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Sonic Pioneer Mary Kouyoumdjian Announces Album ‘Paper Pianos’ And Drops Single “III. All Good Things”

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A monumental piece of contemporary music-theatre just secured its definitive place in the digital landscape. The highly anticipated world premiere recording of ‘Paper Pianos’, a brilliant composition by the Grammy-nominated Armenian-American sonic pioneer Mary Kouyoumdjian, arrives globally on August 7, 2026 via Cantaloupe Music. It’s an evening-length sonic-documentary co-created alongside the brilliant South African-American director and writer Nigel Maister. This upcoming digital release marks a massive milestone for a project that’s already captured the deep attention of the global music community. Listen here.

To mark this major announcement, listeners can dive into the album’s breathtaking third movement, “III. All Good Things”, which drops as a standalone single today. It’s performed with spectacular precision by the Grammy Award-winning ensemble Alarm Will Sound, offering an immediately immersive experience. The music unfolds with a magnificent blend of acoustic instrumentation and recorded human testimony, creating a shimmering sonic world that feels completely vital. This release stands out as a triumphant showcase of modern storytelling, flashing immense creative energy from the very first second.

The foundation of this project runs exceptionally deep, earning a well-deserved spot as a finalist for the 2024 Pulitzer Prize in Music. The production combines live performance, real recorded testimony, and documentary storytelling to map the harrowing journeys and profound resilience of refugees. It’s an essential narrative that explores dislocation, longing, and optimism from the perspective of the displaced individuals and the dedicated resettlement workers who aid them. There’s an undeniable honesty to the storytelling that bypasses simple abstraction to deliver something genuinely transcendent.

Real histories anchor the entire musical landscape, weaving together 4 distinct voices of immigrants who relocated to New York. The work draws its name from Afghan pianist Milad Yousufi, who fled Kabul under the threat of the Taliban. He taught himself to play in total silence by drawing piano keys on paper, an unforgettable image of creative survival. His story intertwines seamlessly with testimonies from Ethiopian judge Getachew Bashir, Somali-born refugee worker Hani Ali, and Iraqi refugee Akil Aljaysh. They’ve given the world an incredibly generous gift by sharing these intensely personal moments.

The creators approach this heavy subject matter with a shared belief in the transformative potential of their craft. Maister notes that the immense gratitude these individuals hold for a second chance is constantly balanced by painful personal sacrifices. Kouyoumdjian views the project through a lens of profound empathy, using real voices to bridge the gap between distant humanitarian conflicts and our shared human desires. It’s a gorgeous philosophy that elevates the entire recording into a historical document, and the artist proceeds from the sales will go directly to support the International Rescue Committee.

The path to this historic recording includes incredible milestones on the live stage. Alarm Will Sound originally delivered the world premiere of the piece at EMPAC in Troy, New York back in 2023, followed by an equally stunning presentation at The Clarice Smith Performing Arts Center in 2025. The live experience features striking animations by Kevork Mourad, scenic design by Afsoon Pajoufar, and lighting by Seth Reiser. Now, they’ve ensured that this recorded version reaches a massive global audience.

Paper Pianos Tracklist:

  1. I. Overture: This is Not a Choice (Gee-Gee’s Primer)
  2. II. Child of War
  3. III. All Good Things
  4. IV. Bad to Worse
  5. V. Flight
  6. VI. An Open Fist

Grammy-Winning Hitmaker Ryan Beatty Announces New Album ‘Sweet Fortune’ And Drops Single “Secret Language”

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Grammy-winning hitmaker Ryan Beatty just ignited his next massive musical era. He’s officially announced his highly anticipated fourth studio album, ‘Sweet Fortune’, arriving on June 26 via Atlantic Records. It’s a monumental moment for the visionary musician, who’s spent the last few years completely reshaping the landscape of modern pop. This upcoming record delivers a bold leap forward, instantly cementing his status as one of the most vital voices that’s working in the industry today.

To give the world an immediate taste, he’s dropped the stunning lead single, “Secret Language”, alongside a gorgeous music video directed by Rhys Scarabosio. Co-produced by Beatty and his frequent collaborator Ethan Gruska, the track opens with an easygoing, twangy cadence before swelling into a massive sonic landscape. It’s an absolutely breathtaking piece of music that pairs sun-dappled horns with an unforgettable vocal performance. You’ll find yourself completely swept away by the raw emotional energy that’s pulsing through every second.

‘Sweet Fortune’ beautifully expands upon the sonic foundation of his past catalog, delivering a genre-defying body of work that’s entirely timeless. Throughout the 2026 record, he’s distilling the poetry of falling in love into warm, atmospheric vignettes. His brilliant songwriting’s shining brightly across the entire project, offering listeners an intimate glimpse into the early, overwhelming moments of romance. It’s a confident, cohesive collection that shows he’s operating at the absolute peak of his creative powers.

This collection marks his first major full-length release since 2023’s ‘Calico’. That acclaimed record’s earned massive critical praise from heavyweights like Billboard, Rolling Stone, and V Magazine, launching him into a new tier of visibility. He’s spent the intervening years building an untouchable reputation as an elite songwriter, and this next step feels like a natural, triumphant evolution. The momentum behind his solo career’s growing faster than ever, and the industry’s paying close attention.

Beyond his solo work, he’s recently achieved immense global success behind the scenes. He’s taken home an Album of the Year Grammy for his brilliant co-writing contributions to Beyonce’s ‘COWBOY CARTER’, lending his genius to standouts like “Bodyguard” and “Protector”. He’s also secured massive songwriting credits with industry titans like Miley Cyrus, Tyler, The Creator, and Bleachers. He’s established himself as pop music’s most exciting collaborator, and now he’s reclaiming the spotlight for his own magnificent story.

Tech Trailblazers SoundExchange And IFPI Streamline Global Royalty Tracking With New Automated System

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The global music ecosystem just took a massive leap into the digital future. Industry leaders SoundExchange and IFPI unveiled a powerful new capability that automates the assignment of International Standard Recording Codes, completely changing how creators register their music. This integration slashes manual bureaucracy and instantly boosts data accuracy across the globe. It’s a major modernization step for a fast-moving industry that relies entirely on precise tracking.

This fresh system allows immediate online registration to assign an essential tracking code directly to a recording. It’s designed to eliminate heavy administrative burdens for self-publishing creators and smaller independent operations. By securing proper identification right at the start, the system safeguards every single track in the marketplace. It beautifully upgrades the traditional framework where national organizations handle bulk code distribution.

SoundExchange operates this automated ecosystem using the most comprehensive metadata infrastructure on earth. Their vast data network uses advanced matching systems and massive rights administration tools, so there’s no risk of duplicate codes. Once the system registers a track, the metadata lands in a massive public dataset. Anyone can access this directory through an open search tool, making the entire ecosystem completely transparent.

The leadership behind this rollout understands the immense value of clean data. SoundExchange President and CEO Michael Huppe noted that reliable, standardized identification forms the absolute bedrock of a fair music environment. By building this automated infrastructure, they’re removing friction and letting creators get their work to the public with total confidence. It’s an incredible win for efficiency.

Fast tracking matters immensely in the modern landscape. IFPI CEO Victoria Oakley emphasized that precise, swift identification remains completely vital for the global recording sector. This partnership delivers a practical, tech-driven solution that protects the strict standards of the industry while speeding up workflows. It eliminates the messy delays and human errors that traditionally plague manual data entry, ensuring creators get what they’ve earned faster than ever.

Photo Gallery: Amyl And The Sniffers, L7, and Party Dozen at Toronto’s RBC Amphitheatre on June 4, 2026

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All photos by Mini’s Memories. You can contact her through Instagram or X.

Alex Warren Announces Sophomore Album ‘Wildchild’ And Drops Brilliant New Single “Passenger”

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Global chart-topping phenomenon Alex Warren just blew the lid off his next major musical chapter. The Grammy-nominated force has officially detailed his highly anticipated sophomore studio album, ‘Wildchild’, scheduled for a worldwide arrival on August 28 via Atlantic Records. To spark the anticipation, a cinematic album teaser featuring actor Kevin James is already circulating online. It’s a massive move from a musician who dominated the global landscape last year, and this upcoming body of work signals an even deeper dive into his signature sound.

The album announcement arrives alongside a brilliant new single titled “Passenger”, that’s out right now across all major platforms. Warren wrote the track alongside producer Adam Yaron, crafting a euphoric, driving pop anthem that perfectly captures raw energy. Director Blythe Thomas helmed the accompanying official music video, delivering a visually stunning visual asset that matches the track’s infectious momentum. This song shines as a triumphant example of modern pop songwriting, bursting with vibrant hooks and an undeniable vocal performance that completely demands your attention.

This new era builds on the staggering momentum of his 2025 debut album, ‘You’ll Be Alright, Kid’. That monumental release generated over 9 billion streams globally, entirely reshaping the pop music landscape. The industry took notice quickly, honoring him with 5 iHeart Radio Awards, a 2025 MTV VMA for Best New Artist, and Billboard’s Best New Artist of 2025 title. He’s earned these massive accolades through pure grit, establishing himself as one of the highest charting musicians in the world today.

Listeners will find a profound depth across the tracks on ‘Wildchild’. The album explores themes of loss, grief, and the emotional journey of navigating life while honoring the enduring gifts his father left behind. The album title stems from a deeply personal place, drawing directly from the nickname his father gave him during his childhood. It’s an intimate look at personal evolution, showcasing his rich, soulful vocals and a vulnerable approach to songwriting that instantly connects on a universal level.

The creative process behind the record offered a powerful path forward for the musician. “Creating this album was really healing, therapeutic and a way for me to continue finding out more about myself,” Warren shares. “It’s been really nice to be able to confront those feelings and also be able to share them with the world to give everyone a transparent view into my life.” It’s an honest glimpse into his ongoing personal growth.

The global celebration’s already in motion on the live stage. Warren is currently traveling the globe on his completely sold-out “Finding Family on the Road” world tour. The extensive North American leg hits major cities throughout June and July, bringing these massive anthems directly to arena-sized crowds across the continent.

Finding Family on the Road North American Tour Dates:

Friday, June 5 – Phoenix, AZ – Mortgage Matchup Center

Saturday, June 6 – Los Angeles, CA – Crypto.com Arena

Monday, June 8 – San Diego, CA – Viejas Arena at Aztec Bowl San Diego State University

Friday, June 12 – Portland, OR – Moda Center

Saturday, June 13 – Seattle, WA – Climate Pledge Arena

Sunday, June 14 – Vancouver, BC – Rogers Arena

Wednesday, June 17 – Salt Lake City, UT – Utah First Credit Union Amphitheatre

Friday, June 19 – Omaha, NE – CHI Health Center

Sunday, June 21 – Kansas City, MO – T-Mobile Center

Tuesday, June 23 – Pittsburgh, PA – PPG Paints Arena

Thursday, June 25 – Atlanta GA – State Farm Arena

Friday, June 26 – Charlotte, NC – Spectrum Center

Saturday, June 27 – Cleveland, OH – Rocket Arena

Monday, June 29 – Chicago, IL – United Center

Thursday, July 2 – Minneapolis, MN – Grand Casino Arena

Friday, July 3 – Milwaukee, WI – Summerfest – American Family Insurance Amphitheater

Sunday, July 5 – Detroit, MI – Little Caesars Arena

Tuesday, July 7 – Toronto, ON – RBC Amphitheatre

Wednesday, July 8 – Montreal, QC – Bell Centre

Friday, July 10 – Philadelphia, PA – Xfinity Mobile Arena

Saturday, July 11 – Columbia, MD – Merriweather Post Pavillion

Monday, July 13 – Boston, MA – TD Garden

Wednesday, July 15 – New York, NY – Madison Square Garden

Detroit Symphony Orchestra Unleashes Monumental New Live Recording Of Orff’s ‘Carmina Burana’

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Two pianos, a celesta, a thundering percussion section, three international soloists, and two full choruses. The Detroit Symphony Orchestra and Music Director Jader Bignamini went big on their new live recording of Carl Orff’s ‘Carmina Burana,’ out June 26 on PENTATONE. The duet “Tempus est iocundum” arrives today as a single.

The recording captures the immense scale and theatrical power of one of the most electrifying works of the 20th century. Soprano Chen Reiss, countertenor Reginald Mobley and baritone Andrzej Filończyk join the Detroit-based vocal ensemble Audivi and the Detroit Opera Youth Chorus across the project.

Orff built ‘Carmina Burana’ from 13th-century manuscripts found at the German monastery Benediktbeuern Abbey, turning the irreverent poetry of medieval students and clerics into a monumental scenic cantata. From the iconic opening chorus “O Fortuna” through exuberant dances, tavern scenes and courtly love interludes, the work explores fate, desire and human experience through elemental rhythms and striking orchestration.

The piece returns again and again to a single image. As Andrew Kohler writes in the album’s liner essay, the collection opens with the Wheel of Fate, an inexorable cycle of luck and tragedy that becomes the subject of the opening and closing chorus, “O Fortuna.” That motif binds together the work’s contrasting worlds of humor, satire, sensuality and spiritual reflection.

“Recording Carmina Burana with the Detroit Symphony Orchestra in a live concert setting was an unforgettable experience,” Bignamini shares. “The power of the music, combined with the artistry of the DSO and the strength of human voices, created something truly extraordinary in the hall. Performing this work with two choruses and three outstanding vocal soloists gave the piece an immense scale, grand, dramatic, and deeply emotional.”

He continues, “For a conductor, Carmina Burana demands total engagement. It is music sustained by connection, between conductor, musicians, singers, and audience. In a live recording, that connection feels especially immediate, shaped by every nuance of sound and silence. This recording captures not only a performance but a shared artistic journey. The result is thrilling.”

The orchestra recorded the work live at Orchestra Hall in Detroit in November 2025, and the performance crackles with the immediacy and visceral force of a room full of musicians firing together. The release follows the DSO’s acclaimed recording of Wynton Marsalis’s ‘Blues Symphony,’ which arrived on PENTATONE in March 2025.

Tracklist:

“O Fortuna”

“Fortune plango vulnera”

“Veris leta facies”

“Omnia Sol temperat”

“Ecce gratum”

“Tanz”

“Floret silva nobilis”

“Chramer, gip die varwe mir”

“Reie”

“Were diu werlt alle min”

“Estuans interius”

“Olim lacus colueram”

“Ego sum abbas”

“In taberna quando sumus”

“Amor volat undique”

“Dies, nox et omnia”

“Stetit puella”

“Circa mea pectora”

“Si puer cum puellula”

“Veni, veni, venias”

“In trutina”

“Tempus est iocundum”

“Dulcissime”

“Ave formosissima”

“O Fortuna” (reprise)

R&B Soul Talent Mannywellz Serves A Sonic Appetizer With New ‘Small Chops’ EP

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Seven tracks, under 15 minutes, all of it written and produced by one man. Nigerian-American artist Mannywellz just released his new EP ‘Small Chops’ via Vydia, and the whole thing moves with the ease of someone fully in command of his sound. Listen here.

The project blends R&B and soul while digging into love, vulnerability, and emotional connection. Mannywellz handled every piece of it himself, the writing and the production both, and the result feels intimate and complete despite its short runtime.

He named it after the popular Nigerian appetizer assortment, and the concept holds. ‘Small Chops’ works as a sonic starter ahead of his forthcoming full-length album. This is the final EP in this chapter of his journey, a taste of what comes next.

The EP brings in fellow Nigerian artists Wale and Lekan, and it traces romance through its many stages, from infatuation and desire through reflection and longing. Mannywellz fuses soulful songwriting with rich production and cross-cultural storytelling, and the songs glow with feeling and craft.

The release builds on real momentum. His recent visual for “How It Feels” featuring Wale crossed one million views in just two weeks. His 2025 single “Holy Father” started sketching the sonic world that became ‘Small Chops.’

There’s a deeper story here too. Mannywellz is a DACA recipient who moved from Nigeria to the United States at age nine, and he’s woven that immigration journey into his art. He advocates for Dreamers and fellow undocumented immigrants, and he contributed to the Grammy Award-winning ‘American Dreamers: Voices of Hope, Music of Freedom.’

The numbers back the buzz. A spot on BET’s Next Up, a placement on Billboard’s U.S. Afrobeats Top 100, and more than 100 million streams worldwide. His collaborators include Tems, Pink Sweat$, Odeal and Eric Bellinger, and his work has landed in Complex, The FADER and Rolling Stone.

Track List:

“Do You”

“How It Feels” feat. Wale

“Holy Father”

“You Are From God”

“Cry On You”

“Zeze”

“Wow”

TWEET

Pop Powerhouse Alex Sampson Bares It All On New ‘Growing Pains’ EP

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Atikokan, Ontario raised a pop star. Alex Sampson, the Canadian-born singer-songwriter who turned bedroom covers into a global following, just dropped his new EP ‘Growing Pains’ via Warner Records. You can listen here.

David Pramik (Selena Gomez, Bebe Rexha, Logic) produced the project, and his fingerprints give Sampson’s emotional honesty a polished, radio-ready frame. The songs pull from real life. Love, heartbreak, loss, and the messy business of growing up all sit at the center of these tracks.

The EP carries recent singles “How Lucky Am I?,” “Misery,” and “Not Even Gone.” Sampson built the sequence to move like a story, tracing the arc from heartbreak through memory and into self-discovery.

“The Growing Pains EP is my favorite project I’ve done to date. I say that every time but it’s because I always mean it,” said Sampson. “I hope the fans listen to this project and understand that I’m just like them. I go through the same things as everyone else. I’ve fallen in love, gotten my heart broken, lost people, etc. I ask everyone to listen from top to bottom as it tells a little bit of a story. Thanks for listening.”

Sampson’s story reads like a modern pop fairytale. He grew up in a town of roughly 2,600 people, found a worldwide audience through covers of Ruth B, Ed Sheeran and Billie Eilish, then won fans over with originals like “Stay Here” and “Play Pretend.” His debut EP ‘Blurry Vision,’ a run on season 19 of America’s Got Talent, and his sophomore EP ‘Hopeless Romantic’ followed.

The numbers tell their own story. More than 5.8 million combined social followers, over 101 million total views, and a 2023 spot on People Magazine’s Emerging Artists list. He connects with Gen Z while pulling in listeners across generations.

These songs land with warmth and emotional pull, a heartfelt step forward from a voice that keeps getting stronger. ‘Growing Pains’ shows Sampson stepping deeper into his next era, intimate and reflective, tied tightly to the fans who have grown right alongside him.

The release follows a busy stretch. Sampson wrapped his first headline tour across the U.S. and Canada earlier this year, and he’ll join Freya Skye as support on her upcoming tour.

Tracklisting:

“How Lucky Am I?”

“Misery”

“Not Even Gone”

My SiriusXM Show This Week

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My SiriusXM show this week: Interviews with Graeme Thomson, author of In Another World – The Four Seasons Of Talk Talk; Don Pyle of his Rough Description: Love Letters and Ghost Stories From a Life in Music book; Mothership Connected: The Women of Parliament-Funkadelic author Seth Neblett; Robert M. Pallitto + John A. Melendez, authors of Whistle Stop: Kenny Dorham, Jazz, and the Journey of a Texas Family. Sat 8am + 4pm + 7pm, Sun 12pm + 8pm, Wed 2pm (all ET), Channel 167 + on the app anytime!





Why SZA’s Raw Honesty Connects So Deeply With A Generation Of Listeners

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SZA has built one of this generation’s most devoted fan bases on a single, unglamorous quality: she tells the truth. Plenty of artists sing about heartbreak, jealousy, and self-doubt, yet few sit in the mess of those feelings without smoothing the edges. That willingness to stay in the discomfort is exactly why listeners feel like she’s reading their diaries back to them.

Her breakthrough album ‘Ctrl’ arrived in 2017 and set the template. The record framed itself with voicemails from SZA’s actual grandmother and mother, grounding the songs in real family voices rather than studio polish. Across tracks like “Drew Barrymore” and “Normal Girl,” she sang about feeling like the backup option, the insecure one, the woman waiting by the phone. The specificity is the point, and fans heard their own anxieties spoken aloud.

That candor carried straight into ‘SOS’, the 2022 album that turned her into one of the biggest names in music and spent multiple weeks atop the Billboard 200. Where many stars guard their image, SZA let “Kill Bill” voice a darkly comic revenge fantasy and “Nobody Gets Me” lay bare a raw, unfiltered ache. She wrote about wanting petty things, ugly things, human things, and audiences rewarded the honesty with streaming numbers that placed her among the era’s most-played artists.

She’s been just as open away from the microphone. SZA has spoken candidly in interviews about anxiety, body image, and the pressure of fame, including a widely read Rolling Stone profile where she discussed her insecurities with the same plainness she brings to her lyrics. That continuity between the person and the songwriting builds trust. Listeners sense there’s no separate performer self being sold to them.

The deeper connection comes from how she frames vulnerability as something shared rather than something to pity. SZA doesn’t ask for sympathy so much as company, turning private shame into a collective exhale. In an industry that often rewards invulnerability, she’s proven that the most magnetic thing an artist can do is admit they’re still figuring it out, and a generation raised online, fluent in oversharing and craving authenticity, recognizes one of their own.