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Valentyna Finds Her Strength Calling Out Doubters In New “Motivators” Single

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One of the great pop songs of the fall season is a dance floor anthem written by Toronto’s own Valentyna Sichko, who takes a gorgeous melody and a take-charge message to those non-believers in you.

The powerhouse Ukrainian singer-songwriter currently studying at the Stella Adler Academy of Acting fell in love with singing as a young teenager. The realization of expressing oneself through song became the driving force behind Valentyna’s determination. She would go on to perform at a variety of singing competitions in Toronto, leading to her most recent drop: “Motivators”.

“‘Motivators’ is to help spread the message of resilience,” Valentyna explains. “Too many kids, teenagers, and young adults become discouraged, or are afraid to chase their dreams because of someone else’ negative opinions.” Her wish was to write a song that encouraged individuals to chase their dreams, never give up, and keep pushing through.

“If it feels right to you, don’t let others haywire your plans,” she adds. “This is about some haters,” she coyly begins the lyrics, “and you know what I call them? Motivators.”

The song is a bass-infused pop offering of good times and better vibes. Valentyna shines on the melody – inverting from singing to poetic breakdowns. The song asks you to roll down the windows, throw the drama in the rearview and head out on the highway in a brand-new direction to a brand-new beat. Valentyna dares you to rewrite your own narrative and turn the chapter on an entirely new story. And she does it in a way that makes you move, groove, and set the speakers and your good thoughts from loud, to stun.

“I loved the creative process ‘Motivators’ has gone through’”, adding her gratitude to be working closely with Grammy-nominated record producer/songwriter Roy Hamilton III, in addition to her artist development by The Singer’s Company.

And as “Motivators” continues to inspire its audiences, and to motivate them to find it inside of themselves to rise up and move forward, it also serves as the precursor of the music still to come. Valentyna is currently working on a variety of new music; pushing herself out of what she calls her “comfort zone”. She says she is “thrilled to break through any limitations, .”

Take a spin through “Motivators.” Beyond being a catchy, dance-infused pop production, it’s a lesson on finding lemonade in lemons, and refusing to back down. Valentyna is a double threat – a singer/songwriter with an ethereal voice to carry a melody – and a message.

Indigenous Pop Songstress Alexis Lynn Gets Honest and Raw on New Album Real Talk

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The pandemic has been a time of reflection and tumult for many, but for Canadian pop artist Alexis Lynn, it provided a deep dive into her psyche and some long-simmering struggles, culminating in her aptly titled album Real Talk.

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A collection of pop bangers and soulful confessions – including her single “Fall Apart,” which holds steady at No. 5 on the Indigenous Music Countdown – Real Talk is Alexis Lynn’s most authentic, raw work to date.

“When I started writing the album, I honestly didn’t really know where it was going, but it kind of wrote itself,” she recalls. “It turned into this beautiful story of struggling with mental health, adopting unhealthy coping mechanisms, and then finally coming out on the other side. It terrifies me to have been so honest, but I’m also really proud of it.”

The track list reflects the trajectory of her journey, with the titular “Real Talk” acting as the album’s thesis. “Bandaids” then addresses the suppression of trauma, while “Fall Apart” is the coming undone after a herculean effort to hold it together for so long. “House On Fire” and “Ana” touch upon specific maladaptive coping mechanisms – codependency and disordered eating – that a person can adopt while struggling with mental health. An interlude, “Good Enough” addresses the shame and feelings of not measuring up at the heart of eating disorders. The following song, “Honest,” embraces the start of healing, and captures the strange but necessary duality of happiness and struggle in the healing process. And, finally, “Make U Happy” is the take-home message that a person can only find happiness and healing within themselves, and that no one else can do the work for them.

“Fall Apart,” Real Talk’s chart topper for months now, serves as the album’s centerpiece, capturing that point where you just can’t lie to yourself anymore. “I wrote ‘Fall Apart’ when I was so burnt out but didn’t want to admit it,” Alexis confides. “I was trying to be there for people in my life who were struggling, while also struggling myself, and I started to think like, ‘When’s it my turn to just lose it?’ My glass was filled too full and started to overflow.”

Selfish but I need a turn
Lose myself and crash and burn
‘Cause I’m always everyone’s rock
But where do I go when I’m lost

Creating this album has been a catharsis for Alexis, contributing to a healing and unburdening that’s been a long time in the making. “The pandemic really gave me the time and space to be able to work on myself, reflect and be the most vulnerable in my art,” she says.

A captivating performer with a honeyed vocal tone and an edge underneath it, Alexis crafts deceptively sweet pop anthems that never shy away from her ethos of honesty and empowerment. Inspired by the worlds of hip-hop and R&B, her music radiates confidence and examines our insecurities in equal measure. The First Nations singer’s fans know that ultra-catchy hooks and radio-ready production are a given; the stories she’s telling with them, though, just might surprise you.

JUNO Award Nominees Girl Pow-R Stand Up To a Fake Friend on Empowering, Head-Bopping Anthem “Slam”

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Anyone who’s ever had a fake friend knows that loyalty in a friendship is an important quality that is worth its weight in gold. JUNO-nominated Canadian pop group Girl Pow-R captures the unique agony of knowing a backstabber with their new single “Slam.”

The fifth single from Girl Pow-R’s sophomore album, “Slam” begins with funky flute and ominous beats, and then dissolves into a head-bopping groove as the group sets their boundaries with a “friend”:

You snuck around my back
And I will not take that
I thought that you were real
Yo, what’s the deal?

Of course, there was lying involved in the dissolution of this friendship, and it took a little detective work and interrogation to sniff out the treachery: “The squad told me diff/ You think you’re perfect, you’re not worth it,” the narrator sings, after drawing a line in the proverbial sand.

“Advice I would give other girls my age when choosing friends is to keep your circle small and meaningful, instead of worrying about being popular,” says Carina Bianchini, one member of the Girl Pow-R group. “The number of friends that you have doesn’t matter, but the quality of friends that you have does.”

Member Emma Bown concurs. “Some things that break a friendship are hiding things from each other, not talking enough, and negativity,” she says. “Some things that make a friendship stronger are being trustworthy to each other, making time for each other, and honesty.”

Cindy Kofman, the third member of the group, chimes in with, “When someone breaks your trust or your loyalty, that can ruin a friendship. But to make it stronger, it’s just a matter of how well you guys can get along and stick up for one another.”

The Toronto-based, JUNO-nominated girl group – including Emma from Hamilton, Cindy from Richmond Hill, and Carina from Markham — have been inspiring audiences and motivating young people since bursting on the scene in 2017. The pop/alternative/dance outfit found one another on International Women’s Day and have been leaving their indelible mark on the music community ever since.

The music and the messaging are appropriate for all ages, as Girl Pow-R continues to provide family-friendly music that’s both exciting to dance to and it provides uplifting messages with clean lyrics. “We collaborate on the songwriting, but sometimes we will break off into groups,” Carina explains. “Our producer Jovan gives us ideas for the style of our song, and we produce different concepts and experiment with lyrics; typically, the music comes before the lyrics.

“I believe our music stands out because of the messages we promote that stand behind anti-bullying and self-confidence.”

Girl Pow-R has earned legions of fans the world over, boasting hundreds of thousands of streams and spins online. Beyond the music, the group provides a visual component to their tracks, and hits the road performing at hundreds of appearances per year. Their music earns steady rotation in radio and has become internationally recognized both by the sheer number of fans and equally impressive accolades.

Acoustic Roots Duo VERANDA Inspired by Mother Nature Release Album “Là-Bas” Featuring “La Visite”

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Rolling hills, whispering forests, rushing rivers and the kaleidoscope of sounds of nature’s inhabitants are a natural symphony that Mother Nature conducts for our great pleasure. The music that evokes all of these soul-stirring environments is where Francophone folk, country and bluegrass duo VERANDA have staked their sonic claim with their first full length album “Là-Bas”, and the focus single “La Visite.”

It’s only natural that musician and actress Catherine-Audrey Lachapelle and multi-instrumentalist Léandre Joly-Pelletier would find each other in their great love for country, folk and bluegrass music and set out to bring a distinctly Appalachian vibe to Québec’s music scene and beyond. “Là-Bas” is the full-length expression of their quest to blend the traditional and contemporary into a modern day mélange.

From high lonesome bluegrass to intimate folk ballads, “Là-Bas” is a journey through 11 tracks or ‘milestones’ along a very interesting rural route. Sweet melodies, soulful harmonies, and fine-tuned playing à la contemporaries like Alison Krauss & Union Station, Old Crow Medicine Show and Watchhouse are all part of the creative fuel. With its combination of human themes that resonate and the diverse beauty of the natural world, the album finds its perfect blend of outside and inside wonderment.

“Questions regarding the pursuit of happiness and human loneliness are approached through the eyes of forests, mountains and rivers rather than from the simple point of view of human experience,” notes the duo.

Perhaps being able to keep their troubadour spirits engaged during the pandemic helped Lachapelle and Joly-Pelletier settle into the themes of their new album. Just after releasing their first EP in French, “Yodel Bleu” in 2020, the couple were able to split their time between a home base on the edge of the Rivière-Rouge near Parc National du Mont-Tremblant and playing shows on stages around Québec, Western Canada, and the Yukon.

While most of the self-penned songs on “Là-bas” are informed by observing nature and the human condition, the current single “La Visite” is, in contrast, rooted in the duo’s home province and its history.

“‘La Visite’ is a song inspired by Quebec’s traditional stories,” says Lachapelle. “It’s the whisper of a woman waiting for her lover, long gone to work in the northern forests.”

A brokenhearted, mid-tempo lament anchored by banjo, percussive acoustic guitar and Lachapelle’s dusky lead vocal, “La Visite” rises up into a sweetly sorrowful chorus as Joly-Pelletier joins in on smooth and skillfully complementary harmonies.

On frappe à ma porte
Aurais-tu entendu
La prière si forte
D’une femme au cœur fendu?
J’ai pleuré comme une folle
Je t’ai crié des injures
J’suis usée à la corde
Bon Dieu que les temps sont durs

There’s a knock on my door
would you have heard
The prayer so strong
Of a woman with a broken heart?
I cried like crazy
I shouted insults at you
I’m worn out
God damn times are tough

“La Visite” follows two previous singles Veranda released this spring and summer leading up to the new album release, the title track “Là-Bas” and the toe-tapping “Toutes les Rivières”.

“Là-Bas” is filled with rollicking melodies that range from playful to poignant, and the warm, intimate feeling of jamming on the front porch with friends who just happen to be virtuoso players. The album was recorded at Montréal’s Treatment Room with engineering and mixing by Gilles Castilloux. On the recording, Joly-Pelletier plays guitar and mandolin and sings. Lachapelle sings and plays autoharp. Rounding out the studio band were Marc Olivier Tremblay-Drapeau on contrabass, Tommy Gauthier on violin, Guy Donis on banjo and Joe Grass on clawhammer banjo and pedal steel, Charles Guay on drums and Léa Jarry on additional background vocals.

Veranda’s visionaries and core duo, Catherine-Audrey Lachapelle and Léandre Joly-Pelletier each carry some serious creative pedigrees. Lachapelle is a professional actress known for her long-standing role in Radio-Canada’s hit TV series “District 31.” Her star has been rising throughout the series and she was nominated in 2016 for best actress in a supporting role at the prestigious Gala Québec Cinema. Even though her acting career was on the rise, she couldn’t deny her need to make music and found her way to Joly-Pelletier and Veranda. Léandre Joly-Pelletier is a sought-after multi-instrumentalist, working with many well-established folk, country and bluegrass artists over the past decade including Sara Dufour, Laurence Jalbert, and Notre Dame-de-Grass.

Together, Veranda has a clear, enticing vision of the place where their music lives, steeped in tradition but powered by new approaches.

“Imagine a place way out in the countryside, where there is a rustic cabin in the woods in front of which Dolly Parton, Ralph Stanley and Emmylou Harris are quietly swaying and singing under the pine trees; that’s where Veranda calls home.”

Smooth Jazz Guitarist And Composer Jeremy Sean Hector Takes Off On A Soaring “Night Flight”

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The most captivating music takes the listener on a journey that has a specific melody but inspires every individual to imagine their visuals and make their connection to the song. Rising Caribbean-Canadian Smooth Jazz guitarist Jeremy Sean Hector has plotted an exquisite musical path that will lift you up to the stars with his latest composition, “Night Flight.”

Melding the lighter-than-air freedom of flying with the evocative mystery of our world after dark, “Night Flight” is a soulful and scintillating trip into the atmosphere, with a brilliant guitarist and his band as your guides.

“‘Night Flight’ is the kind of song that seems to come alive at night,” notes Hector. “With an air of wonder and anticipation, this song just wants to take you on a pleasant trip.”

After two-plus years filled mostly with uncertainty and isolation, a pleasant trip sounds about right, right now for many of us. With “Night Flight”, Hector and his soothing, melodically and technically masterful guitar riffs are ready to oblige as they float over a soulful soundscape of pulsating bass, gently propelling drums, and vibe-setting keyboards with a whole city of light and dark laid out below like a twinkling star field.

“I think of it as the perfect soundtrack for a nighttime cruise through scenic places or drifting away on the waves of a sweet dream.”

Helping Hector create that sumptuous soundtrack for “Night Flight” is Eddie Bullen on keyboards, Otis Williams on drums, and bassist Eric Lyons. Other stellar musicians contributing to Hector’s new recordings are bass guitarists Mo Pleasure, Andrew Stewart and Keane Jules, drummers Larnell Lewis and William Laurencin, Isaac Agerman and Michael Arthurs on saxophone, Alexis Baro on trumpet, and Meirion Kelly on trombone.

Jeremy Sean Hector’s upcoming album “Light After Dark” marks his second time partnering with Billboard charting producer and pianist Eddie Bullen and is set for release on November 18 via Thunder Dome Sounds through Slammin Media and distributed worldwide by Believe Distribution. With all compositions written by Hector, the new album is a collection of musical ideas that came to life for the artist over the course of our global pandemic. While humanity at large was isolating and keeping a distance from others, Hector was spending that insular time exploring a variety of human themes from joy and pain to uncertainty and hope.

“I feel like in some way we can all relate to these emotions as we navigate these times,” offers Hector. “The beauty of music for me is being able to capture the sound of moments as they are felt.”

It may be reflective of the times we’ve been living through, but “Light After Dark” also finds its hopeful center in those moments Hector captured looking toward brighter days ahead. Songs like “Joy of Life”, “Guiding Light”, & “Redemption” are all examples of that anticipation of better times. “Night Flight” is another with its inherent driving momentum of both melody and groove giving off the feeling of moving forward to something, or someplace good.

“Light After Dark ” is following up the notable success of Hector’s debut album “Ascension”, released in 2019. That album’s key single “Spray Bay” has racked up well over 4 million streams since then via Spotify alone. That bodes exceptionally well for the upcoming sophomore release for the Caribbean-born, Toronto-based artist whose gorgeously melodic guitar playing has been described as having a vocal quality.

Born on the Caribbean Island of Grenada in 1990, Hector’s own musical journey began with classical piano lessons at age 7. However, it would be the guitar that would unlock his true passion for music. Hector studied for a few years with his guitarist father Jude, who exposed his son to a wide variety of musical genres as he grew up. Hector also followed the path of higher education, earning his Masters Degree in Psychology after studies on the islands of Barbados and Jamaica. While achieving this academic milestone, Hector never let his passion for music fade, having had the privilege to keep working throughout his university years with amazing musicians who showed him the possibility of a career in music. Hector chose to follow his heart’s artistic desires and has since had the honour of sharing the stage with internationally renowned artists such as Arturo Tappin, Eddie Bullen, Ronald “boo” Hinkson, Larnell Lewis, and the British Collective.

With a solidly successful debut album behind him and a much-anticipated second album on the way, the runway is clear for career take-off for Jeremy Sean Hector, and “Night Flight” will certainly help carry it skyward.

The single “Night Flight” is available now everywhere and the new album “Light After Dark” will be released on November 18, 2022.

Photo Gallery: The Smashing Pumpkins with Our Lady Peace at Toronto’s Scotiabank Arena

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All photos by Mini’s Memories. You can contact her through Instagram or Twitter.

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‘Top Boy’ Star Theo Ogundipe Returns With His Eclectic And Raw New Single ‘Plato Freestyle’

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Top Boy star and rising artist Theo Ogundipe returns with his eclectic and raw new single ‘Plato Freestyle’ out now.

Theo Ogundipe was born in Nigeria and raised in the United Kingdom, where he currently resides. Theo’s music is an eclectic fusion of several genres including soul, hip-hop, indie and RnB. It is inspired by his life growing up in the diaspora. His description of his sound is “a smooth lyrical blend of in the box production with 70’s soul”.

Following on from his self-produced project ‘Reworks’ which garnered widespread support from online publications, radio stations and playlists, Theo is now ready to unveil his latest project ‘Plato Freestyle’. A musical philosopher in the making, the new single demonstrates Theo’s ability to create vivid imagery through his poetic and thoughtful lyrics. A frank vocal delivery and punchy beats are beautifully contrasted with heavenly choral synths, which further enhance the song’s impact.

When speaking about the meaning behind the new track, Theo shared, “It’s a declaration of intent, purpose and autonomy.” Reflecting on tragic world events such as the murder of George Floyd, Theo felt inspired to write a vulnerable expression of will and intent.

The release of ‘Plato Freestyle’ will shortly be followed by the accompanying official music video, which will be released on October 3rd. This track is the first taste of Theo’s self produced debut EP ‘IN TRANSIT’, which will be released in the not too distant future.

Theo studied ‘Musical Theatre at the Brit School and ‘Acting’ at Mountview Academy of Performing Arts. He has been a working Actor for 13 years working for many theatres including The Royal Shakespeare Company, the Old Vic, Sheffield Crucible, Manchester Royal Exchange to name a few. You may also have seen him in the hit Netflix Show Top Boy as Ruben.

He started writing his own songs in college. His influences are Stevie Wonder, Michael Jackson and the Motown sound as a whole. Also a Hip Hop lover deeply influenced by Biggie, 2pac, and J Dilla. To organise and record and produce his melodies as fast as he was inspired to write them, he taught himself to produce music online, this enabled him to give free rein to his original style.

Prior to his release ‘Reworks’ in 2021, he has written numerous songs and has performed live shows performing his featured tracks on collaborators projects. Theo collaborated alongside artist Brain Rays on several of his releases, which gained support from BBC Radio Introducing in the South West in 2021.

Theo is still working on several projects of his own, and still writing and producing and collaborating on work with others. His goal is to have a global community of listeners to share his art with.

Sunshine Coast’s Singer-Songwriter Ron Kalmakoff Releases “Bells” From Latest Album ‘Nature’

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A song and its lyrics can be given a new life and meaning, recreated by another voice and story. Such is the case with Ron Kalmakoff’s version of the song, Bells.

Ron’s vision was to keep the musicality and instrumentation of this song simple and poignant, so that the poetry of the piece could shine. “I thought, how do these words relate to our world today? The struggles and fears of this complex environment we live in or that others may be facing. A senseless war and those that bear the burden of not being allowed to live their lives with peace and love. As sad as the lyrics of this song may sound, they are beautifully written and somehow filled with hope.”

The filming of the video for Bells also plays an important part in Ron telling the story for the song. “We filmed the video in a very dark setting. At times I imagined myself in a room or place where I was singing the song in hiding, in front of a candle flame or softly, so only the person in front of me would hear, sharing the lyrics of sorrow, yet longing for hope. Behind me through a burned out curtain the viewer can envision what is happening in the outside world. I wanted to share these conceptions and feelings in the video where others could create their own story lines in what they are seeing.”

Bells was directed by Vancouver Film Director, Alexander Sharp. This is the third music video Ron and Alex have collaborated on. Alex shares these thoughts on working on this project, “I wanted something simple and at the same time, abstract, pastel and obscure. As this is in part a love letter to Ukraine, the concept for me was “it’s like you’re sitting in an abandoned war-torn cinema and the bittersweet hypnosis that those images might engender in that ethereal and haunting environment.”

The song, Bells, was written by well-known Canadian artist, Jimmy Rankin. Ron has admired Jimmy’s song writing, his role as an artist and the contribution that the Rankin Family have made to Canadian culture.

“Bells has always been one of my favorite songs, I had considered recording it in the past but this time it felt right for the current project.” His album, Nature, is a tapestry that connects the music to his life in Canada. A good portion of the songs on the album were written by Ron, as well, he has also included songs written by a few of his favorite Canadian singer/songwriters.

Juvenile Jury Anxiously Gaze Inward on Grungy, ’90s-infused New Single “Third Eye”

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The best ’90s music was about looking inward with a critical eye, and Montreal-based alt-rock band Juvenile Jury capture that anxious, itchy introspection in their new yet very vintage-sounding single “Third Eye” from their new EP Proven Guilty.

With grungy guitars, loud-quiet dynamics, and subtle harmonies, “Third Eye” takes some of the most recognizable, intoxicating elements of ’90s grunge and alternative and reimagines it all for a contemporary audience.

Stop pretending
It’s getting under my skin
It’s getting under my skin
Lately, I’ve been
Searching for my missing eye in the desert of my mind

There’s a pervasive feeling throughout the song of judging oneself before others can judge, and, ultimately, of feeling unknown. “Do you really think that I’m always cheering for life/ It may just be a disguise,” the narrator challenges. And yet the depressive outlook is juxtaposed with soaring melodies, hard-hitting beats, and, overall, the demand to be heard.

“Third Eye” is one of six songs on the band’s new EP Proven Guilty, which is the result of countless hours of practice, sweat, and tears. “It was very important that this EP felt and sounded as authentic as possible,” the band said. And so they at first set out to record and produce the project themselves, until they ran into problems capturing the drum sound and began enlisting the help of experts, including Montreal producer/engineer Peter Van Uytfanck, mixer Pete Hutchings, and mastering engineer Joe LaPorta.

“All of that left the EP sounding as big as ever, and for the rest of our lives we are going to be able to listen to something that we made and that is just magical,” the band said. “Hopefully, people like it as much as we do.”

Juvenile Jury is an alternative rock band bred in the suburbs of Montreal. Their unique sound is both primal and powerful, leading to a fierce, energetic, kaleidoscopic experience. The band’s sound oozes with the bubbling energy of the ’90s alternative rock scene while imbuing that sound with the breath of youth. The band is composed of Mark Turcotte on lead vocals and bass, Sacha Rose on lead guitar, and Jordann Daoust on drums.

3x JUNO Nominees / 4x CFMA Winning Supergroup Sultans of String Celebrate Cannes Film Win With Sanctuary CD Release in Toronto Nov 4

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NY Times and Billboard-charting world music supergroup Sultans of String celebrate their “Best Musical Film” win with “Sultans of String: The Refuge Project – Visual Album,” as part of the monthly competition of Cannes World Film Festival, with a milestone Sanctuary CD Release concert with an online concert on November 4, 2022.

The event, part of the Canadian Arab Orchestra’s “Festival of Arabic Music & Arts” will feature the core Sultans of String (Chris McKhool – violin, Kevin Laliberté – guitar, Drew Birston – bass), as well as many of the special guests from their latest album. Artists include singer Leen Hamo, and clarinet player Majd Sekkar, both of whom came to Canada as refugees from Syria. Other new Canadians include Padideh Ahrarnejad performing on Persian tar, Naghmeh Farahmand from Iran playing percussion, Donné Roberts, originally from Madagascar singing in Malagasy, and Saskia Tomkins performing on a rare string instrument from Sweden called the nyckelharpa. Tamar Ilana will be singing in Spanish and performing flamenco dance. Joining virtually will be Turkish string group Gundem Yayli Grubu and others, in a spectacular integration of sound and light.

Creating this collection of songs from the global diaspora is personal for bandleader and violinist McKhool. “My family name would have been pronounced Makhoul back in Lebanon, but when my grandfather arrived in 1903, as a stowaway on a ship, he probably encountered a Scottish border guard that thought it would be nice to give the spelling a Scottish flair, hence the oddball spelling for a Lebanese name,” McKhool explains. “These first Lebanese to Canada and the U.S. came with no money in their pockets, but with a tremendous drive to succeed. My grandparents saved up and opened a restaurant in Ottawa called the Laurier Tea Room, which did booming business after the war. The song from this project, Hurricane, is an ode to so many who came to the New World planning to work hard and save up enough to bring their loved ones over.”

Sanctuary is the second instalment in their Refuge Project. The first, simply entitled Refuge, was heralded as “a fantastic, moving, dreamlike, epic, timely album” by Ken Micallef (Jazz Times, Stereophile, Downbeat) and won many awards including 2 Independent Music Awards for Instrumental Song of the Year and World Music Producer of the Year, and Producer of the Year at the 2021 Canadian Folk Music Awards for bandleader and violinist Chris McKhool and co-producer John Bailey. The lead track “Mi Santuario” from their follow up Sanctuary CD was part of John Bailey’s 2022 Engineering Juno Award nomination.

One of the singers on Sanctuary, Yukiko Tsutsui says “We need this uplifting music … a gift for people from all over the world to get to sing together and play together. It is so moving. The music has no borders. We feel good, and we feel love, that is the amazing thing about getting together to play music, feeling the strong emotional bond between players and audiences and we are sharing a beautiful moment and that is a very big part of the meaning for me, that people from all over the world can get together and share the music and the moment and love together.”

To watcj, simply join the Livestream at 7:30 pm EST on Facebook, YouTube, Twitter or LinkedIn at:

Sultans of String with special guests:
Leen Hamo – vocals
Padideh Ahrarnejad – tar
Majd Sekkar – clarinet
Donné Roberts Music – vocals and guitar
Tamar Ilana – vocals and dance
Naghmeh Farahmand – percussion
Saskia Tomkins – nyckelharpa