Dre, Eminem, Drake, Clipse, P!nk, and K’Naan. His work with Eminem and Lecrae won three GRAMMY Awards, and he’s also earned GRAMMY nominations for Aloe Blacc’s Lift Your Spirit and P!nk’s The Truth About Love.

In addition to all of his other accolades, he won SOCAN’s Songwriter of the Year Award, and enjoyed years of creating, touring and performing with the likes of The Fugees, The Roots, Jamiroquoi, A Tribe Called Quest, De La Soul, and more.

Further, Injeti has created and taught curriculum for Vancouver’s NIMBUS, been a featured speaker at TEDx discussing the healing properties of music and is long-recognized for his life’s work as an inspiration, teacher, mentor, leader, innovator, singer, multi-instrumentalist, writer, collaborator, student, and yes, icon, with a star on Vancouver’s prestigious Walk of Fame.

Roots Rockers The Brother Bicker Band Roll in with ‘Another Kind of Train’

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The Brother Bicker Band is country, Canadian style, and the seven-member group of roots rockers are bringing more of their signature sound with the release of their new single, ‘Another Kind of Train’, out now. The band’s self-described sound of ‘Maple Whiskey Rock n Roll’ is packed into the storytelling chorus and sliding notes of ‘Another Kind of Train’.

Based in Calgary, AB, The Brother Bicker Band has a rich and full sound, put together by seven friends; Jeremy Hrdlicka on acoustic guitar and vocals, Tom Mogan on guitar and vocals, Jennele Coulson and Clarie Wilkes on vocals, Ben Ellard on keys, and completing the lineup are Matt Dawe on drums and Jim Duncan on bass that earned them two YYC Music Award nominations this and last year.

The Brother Bicker Band’s last album, ‘Hospitality and Northern Charm’, which released in 2020, was a wide-open look into the group’s range, influences, and how the seven friends all see the world, and it feels like everything the group has been working toward comes to a head in their latest single, ‘Another Kind of Train.’

The Brother Bicker Band have told stories and brought people together, in ways that only music can, and ‘Another Kind of Train’ is a revealing and bright indication of just how far the seven friends have gone and how many trips they still plan on taking. Gravel roads, dirt roads, whatever path that lies ahead, the Brother Bicker Band will be there with ‘Another Kind of Train’ for everyone to take.

Breaking Boundaries: Hani Abadi Unveils Acoustic Brilliance with Tiamat Album

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Hani Abadi steps out from his comfort zone with his new acoustic project Tiamat, out now.

With anything but a dull musical journey, Abadi has taken on his first solo project since being part of Bilocate, a dark metal band. Originally from what was formerly known as Yugoslavia, Abadi explains he is from a place that labels anyone a satanist for looking different or listening to music that is misunderstood. With Bilocate, he rebelled through music and even risked imprisonment with shows that were eventually shut down by authorities. Today, the musician calls California home, and he can’t recall the last time he performed the last time he played in his country, Jordan.

Now, after a history of musical rebellion, comes his first solo project: a collection of personal stories enveloped in a delicate and emotive album.

Tiamat is a deeply personal creation. Abadi does not shy away from the tough stuff as he wanders through the emotional heartache of losing family members while miles away, the darkness of disease, and how our lives have collectively changed since the pandemic. Emotion is felt in every track through moving melodies and powerful songwriting. Tiamat is truly an honest creation. The multi-talented composer explains the album has no restraints — it is just music that led the way.

The album knows no genre or style. With strong, moody vocals and solid guitar features, it’s clear Abadi’s rock influences are present alongside alternative and folk elements. With honesty and deep emotion, the album’s first single, “Oblivion,” is slated for release on Nov. 17. Just as he does for every track, Abadi has poured his heart into “Oblivion,” which follows themes of loss and reflection.

After years of writing, composing, and creating, Tiamat was finally recorded, many of the parts of which were recorded in Abadi’s home studio in the Bay Area. And while it is a solo project, Abadi feels fortunate to have connected with other international musicians, notably drummer Eduardo Sinatra and mixing engineer Tom Maclean, among other talented artists.

“Everyone who participated and contributed to this album has been patient with me, and I firmly believe this whole record wouldn’t be possible if it wasn’t for all those incredible souls,” says Abadi.

Hani Abadi is a name to watch out for. This is only the beginning of his expression and genre-defying creations. Tiamat, Abadi’s innermost emotions reflected in an impressive soundscape, will soon be yours to discover.

Arturo Rojas Ignites Passion with His Latest Single ‘Entre Mi Fuego y Sangre’

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Arturo Rojas keeps the music vibes alive after the recent success of “Te Diré” (Song of the Week on Toronto’s Voces Latinas CHHA 1610 AM). Now, he introduces his latest single, “Entre Mi Fuego y Sangre” / “Between My Fire and Blood,” a harmonious fusion of artistry and emotion.

“Entre Mi Fuego y Sangre”, written by Rojas, is a personal artistic expression of positivity, after experiencing a near-death situation. “It made me wonder about life”, the singer shares. “What comes after we die? Where are we going after death? Is there a place waiting for us after we pass away? But in the end, we need to learn to give…”

Despite drawing inspiration from a challenging life moment, Rojas skillfully channels his emotions into a captivating ballad, effortlessly blending Latin, pop, and jazz influences.

In a heartfelt delivery, he poses reflective questions with the melodic “¿Quién sabe?” (Who knows?), weaving them into enchanting Spanish lyrics. This makes it a subtle yet captivating addition to your daily playlist.

The lyrics and recording process unfolded between Lima (Peru) and Toronto (Canada). Guided by the rhythmic beats of Alex Sarrín on drums and the captivating percussion of Lima-born, Toronto-based Hugo Bravo, the ensemble also features Enderson Herencia on bass, Jimmy Smallbach on guitars, Pepe Céspedes on keys, and the soulful vocals and guitars of Arturo Rojas.

The band recorded drums, bass, percussion, keys, and saxophone in Peru, and completed the recording of guitars, and voices in Toronto.

The song reflects on love, loneliness, and the challenge of being genuine.

‘Estamos como ignorándonos,
como jugando el juego del amor,
Sabes bien, estoy esperando…
Entre mi fuego y sangre…

Acércate a mí y así verás
Que poco a poco, amor
Yo te daré todo el calor

Acércate a mí y así verás
Que poco a poco, amor
Yo te daré todo mi amo’

(Translates in English to:
‘We are ignoring each other,
Like we are playing the game of love,
You know well,
I’m waiting… Between my fire and blood…

But you look so lonely, intensely lonely,
Burning mysterious, like the sun…
Killing your smile,
Burning in secret,
Escaping from life, for fear
I just want to love you,
I want to enter, I want to stay,
I have something to give you, and it is love…’)

The lyrics portray the cautious steps we take in matters of love, feigning indifference to protect against potential rejection—the delicate dance of maintaining a guarded stance, opting for solitude over fully embracing the warmth that love can bring.

Born in Lima, Peru, and currently living in Toronto, Canada, Arturo started the Music Industry, Arts & Performance program at Centennial College in Toronto, from which he graduated with honours. Roja’s original music is distinguished by Latin rhythms, pop/punk melodies, rock guitars, and jazz chords.

At 20, Rojas left Peru for the lively streets of New York City, where he called home for six years. Surrounded by the diverse influences of South America, he delved into in-depth studies of music theory and composition.

It was during these six years that he crafted the songs for his debut album, “Arturo Rojas,” a collection that was released on April 14th, 2023.

Gracie Jet: From Nurse to Songwriter, Her Soulful Sound In ‘Sway’ Is A Love Letter To The Past

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Singer/songwriter Gracie Jet draws in audiences quickly with her unique, soulful voice. Her piano-driven pop draws comparisons to big names like Adele and other strong female vocalists. Listen to her lyrics and you’ll be instantly drawn in, perhaps laughing and crying over the course of one song. Jet sings about conventional themes like love and relationships, but also includes heartbreaking scenes from what she witnessed during the pandemic, when she was a nurse.

Jet is UK born and now resides in Owen Sound, Ontario. She’s spent years making her rounds through the local bar scene, singing covers of Beatles songs, and Sheryl Crow and Tracy Chapman tunes.

Jet is now armed with an album of her own, ready to launch a career as a solo artist. Lead single “Sway” is what she calls an anthem of her youth. “It’s a love letter to the girl I used to be,” she adds. “I was in a time of my life where I was lacking purpose, always surrounded by people yet feeling profoundly alone.”

Jet hopes the song can be cathartic for people who feel similarly.

Jet calls her family her greatest supporters and inspiration in life, especially her sister Rosie, who is featured in her “Sway” music video as the wise bartender Jet confides in. “I was so thrilled that she agreed to be in this project with me.”

Jet’s emotional fearlessness in her lyrics, combined with a soaring voice, make her a true musical standout.

Toronto’s Musical Maverick Jamie Ruben Unveils ‘Instrumental Obscenity’ … And Gets A Parental Advisory Sticker On An Instrumental Album

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various independent projects, is poised to grip music enthusiasts with his groundbreaking debut album, “Instrumental Obscenity.” This release promises to be a unique sonic revelation that challenges the boundaries of instrumental music, even with getting a Parental Advisory sticker….on an album of instrumentals.

“Instrumental Obscenity” is far from your typical instrumental album; it’s a transformative auditory experience in both the exploration of sound and form. It will take you on an unprecedented journey. Known for his emotive soundscapes featured on platforms like HBO, Showtime, and independent projects. Jamie Ruben has pushed the envelope of traditional instrumentals, crafting what one reviewer aptly described as “easily the sassiest instrumentals ever.”

This project began as a bold extension of Ruben’s film-inspired compositional work but soon evolved into a fusion of coarse vocal hooks, conceptual filmic layers and pulsating jazzy hip-hop beats, as he collaborated with musicians and vocalists from around the globe to create a tapestry of sound and culture, woven together to create a genre-defying soundscape.

The album features a minimalist vocal concept, focusing on hooks that express universal themes in a fluid musical form. It’s an artistic journey that spans the spectrum of human experience and emotions. To add a personal touch, Jamie Ruben enlisted the artistic talents of his 11-year-old son, Jaden Ruben, for the cover art. Jaden’s abstract creation, a reflection of his experience during the album’s creation, adds an extra layer of creativity to the project.

Set to revolutionize the way we perceive instrumental music “Instrumental Obscenity” is a bold step into uncharted territory, where music transcends boundaries, defies convention, and challenges the status quo.

Prepare to embark on a sonic adventure like no other.

My Next Read: “Soul Survivor: The Autobiography” by P.P. Arnold

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P.P. Arnold’s story is that of a rich and varied life. From her early musical origins in powerhouse church gospel, the talented singer’s career began when she joined the Ike & Tina Turner Revue at the age of just seventeen. But little did the young Ikette know how much her world was about to be turned upside-down… Now, for the first time, she is telling her remarkable story.

Upon arriving in London in 1966 to support the Rolling Stones, the shy but vivacious nineteen-year-old caught the eye of frontman Mick Jagger. He would persuade her to stay in the city and record as a solo artist, ultimately leading to a five-decade career working with everyone from Rod Stewart, the Small Faces, Eric Clapton, Nick Drake, and Barry Gibb to Peter Gabriel, Roger Waters, the KLF, Paul Weller, and Primal Scream.

However, it has been far from a gilded life for the musical star, who, after being forced into marriage at the age of fifteen upon becoming pregnant, went on to endure a string of personal traumas. Yet the legendary musician survived it all and has continued to reinvent herself throughout the years, be that as a West End actress, a much-sought-after backing singer or a renowned pop and soul star in her own right.

This very timely memoir tells the still-pertinent story of bigotry and abuse experienced by a young Black woman growing up in the music industry on both sides of the Atlantic. It also covers the temptations and trappings of fame and success—themes that continue to resonate with readers.