Home Blog Page 1555

Richard Reed Parry And Susie Ibarra Announce “Heart And Breath: Rhythm And Tone Fields (Offair)” Album

0

Today, multi instrumentalist and composer Richard Reed Parry (Arcade Fire) and notable percussionist and composer Susie Ibarra are announcing the release of Heart and Breath: Rhythm and Tone Fields (OFFAIR) alongside a gleaming focus track and visualizer “Field II: Slow Drift”.

The project started as a sound pack for creator platform Splice, Ibarra and Parry collaborated remotely using the rhythm of their heartbeats to create each track.

The compositions that emerged are hypnotic fields of sound that seem to float suspended in time and space, unfolding gently in a manner that is at once intimate and expansive, and which connects the listener to their own most primal, internal body rhythms.

Of the recording process Reed Parry said, “This doesn’t sound like any record I’ve ever heard. There’s a sensibility to it that was enabled by remote recording, and the fact that we made our breath into music and then into samples and then we built on that to make an album. I think it’s a great new step to make a record that can exist as component pieces.”

Of “Field II: Slow Drift”, Ibarra said, “these tunings meet in an otherworldly place greeting sound from the southern Philippines with a western cadence that gently surprises us as it seems unending and continually drifts slowly along.”

Composer/performer/sound artists Richard Reed Parry and Susie Ibarra started their musical journey together after being approached by Splice to create a body of new musical work together as a first-time, long-distance music collaboration. The two decided to expand and explore an idea used in Parry’s prior composition work – using the rhythms of their heart rates and breathing patterns as the basis for rhythmic tempos and musical dynamics, paired with Ibarra’s extended rhythmic and melodic percussion language and her ongoing interpretive practice of Philippine gong music.

OFFAIR Records is a joint venture between Universal Music Canada (UMC) and Versus Creative globally distributed by UMC and Virgin Music Label + Artist Services. With a community of established artists exploring beyond their familiar sonic territories, OFFAIR’s series of releases will bring instrumental and experimental soundtracks to listener-specific environments, mental spaces and shared universal moments. The mission of OFFAIR co-founders Rishi Shah and Nate Auerbach is to create deeper experiences through music. OFFAIR is building a brand, community, and distribution system together with their partners at UMC and Virgin Music to drive intentional listening, supported by special events, partnerships and more.

Tracklisting
1. Field I: After C
2. Field II: Slow Drift
3. Field III: Even
4. Field IV: Gong
5. Field V: Sarunay Shifting
6. Field V: Sarunay Shifting
7. Field VII: Overtone Heartbeats
8. Field VIII: Hands
9. Field IX: Simple Breath

Blondie: Against The Odds 1974-1982 The Official Box Set Announced

0

In what has become another major year for Blondie, the New York legends mark a career milestone with the release of the first ever authorised and in-depth archive in their history, a rarity for a band almost 50 years into their career with 40 million records sold. Blondie: Against The Odds 1974-1982 will be released on August 26th via UMe and The Numero Group, and is available to pre-order now.

See the unboxing of the Super Deluxe Collectors’ Edition below.

Remastered from the original analog tapes and cut at Abbey Road Studios, this expansive box set is available on four formats (Super Deluxe Collectors’ Edition, Deluxe 4LP, Deluxe 8CD and 3CD editions). Housed in a foil-wrapped carton, Against The Odds includes extensive liner notes by Erin Osmon, track by track commentary from Debbie Harry, Chris Stein, Clem Burke, Jimmy Destri, Nigel Harrison, Frank Infante, and Gary Valentine, essays by producers Mike Chapman, Richard Gottehrer, and Ken Shipley, a 120-page illustrated discography, and hundreds of period photographs.

Blondie has transcended the realms of mere bands, evolving out of pop and punk to become a vital strand of American music’s core DNA. What the seven members of Blondie, made up of iconic frontwoman/songwriter Debbie Harry, guitarist/conceptual mastermind Chris Stein, powerhouse drummer Clem Burke, keyboardist Jimmy Destri, bassist Gary Valentine, guitarist Frank Infante and bassist Nigel Harrison, set to tape over those first eight years remains among the most timeless music of its era.

This archive box set—the first band-authorised collection in their 50-year history—is a collective moment to celebrate their legacy and be immersed into Blondie’s genre-bending sonic universe, including their first six studio albums recorded for Chrysalis; Blondie, Plastic Letters, Parallel Lines, Eat To The Beat, Autoamerican, The Hunter, and in turn their catalogue of era-defining hits “Heart Of Glass,” “Atomic,” “Tide Is High,” “Sunday Girl,” “Rapture,” and “Call Me.” These six groundbreaking albums have been expanded to include over four dozen demos (including the group’s first-ever recording session), alternate versions, and studio outtakes, creating a near-complete document of Blondie’s studio sessions prior to their 1982 hiatus.

Debbie Harry said, “It really is a treat to see how far we have come when I listen to these early attempts to capture our ideas on relatively primitive equipment. Fortunately the essence of being in a band in the early 70’s held some of the anti-social, counter culture energies of the groups that were the influencers of the 60’s. I am excited about this special collection. When I listen to these old tracks, it puts me there like I am a time traveler. As bad as it was sometimes, it was also equally as good. No regrets. More music.”

“I am hopeful that this project will provide a glimpse into the ‘process’ and some of the journey that the songs took from idea to final form,” guitarist Chris Stein said. “Some of this stuff is like early sketches; the old tape machines are like primitive notebooks. The trickiest thing for me was always about getting the melodies out of my head into reality and the changes that would happen along the way.”

“It is amazing that after all this time, and against the odds, our Blondie archival box set will finally be released. It’s been a long time coming and we are all very happy and excited with the final results,” drummer Clem Burke added.

“From the moment I walked into Chris Stein’s barn and saw a wall of tapes I knew we were on the precipice of something extraordinary,” producer Ken Shipley said. “Against The Odds is a treasure chest disguised as a box set.”

“Blondie is a group of extraordinary artists,” producer Steve Rosenthal said. “Years of searching, months of mixing, mastering and restoration, days of decisions went into this box set to highlight the unique path they travelled —from CBGB’s to MSG.”

Against The Odds has an unusual beginning; for nearly two decades, the bulk of Blondie’s audio and visual archive sat inside in Chris Stein’s unassuming barn just outside Woodstock, New York. One hundred reel-to-reel tapes, half a dozen cassettes, a few storage tubs crammed with records, bits of promotional flotsam, flyers, a stray Warhol print, and mirrored dressing room signage from four sold-out January 1980 nights at London’s Hammersmith Odeon. All of it lay in wait through twenty humid summers, twenty frigid winters.
Undeniably one of the most trailblazing and influential bands of our time, Blondie is pioneering frontwoman/songwriter Debbie Harry, guitarist/conceptual mastermind Chris Stein and powerhouse drummer Clem Burke, along with now long standing band mates bassist Leigh Foxx, guitarist Tommy Kessler and keyboardist Matt Katz-Bohen.

Among their hits is the groundbreaking rock-disco hybrid “Heart of Glass” the equally influential hip-hop fantasia “Rapture” the stalker-love song “One Way Or Another” and the lilting calypso “The Tide Is High.” It’s a thrilling journey back to when Blondie pushed punk onto the dance floor and introduced a wider audience to hip-hop sounds, all the while building a catalogue of enduring hits along the way.

For the last four decades, Blondie has become and still remains a true global icon; one whose influence both shaped and continues to inform the worlds of music, fashion and art. From an irreverent Lower East Side punk outfit to bona fide international ambassadors of New York cool, Blondie will forever be synonymous with that punk spirit that lives somewhere in all of us. Their chart-topping success, fearless spirit and rare longevity led to an induction into the Rock ‘N’ Roll Hall of Fame in 2006 and more than 40 million albums sold worldwide to date. As we look back at the band’s storied career, it makes Blondie’s current vibrancy that much more stunning after 40 years of entertaining all of us.

Blondie: Against The Odds 1974-1982 Box Set is released on August 26th via UMe and The Numero Group.

Super Deluxe Collectors’ Edition

The studio albums:
Blondie
Side A
1. X Offender
2. Little Girl Lies
3. In The Flesh
4. Look Good In Blue
5. In The Sun
6. A Shark In Jets Clothing
Side B
1. Man Overboard
2. Rip Her To Shreds
3. Rifle Range
4. Kung Fu Girl
5. The Attack Of The Giant Ants

Plastic Letters
Side A
1. Fan Mail
2. Denis
3. Bermuda Triangle Blues (Flight 45)
4. Youth Nabbed As Sniper
5. Contact In Red Square
6. (I’m Always Touched By Your) Presence, Dear
7. I’m On E
Side B
1. I Didn’t Have The Nerve To Say No
2. Love At The Pier
3. No Imagination
4. Kidnapper
5. Detroit 442
6. Cautious Lip

Parallel Lines
Side A
1. Hanging On The Telephone
2. One Way Or Another
3. Picture This
4. Fade Away And Radiate
5. Pretty Baby
6. I Know But I Don’t Know
Side B
1. 11:59
2. Will Anything Happen
3. Sunday Girl
4. Heart Of Glass
5. I’m Gonna Love You Too
6. Just Go Away

Eat To The Beat
Side A
1. Dreaming
2. The Hardest Part
3. Union City Blue
4. Shayla
5. Eat To The Beat
6. Accidents Never Happen
Side B
1. Die Young Stay Pretty
2. Slow Motion
3. Atomic
4. Sound-A-Sleep
5. Victor
6. Living In The Real World

Autoamerican
Side A
1. Europa
2. Live It Up
3. Here’s Looking At You
4. The Tide Is High
5. Angels On The Balcony
6. Go Through It
Side B
1. Do The Dark
2. Rapture
3. Faces
4. T-Birds
5. Walk Like Me
6. Follow Me

The Hunter
Side A
1. Orchid Club
2. Island Of Lost Souls
3. Dragonfly
4. For Your Eyes Only
5. The Beast
Side B
1. War Child
2. Little Caesar
3. Danceway
4. (Can I) Find The Right Words (To Say)
5. English Boys
6. The Hunter Gets Captured By The Game

BONUS TRACKS

7″ 45 rpm
1. Moonlight Drive
2. Mr. Sightseer

10″ LP Out-takes & rarities (‘Out In The Streets’)
Side A (1974 Session)
1. Out In The Streets (1974)
2. The Disco Song
3. Sexy Ida
Side B (Betrock Demo)
1. Platinum Blonde
2. The Thin Line
3. Puerto Rico
4. Once I Had A Love (1975)
5. Out In The Streets (1975)

LP 1 Out-takes & rarities (‘Plaza Sound’)
Side A
1. X Offender (Intro)
2. X Offender (Private Stock Single)
3. In The Sun (Private Stock Single)
4. Little Girl Lies (Private Stock Mix)
5. In The Flesh (Extended Intro)
6. A Shark In Jets Clothing (Take 2)
7. Kung Fu Girls (Take 8)
8. Scenery
Side B
1. Denis (Terry Ellis Mix)
2. Bermuda Triangle Blues – Flight 45 (Take 1)
3. I Didn’t Have The Nerve To Say No (Take 1)
4. I’m On E (Take 2)
5. Kidnapper (Take 2)
6. Detroit 442 (Take 2)
7. Poets Problem

LP 2 Out-takes & rarities (‘Parallel Beats’)
Side A
1. Once I Had A Love (Mike Chapman Demo)
2. Sunday Girl (French Version)
3. I’ll Never Break Away From This Heart Of Mine (Pretty Baby)
4. Hanging On The Telephone (Mike Chapman Demo)
5. Will Anything Happen (Instrumental)
6. Underground Girl
Side B
1. Call Me
2. Spaghetti Song (Atomic Part 2)
3. Die Young Stay Pretty (Take 1)
4. Union City Blue (Instrumental)
5. Llámame

LP 3 Out-takes & rarities (‘Coca Cola’)
Side A
1. I Love You Honey, Give Me A Beer (Go Through It)
2. Live It Up (Giorgio Moroder Demo)
3. Angels on the Balcony (Giorgio Moroder Demo)
4. Tide Is High (Demo)
5. Susie & Jeffrey
Side B
1. Rapture (Disco Version)
2. Autoamerican Ad
3. Yuletide Throwdown

LP 4 Out-takes & rarities (‘Home Tapes’)
Side A
1. Nameless (Home Tape)
2. Sunday Girl (Home Tape)
3. Theme From Topkapi (Home Tape)
4. The Hardest Part (Home Tape)
5. Ring of Fire (Home Tape)
Side B
1. War Child (Chris Stein Mix)
2. Call Me (Chris Stein Mix)
3. Heart of Glass (Chris Stein Mix)

Motown & Colors Announce Exclusive Performance & Content Series To Celebrate Black Music Month

0

Motown Records and COLORSxSTUDIOS proudly present a first-of-its-kind performance and content series in honor of Black Music Month.

Motown x COLORS will showcase exclusive new shows on the iconic COLORS stage from some of the label’s biggest artists, as well as editorial content to contextualise the superstars of today within the rich history of Black Music culture in the US.

Kicking off with a performance from global rap icons Quavo & Takeoff on Friday June 17, the series will then continue next week with new episodes of A COLORS SHOW dropping Monday June 20, and Wednesday June 22, before concluding on Friday June 24 with a performance by a generational icon, marking the announcement of their signing to Motown; tune in to COLORS at 9am PT to discover their identity.

Regarding the partnership, Motown Records C.E.O. and Chairwoman Ethiopia Habtemariam commented, “Colors is one of the most culturally relevant worldwide platforms across all genres and I’m excited about our partnership which is the first of its kind. Motown is a place where black dreams are manifested and we are proud to showcase our incredible stars. Colors is credited as one of the biggest live music channels and we are eager to present the stars of Motown today.”

COLORSxSTUDIOS US Curation & Partnerships Lead Brandon Payano agreed; We’re really excited to launch a series that amplifies the stories of the artists and creatives who’ve impacted Black music and its undeniable shaping of American culture. Given Motown’s rich history in Black music, this partnership allowed us to showcase multi-generational talents on a global stage and empower a team of young Black creators to produce a project of real significance for our curation team at COLORS.”

COLORS sets the pace for music discovery with its unforgettable online performances, providing a stage for creative expression and amplifying the voices of some of the world’s most distinctive artists. Having emerged as one of the most trusted platforms in music, it is now continuing its mission through this partnership with Motown. Beyond the performances, Motown x COLORS will also feature several exclusive interviews with important “behind-the-scenes” voices in the music industry, including C.E.O.s, creative directors, and leading choreographers who have facilitated, fostered, and fuelled the progression of Black music. These interviews will offer an invaluable perspective and insight from behind the curtain.

There has never been a partnership quite like this, uniting one of the most influential record labels in history with a tastemaker platform to amplify groundbreaking talent.

New Frank Zappa Boxed Set, Zappa/Erie, Collects Together Concerts Between 1974-76

0

The latest audio treasure to be excavated from Frank Zappa’s vast and legendary vault, Zappa/Erie, brings together an exciting trio of shows that the Maestro performed in Erie, Pa. and the surrounding area between 1974-76. Available now via Zappa Records/UMe/Universal Music Canada, the country’s leading music company, the new six-disc boxed set/digital collection contains more than seven hours of unreleased, electrifying live performances from Zappa and three different lineups of incredible musicians from this peak period. Of the 71 tracks, only 10 minutes have been released before, on Zappa’s classic 1974 live album, Roxy & Elsewhere, outside of the bootleg recordings that have been passed around on the bootleg/tape trading circuit.

Zappa/Erie is available with a limited edition poster illustrated and designed by Fantoons that features various Easter eggs from Zappa’s unparalleled and uncompromising career exclusively via Zappa.com or without the poster at your favorite local or online music retailer. Stream or purchase Zappa/Erie here: http://frankzappa.lnk.to/zappaerie

Overseen by the Zappa Trust and produced by Ahmet Zappa and Zappa Vaultmeister Joe Travers, Zappa/Erie boasts detailed liner notes about the shows and recordings from Travers, along with Erie, Pa. journalist, Dan Schell, author of the encyclopedic book, “9 Years Of Rock: The Story Of The Concerts At The Erie County Fieldhouse,” who provides some illuminating, behind-the scenes insight into the shows and venues. The package features front and back cover photos of Zappa by David Rountree Smith, images of the original tapes, and include original concert fliers, a newspaper review of one of the shows, and a scathing rebuttal to the review from a passionate fan. The audio, which was professionally recorded on 4-track tape by Zappa’s team of engineers Bill Hennigh, Brian Krokus, Davey Moire and Claus Weideman, was newly mixed from the original tapes by longtime Zappa Trust associate Craig Parker Adams at Winslow Ct. Studios and mastered by John Polito at Audio Mechanics, who both also aided in restoring the audio as needed, to present these historical concerts as cleaned up as sonically possible.

The three complete shows included on Zappa/Erie are presented in chronological order and trace Zappa’s history with the Pennsylvanian lakeside suburb. The set kicks off with a concert at Edinboro State College, a local university outside of Erie, on May 8, 1974, and is followed by Zappa’s first proper concert in Erie at the Gannon Auditorium at the private, Catholic, Gannon University on November 12, 1974; and concludes with what would be his last Erie show, held at the Erie County Fieldhouse on November 12, 1976. In addition to the full shows, several performances from South Bend, Ind.; Toledo, Ohio; and Montreal, QC, taken from the same time period, are included as bonus tracks.

The Edinboro concert in ‘74 was part of a small, month-long run of shows celebrating the 10th anniversary of Zappa’s ever-evolving seminal band, The Mothers, as well as his just-released album, Apostrophe (‘). Zappa’s formidable band for the tour was made up of Bruce Fowler on trombone and vocals; Chester Thompson on drums and percussion; Don Preston on synthesizer; George Duke on keyboards, synthesizer, and vocals; Jeff Simmons on guitar and vocals; Napoleon Murphy Brock on tenor sax, flute and lead vocals; Ralph Humphrey on drums; Tom Fowler on bass; and Walt Fowler on trumpet. As Travers writes in the liners, “The addition of Walt Fowler on trumpet and Don Preston on keys really helped to expand the instrumentation of the band. Another major factor, by this time, Frank had purchased two Ludwig Octa-Plus drum sets. This large drum set configuration was becoming extremely popular and it provided Chester Thompson and Ralph Humphrey a new wide range of tom-tom sizes to play on. The new sounds were cleverly integrated into Zappa’s compositions.”

Part of the song repertoire for the tour was a medley of songs that Zappa constructed from the Mothers of Invention’s 1966 debut album, Freak Out, and 1968’s We’re Only In It For The Money, but with significantly altered arrangements. Zappa/Erie marks the first time these renditions, as well as a full concert from the 10th anniversary tour, will be released. Spread across disc 1 and 2 of the collection, some of the concert’s many highlights include “Cosmik Debris,” a great, funky arrangement of “Pygmy Twylyte,” “Montana,” “Cheepnis,” “Inca Roads,” with a strong cowbell motif throughout, and the radically reconfigured versions of early Mothers tracks like “Hungry Freaks, Daddy,” “Wowie Zowie,” “How Could I Be Such A Fool,” “Harry, You’re A Beast,” and “The Idiot Bastard Son.” Although never officially released, the show has grown in stature thanks to a board cassette that leaked from Zappa’s inner circle and has been available in the bootleg world for many years. It’s from this show that Zappa used segments from “Son Of Orange County” and “More Trouble Every Day,” for his beloved Roxy & Elsewhere album. Now, finally, nearly five decades later, the full concert mixed from the master tape is being made available.

When Zappa rolled into the Gannon Auditorium in Erie later that fall, he was backed by the slimmed down lineup of Thompson, Duke, Brock, and Fowler, with the venerable Ruth Underwood rejoining the group on percussion. Despite Zappa suffering from the flu, he soldiered through like the professional he was and delivered a strong performance with an equally strong band. The setlist varied greatly from the previous show a few months earlier and highlights, found on discs 3 and 4, include the 1974 live arrangement of “Dinah-Moe Humm,” with Zappa singing the extra line that normally didn’t get sung, the constantly in flux “Inca Roads,” “Penguin In Bondage,” “Uncle Meat,” and “Don’t Eat The Yellow Snow.” Zappa’s guitar improvisation during “Dupree’s Paradise” provides a glimpse of compositions to come, mainly “Zoot Allures,” and “Any Downers” Aside from battling illness, Zappa also grappled with an unruly audience who were clashing amongst themselves because the audience in the back were upset the people in the front wouldn’t sit down so they could see, which caused a lot of tension. Because of this, Zappa stopped the show several times to get the crowd under control and fans get to hear how he handled the situation. Zappa himself released incidents like this such as “Geneva Farewell” on You Can’t Do That On Stage Anymore, Vol. 5. so it continues the tradition. The bonus tracks on disc 3, “Montana” and “Get Down,” taken from South Bend, Ind. in ‘74 were hand-picked and mixed by Zappa but never released.

By November 12, 1976, when Zappa next came to Erie for what would ultimately be the last time, he was more popular than ever and had graduated to the Erie County Fieldhouse where the major touring acts played in town during the ‘70s. Armed with a completely different line-up, the band consisted of Eddie Jobson on keyboards and violin; Patrick O’Hearn on bass and vocals; Ray White on guitar and vocals; Terry Bozzio on drums and vocals; and Lady Bianca on keyboards and vocals, who would leave the band a week later after only touring for a month. Although Zappa and the band put on a great performance, the show wasn’t without drama as a sudden blizzard threw a wrench into things, resulting in the light and sound equipment not making the show in time. At the last minute, rented systems were acquired by the venue and it caused certain fans to complain to the box office that they “didn’t get their money’s worth.” Featured on discs 5 and 6, the setlist is mostly culled from tracks from the albums Apostrophe (‘), Over-Nite Sensation, and Zappa’s newest LP at the time, 1976’s Zoot Allures. Songs like “The Torture Never Stops” and “Black Napkins” showcase extraordinary, extended guitar workouts from Zappa on the then-brand new compositions. An extra bonus performance of “Black Napkins,” from the Toledo, Ohio show the following night ends the set and exemplifies how Zappa would perform songs differently from show to show.

Assembling this new set, Zappa/Erie, was something of a passion project for Joe Travers who grew up in Erie. Although he had seen the tapes marked “Erie” in the Vault in his 27 years as the Vaultmeister, it wasn’t until the pandemic that he finally gave these shows a listen and realized they were too good to not release. “When the Covid-19 pandemic hit in 2020, I found myself, like so many others, with a lot of extra time on my hands,” Travers reveals in the liners. “Because of this, I threw myself even more deeply into archiving the fabulous vault of Mr. Frank Zappa. During this time, it dawned on me that in all my years being the Vaultmeister for Zappa, I had never prioritized documenting the concerts FZ played in my hometown of Erie, Pa.” The Erie booklet includes an autographed polaroid of Zappa that Travers’ mother excitedly picked up for him at a local Erie garage sale sometime in the ‘90s. For years it’s been tucked away for safe keeping, and only recently when working on this release, did Travers reexamine it only to realize it was most likely taken at the Erie County Fieldhouse in 1976. So now, more than 46 years after it was snapped and two decades after Travers mother gifted it to her son, it has made its way into the packaging chronicling Zappa’s Erie shows, bringing everything full circle.

Erie Track Listing

CD 1: LIVE FROM EDINBORO, PA – MAY 8, 1974
1. “Someone Has Just Asked Me…”
2. Cosmik Debris
3. Pygmy Twylyte
4. The Idiot Bastard Son
5. Cheepnis
6. Inca Roads
7. Montana
8. Dupree’s Paradise (Intro)

CD 2: LIVE FROM EDINBORO, PA – MAY 8, 1974 (Cont’d)
1. Dupree’s Paradise
2. It Can’t Happen Here
3. Hungry Freaks, Daddy
4. You’re Probably Wondering Why I’m Here
5. How Could I Be Such A Fool
6. I Ain’t Got No Heart
7. I’m Not Satisfied
8. Wowie Zowie
9. Let’s Make The Water Turn Black
10. Harry, You’re A Beast
11. The Orange County Lumber Truck
12. Oh No
13. Son Of Orange County
14. More Trouble Every Day
15. Camarillo Brillo

CD 3: BONUS TRACKS: LIVE FROM SOUTH BEND, IN – MAY 12, 1974 (1-2)
LIVE FROM ERIE, PA – NOVEMBER 12, 1974 (3-14)
1. Montana
2. Get Down
3. Tush Tush Tush (A Token Of My Extreme)
4. Stink-Foot
5. RDZNL
6. Village Of The Sun
7. Echindna’s Arf (Of You)
8. Don’t You Ever Wash That Thing?
9. Penguin In Bondage
10. T’Mershi Duween
11. The Dog Breath Variations
12. Uncle Meat
13. Building A Girl
14. Dinah-Moe Humm

CD 4: LIVE FROM ERIE, PA – NOVEMBER 12, 1974 (cont’d)
1. I’m Not Satisfied
2. Montana
3. Dupree’s Paradise (Intro)
4. Dupree’s Paradise
5. Don’t Eat The Yellow Snow
6. Tush Tush Tush (End Vamp)
7. Oh No
8. Son Of Orange County
9. More Trouble Every Day

CD 5: LIVE FROM ERIE, PA – NOVEMBER 12, 1976 (1-7)
LIVE FROM TOLEDO, OH – NOVEMBER 13, 1976 (8)
LIVE FROM ERIE, PA – NOVEMBER 12, 1976 (9-12)
1. The Purple Lagoon
2. Stink-Foot
3. The Poodle Lecture
4. Dirty Love
5. Wind Up Workin’ In A Gas Station
6. Tryin’ To Grow A Chin
7. The Torture Never Stops
8. City Of Tiny Lites
9. Pound For A Brown
10. You Didn’t Try To Call Me
11. Rudy Wants To Buy Yez A Drink
12. Would You Go All The Way?

CD 6: LIVE FROM ERIE, PA – NOVEMBER 12, 1976 (cont’d) (1-11)
BONUS TRACKS: LIVE FROM MONTREAL, QC, CANADA – NOVEMBER 10, 1976 (12)
LIVE FROM TOLEDO, OH – NOVEMBER 13, 1976 (13-14)
1. Black Napkins
2. Terry’s Erie ’76 Solo
3. Patrick’s Erie ’76 Solo
4. Wonderful Wino
5. The Purple Lagoon (Outro)
6. Stranded In The Jungle
7. Dinah-Moe Humm
8. The Purple Lagoon (Outro)
9. Camarillo Brillo
10. Muffin Man
11. The Purple Lagoon (Outro)
12. You Didn’t Try To Call Me
13. Black Napkins
14. The Purple Lagoon (Outro)

Guy Makes An Electric Guitar Made Out of French Fries

0

Artem Mayer of Copper Guitars in Moscow bought enough McDonald’s french fries to create his own Les Paul-style electric guitar.

My Next Read: “Definitely: The Official Story of Def Leppard”

0
Offering fans the most personal and comprehensive record of Def Leppard’s history to date, Definitely: The Official Story of Def Leppard is narrated by the band in their own words, illustrated with photography and memorabilia from the Def Leppard archives.
Despite an average age of only 18, Def Leppard burst onto the hard rock scene in 1980 like a group of seasoned veterans. Thinking big from the very start, the blueprint for their music was, as singer Joe Elliott states, ‘Queen meets AC/DC.’ Def Leppard’s story is one of stratospheric highs and crashing lows, of triumph over adversity.
With unlimited access to the Def Leppard vault, Definitely presents over four decades of the band’s history through handwritten correspondence, rare vinyl pressings, tour memorabilia, music video storyboards, draft album artwork, press cuttings, previously unpublished photographs and much more. Part memoir, part scrapbook, Definitely: The Official Story of Def Leppard is the ultimate record of Def Leppard’s legendary career.
Definitely will be available from Genesis Publications as a signed, limited edition book and record set. Register your interest to be the first to hear more.

Singer-Songwriter JANEL RAE Explores Inner & Outer Wreckage with Radically Honest “Sometimes”

0

Sometimes – no, always – when we neglect crucial parts of ourselves, they inevitably come rushing out at some point. Those neglected traits and emotions are what Canadian singer-songwriter Janel Rae covers in her piano-studded, sweeping soundscape of a single “Sometimes.”

Mournful, introspective, and ultimately cathartic, “Sometimes” begins with the sound of broken glass being swept up off the floor. The sound of glass will become crucial throughout the song’s cascading narrative. ‘I spilled a jar of jam on the carpet/ And I can’t remove the stain/ Now when I look down, it reminds me of the fight we had that day,’ Rae sings.

The perspective then shifts from the narrator alone in her home to the narrator in relationship with someone else. We hear a distorted voice abstractly representative of one’s greater shadow in counter-harmony to Rae’s honeyed vocals. ‘I suppressed you for four years now/And it’s making me anxious,’ she confesses in song, explaining that it’s “what happens to the voice as it’s being suppressed and on the verge of breaking through.”

Suddenly, the song builds to a crescendo. ‘Sometimes I want to scream so loud/ People start running/ Punching beds to get it out/ Just to feel something.’ A glass breaks against a wall, and Rae repeats the line about wanting to scream so loud. The song slows again and meanders from solitude to relationship to solitude until the narrator is alone again, and we hear the sound from the beginning, the sweeping up of glass.

Written in one improvisatory gust, “Sometimes” is based on Rae’s personal experience of getting in touch with her own emotions after many years of denial. “Growing up I found myself playing the peace-keeper, the listener, too busy to engage with the other sides of myself,” she recalls. “When I moved from Kelowna to Toronto, to go to college, I met my anger for the first time and I called this period of my life ‘my wreckage’… And I enjoyed it.”

It’s a song that’s much greater than the sum of its parts. “’Sometimes’ is more than a broken love song,” Rae reveals. “It’s a mourning for my younger self, and a claiming of one’s discovered internal landscape.” Which is reflected in the wide array, as well as the cinematic nature, of the sounds that appear in “Sometimes.”

“I wanted to twist the voices, smash the glass, and bend the instruments to capture a body of anxiety hovering in the singer’s shadow,” Rae explains. “The chorus comes in with a field of voices to join the singer: these feelings are not rare; these thoughts do not live in one life. I wanted anyone to feel like they could turn this on and yell these words.”

Born in Kelowna, BC, Janel Rae has been performing and creating music since she was five. Now pursuing her passions in Toronto, after graduating with a Governor General’s award from The Randolph College for Performing Arts, Janel has released her second album, Dinner With Stranger, and continues directing music videos, acting in indie films, and teaching voice and song creation.

Charlottetown, PEI’s Heather Releases Unadulterated Rock ‘N’ Roller “Sucker Punch”

0

Who hasn’t met someone so devastatingly alluring that you feel punched right in the gut? With that, in a pure, unadulterated rock ‘n’ roll ode to bad girls everywhere, “Sucker Punch” is the new single from Canadian rockers Heather.

“Sucker Punch” has that sexy-dirty bar rock sound with driving, pummeling beats, wailing guitars, and a sultry loud-quiet element where everything stops completely so that lead singer Evan Martin can whisper throatily: ‘I thought that I was dreamin’ ’til my skin was pinched.’

The song takes the listener on that fateful walk through the doors of the nightclub or bar where you first see her after you’ve been sleeping all day, and “is about the overwhelming and complete infatuation with someone you’ve just met who most likely has no interest in you,” bassist Cameron Menzies shares of the track.

I got up
Unwitting of the night we’d have
You hit me like a sucker punch
And with a toothless grin (I lined up)
I lined up for a leather jacket mama
Gonna drive me wild

Soon, we learn just how desirable this woman, armed with onyx eyes, really is… ‘I would sell my soul, just to get close to you.’

“To me, ‘Sucker Punch’ is a song that keeps you on the edge of your seat…” Colin Crowther, one of the band’s guitarists, says. “I was super happy with how the guitar tracks turned out. The two guitar parts are complementary and darkly intermingled.”

It’s also the kind of song that’s so hot you might just need a breath of fresh air. “’Sucker Punch’ is that sudden shock you get when she enters the room,” drummer Peter Doucette adds. “It’s like a cold plunge on an August afternoon.”

Heather is a five-piece rock band hailing from Prince Edward Island’s beautiful north shore. The band comprises Evan Martin on lead vocals, Colin Crowther, and Jarred Kenny on guitar, Cameron Menzies on bass, and Peter Doucette on drums. With influences such as Big Wreck, The Trews, and The Strokes, Heather walks the edge of tube breakup with groove-driven riffs and fearless vocals.

Having recently packed venues such as Trailside Music Hall and Baba’s Lounge in Charlottetown, PEI, the band’s first studio release is funded through the Music PEI Golden Ticket program, and is produced and mixed by acclaimed Canadian producer Gavin Brown (Three Days Grace, Billy Talent, Barenaked Ladies, Mother Mother).

Coheed and Cambria Reveal New Track “Comatose” From Upcoming “Vaxis II: A Window Of The Waking Mind’ Album

0

The music world’s most intriguing storytellers, Coheed and Cambria, have shared “Comatose.”

A brand new track off their widely anticipated new album, Vaxis II: A Window of the Waking Mind — due out June 24, 2022 — “Comatose” finds the band stepping on the gas with the hi-energy joyride of a song, leaning a little into their classic pop-punk side with modern electronic sounds that give the song extra bounce.

The song is about folding to pressure and wanting to ‘dip out’ when met with a stressful situation. “I don’t want to feel, fuck it, keep me comatose,” goes the song.

Just last month Coheed and Cambria released an acoustic version of their new Top 25 single “The Liars Club,” which finds the band’s vocalist / guitarist Claudio Sanchez peeling back the layers on the anthemic track, reimagining it with sweeping acoustics as he suspends disbelief and immerses listeners into a new reality.

The follow-up to the top 10 Active Rock single “Shoulders,” “The Liars Club” is featured on Vaxis II: A Window of the Waking Mind, Coheed and Cambria’s ambitious new 13-track album which is produced by the band’s own Claudio Sanchez and Zakk Cervini. Pre-orders for the album on DSPs, Vinyl, and for the collection’s deeply immersive Vaxis II: A Window of the Waking Mind Limited Edition Deluxe Box Set are available now.

This summer, Coheed and Cambria will embark on a massive 2022 North American headline tour. Deemed the “A Window of The Waking Mind Tour,” the run marks the band’s first major headline tour in five years. The upcoming trek will kick off on July 12th and see the band performing at some of the largest venues of their career in major cities across the continent — including Boston, Philadelphia, Nashville, Denver, Queens, Toronto, Los Angeles, and more. Featuring support from Dance Gavin Dance and Mothica, tickets for all dates are on sale now [full tour itinerary below].

Vaxis II: A Window of the Waking Mind welcomes us back to “The Amory Wars” as the 2nd installment of the new five-part “Vaxis” arc about a couple on the run from tyrannical forces and their mysterious new addition. The album’s limited-edition deluxe box set includes the exclusive 96-page illustrated hardcover novel, “A Window of the Waking Mind,” which was developed by Sanchez and written by his wife Chondra Echert with strikingly realistic color artwork by Chase Stone. The 9” x 12” box set also houses an exclusive Quintillan Speaker Containment Unit Lamp (approx. 8” diameter), a three-panel fold-out poster of expanded album cover art, and the A Window of the Waking Mind Black Card which will allow all cardholders early access to tickets and early entry to Coheed and Cambria headline dates. All box sets will also come with a CD copy and download of Vaxis II: A Window of the Waking Mind along with an official Certificate of Authenticity. The box set sold 8,000 copies in its first week on sale.

Named one of REVOLVER’s “Most Anticipated Albums of 2022,” Vaxis II: A Window of the Waking Mind includes the recently released singles “Rise, Naianasha (Cut The Cord),” “The Liars Club” and “Shoulders,” the latter of which vaulted into the Top 10 at Active Rock Radio, marking the group’s career highest radio chart position to date. “(It) masterfully pairs heavy metal-infused riffs with sweeping, melodic vocals in a way that only Coheed can,” declared MTV who placed “Shoulders” in their 2021 Favorites round-up. “Coheed and Cambria are back, and they’re heavy as ever,” asserted Billboard, with Guitar World attesting “Coheed and Cambria have come out swinging.” Brooklyn Vegan observed, “It finds the band embracing their love of classic heavy metal riffage, before exploding into the kind of soaring chorus that Coheed have been churning out since day one… they sound pretty damn inspired.”

For the last 20 years, Coheed and Cambria have continuously broken the mold of what a rock band can be, forging their own path and building a universe around their music unlike any other. Whether it is in the way their genre-spanning approach to songwriting has allowed them to bridge worlds without being contained to one, or the multifaceted story arc of their albums and comic book series which mark the longest-running concept story in music, Coheed and Cambria have consistently shaped new standards, never conformed. Comprised of Claudio Sanchez (Vocals / Guitar), Travis Stever (Guitar), Josh Eppard (Drums), and Zach Cooper (Bass) the band has gripped listeners and press around the globe with their visionary compositions and conceptual mastery. In 2018, Coheed and Cambria made a stunning debut with their album Vaxis I: The Unheavenly Creatures, which debuted at #1 on Billboard’s “Hard Rock Albums” chart, #6 current sales and Top 15 on the “Billboard 200” chart.

// VAXIS II: A WINDOW OF THE WAKING MIND Tracklisting
The Embers of Fire
Beautiful Losers
Comatose
Shoulders
A Disappearing Act
Love Murder One
Blood
The Liars Club
Bad Man
Our Love
Ladders of Supremacy
Rise, Naianasha (Cut the Cord)
Window of the Waking Mind

// 2022 TOUR ITINERARY
“A WINDOW OF A WAKING MIND TOUR”

Jul 12 – FPL Solar Amphitheater at Bayfront Park – Miami, FL
Jul 13 – MidFlorida Credit Union Amphitheatre – Tampa, FL
Jul 15 – 713 Music Hall – Houston, TX
Jul 16 – Whitewater Amphitheater – New Braunfels, TX
Jul 17 – The Pavilion at Toyota Music Factory – Irving, TX
Jul 19 – Coca-Cola Roxy – Atlanta, GA
Jul 23 – Nashville Municipal Auditorium – Nashville, TN
Jul 24 – Charlotte Metro Credit Union Amphitheatre – Charlotte, NC
Jul 26 – The Anthem – Washington, DC
Jul 27 – The Liacouras Center – Philadelphia, PA
Jul 29 – Agganis Arena – Boston, MA
Jul 30 – Forest Hills Stadium – Queens, NY
Aug 1 – Stage AE Outdoors – Pittsburgh, PA
Aug 2 – Crofoot Festival Grounds – Pontiac, MI
Aug 3 – RBC Echo Beach – Toronto, ON
Aug 5 – Armory – Minneapolis, MN
Aug 6 – SeatGeek Stadium – Bridgeview, IL
Aug 7 – Saint Louis Music Park – St Louis, MO
Aug 9 – Fiddler’s Green Amphitheatre – Denver, CO
Aug 10 – The Lot at The Complex – Salt Lake City, UT
Aug 12 – Shrine LA Outdoors – Los Angeles, CA
Aug 13 – Cal Coast Credit Union Open Air Theatre – San Diego, CA
Aug 14 – Greek Theatre – Berkeley, CA
Aug 16 – Marymoor Park – Seattle, WA
Aug 17 – Edgefield – Troutdale, OR

Canadian Global Music Supergroup Sultans of String Unleash “Hurricane”

0

Canadian 3x JUNO Award-nominees and 4x Canadian Folk Music Award-winners Sultans of String release their latest single, “Hurricane” featuring Turkish pop superstar Suat Suna recording English vocals for the first time.

The NY Times and BILLBOARD charting world music supergroup collaborated with Suat Suna for the new song fresh from their eighth and most recent album, Sanctuary: The Refugee Project.

Suat Suna has released 12 studio albums selling millions of copies in his native Turkey. Born in Istanbul to a master violin father, he started learning the violin at the age of four. Suat graduated from Istanbul University Conservatory and started winning many awards, leading to becoming a giant of Turkish pop music, touring endlessly across the country.

The start of the recording process for “Hurricane” began at Jukasa, a world-class recording facility on the Six Nations Indigenous reserve between Toronto and Buffalo. Then violinist, bandleader and co-producer Chris McKhool traveled with JUNO Award winning engineer John ‘Beetle’ Bailey to continue recording in Istanbul, with Suat coming in to Canavar Studio which overlooks the Bosphorus strait in northwestern Turkey that forms part of the continental boundary between Asia and Europe. Suat spent the afternoon cutting the vocals before world famous Turkish percussionist Mehmet Akatay came in to record darbuka on the song.

Next up were recording the strings with Gündem Yayli Grubu, a collection of Roma string players that perform and record for many of the Turkish pop stars. “They have a very distinct sound, all of their own, that cannot be replicated anywhere on the planet.” Those strings give a strong flavour of the ‘old world’ to “Hurricane,” which is an ode to the first Lebanese immigrants to North America.

“My family name would have been pronounced Makhoul back in Lebanon, but when my grandfather was processed upon arrival in 1903 he probably had a Scottish border guard that thought it would be nice to give the spelling a Scottish flair, hence the oddball spelling for a Lebanese name,” explains McKhool. “These first Lebanese to Canada and the U.S. came with no money in their pockets, but with a tremendous drive to succeed. My grandparents saved up and opened a restaurant in Ottawa called the Laurier Tea Room, which did booming business after the war. This song is an ode to the many who came to the New World planning to work hard and save up enough to bring their loved ones over.”

The icing on the cake was traveling to New York to meet with Sammy Figueroa and have him record congas on the track. Besides playing with some of the world’s greatest pop stars, such as David Bowie, Chaka Khan and Mariah Carey, Sammy has also played with a multitude of distinguished jazz artists including Miles Davis, Sonny Rollins, Quincy Jones, George Benson, and many, many more.

“The larger Refuge Project is centered around the positive contributions of refugees and new immigrants to Canada and the U.S.,” McKhool says. “We are bringing in special guests that are newcomers to this land, essential Indigenous voices, as well as global talents that have been ambassadors for peace.”

Sanctuary is the second installment in Sultans of String’s Refuge Project, with he first, simply entitled Refuge, heralded as “a fantastic, moving, dreamlike, epic, timely album” by Ken Micallef (Jazz Times, Stereophile, Downbeat), and winning many awards — including Producer of the Year at the 2021 Canadian Folk Music Awards for bandleader and violinist Chris McKhool.

This ambitious, diverse, inclusive and passionately political album puts the band face-to-face with a VIP roster of global ‘ambassadors’, some of whom are recent immigrants and refugees to Canada, as well as important Indigenous voices. All are masters of world music that communicate with each other through the global language of sound.

Addressing the struggles of life on Mother Earth has always inspired Toronto-based quintet, Sultans of String. On Sanctuary, Sultans of String bring their unique brand of musical synergy and collaboration to bear on 11 songs that speak to the challenges facing the world’s displaced peoples — their stories, their songs, their persistence and their humanity.

Joined by an international cast, some of whom are recent immigrants to North America, the celebrated quartet immerses themselves in the plight of the international refugee on Refuge, and the humanitarian response that should greet everyone in search of a home.

“The larger Refuge Project is centered around the positive contributions of refugees and new immigrants to Canada,” McKhool explains. “We are bringing in special guests that are newcomers to this land, as well as global talents that have been ambassadors for peace. We wish to celebrate the successes of those who make the journey here, and bring their extraordinary talents with them, in this case music. Each one of us has a remarkable story to tell, and we are excited to share the beauty of these collaborations with you.”

Sanctuary features eight new tracks with stellar performances by Tara and Ahmed Moneka from Iraq, Amchok Gompo from Tibet, Donné Roberts from Madagascar with partner Yukiko Tsutsui from Japan, Algeria’s Fethi Nadjem, Juan Carlos Medrano, Syrian refugee Leen Hamo, Iran’s Padideh Ahrarnejad, and Nyckelharpa player Saskia Tomkins.

It also includes three stunning new versions of songs off Refuge, including an astonishingly gorgeous orchestral version of “The Power of the Land” featuring Indigenous performers Duke Redbird and Twin Flames, flamenco dancer and singer Tamar Ilana singing a version of “Asi Soy” that will rip your heart out, and of course, “Hurricane” with Suat Suna.