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Indigenous Artist MIKE BERN Taps Heartwarming Joy When Reminiscing Good Times with “Shrine of Shirl”

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Feeling the presence of a lost loved one and the inexpressible joy of reminiscing good times is the subject of award-winning Indigenous singer/songwriter Mike Bern’s latest heartwarming single, “Shrine of Shirl.”

Drawing on his own experience with loss, Mike Bern takes listeners on an emotional journey using his signature sonic palette of folk-rock harmonies with a sprinkle of southern gospel. “Shrine of Shirl” is a testament to Bern’s ability to fuse his distinct musical style while harnessing the influence of artists such as Ben Schneider and Frankie Miller.

While “Shrine of Shirl” is based on a personal experience and inspired by his late uncle’s ashes which hang in his truck by the rearview mirror, the song is about all the souls that are no longer here. “He always wanted to listen to music while he was here,” Bern shares. “Now, when his favourite song comes on, I know he’s with me.”

The musical composition of “Shrine of Shirl” elevates the story being told through its charming instrumentation and touching narrative. The song’s message is beautifully told through Bern’s perspective of sorrow and seeing the world’s magnificence through the eyes of our lost loved ones.

“I know you’re driving next to me
The feeling puts me at ease
I start swerving to the right
Someone grabs the wheel
I know you’re here with me.”

Hailing from Tobique First Nation, NB-based Indigenous singer/songwriter Mike Bern has been carving his own path in music after departing as the singer of award-winning bands like Kickin Krotch and District Avenue.

Bern’s artistry has also been showcased at the 2018 Olympic Games, along with multiple Native American Music Awards nominations. During his stint as a singer before going solo, Bern also had the charting single “Mother First,” which rose on the Indigenous Music Countdown list. He has also played more prominent stages, opening up for bands like Seaway, The Trews, One Bad Son, and The Motorleague.

Jazz-Folk Artist Jae Ordon Muses on Love, Loss and Time’s Passing with “Life Whispers On”

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It’s a case of a kismet-style meeting 20 years ago, a like-minded connection and an inevitable reconnection 20 years later that produced musical magic over just one week in Nashville. That’s the distilled down story of how NYC folk-jazz artist Jae Ordon forged a creative partnership with legendary Broadway guitarist and composer Laurent Medelgi to record his new album Artificially Natural and its captivating lead single, “Life Whispers On.”

A multi-layered, genre-bending tune trip that journeys from time travel through a couple’s whirlwind romance and eventual dissolution, “Life Whispers On” explores the fleetingness of life and relationships with a chorus that anchors down a central idea of the power of love.

Life whispers on
She was here before the day begun
You’ll find your answers in love before your days are done
No sun is born in the sky before the dark is through
Life whispers on
She’s in love with you

“‘Life Whispers On’ had come to me in sort of a dream state in pieces over a few years’ time,” recalls Ordon. “A reflection on life’s relentless yet delicate and unwavering march forward, getting older in a whispering sentimental way of sometimes unnoticed motion wrapping around us while both caressing and weathering.”

It took the aforementioned connection and collaboration with Medelgi to give “Life Whispers On” its full voice though.

In 2002, while looking for a fourth member for his trio Mascot’s Distance, Ordon put the word out on Craig’s List and Medelgi was the first to answer the ad. At the same time, Ordon’s drummer Yutaka Uchida had suggested that Ordon meet his guitarist friend, Laurent, as a potential new band member.

“That led me to believe it was a sign — if you believe in that sort of thing,” says Ordon.

Ordon and Medelgi met up at a coffee shop in Chelsea, discovered a kinship and how much they had in common musically and Medelgi joined the band in the studio. Mascot’s Distance continued playing gigs with Medelgi at such legendary NYC venues as the Cutting Room, Bitter End, Joe’s Pub, Arlene’s Grocery, and The Living Room. A few more records were cut including Chasing Pixie Dust which spawned some radio play including on Albany’s WEXT, where DJ Dave Michaels called the album “a masterpiece!”

Even so, losing their bass player and other setbacks caused Mascot’s Distance to disband some months later and Medelgi moved back to his home city of Paris.

Fast forward to 2020 and, after reminiscing about the magic Mascot’s Distance made 18 years prior, Medelgi reached out to Ordon to tell him that his girlfriend had been crying after listening to their Chasing Pixie Dust album.

“Why was she crying?” Ordon asked Medelgi. “She thought it was so tragic that Mascot’s Distance never got the acclaim and visibility it deserved, and that it would be great if we could get back in the studio.”

Ordon agreed to send Medelgi some of his new songs and asked him to pick his favourites that they could record. Medelgi chose “Life Whispers On” as one of them. Medelgi asked if he could do some arrangements of Ordon’s new songs and, after a false start with acclaimed London-based producer Rick James, the duo focused on Nashville as a recording locale, where Medelgi had some remarkable connections.

Medelgi’s connections were utilized to negotiate and procure a group of top-shelf session musicians including Toto/Steely Dan drummer Keith Carlock, Michael McDonald’s horn section, piano player Pat Coil who was voted by Keyboard magazine ”world’s best keyboardist”, and Christopher Cross and Robben Ford’s bass player Brian Allen.

Ordon and Medelgi booked an ambitious and economical four days of recording time at Nashville’s Coop de Ville Studios and hunkered down at Ordon’s place in Queens for a week of 14-hour-day song woodshedding before the trip to Music City. Notably, Steely Dan pianist Jim Beard was almost part of the project but opted out because he thought the music was too complicated to record in just one session that was allocated to recording auxiliary keyboards.

“Jim said it seemed like the project was a ‘runaway horse’, which turned out to be a marvelous challenge for us, as well as the source of a lot of laughing,” recalls Ordon.

After hearing some of the studio results, Beard texted Medelgi to say, “Congratulations on a marvelous album.” Artificially Natural had been borne out of true kismet, determination, expert musicianship, and a desire to get ‘er done.

“I guess we tamed the horse,” muses Ordon.

The star-aligning experience of recording Artificially Natural is just one in a long line of achievements for the Long Island composer, producer, multi-instrumentalist, and singer-songwriter. Ordon has been featured in Time Out New York magazine and has worked as a composer with Ian Gillan of Deep Purple, the broadway musical Wicked’s composer Stephen Schwartz, as well as actors Hugh Jackman, Taye Diggs, the late Brittany Murphy and organizations such as Bed Bath and Beyond, Folger’s Coffee and The New School. A classically trained pianist who majored in music at Syracuse University, Ordon went on to earn a Master’s degree from Columbia University in music education.

Artificially Natural and its lead single “Life Whispers On” is actually on the second of three projects that the Nashville sessions form part of. “The first being a four song EP entitled Life Whispers On (released in 2021), the 2nd is a full length album entitled Artificially Natural comprising the four EP songs from Nashville sessions, as well as singles and songs from my earlier albums,” explains Ordon. “And lastly a 3rd album called Berdache which will have the remaining three unreleased Nashville songs, also songs which I recorded on my own, and four songs yet to be recorded. I am aiming to release Berdache in October of 2022.”

Ordon is nothing short of very busy and creatively productive, and that’s just the way to be as life whispers on.

James Hetfield’s Isolated Vocals For Metallica’s “Master Of Puppets”

Of all the songs to break through again on the charts, Metallica’s Master Of Puppets would have been waaaaay down on anyone’s list. But then, smart move to the music supervisors featuring this classic in the fourth season finale of the Netflix series Stranger Things, where Eddie Munson is seen playing the track in the Upside Down to attract the Demobats. It’s thrilling to see the song find a new audience. MASTER!

Roger Hodgson’s Isolated Vocals For Supertramp’s “The Logical Song”

The lead single from Supertramp’s monster-sized selling album Breakfast in America was released in 1977, is still their biggest hit, rising to No. 7 in the United Kingdom and No. 6 on the US Billboard Hot 100 chart.

6 Great Movies to Watch While Stoned

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By Jennifer Gallagher

The advent of high-quality cheap cannabis seeds makes cultivating a stash of premium buds easier than ever. Once you’ve harvested the fruits of your labor, what better way to enjoy your haul than watching a classic weed movie?

You’re here for some great movie suggestions, so let’s jump in. Below, in no particular order, are six of the best flicks to enjoy with a well-packed bowl of buds.

1. 2001: A Space Odyssey (1968)

Over fifty years after its release, 2001: A Space Odyssey is still one of the most visually impressive stories ever. On top of its spectacular imagery, it tells a riveting tale about humanity and AI.

After discovering an alien monolith on the moon, Earth sends a ship towards Jupiter to learn more. With most of the crew in stasis, HAL 9000, an advanced artificial general intelligence, primarily handles the vehicle’s functions.

A seemingly innocuous order given to HAL spirals into a terrifying sequence of events with enormous ramifications for all humanity. If you like thought-provoking cerebral sci-fi, 2001: A Space Odyssey is one of the best movies to watch while high, especially after you’ve arranged your stash through Online Weed Delivery Near Me.

2. This Is Spinal Tap (1984)

Rob Reiner’s 1984 debut is a masterwork of mockery. This Is Spinal Tap features Reiner as Marty DiBergi, an amalgamation of Martin Scorsese, Brian De Palma, Steven Spielberg, and Federico Fellini.

The fictional DiBergi goes on the road with the hardworking rock band Spinal Tap during a US comeback tour. The group has the dubious honor of being “England’s Loudest Band,” played by Michael McKean, Christopher Guest, and Harry Shearer.

The mockumentary is a tongue-in-cheek look at the world of eighties heavy metal. Equal parts realistic and ridiculous; it’s a must-see for music fans.

3. Half Baked (1995)

Half Baked is an all-time stoner favorite. Despite tanking at the box office, it’s garnered a cult following among potheads everywhere, and with good reason. Dave Chappelle, who wrote and produced the movie, stars in the lead role as Thurgood, the janitor.

One day, he discovers his workplace is lab-testing potent marijuana (Maui Wowie, to be precise). Thurgood “procures” a sample to share with his three best buds, with whom he shares an apartment.

After several hits from “Wesley Pipes” and “Billy-Bong Thornton,” the gang is thoroughly blazed and in desperate need of snacks. When a resupply run involving a Funyuns-loving police horse goes wrong, one of the group ends up incarcerated.

The rest of the gang spring into action (after a quick joint, of course) and begin formulating a plan. Eighty-two minutes of laughs, gaffes, and relatable stoner humor follow. Half Baked is one of, if not the absolute best high movies from the nineties.

4. Pineapple Express (2008)

If Half Baked is the best example of stoner cinema from the nineties, Pineapple Express takes the title for the noughties. Seth Rogen stars as Dale, a pothead process server who’s started buying weed from dealer Saul, played by James Franco.

After indulging in some exotic Pineapple Express weed, Dale returns to work. While taking a smoke break, he witnesses Ted Jones, a ruthless drug kingpin, murder a man with the assistance of a cop.

In his haste, Dale discards his half-finished joint on the street, which is later identified by Jones thanks to its unique contents. This discovery sends Dale and Saul on the run from some heavy-duty criminals.

If you’re looking for a fabulous 420 movie, this comedy thriller deserves a place on your to-watch list.

5. Friday (1995)

This 1995 movie is another buddy stoner movie written by and starring Ice Cube. He plays Craig, a slacker living in Los Angeles with his best friend and small-time dealer Smokey, played by Chris Tucker.

After getting high on Smokey’s supply, the pair run afoul of not-so-small-time dealer Big Worm. Upon finding out they smoked all his product, he issues an ultimatum: either they pay for the product, or he kills them both.

The movie follows Craig and Smokey as they spend the rest of their Friday desperately trying to come up with the cash. Despite terrible reviews, this weed movie spawned a series of sequels beloved by potheads everywhere.

6. Cheech & Chong’s Up In Smoke (1978)

Many people credit this 1978 flick for establishing the stoner movie genre. The film stars countercultural comedy duo Cheech Marin and Tommy Chong as Pedro de Pacas and Anthony “Man” Stoner.

After being kicked out by his parents, Anthony finds himself hitchhiking on the freeway with nowhere to go. The earnest Pedro picks him up, and the two share an absurdly large joint that seals their friendship.

What follows is a series of encounters, each wackier than the last, fueled by copious amounts of pot. The duo’s journey takes them from the USA to Mexico and back again via a van made entirely of weed.

While some may find the humor here a little too silly, for stoners, this funny and farcical flick is mandatory viewing. If you enjoy their first outing, the iconic dopey duo has lots more material for your viewing pleasure.

Turn On, Spark Up, Have Fun

This short list of stoner cinema should keep you entertained for at least a few hours. While being high isn’t required to enjoy most of these movies, they’re worth watching after a few tokes.

Jennifer Gallagher

Jennifer Gallagher, an experienced cannabis grower at SeedSupreme Seedbank. During a 7-year career in the marijuana growing business, Jennifer has gained a high competence in this field. As far as weed is concerned, she knows it all inside out. Jennifer is an expert in pot-growing, as well as cannabis types and their effects. She’s also familiar with all legislation nuances.

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Canada’s Walk of Fame Announces 3 More Inductees: Barbara Frum, The Tragically Hip and Director X

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Canada’s Walk of Fame adds three new Inductees to the distinguished ranks, each trailblazers in their respective fields who have profoundly impacted their careers. Today’s announcement includes broadcasting legend BARBARA FRUM, iconic rock band and humanitarians THE TRAGICALLY HIP, and prolific music video mastermind, DIRECTOR X.

These exceptional Canadians join a distinguished lineup of previously announced 2022 Inductees, including multidisciplinary sports hero Lionel Conacher, chart-topping R&B songstress Deborah Cox, the Canadian comedy institution that has been the Canadian launchpad for the biggest international comics, Just For Laughs and one of the Top 50 businesswomen in the world, Heather Reisman. Also previously announced 2022 Canada’s Walk of Fame Honourees Arkells are recipients of this year’s Allan Slaight Music Impact Honour.

Additional Inductees and Honourees to round out the Class of 2022 will be announced in the coming weeks representing the organization’s five pillars of recognition: Arts and Entertainment; Entrepreneurship and Philanthropy; Humanitarianism; Science, Technology and Innovation; Sports and Athletics.

Canada’s Walk of Fame Gala returns on December 3, 2022, set to take place at Beanfield Centre in Toronto, featuring star-studded red carpet arrivals, memorable performances and tributes from Canada’s brightest stars and Canada’s Walk of Fame alumni. A special broadcast will air at a later date on CTV.

Barbara Frum (Arts and Entertainment – Legend) – The Most Influential Woman in Canadian Broadcasting
Barbara Frum was one of the most recognized voices in Canada. As a journalist for CBC Radio’s “As It Happens” and subsequently for CBC TV’s “The Journal,” Frum was known for her direct style and hard-hitting questions, having interviewed more than 2600 people, including politicians, change-makers, celebrities and cult leaders. As a woman who rose to the top of her profession during the 1970s and ’80s, Frum is cited by many as an inspirational icon, the first one to shatter many barriers for women in her field. During her lifetime Frum’s achievements were recognized with a wide variety of accolades and awards including multiple honorary degrees, the National Press Club of Canada Award for Outstanding Journalism (1975), the Canadian Press Woman of the Year Award in the literature, arts, and education section (1976), and the Order of Canada (1979) and four Alliance of Canadian Cinema, Television and Radio Artists (ACTRA) Awards. Frum’s newsmagazine program “The Journal” was so popular with Canadians that when she died prematurely, at the age of 54, in 1992, the national grief over her loss was described by Maclean’s Magazine as “a death in the family.”

For more than three decades, The Tragically Hip’s tireless activism and philanthropic pursuits have raised millions of dollars for multiple social and environmental causes, such as Camp Trillium, the Canadian Cancer Society, the Sunnybrook Foundation, WAR Child, the Special Olympics and the Unison Benevolent Fund. A quintessential band whose music captures the essence of being Canadian, they used their enormous megaphone in 2016 to shine a spotlight on the country’s systemic mistreatment of indigenous peoples. The legacy of the band’s frontman, the late Gord Downie, continues with The Gord Downie and Chanie Wenjack Fund, which aims to build cultural understanding and create a path toward reconciliation between Indigenous and non-Indigenous peoples. Social media: Twitter, Instagram, Facebook.

Julien Christian Lutz, professionally known as (pka) Director X, is one of the most iconic music video directors of our time. The protégé of iconic director Hype Williams, Lutz is known for his trailblazing videos for some of the biggest music superstars in the world, such as Drake, Rihanna, Rosalia, Kendrick Lamar, and Kanye West, to name a few. A creative force, Julien’s credits also include the feature film, Superfly for Sony Studios produced by the legendary Joel Silver, art installations for Toronto’s Nuit Blanche, and the upcoming modern-day reimagining of the classic tale, Robyn Hood , featuring a fearless heroine as ‘Robyn’ that will air on Global. In addition, using his platform for social change, Julien founded Operation Prefrontal Cortex, an initiative to reduce Toronto’s gun violence through mindfulness and meditation. Social media: Instagram.

Photo Gallery: Goo Goo Dolls with Blue October at Toronto’s Budweiser Stage

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

Goo Goo Dolls
Goo Goo Dolls
Goo Goo Dolls
Goo Goo Dolls
Goo Goo Dolls
Goo Goo Dolls
Goo Goo Dolls
Goo Goo Dolls
Blue October
Blue October
Blue October
Blue October
Blue October
Blue October
Goo Goo Dolls

My Next Read: “Pride, Pop and Politics” by Darryl W Bullock

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Fifty years on from Britain’s first Pride march, the long road to LGBT equality continues. Through protest songs and gay club nights, street theatre activism and fundraising concerts, the performing arts have played an influential role in each great stride made. With new interviews with musicians and DJs, performers and activists, including Andy Bell, Jayne County, John Grant, Horse McDonald and Peter Tachell, Pride, Pop and Politics hears from those whose art has been influenced by the campaign for LGBT rights – and helped push it forward. This informative, eye-opening book is the first to focus on the relationship between gay nightlife and political activism in Britain.

Photo Gallery: Santana with Earth Wind and Fire at Toronto’s Budweiser Stage

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

Santana
Santana
Santana
Santana
Santana
Santana
Santana
Santana
Santana
Earth Wind and Fire
Earth Wind and Fire
Earth Wind and Fire
Earth Wind and Fire
Earth Wind and Fire
Earth Wind and Fire
Santana

Award-Winning Songwriter, Producer & Director BROOKE BURGESS Cheekily Embraces His “DADBOD”

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Brooke Burgess is fully embracing his “DADBOD” with the release of a humour-laden anthem around self-acceptance and transformation.

Serving as both the title track and grand-finale release from his recent album, DADBOD, the award-winning artist, writer, producer, and director strings together an upbeat, rock-infused, and family-friendly flex about the aging process.

“I got a kid, and I got a Dadbod!” he chants across the track and its newly-minted video — a visual autograph indicative of his return to directing since his acclaimed animated comic series Broken Saints (2003-2008) took top nods at Sundance, telefilm, and won him CNMA Producer of the Year.

Currently the Narrative Director for a ground-breaking wellness technology firm based in the Netherlands, Burgess is a 25-year vet of the industry who found himself locked down in Southeast Asia during the peak of 2020’s pandemic.

“We were stuck on a tiny isle in southern Thailand,” he recalls. “The world was in lockdown; work was drying up… And thoughts of ‘mortality’ and ‘legacy’ were staring me straight in my increasingly wrinkled mug.”

But there was one saving grace, he grins.

“Three years earlier, I had become a Dad — and it was the best… thing… ever.”

In what Burgess calls “the legend of an incredible boy, the man transformed by his love, and the kind of bond that comes around once in a thousand lifetimes,” his 20-song-strong LP — complete with videos to match — arrived.

Drawing from his vast experience in writing, directing, and producing video games, animation, and interactive narrative and audio projects, Burgess let his imagination — and his son — guide the way. The album twists and turns across a variety of genres, and stories, marrying sights and sounds that come from an eclectic journey in the arts and media, and is the culmination of three years of inspired songwriting, creative collaboration, and remote production alchemy.

“Working with acclaimed Canadian talents including composer Tobias Tinker (various), Chrystal Leigh (Sons of Daughters), and many, many more from every continent without a pole, these songs and videos pull a Voltron to form a sword-swinging, head-bopping, genre-busting epic that’s an undeniable testament to creative passion, and parenting, and (at least on one track) paleontology,” Burgess explains.

Since its release last year, the album has stacked nearly 500,000+ streams across platforms, including YouTube, where what Burgess calls “saving the best for last” — the newly unveiled video for “DADBOD” — is on full dad-display.

And much like its comrades across the rest of the album, “DADBOD” is a truth-spilling thrill ride, set to delight and entertain.

“Thanks to my amazing media team at DEPHION,” Burgess says of the wellness tech firm he currently serves as Narrative Director for, “I was able to harness their talents and in-house facilities to produce and direct this final video for the series.

“We shot over the course of three days at the office in Geleen, and the video shows the father-and-son duo that we are sneaking into a top-secret facility to wreak havoc!”

Treats? They eat them all. Games? They play ‘em! “We even get 3D-scanned and have epic green-screen adventures,” Burgess hints before the final plot twist is revealed…

Spoiler alert: “When we’re finally cornered by office security, we stand tall and reveal our true superpower — the ‘DADBOD!’”