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Ottawa Composer Huguette Lavigne Celebrates the First Blush of Love with “I’ll Make You Happy”

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All humans know it: there’s nothing quite like feeling that exquisite mind and body rush and intrinsic connection when you’re in the presence of the one you love. Ottawa-based pianist and composer Huguette Lavigne has captured that complex and thrilling set of emotions in her latest contemporary instrumental single, “I’ll Make You Happy.”

Lavigne’s joyous piece, with its ascending and descending progressions, excitement building crescendos, and a touch of nostalgia, takes you on a very similar ride to the one your heart takes when falling in love.

“A blush radiating from the core. A twinkle in the eye and your heart tells you what to do,” describes the Ottawa-based piano innovator. “When there is no need to say anything. When anything can happen.

“So, you see? Flirting can open the door to a nice conversation.”

Lavigne’s relationship with her music is a very fruitful, ongoing flirtation. Her method of composing the over 40 piano works she’s written to date is a beautiful manifestation of the urge to sit down at the keys, let go and let the muse take her wherever it pleases. That’s certainly true of “I’ll Make You Happy.”

“I was most likely at the piano improvising something that ended up creating this piece,” says Lavigne. “It was destined to be uplifting and joyous, with its many ascending happy phrases, the main drivers of the piece.

“As I was creating this piece, my musical soul was probably searching for an expression of joy, love, and romance!”

“I’ll Make You Happy” is the second composition Lavigne has released as a single from her third album, 2019’s Free and Easy. The prolific pianist has released four full-length recordings over the past six years. Her latest album, Five O’Clock Somewhere, was released in 2020. Her first album, Black Tie Affair, debuted in 2015 and the second collection of her works, Yin and Yang, was issued in 2018.

Lavigne’s playing and composing are truly extensions of her physical and mental being. She’s an artist who eschews the tradition of meticulously notating her compositions in favour of relying on a shorthand of her own to facilitate recall for future performances.

“There is something about breaking the rules that can be terribly satisfying,” says Lavigne. “My fingers sometimes go where they want to on the keyboard and at times I sort of have to take them back home or rein them in.”

Her final compositions are eventually stored entirely in her head and fingers. Once they’re recorded she moves on to the next piece.

“Not notating everything down keeps things fresh,” she explains. “You are open to new phrases and resolutions. This is risky, but oh so satisfying!”

Also very satisfying for Lavigne is the video for “I’ll Make You Happy”, featuring a wide array of couples in heartwarming displays of attraction and affection.

‘Whether it is enduring or a fleeting moment, love nurtures everyone and is the same at the core of every human being.”

A crossroads of cultures is at the core of Lavigne’s music as she was raised in a milieu of Franco Ontarian, Quebecois, and English Canadian influences. She studied composition at McGill University and piano at l’université de Montréal. Consequently, her music has a melting pot of elements of Neo-Classicism, Neo-Romanticism, Minimalism, Jazz, Folk, and Classical.

Lavigne’s inspiration always comes from a deeply personal place but the variety of influences she has had can often make what comes out of her fingers surprising.

“Somehow and unexpectedly, a style, theme, mood, emotion or vision is released from the deep recesses of memory,” she explains. “It’s a place where the subjective is stored and it surprises me when it lets something loose. Then, I either capture it, or let it go.”

With her newest single, Lavigne has captured the joyous abandon and mysterious magic of love.

Iconic Song Inspires Upcoming Children’s Book ‘Don McLean’s American Pie: A Fable’

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Award-winning singer/songwriter Don McLean’s iconic anthem “American Pie” has inspired a new children’s book about a young boy’s journey to uncover his passion for music.

Commemorating the fiftieth anniversary of one of the top songs of the twentieth century, ‘Don McLean’s American Pie: A Fable’ weaves themes from the iconic song with experiences from McLean’s early life and, like the musical hit that inspired it, offers meaningful elements open to interpretation in a lushly illustrated tale.

“As ‘American Pie’ celebrates 50 years, I’m very happy to have a children’s book based on the premise of the song,” McLean said. “Everyone has a different interpretation of it. Releasing this fable brings another perspective to the lyrics, along with some backstory for when I wrote it. I hope every child gets to imagine in their own mind what ‘American Pie’ means to them and know that dreams can become reality.”

“Don McLean’s American Pie: A Fable” is the story of a newspaper delivery boy in the late 1950s who discovers the joy of friendship and music, eventually learning that when you recognize what makes you happy, you are never truly alone.

The June 7 book release also serves as the launch of IPG Publishing and of a partnership between the Chicago-based publisher and Los Angeles-based media company Meteor 17.

“I’m especially proud that this timely fable is the first release in our partnership with IPG Publishing,” Proffer said. “It echoes the spirit and sentiment of Don’s ‘American Pie’ and will leave the reader contemplating and feeling, just like the song that inspired it. After fifty years, the song maintains its relevance and the book will introduce its magic to a new generation.”

Released in 1971, “American Pie” was named one of the top five songs of the century by the National Endowment for the Arts and the Recording Industry Association of America, and the original recording was selected for preservation in the National Recording Registry by the Library of Congress as being “culturally, historically or artistically significant.” The song is also the subject of an upcoming documentary.

“At its heart, Don McLean’s iconic song was about real events that impacted a generation, and our book is similar in spirit,” said Richard T. Williams, Vice President, Business Development, Publishing & Licensing for IPG. “It doesn’t tell the literal story of The Day the Music Died, but it hints at how a young boy may have found inspiration from it, resulting in a lifetime of music and artistry—just as Don may have.”

He added that by pairing an emotionally resonant story with elaborate and whimsical illustrations, the publishing team hoped to inspire children to find their inner creative voices.

Find more information on ‘Don McLean’s American Pie: A Fable,’ including illustration examples, at Edelweiss.

Kicking Off Jazz Month To Honour Charles Mingus’ “Mingus Three” In A Deluxe Edition

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This year, Rhino / Parlophone is kicking off Jazz Appreciation Month with one of the most influential figures in 20th-century American music, Charles Mingus, who would have turned 100 on April 22. This year, Mingus’ legacy will be in the spotlight with the release of a deluxe edition of his album, Mingus Three, just in time for his centenary as a virtuoso bass player, an accomplished pianist, bandleader, and composer.

Rhino/Parlophone will salute Mingus with an updated version of his 1957 trio recording with pianist Hampton Hawes and drummer Dannie Richmond. The seven original tracks have been expanded for the upcoming release, with eight previously unreleased session recordings discovered by chance recently in the London Parlophone vaults. The bonus tracks include different takes for all but one album track (“Laura”), plus two blues originals.

MINGUS THREE: DELUXE EDITION will be available on April 22 – Mingus’ birthday – as a 180-gram double-LP set and as a double-CD set. The music will also be available from digital and streaming services on the same day.

The music comes in a replica of the original record sleeve issued by Jubilee Records and a booklet featuring photos from the era. The set also includes new liner notes written by jazz arranger and pianist Sy Johnson, who collaborated with Mingus in the 1970s and helped arrange his 1972 album, Let My Children Hear Music.

He writes: “The Mingus Three session was booked for July 9, 1957. Mingus and Hawes brought their histories to the studio: Mingus with a long, powerful record of activism, outrage, and political attack anchored in serious music-making, and Hawes’ fanfare of jazz awards and huge success—and he could play!! The date would ultimately become a dialogue between Mingus and Hawes with punctuation from Richmond.”

Mingus recorded the session in a day with Hawes, a childhood friend who’d been in bands with Charlie Parker and Dexter Gordon, and drummer Dannie Richmond, whose association with the bassist lasted over two decades. Mingus Three included four standards (“Yesterdays,” “I Can’t Get Started,” “Summertime” and “Laura”), two Mingus originals (“Back Home Blues” and “Dizzy Moods”), and a group jam “Hamp’s New Blues.”

The bonus material provides a fresh glimpse into the principal players and offers alternate – not lesser – versions of album tracks, including swinging takes of “Summertime” and “Hamp’s New Blues.”

Mingus’s music continues to reach new audiences through artists like Mingus Big Band (directed by his widow Sue Mingus), Kamasi Washington, Chrissie Hynde (whose latest album includes a Mingus cover), Candace Springs, Elvis Costello, Gang Starr (who samples him), and Joni Mitchell (who wrote lyrics to his music). His musical legacy is still ongoing and will continue to play an essential role in music history for many generations to come.

MINGUS THREE

LP Track Listing:

Disc One: Original LP
Side A
1. “Yesterdays”
2. “Back Home Blues”
3. “I Can’t Get Started”
4. “Hamp’s New Blues”

Side B
1. “Summertime”
2. “Dizzy Moods”
3. “Laura”

Disc Two: The Outtakes
Side A
1. Untitled Blues
2. Untitled Blues – Take 2
3. “Back Home Blues” – Take 6
4. “Hamp’s New Blues” – Take 4

Side B
1. “I Can’t Get Started” – Take 1
2. “Yesterdays” – Take 2 (Incomplete)
3. “Dizzy Moods” – Take 2
4. “Summertime” – Take 3

CD Track Listing
Disc One: Original LP
1. “Yesterdays”
2. “Back Home Blues”
3. “I Can’t Get Started”
4. “Hamp’s New Blues”
5. “Summertime”
6. “Dizzy Moods”
7. “Laura”

Disc Two: The Outtakes
1. Untitled Blues
2. Untitled Blues – Take 2
3. “Back Home Blues” – Take 6
4. “Hamp’s New Blues” – Take 4
5. “I Can’t Get Started” – Take 1
6. “Yesterdays” – Take 2 (Incomplete)
7. “Dizzy Moods” – Take 2
8. “Summertime” – Take 3

600 Songs From The 1990s Remixed Into 34 Minutes

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The Hood Internet does it again, blending 600 songs, mixed chronologically (grouped by year anyway) from 1990 through 1999 for Tim Burgess’ Twitter Listening Party. Astounding.

Alt-Pop New Wave Rockers EVIL TONGUES Unleash Synth-Infused New Single in “Fine”

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Alt-pop new wave rockers Evil Tongues are delivering a synth-infused message in a banger bottle with the release of their new single, “Fine.”

The debut drop from the Canadian duo was born of the global pandemic that pushed the pair to the top of their songwriting prowess. “Fine”’s lyrics evoke a somber, devastated Jennifer Di coping with isolation, depression, anxiety; and the cinematic inspired soundscape is delivered by engineer Mike Allain. “Mike wrote the foundation for the song,” explains Di, “I asked him to make something that sounded like it would be in the movie Tron.”

Evil Tongues forged forward in 2017, growing from a passion project into a fully developed songwriting duo. Having spent the better portion of 2020 dedicated to penning, the pair relocated to the west coast in 2021 and went into recording. Linking up with acclaimed platinum-certified producer/sound engineer, Nygel Asselin, at NYG Studios (Vancouver) Evil Tongues began the arduous journey of discovering their sound and establishing themselves as the newest rising rock export. Their debut track, “Fine”, would go on to be mixed by JUNO Award-winning engineer Kevin Dietz (Toronto), and mastered by GRAMMY Award-winning Emily Lazar and Chris Allgood at The Lodge Mastering (NYC).

“I wrote the chorus lyrics for ‘Fine’ while lying on my floor on a sunny, freezing cold Edmonton winter day,” reveals Di, citing pandemic-ridden isolation as the driving force behind her creativity. “Picture someone wandering aimlessly around their house, talking to themselves, playing guitar in the middle of the night, and lying on their floor during the day. That’s probably a pretty accurate mental picture of where I was at,” she says.

The results are a pure fire debut. “Fine” merrily juxtaposes upbeat electronic alt-rock synth new wave pop with menacingly honest vulnerable vox. Where Mother Mother and Dragonette open the door, Evil Tongues laps up, walks through and commands. Mesmerizing rushing verses welcome a pulsating, ear-worm-inducing chorus. As the bridge nears, Di trades in her signature vocals for a spoken word twist – an effective, eerie, madness-questioning move. On “Fine”, it’s Di begging to be released. It’s the listener begging it not to stop.

The pair have also released an official lyric video to accompany the song, available now on YouTube. “I had the lights in the vocal booth turned completely off, so it was just me alone in the studio, in the dark, with only my words,” Di recollects, adding, “Each take was like a slow-building volcano of emotions.”

In a world when an “endemic” feels imminent and then sloughed further down the road — for the first time, humanity feels something as one. Evil Tongues describes it as “Fine.”

My Next Read: “The Philosophy of Modern Song” by Bob Dylan

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The Philosophy of Modern Song is Bob Dylan’s first book of new writing since 2004’s Chronicles: Volume One — and since winning the Nobel Prize for Literature in 2016. It gets released on November 8, 2022.

Dylan, who began working on the book in 2010, offers a master class on the art and craft of songwriting. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work’s transcendence.

In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement.

Florence + The Machine Shares New Song “Heaven Is Here”

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Written in spite of lockdown one, Florence channeled her frustrations at being creatively chastised into this immediately arresting, 2 minutes 8 seconds of powerful choral chant set to primal drums and vocal percussion.

The Autumn de Wilde directed video shows a cast of dancers led in possessed procession by Florence. Choreographed by Ryan Heffington with chilling precision to bring the music to life, the short burst of bewitching, other-worldly energy – audibly and visually – takes your breath away.

Joy, grief, breath, the body, movement, the soul, power, rage, powerlessness, spirituality and escapism are all at play in this flash of pure brilliance.

Josh Ramsay Announces 2022 Canadian Tour

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During the start of the pandemic, Josh Ramsay needed something to do while in isolation. He indulged himself by writing songs in as many different genres as possible. Josh explains, “my goal was to try and do as many genres as possible, so it feels kind of like a variety show. I see it as my ‘calling card’ – not just as a songwriter, but as a producer and arranger.”

Presenting The Josh Ramsay Show, the first solo album from a blazing talent rebooting himself as a brand-new artist. Not that Marianas Trench are kaput. It’s just that when singers with big guitar bands undertake personal projects, they’re often, as Ramsay puts it, what we might expect: “a quiet, introspective, singer-songwriter album. That’s just not me, man!”

The album is a sweeping exploration of musical styles featuring collaborations with a wide range of Canadian singers from across the musical spectrum that rings in at 18 tracks in all. This album is a love letter to music as a whole, never sticking to the same genre twice.

“I’d always planned to do this at some point, and this seemed like the right opportunity,” Ramsay explains. “If the pandemic hadn’t happened, I would have been busy with Marianas Trench. But I needed something to do in quarantine, and with no deadlines I could just tinker away at it.”

No stranger to bold collaborations, Ramsay has worked with marquee names throughout his multifaceted career, including writing and performing credits with Carly Rae Jepsen, Nickelback, and 5 Seconds of Summer to name a few. In true Ramsay style, fans can expect a music offering that is nothing less than spectacular with plenty of familiar faces featured on the new album. These include JUNO Award winner Chad Kroeger, JUNO and CCMA Award winner Dallas Smith, DJ Sharkpocalypse, Fefe Dobson, Fionn, Ria Mae, Sara Ramsay, JUNO Award winner Serena Ryder, and Tyler Shaw.
As with every project he takes on, Ramsay wanted to push his personal limitations and challenge himself as a songwriter, singer, player, and producer. He played every instrument on the album (except horns), produced it, and co-mixed it with longtime friend, Dave “Rave” Ogilvie. That’s always been a defining characteristic of his output as with Marianas Trench, and in his role as producer and songwriter for artists like Carly Rae Jepsen, whose worldwide hit, ‘Call Me Maybe’ garnered Ramsay a Grammy nomination and a SOCAN Award for “Most Performed Song” in SOCAN history.

Ramsay has toured with Marianas Trench extensively in North America, Europe, Australia and Asia. When not on the move, the multi-instrumentalist runs his own recording studio, The Umbrella Factory, in Vancouver, BC.

WEDNESDAY, MAY 25, 2022
DANFORTH MUSIC HALL – TORONTO, ON

FRIDAY, MAY 27, 2022
EMPIRE THEATRE – BELLEVILLE, ON

SATURDAY, MAY 28, 2022
BRONSON CENTRE – OTTAWA, ON

MONDAY, MAY 30, 2022
SANDERSON CENTRE – BRANTFORD, ON

WEDNESDAY, JUNE 1, 2022
GRAND THEATRE – KINGSTON, ON

THURSDAY, JUNE 2, 2022
RIVER RUN CENTRE – GUELPH, ON

SATURDAY, JUNE 4, 2022
THE GRAND THEATRE – LONDON, ON

SiriusXM Joins Forces With The Smithsonian’s National Museum Of African American History And Culture

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SiriusXM announced a gift of $2 million to the Smithsonian’s National Museum of African American History and Culture (NMAAHC). A one-of-a-kind cultural destination in Washington D.C., NMAAHC offers the U.S.’s largest and most comprehensive exploration and showcase of the African American story and its impact both domestically and globally.

As the leading audio entertainment company in North America, SiriusXM is proud to support NMAAHC’s mission, documenting African American life, history, and culture, specifically exhibiting how African American music plays a central role in the history of American music. The donation to NMAAHC, funded by the company’s charitable arm, SiriusXM Cares, will help the museum continue its critical work and welcome in new and returning visitors. In recognition of this gift, NMAAHC will designate its Neighborhood Record Store, an interactive destination housed within the permanent “Musical Crossroads” exhibition, as the SiriusXM Neighborhood Record Store.

In the SiriusXM Neighborhood Record Store, museum goers are joined together by their interest in music and encouraged to make new discoveries about their favorite artists and genres, recall fond memories, and share stories. Included within the exhibit are record covers for individual browsing and a digital interactive station that links songs and artists to various genres, themes, regions, and time periods.

“The Neighborhood Record Store is the centerpiece of the Musical Crossroads exhibition and was designed to be a place where museum visitors could explore the role music has in building community,” said Dwandalyn Reece, Associate Director for Curatorial Affairs at NMAAHC. “We are very thankful for SiriusXM’s support of this particular section of the exhibition. It will ensure that the newly-named SiriusXM Neighborhood Record Store continues to be a vibrant space that connects visitors through the power of music.”

“Since it first opened its doors to the public more than five years ago, the National Museum of African American History and Culture has played a critical role in not only exhibiting, but recognizing and celebrating the impact of the contributions that African American music has given to the world,” said Nicole Hughey, Senior Vice President and Head of Diversity, Equity & Inclusion at SiriusXM. “At SiriusXM, we are proud to use our platform to showcase the power of music from all cultures, and we’re thrilled to provide this donation to help support the museum’s mission.”

This is not the first time SiriusXM and NMAAHC have collaborated to amplify African American stories. In 2021, the two organizations teamed up to create the Anthem Award-winning original podcast All Music is Black Music, which explores how African American music and culture have shaped the wider contemporary music landscape.

Since opening Sept. 24, 2016, the National Museum of African American History and Culture has welcomed more than 7.5 million in-person visitors and millions more through its digital presence. Occupying a prominent location next to the Washington Monument on the National Mall in Washington, D.C., the nearly 400,000-square-foot museum is the nation’s largest and most comprehensive cultural destination devoted exclusively to exploring, documenting, and showcasing the African American story and its impact on American and world history. For more information about the museum, visit nmaahc.si.edu.

 

Hope Solo to Launch New SiriusXM Podcast – Hope Solo Speaks

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SiriusXM announced today that Hope Solo, the World Cup champion and Olympic gold medalist goalkeeper, will launch a new and original SiriusXM podcast, Hope Solo Speaks, that will debut across all podcast platforms March 2. A trailer for the new podcast can be heard HERE.

Solo will bring the same energy and passion she displayed on the soccer pitch to the microphone as she discusses a variety of topics on her mind, including her relentless fight for women’s rights and gender equality, motherhood and family, changing trends in sports and much more. Solo will be joined on episodes of the podcast by guests from various walks of life including world-class athletes, artists, and influencers for candid conversations on their experiences, passions and topics of the day.

Listeners can hear new episodes of the Hope Solo Speaks podcast every Wednesday on the SXM App, Stitcher, Pandora and other major podcast listening platforms. Hope Solo Speaks will also air on SiriusXM’s dedicated soccer channel, SiriusXM FC (channel 157), which subscribers nationwide can listen to in their car and on the SXM App.

In this week’s debut episode, Solo will discuss the recently settled equal pay dispute between U.S. Soccer and the U.S. Women’s National Team, and will be joined by special guest and her former teammate, Carli Lloyd. Highlights from the episode include:

“The reason for my sadness, the reason I feel gutted, kicked in the stomach, the reason why I feel betrayed and a bit hopeless is because the settlement is pathetic.” – Hope Solo

“After fighting for years for equal pay starting in 2015, the players still went on and agreed to a less than equal CBA. They continued to believe in the promises of the federation. They were outclassed, out maneuvered, and then finally, after pumping the brakes and doing a 180 in the fight of our life, they decided to show up to the party and they got hustled.” – Hope Solo

“It was really tough and challenging to play these last several years. To be quite honest I hated it. It wasn’t fun going in. It was only for love of the game, really, for me. I wanted to win and wanted to help the team, but the culture within the team was the worst I had ever seen it.” – Carli Lloyd

“The perceptions of me have been off target time and time again, and now it is time for me to speak my truths on my new SiriusXM podcast, Hope Solo Speaks,” said Solo. “Most people know me as a two-time Olympian and World Cup champion goalkeeper, but I am so much more than that and can’t wait to dive into the most important issues in sports and beyond with my weekly guests and listeners.”

“Throughout her illustrious playing career, Hope was always one of the most candid and spirited voices among her peers, and now she’ll be one of the most outspoken voices in podcasting,” said Steve Cohen, SiriusXM’s SVP of Sports Programming and Podcasts.  “Her experiences in life and sports give her an important perspective on many matters on and off the field, and we’re looking forward to her sharing what’s on her mind on Hope Solo Speaks.”

Solo is the most decorated goalkeeper in U.S. soccer history, having amassed 202 appearances, 153 wins and 102 shutouts, all of which remain U.S. Women’s National Team records. Solo was the starting goalkeeper for the 2015 World Cup champion U.S. Women’s National Team, as well as Team U.S.A.’s 2008 and 2012 Olympic gold medal winning teams. Since stepping away from the pitch in 2016, Solo has looked outside the world of soccer to continue to make her mark and has assumed a prominent role in the fight for women’s rights and gender equality.

SXM Media, the combined advertising revenue organization of Sirius XM Holdings Inc., has exclusive global ad sales rights to Hope Solo Speaks. Access to this podcast for brands and marketers is only available through the advertising and sales arm of SiriusXM, Stitcher, and Pandora.