Home Blog Page 1522

Harriet Chung Takes a Musical Journey of the Heart to “Vancouver”

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Canadians are incredibly fortunate to call a breathtakingly beautiful, culturally and naturally diverse, awe-inspiring country home. From coast to coast to coast, there’s A LOT to love about this great land. Canada is where International singer, actress, and award-winning performer Harriet Chung makes her home, and she offers a musical love letter to one of the shiniest jewels in this country’s crown with this, her new single “Vancouver.”

An uplifting and exuberant journey propelled by piano, guitar, and strings and Chung’s bright, earnest vocal, “Vancouver” is a personal and sentimental destination for the multi-honoured artist.

“The song is about a road trip across Canada that ends in Vancouver,” Chung explains. “Having lived there in the past, the song is about my love for the city.

“Warren Robert’s arrangement and guitars with a fabulous solo give the song the energy to take you across Canada and the beautiful city of Vancouver,” adds Chung.

The song also features Robert on guitars and bass, Christopher Siu on piano, Randy Cooke on drums, and Rique Franks on background vocals.

“Vancouver” details a bucolic cross-country trip we may not have all taken but have certainly imagined with our own perceptions of this country’s wildly varied landscapes. Chung’s “quest” takes her from Ontario’s “jaggy shield” through the prairies, up and down the Alberta foothills and over the Rocky Mountains “kingdom come,” leading her through the “peaceful” Okanagan with “every kind of plum” and down the Fraser River “where all the salmon run” to finally end up where “we can all be free.” Sounds ideal and so very Canadian, doesn’t it?

I headed to the west to run away from home
And escape the pain and rest
Now, I’m never going home

Advancing Chung’s upcoming debut album, “Vancouver” is the follow-up single to Chung’s 2021-released “A World Away (Remix).” Chung’s debut single was adapted from Taiwanese-Canadian singer-songwriter George Chiang’s score for the award-winning musical The Golden Lotus, in which she played the title character.

Chung’s work in the musical earned her a Best Actress nomination from the Hong Kong English Drama Awards while the production itself won Best Original Work. Her performance in the glamorous music video for “A World Away (Remix)” won Chung a Best Actress award from the Europe Film Festival.

Chung has also released a lyric video for “Vancouver,” which features footage from a return visit to her former west coast home last summer.

As an accomplished triple-threat performer — singer, actress, and dancer/choreographer — Chung has the innate ability to connect with audiences on many levels. She was Canada’s first Asian actress to be cast in The Phantom of the Opera and has also appeared in Cats (in Germany), The King and I, Iron Road, Fiddler on Fire, and more. She shares her expertise, experience, and love for her crafts with students from all over the world through her school – Harriet Chung Performing Arts (HCPA).

Even with a world full of experience and accolades in her career passport, it’s easy to understand why Harriet Chung is putting her newest musical focus on Canada’s wondrous west coast.

Tonia Evans Cianciulli Doubles Up on Motherly Love with Double-Single, “Always Her Home” & “Hold His Heart”

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A mother’s love for her child is pure, enduring, and unbreakable, and we celebrate that inviolable bond between mothers and their children. Acclaimed Canadian soprano Tonia Evans Cianciulli marks this lifelong bond as she releases two songs she created with her daughter and son when they were both children — “Always Her Home” and “Hold His Heart” are both available now.

Written and recorded with both of Cianciulli’s children when they were each just six years old, “Always Her Home” and “Hold His Heart” are tender reflections on Cianciulli’s relationships with her daughter and son. “Always Her Home” is a tear-inducing duet with her daughter Sophia, created at a time when Sophia needed the kind of comfort and care only a mother can give. Also a duet, “Hold His Heart” expresses the unexpected bond between Cianciulii and her son, Anthony. Both loving tributes were brought to life with the help of another of Cianciulli’s longtime loves, her high school bestie Ambre McLean, along with producer Dima Graziani.

The heartfelt videos for both songs were filmed on iPhones by family members and illustrate the bittersweet and sentimental bonds between mothers and their children.

A multi-talented performer, public speaker, award-winning author, mentor, opera company foundress, songwriter, recording artist, and self-described “unabashed fan-girl of the creative spirit”, Tonia Evans Cianciulli is combining most of these creative skills in this close-to-her-heart project. With her two new song releases and a second book Cianciulli has authored called Flick Your Heart-Light On, Let Your Fears Be Gone, she hopes to start an important conversation with her audience, particularly mothers and their children. Illustrated by her daughter Sophia, the book has already received early praise from celebrated authors as a game-changer and must-read for parents and children at a time when mental health is an overwhelming concern.

“The first version of the book was written in a couple of hours for one of my cousins to read with her seven-year-old whose unexplained anxiety had started overwhelming her and her mother,” explains Cianciulli. “It seemed the book effortlessly spilled out onto the pages but it was only because of the years of trial and error with herself and her own children. This is a perfect example of how we can help others through the pain we have already endured.”

This wisdom and insight come from both experience and education. Cianciulli has home-schooled her children for the past seven years and is also currently completing her Master’s in Counseling Psychology with Yorkville University. Cianciulli has been with her children every step of the way as they’ve navigated the often-rough waters of growing up. They’ve faced the tragic death of a friend, crippling anxiety, and the dangerous psychological pitfalls of social media.

“I thought perhaps teaching my children long division and fractions would be the most challenging part,” she notes. “What proved to be the most heart-wrenching and helpless feeling part of the journey has been standing with them while they process the many emotional, psychological, and physical aspects of being children and teenagers.”

Having experienced her own struggles with anxiety and depression, Cianciulli started a personal journey when her first child was born. She set out on what has now been a 16-year quest of self-development, self-analysis, and study resulting in major certifications. She understands healing her own inner child while raising her two children is the best gift she could have given herself and her family.

Knowing that her job as their mother is far from over, Cianciulli hopes that Sophia and Anthony, now 14 and 16, have been given the foundation to navigate the rest of their lives with compassion, mindfulness, and ongoing conversation.

“Always Her Home” and “Hold His Heart” pay tribute to those foundational years and Flick Your Heart-Light On, Let Your Fears Be Gone aims to pass it forward to help other families.

These new creative projects follow closely on the heels of Hymns of the Heart, an album of beloved hymns Cianciulli released In September 2021 in an effort to reconnect with the spiritual music of her past during the period of grief and uncertainty that the global pandemic has brought.

Preserving and promoting her cultural heritage of Newfoundland has also been a focus of late for Cianciulli. She’s the award-winning author of The Heart’s Obsession – An Intimate Biography of Newfoundland Songstress Georgina Stirling (1867 – 1935), which has received glowing reviews from CBC, Opera Canada Magazine, and singer Alan Doyle of Great Big Sea. Cianciulli also released two companion albums with the book that shine a spotlight on Stirling as well as renowned Newfoundland folk hero Ron Hynes.

Cianciulli is also the founder of non-profit Wish Arts, focusing on the psychological aspects of being an artist/performer with her coaching program, An Artist’s Journey. She further dives into the artist’s psyche with her print interview series, Artist’s Spotlight, and more recently her HEART to H-ART Instagram Live interviews, both highlighting and shining the spotlight on Canadian artists.

Our two pandemic years also served to bolster Cianciulli’s songwriting. “Writing and recording seemed to be the glue that held me together in such uncertain times,” she says.

Throughout 2022/2023, the very busy and prolific artist plans to release a collection of original music called Love Me Till I’m Me Again to discuss poignant matters of the heart and painful memories that resurface long after you think you’ve healed them. Cianciulli says it will be an album of layered complexity, vocally and psychologically, much like the process of going to therapy. Peeling back the layers of the onion.

Now, however, it’s time for Cianciulli to celebrate motherhood and the very special bond she has with her children.

Saskatchewan’s JACKIE K Pays Tribute to The Outdoors in New ‘70s-Inspired Single, “Green Heals Me”

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One upside of the pandemic is that many of us rediscovered the healing power of Vitamin D-infused sunshine and the glory of the outdoors. In that spirit, Canadian alt-folk songstress Jackie K pays reverent tribute to the panacea of lush greenery in her ‘70s-inspired new single “Green Heals Me.”

With the soothing meander of a lazy day on the veranda or a leisurely hike through the woods, “Green Heals Me” features folky guitar, jazzy piano, and Jackie K’s signature plain-spoken, candor-filled voice, like that of a trusted friend. ‘I spent today living outside in the sunshine/ To shake the lack of sleep, and way too much drink,’ she begins. And then she describes with rich imagery the perfume of the lilac-tinged air, the shade-giving pine trees, the canopy of the woods, and then the cool night air at the end of an outside-filled day.

“’Green Heals Me’ is really about feeling grateful for Spring,” Jackie K shares. “I just sat on my back deck on a hungover Saturday morning and wrote it down; I needed outside, and our winters are so long. Despite everything, I was just thankful.”

After hearing the song, some friends asked – wink, wink – if it was about another kind of green. “I did have several people ask me if it was a song about pot,” she muses. “I hadn’t been thinking that, but it would work! Green does heal in that capacity, too.”

While writing the song, the piano section was stumping her until her husband Tom suggested a very worthy influence and form of inspiration. “He said, ‘try something like [Thelonious] Monk’ and so I did,” she reveals, adding that the piano she used was a 100-year-old Mason & Risch. “It’s gorgeous and has a big, warm sound — sounds a little kooky, and outside. Perfect!”

“Green Heals Me” is off Jackie’s four-song EP Look for the Little Things, which also plays host to the song “Night at the Opry,” a tune inspired by a field trip to Memphis and Nashville Jackie took with her music students in 2020 right before Covid shut everything down. “Dandelions Everywhere” is another nature-infused, hope-fueled track. Rounding out the release is “In My Oasis,” a high-energy song also inspired by nature and the little things and written about a teacup full of purple flowers.

Jackie K’s musical endeavors are mainly a family affair; her husband, Tom Kroczynski, is her bass player, while her son Connor Newton is her sax player, and her son Sean Davis Newton, on guitar and percussion, also engineered, produced, and mastered her album. The rest of the band is rounded out by Phil Rodda, a drummer from Edmonton, and Patrick Whelan on fiddle.

When she isn’t writing or performing, Jackie teaches band and guitar to high school students at North Battleford Comprehensive High School. She holds a Bachelor of Music in Music Education and a Bachelor of Arts in Visual Art and is a member of SaskMusic, SOCAN, AFM#553, BMI, SAC, and the Americana Music Association.

My Next Read: “Music and Mystique in Muscle Shoals” by Christopher M. Reali

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The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Authored by Christopher M. Reali, assistant professor of music at Ramapo College of New Jersey, the book is in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals’s impact on country music and describes the region’s recent transformation into a tourism destination.

Multifaceted and informed, Music and Mystique in Muscle Shoals reveals the people, places, and events behind one of the most legendary recording scenes in American history.

Get it here.

The Polaris Music Prize Has Revealed Its 40 Album Long List

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The Polaris Music Prize, presented by CBC Music, has revealed its 40 album Long List:

AHI – Prospect
Arcade Fire – WE
Backxwash – I LIE HERE BURIED WITH MY RINGS AND MY DRESSES
BADBADNOTGOOD – Talk Memory
Jean-Michel Blais – aubades
Basia Bulat – The Garden
Tanika Charles – Papillon de Nuit: The Night Butterfly
Chiiild – Hope For Sale
Destroyer – LABYRINTHITIS
Julie Doiron – I Thought Of You
The Garrys – Get Thee To A Nunnery
The Halluci Nation – One More Saturday Night
Joyful Joyful – Joyful Joyful
Adria Kain – When Flowers Bloom
Lydia Képinski – Depuis
Pierre Kwenders – José Louis And The Paradox Of Love
Ada Lea – one hand on the steering wheel the other sewing a garden
Lisa Leblanc – Chiac Disco
Hubert Lenoir – PICTURA DE IPSE : Musique directe
Luna Li – Duality
Les Louanges – Crash
LOONY – soft thing
Kelly McMichael – Waves
Men I Trust – Untourable Album
Haviah Mighty – Stock Exchange
myst milano. – Shapeshyfter
Cedric Noel – Hang Time
Ombiigizi – Sewn Back Together
Orville Peck – Bronco
Ouri – Frame of a Fauna
P’tit Belliveau – Un homme et son piano
PUP – THE UNRAVELING OF PUPTHEBAND
SATE – The Fool
Shad – TAO
Sister Ray – Communion
Snotty Nose Rez Kids – Life After
Stars – From Capelton Hill
Tanya Tagaq – Tongues
The Weeknd – Dawn FM
Charlotte Day Wilson – Alpha

In total, 223 albums were considered for the Long List by the 197 member jury this season.

This year’s Long List was revealed at the Numbers event space in Toronto’s downtown west end with a video directed by Daniel Tal and produced by Vox Future. This was the first public Polaris-related gathering in 33 months. The Long List reveal video also premiered simultaneously on the Polaris Facebook page and YouTube channels.

The 10 album Short List will be unveiled live on July 14 as part of a two-hour special during Drive on CBC Music. An encore broadcast of the special will be available on CBC Music, Sunday, July 17. The 2022 Polaris Music Prize-winning album will be revealed in the fall via CBC Music. More details on this will be announced in the coming weeks.

The winning album will be revealed during the Polaris Gala, taking place Monday, September 19 at The Carlu in Toronto. To celebrate our return to the venue that has hosted the likes of Glenn Gould, Billie Holiday, Frank Sinatra, and multiple Polaris events, Polaris has just opened up 100 early-bird general admission Polaris Gala tickets for sale to the public. These specially priced tickets ($40 plus tax) are available now via Ticketmaster while quantities last.

The Polaris Music Prize awards $50,000 to the artist who creates the Canadian Album of the Year, judged solely on artistic merit, without consideration for genre or record sales. The nine other nominated acts whose albums make the 2022 Short List will receive $3,000 each courtesy of Slaight Music. Additionally, Polaris Music Prize has partnered with Play MPE to award the winning artist with a global music promotion distribution package for one release (single or album) worth up to $3,025 CAD. Play MPE will also gift all nine remaining Short List artists with distribution packages worth up to $1,000 CAD each.

Albums eligible for 2022 Polaris Music Prize consideration must be released between May 1, 2021 and May 31, 2022. An independent jury of music media from across Canada determines the Long List and Short List. Eleven people from the larger jury pool are then chosen to serve on the Grand Jury. This Grand Jury convenes at the Polaris Gala to select the Polaris Music Prize winner.

The past winners are Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) and Final Fantasy / Owen Pallett (2006).

Breakthrough Pop Artist Michael Graff Stashes Good Times In Nostalgic New Single, “History”

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Music is powerful; it can store memories for us – good and bad – so that we may call upon them at seemingly anytime. Michael Graff’s new single “History” is a testament to the power that music has when housing our most intimate memories.

An ethereal pop composition that houses the feelings of a beautiful night with a beautiful girl, “History” sees Michael Graff telling the tale of two Texas kids in LA, caught in a moment of magic.

“For me, music is a great way of capturing moments,” Graff reflects on the feeling of nostalgia. “Nothing takes you back to a time, place, and even a feeling quite like a song. In this instance, we were just a couple of Texas kids far away from home and, for some reason, it was magical.”

And it’s true; music has an uncanny ability to remind us of times long ago. “History” has all the right ingredients to drum up memories of Coldplay on the school bus, slow pop playlists under the stars – even that one song you dedicated to your ex back in 10th grade. Graff works his magic in this lyrical recounting of “that one night” with lyrics such as:
‘You wore those blue jeans / Hair pulled back, so I can see / That look in your eye like / Tonight is gonna be history…’

Michael Graff is an emerging recording artist from the United States. Finding his sense for music at a young age, Graff would often play piano at church, embedding a strong passion for the craft into young Graff. From there he took up learning more instruments adding guitar, bass, drums, and eventually vocals to his repertoire of talent.

Graff’s passion for music played a critical role in his life, allowing him to develop a sense of identity and direction. He has found music to be a therapeutic outlet, allowing him to express some of the deepest parts of himself.

All of this self-discovery and practice has led Graff down the path of pop music; renowned for his ability to fuse heavenly synth-dripped walls of electronic sound with pop-perfect melodies, he is currently in the midst of launching a new EP that showcases his uncanny ability to bend the boundaries of his genre, crafting a distinctly uplifting combination of pop and EDM.

Michael Graff aims to soon break into the mainstream with his unique brand of upbeat, motivational pop, so he can bring the same joy to as many other people that music has for him. Often finding himself being compared to artists like LAUV, The 1975, Coldplay, and Post Malone, his songs are inspiring, motivational, and explore a range of powerful emotions.

Pop Artist OLENKA Reflects On The Downfalls Of Stardom In Her Newest Single, “Sad Boy Popstar”

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In a riveting analysis of the music industry and its cookie-cutter “popstar” lifestyle, Canadian artist OLENKA draws attention to the all-too-common lifestyle of “living it big” in her new single, “Sad Boy Popstar.”

“Sad Boy Popstar” is a fantastically produced single with all of the characteristics of a radio-ready hit — seemingly on key with OLENKA’s ambitions. Her understanding of songwriting and production results in an uncanny yet intoxicating combination of 808s, trap drum kits, and electric guitar. With enough atmospheric layering tucked into the overall mater, OLENKA leaves enough headroom to get lost in — symbolic of the gates opened as one climbs the socioeconomic ranks.

‘It’s easy to compare yourself to the greats but remember that you are not them; you have your own journey,” the London-born, Toronto-based artist shares. “Stay true to yourself while you grow. There’s nothing wrong with the grind — just don’t put your mental health on the line. Don’t let part of yourself die on the journey to the top.”

OLENKA’s take on the rise to stardom is one we have seen play out too many times, making “Sad Boy Popstar” such a harrowing tale to tell. The dilemma between “the grind” and reality is often skewed in the fog of success, and “Sad Boy Popstar” highlights this disparity savvily.

“Everyone wants to be a ‘Popstarʼ like Drake, ‘Starboyʼ like The Weeknd, or a ‘Rockstarʼ like Post Malone,” she muses. “You can absolutely do that, but just know the negative repercussions that come with fame and fortune.

“Chains and rings may look nice but that’s not all there is to music and being an artist.”

OLENKA’s take on stardom isn’t a new one, although it often gets brushed aside. “Sad Boy Popstar” reflects on the material desires that often-overcome individuals who find their situation taking a change for the better – especially financially. Couple a large influx of cash with a growing desire to continue living a “normal” life, things can get messy.

“Having a goal for fame and fortune can make you compromise your morals and boundaries,” she says. “The top can be lonely – gold chains and gold rings can’t buy you friends. Everyone wants to be famous, but they don’t know the darkness that lies within the light of fame. Will fame and a chain truly make you happy?”

Heavily influenced by radio hits, OLENKA has traveled down her own path in the genre, blending pop, soul, and R&B effortlessly. Being born into a bloodline ripe with music, OLENKA follows in her parents’ footsteps. Graduating from the Music Industry Arts program at Fanshawe College, she uses her knowledge of sound engineering to further advance her creative and production prowess.

Following her breakthrough release, “Poppin’” in 2019, OLENKA’s roster of released singles soars to include “Break Yours,” “Purple Rose,” and more.

Angelique Francis Lays Down the Law in Less Than 60 Seconds with “Take Command”

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When you can be mesmerized by an artist singing a song that is fifty-four seconds long and contains only layered vocals, handclaps, and percussion, you’ll get why Angelique Francis has a spellbinding gift, and who means business in under a minute with this, her new single “Take Command” — available now.

Take command, take command
Don’t rely on another man

An empowering chant lifting and fueling feminine strength, “Take Command” puts Angelique Francis’ dusky, self-assured lead vocal front and center with her own tight harmonies for the first half-minute before kick drum and handclaps propel this interlude to a speedy finish. While the chorus is a demonstrative reminder to take back personal worth, the verse describes the indiscretion that gives fire to that need.

Yes, I waited
I waited for you
Yeah, I waited
‘Til my lips turned blue

I waited
I waited in vain
Now all I got
Is suffering. Pain.

‘Nuff said. “Take Command” is a moment in time that needs no further explanation or expounding upon. Everyone can understand the pain of rejection instantly and Francis frames it in this song in an unadorned and undeniably hypnotic way.

The equally hypnotic and highly effective video for “Take Command”, available now via YouTube, features multiple versions of the Ottawa-based artist on a white background, dressed in a striking blue gown. The glamorous group sings the song while the camera snap-zooms and snap-pans to reveal particular Angeliques that start clapping, playing the drum, or singing certain key lyrics.

“Take Command” is an interlude that bridges between two longer tracks on Francis’ second album Long River, which was just released in March. Blues traditions are at the heart of all fourteen tracks on the album, but there are also intriguing genre bends towards Soul, Folk, Jazz, Gospel, and Rock along the way. Francis’ versatile, soulful, and evocative vocals anchor the trip, conjuring up reminiscences of Big Mama Thornton, Koko Taylor, Aretha, Bessie Smith, and more. The mix of genres and influences running through Long River — and the sense of everything and everyone is connected — anchors the key concept Francis wanted to convey with her new album.

“Despite our differences, and the vast variations in our personal histories, we are all floating down this river together,” notes Francis. “We are all connected in this way. We have all shared the same beginning, and we will all share the same end.”

In addition to Francis’ upfront contributions as lead vocalist — handily displayed on “Take Command” — she plays upright bass, electric bass, harmonica, acoustic and electric guitar, organ, and keyboards on the album. Joining her are four of her family members: co-songwriter, producer, drummer, and vocalist Kiran Francis, saxophonist and vocalist Kharincia Francis, trombonist, and vocalist Kira Francis, and vocalist Kayla Francis. Rounding out the band are Dave Williamson on lead electric guitar and Ed Lister on trumpet.

Angelique Francis and her mostly-family band have become internationally known for electrifying performances while she holds court center stage with her double bass, stoking up her growing notoriety as an exciting and eclectic musical force to be reckoned with. The group has been featured at the Keeping the Blues Alive at Sea festival, Sighisoara Blues Festival (Romania), Massey Hall (Women’s Blues Revue), Montreal Jazz Festival, Mariposa Folk Fest, Ottawa Jazz Festival, Ottawa Blues Festival, Mont-Tremblant Blues Festival, Ottawa Folk Fest, and many more. Francis has shared the stage with and opened for a wide range of renowned artists — including Gary Clark Jr., Joe Bonamassa, Eric Gales, Keb’ Mo’, Jimmy Vivino, Beth Hart, Tom Cochrane, Burton Cummings, Sugar Ray, and the list continues to grow.

Francis’ impressive list of credits and growing caché in the Canadian music industry has led her to be invited to host the upcoming 2022 Maple Blues Awards to be held both live and virtually from Toronto’s Koerner Hall on Monday, June 20.

With this dynamic rising star at the helm, it’s going to be a night, and we can hopefully expect to be wowed by a rousing performance from this Canadian blues bright light and her band along the way. Industry insiders and her growing legion of international fans know she’s on the verge and her new single underlines it.

“Take Command”, from Angelique Francis’ Long River, is available now!

2022 Tour Dates:
July 21, 2022 Hugh’s Room Toronto ON
June 24, 2022 RCHA Club Kingston ON
June 30, 2022 Montreal Jazz Festival Montreal QC
June 20, 2022 Maple Blues Awards Toronto On
July 7, 2022 Bluesfest Ottawa ON
July 21, 2022 Hugh’s Room Toronto ON
July 23, 2022 Front Porch Southern Kitchen and Blues Joint Langton ON
July 24, 2022 Grandbend Beach Sunset Sounds Grand Bend ON
July 30, 2022 Canmore Folk Festival Canmore AB
July 31, 2022 Canmore Folk Festival Canmore AB
August 6, 2022 Donnacona Blues Festival Donncacona QC
August 1, 2022 Canmore Folk Festival Canmore AB
July 9, 2022 Lighthouse Blues Festival Kincardine ON
August 14, 2022 StoneCropAcres Winery and Vineyard Morrisburg ON
August 18, 2022 The Chef’s Table 2022 : National Arts Centre, on a floating stage on the Rideau Canal Ottawa ON
August 19, 2022 The Chef’s Table 2022 : National Arts Centre, on a floating stage on the Rideau Canal Ottawa ON
August 20, 2022 The Chef’s Table 2022 : National Arts Centre, on a floating stage on the Rideau Canal Ottawa ON
August 21, 2022 The Chef’s Table 2022 : National Arts Centre, on a floating stage on the Rideau Canal Ottawa ON
September 8, 2022 The Chef’s Table 2022 : National Arts Centre, on a floating stage on the Rideau Canal Ottawa ON

My Next Read: “The Listening Party: Artists, Bands and Fans Reflect on 100 Favorite Albums” by Tim Burgess

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The Charlatans’ Tim Burgess invites you to the greatest listening party of all time.

In 2020 when the world was forced to hit pause on live in-person gigs, Tim Burgess found an ingenious way to bring people together by inviting artists and bands, from Paul McCartney and New Order to Michael Kiwanuka and Kylie, to host real-time album playbacks via Twitter.

Relive 100 of the most memorable listening parties here with stories from bands and fans, rarely seen backstage images, and unique insider info from those who created these iconic albums.

Jeff Beck And Johnny Depp To Release New Album ’18’ On July 15

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Jeff Beck found a kindred spirit in Johnny Depp when the two met in 2016. They bonded quickly over cars and guitars and spent most of their time together trying to make each other laugh. At the same time, Beck’s appreciation grew for Depp’s serious songwriting skills and his ear for music. That talent and their chemistry convinced Beck they should make an album together.

Depp agreed and they started in 2019. Over the next three years, they recorded a mix of Depp originals along with a wide range of covers that touches on everything from Celtic and Motown, to the Beach Boys and Killing Joke. In 2020, during the pandemic, they previewed their collaboration with their well-timed cover of John Lennon’s “Isolation.”

The duo’s 13-track album, dubbed 18, will arrive on July 15. Beck explains the album title: “When Johnny and I started playing together, it really ignited our youthful spirit and creativity. We would joke about how we felt 18 again, so that just became the album title too.”

18 will be available on CD and digitally, with a 180-gram black vinyl version coming on September 30. The cover features an illustration of Beck and Depp as 18-year-olds that was drawn and designed by Beck’s wife Sandra.

Leading up to the release of 18, Beck has launched a European tour, with Depp as special guest, which will conclude on July 25 at L’Olympia in Paris.

For the last 12 years Depp has recorded and toured with the Hollywood Vampires, a band he started with Alice Cooper and Joe Perry. The supergroup has released two studio albums that include guest appearances by some of rocks biggest names: Paul McCartney, Dave Grohl, and Joe Walsh. The list also includes Beck, who played guitar on “Welcome To Bushwackers,” a song on Rise, the Vampires’ second album, which came out in 2019.

Soon after, Depp asked Beck to play lead on a tune he’d written, the album’s first single “This Is A Song For Miss Hedy Lamarr,” an homage to the actress/inventor. Beck says it was the catalyst for the collaboration and is one of his favorite songs on the new album. “I was blown away by it,” he says. “That song is one of the reasons I asked him to make an album with me.” The track is available today digitally, along with an accompanying music video. Click here to view now.

Of Beck, Depp adds, “It’s an extraordinary honor to play and write music with Jeff, one of the true greats and someone I am now privileged enough to call my brother.”

In the studio, Beck says he and Depp challenged each other to leave their comfort zones with the songs they chose to cover. “I haven’t had another creative partner like him for ages,” Beck says. “He was a major force on this record. I just hope people will take him seriously as a musician because it’s a hard thing for some people to accept that Johnny Depp can sing rock and roll.”

Depp justifies Beck’s faith on the new album by showing off his incredible emotional range on songs like The Velvet Underground’s “Venus In Furs,” the Everly Brothers’ ballad “Let It Be Me” and Marvin Gaye’s soul classic “What’s Going On.” On the instrumentals, Beck demonstrates why he’s universally revered as a guitar god with stunning versions of Davy Spillane’s “Midnight Walker” and two songs from the Beach Boys’ masterpiece, Pet Sounds – “Caroline, No” and “Don’t Talk (Put Your Head On My Shoulder).”

JEFF BECK AND JOHNNY DEPP 18 Track Listing
1. “Midnight Walker” (Davy Spillane cover)
2. “Death And Resurrection Show” (Killing Joke cover)
3. “Time” (Dennis Wilson cover)
4. “Sad Motherfuckin’ Parade” (Johnny Depp original)
5. “Don’t Talk (Put Your Head On My Shoulder)” (Beach Boys cover)
6. “This Is A Song For Miss Hedy Lamarr” (Johnny Depp original)
7. “Caroline, No” (Beach Boys cover)
8. “Ooo Baby Baby” (The Miracles cover)
9. “What’s Going On” (Marvin Gaye cover)
10. “Venus In Furs” (The Velvet Underground cover)
11. “Let It Be Me” (The Everly Brothers cover)
12. “Stars” (Janis Ian cover)
13. “Isolation” (John Lennon cover)*
*Available on digital and CD version only

Tour Dates
June 19 Helsinki Helsinki Blues Festival
June 20 Tampere Tamere-talo Oy
June 24 Oslo Sentrum Scene
June 25 Kristiansund Tahiti Festival
June 27 Stockholm Annexet
June 28 Copenhagen Amager Bio
June 29 Randers Værket
June 30 Randers Værket
July 2 Oslo Sentrum Scene
July 3 Bergen Bergenhus Fortress
July 14 Saint-Julien-en-Genevois Guitare en Scene 2022
July 15 Montreux Montreux Music & Convention Center
July 17 Perugia Arena Santa Giuliana
July 18 Gardone Riviera Il Vittoriale Degli Italiani
July 20 Pordenone Parco San Valentino
July 21 Cattolica Arena della Regina
July 23 Vitrolles Jardin Sonore Festival
July 24 Marciac Jazz in Marciac
July 25 Paris L’Olympia
*All dates subject to change