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Olivia Rodrigo Announces 2022 World Tour

Eric Alper
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Olivia Rodrigo Announces 2022 World Tour

Grammy-nominated, critically acclaimed singer/songwriter, Olivia Rodrigo, today announced her 2022 SOUR Tour in support of her Grammy-nominated record-breaking, RIAA Double Platinum Certified debut album, SOUR – out now on Geffen Records. Kicking off April 2nd at the Bill Graham Civic Auditorium in San Francisco, CA, the tour will visit more than 40 major cities across North America and Europe including two-night runs at Radio City Music Hall in New York, and the Greek Theatre in Los Angeles, CA, before wrapping with two nights at Eventim Apollo in London, UK on July 6th and 7th. Special guests Gracie Abrams (April 2 – 23), Holly Humberstone (April 26 – May 25) and Baby Queen (June 11 – July 7) will join the Tour.

Fresh off her win as “New Artist of the Year” at the American Music Awards, the tour announcement caps off Rodrigo’s banner year, which, most recently saw her earn her seven nominations for the 2022 Grammy Awards including “Record Of The Year,” “Album Of The Year,” “Song Of The Year,” “Best New Artist,” “Best Pop Solo Performance,” “Best Pop Vocal Album,” and “Best Music Video,” making her the second youngest artist in Grammy history to score nods in each of the Big Four categories in the same year.

Named the #1 Album of 2021 by Rolling Stone and called one of the Best Albums of 2021 by the New York Times, SOUR recently landed at the top of several Billboard year-end lists including the top Global 200 Artist, top Overall New Artist, top Hot 100 Artist, top Hot 100 Female Artist, and top Hot 100 Songwriter, among others. SOUR also landed at the top of Spotify’s recently unveiled annual 2021 “Wrapped” campaign, which highlights the platform’s most streamed artists, songs, albums and podcasts. With over 1.1 billion streams, “driver’s license” was the top streamed song of 2021 on Spotify (both in the U.S. and worldwide), while Rodrigo’s “good 4 u” also landed in the top five most streamed songs list on Spotify, with SOUR earning the number one spot as the most globally streamed album. Rodrigo also was named Variety’s “Songwriter of the Year” and earned Apple Music Awards for Breakthrough Artist of the Year, Album of the Year and Song of the Year.

With the release of SOUR, the highly anticipated LP debuted at No. 1 on the Billboard 200 with 295,000 equivalent album units earned in the U.S., quickly achieving RIAA Gold certification in its first week. Upon its release, SOUR scored the most U.S. audio streams from a female debut album ever and broke the record for the most-streamed album in a week by a female artist in Spotify history with over 385M global steams. The stunning album from the 18-year-old multi-platinum artist produced two #1 songs “drivers license” (4x Platinum) and “good 4 u” (3x Platinum), the top 5 song “deja vu” (2x Platinum) and not to mention entered the charts at No. 1 in the U.K., Canada, Ireland, Norway, Holland, Sweden, Australia, and New Zealand. All 11 tracks from the album have landed in the top 30 of Billboard’s Hot 100, making Rodrigo the first female artist, and the fourth act overall, to simultaneously chart 11 or more songs in the top 30.

2022 SOUR TOUR DATES:
Date City Venue
April 2, 2022 San Francisco, CA Bill Graham Civic Auditorium
April 5, 2022 Portland, OR Theater of the Clouds
April 6, 2022 Seattle, WA WAMU Theater
April 7, 2022 Vancouver, BC Doug Mitchell Thunderbird Sports Centre
April 9, 2022 Salt Lake City, UT UCCU Center
April 11, 2022 Denver, CO Mission Ballroom
April 12, 2022 Denver, CO Mission Ballroom
April 14, 2022 Minneapolis, MN Armory
April 15, 2022 Chicago, IL Aragon Ballroom
April 16, 2022 Chicago, IL Aragon Ballroom
April 19, 2022 Milwaukee, WI Eagles Ballroom
April 20, 2022 Chesterfield, MO The Factory
April 22, 2022 Cincinnati, OH The Andrew J Brady ICON Music Center
April 23, 2022 Detroit, MI Masonic Temple Theatre
April 26, 2022 New York, NY Radio City Music Hall
April 27, 2022 New York, NY Radio City Music Hall
April 29, 2022 Toronto, ON Massey Hall
April 30, 2022 Toronto, ON Massey Hall
May 3, 2022 Boston, MA Roadrunner
May 4, 2022 Washington, DC Anthem
May 6, 2022 Philadelphia, PA The Met Philadelphia
May 7, 2022 Philadelphia, PA The Met Philadelphia
May 9, 2022 Atlanta, GA Coca-Cola Roxy
May 10, 2022 Nashville, TN Grand Ole Opry House
May 12, 2022 Houston, TX 713 Music Hall
May 13, 2022 Austin, TX Moody Amphitheater
May 14, 2022 Irving, TX Pavilion at Toyota Music Factory
May 17, 2022 Phoenix, AZ Arizona Federal Theatre
May 18, 2022 San Diego, CA The Rady Shell at Jacobs Park
May 20, 2022 Las Vegas, NV The Chelsea
May 21, 2022 Santa Barbara, CA Santa Barbara Bowl
May 24, 2022 Los Angeles, CA Greek Theatre
May 25, 2022 Los Angeles, CA Greek Theatre
June 11, 2022 Hamburg, Germany Stadtpark
June 13, 2022 Berlin, Germany Verti Music Hall
June 15, 2022 Zurich, Switzerland Halle 622
June 16, 2022 Milan, Italy Fabrique
June 18, 2022 Cologne, Germany Palladium
June 19, 2022 Brussels, Belgium Forest National
June 21, 2022 Paris, France Zénith
June 22, 2022 Amsterdam, Holland AFAS Live
June 29, 2022 Cork, Ireland Live At The Marquee
June 30, 2022 Dublin, Ireland Fairview Park
July 2, 2022 Glasgow, UK O2 Academy Glasgow
July 3, 2022 Manchester, UK O2 Apollo Manchester
July 4, 2022 Birmingham, UK O2 Academy Birmingham
July 6, 2022 London, UK Eventim Apollo
July 7, 2022 London, UK Eventim Apollo

Peter Jackson on The Beatles: Get Back and Technology Invented for the Docuseries

Eric Alper
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Peter Jackson on The Beatles: Get Back and Technology Invented for the Docuseries

Director Peter Jackson on how technology had to be invented before the mesmerizing cut featuring The Beatles’ in-studio footage that was shot in early 1969 for the 1970 feature film ‘Let It Be.’

Paul McCartney And Jack McCoy Team Up With Surfrider Foundation Australia For lidin’ (Eob Remix)”

Eric Alper
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Paul McCartney And Jack McCoy Team Up With Surfrider Foundation Australia For lidin’ (Eob Remix)”

Paul McCartney has once again collaborated with filmmaker Jack McCoy, spreading awareness of the importance of protecting our coastlines by dedicating his new “Slidin’ (EOB Remix)” video to ocean charity Surfrider Foundation Australia.

Paul McCartney and Jack McCoy have collaborated a number of times over the past decade, and whenever they do their mutual love of the ocean is always the focus.

In December 2020, McCartney released his GRAMMY-nominated McCartney III album, featuring “Slidin’”—a track he felt would be perfectly accompanied by some surfing and ocean footage and turned to McCoy to see if he could lend a hand.

“As soon as I heard the song I said to myself ‘Craig Anderson’,” McCoy said. “I called on some of Craig’s friends to provide me with some amazing footage  and made what became the official video for the track.

“With Paul’s blessing, Craig and I chose to dedicate the video to Surfrider Foundation to help beat the drum with their ongoing fight for our coastline, in particular the current fight to STOP PEP11, a proposal to drill for oil and gas off the NSW coastline.”

A few months later McCoy got wind that McCartney was about to release McCartney III Imagined, a full album reinterpretation of McCartney III curated by Paul himself and featuring a diverse selection of friends, fans and brand new acquantaintances —  including Anderson .Paak, Beck, Dominick Fike, Phoebe Bridgers, St. Vincent and of course EOB a/k/a Ed O’Brien of Radiohead.

“Ed O’Brien from Radiohead produced a pumped-up version of ‘Slidin’’ which I thought would be perfect to make another surfing video as sort of a bookend to the first,” says McCoy.

“Doing this remix for Paul was a lot of fun,” O’Brien said. “The winter was dark and a second lockdown was imminent, but working on this track with Paul Epworth was a moment of light. So good to get those stems and hear those vocals… great drums too… all instruments played by Paul! We took inspiration from an earlier song of his—basically we were trying to ‘Helter Skelter’-it up! Great video and collaboration with the Surfrider Foundation…”

At his recent Surf Talk and Jam Tour, McCoy was introduced to film maker Tyge Landa and began collaborating on McCoy’s latest opportunity with McCartney, which features 9 of the world’s best free surfers also in support of Surfrider Foundation Australia.

“Surfrider Foundation is humbled to collaborate on this project with music, film and surfing royalty. ’Slidin” captures the surfing spirit beautifully, and the clip has been a huge help in spreading Surfrider Foundation’s message that we must all help protect our oceans and coastlines,” says Damien Cole, Surfrider Foundation National Campaign Director.
The official “Slidin’ (EOB Remix)” video launch is accompanied by a series of “making of” videos featuring McCoy and Landa, as well as some of the surfers—all of which can be seen at surfrider.org.au. Be sure to sign the petition for Surfrider’s Stop PEP 11 campaign while you are there.

MADISON OLDS Gets Ready To Spend “Christmas At Home”

Eric Alper
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MADISON OLDS Gets Ready To Spend “Christmas At Home”

Every so often, an inventive artist sets out to challenge the norm when it comes to the merriest genre of music, and award-winning, stream-soaring, chart-climbing Kamloops, BC-born now Vancouver, BC-based pop singer/songwriter Madson Olds does just that with her newly minted holiday bop, “Christmas At Home” — available now.

The perfect duet for sipping hot toddies by the fire with friends, the song is in collaboration with Nearly York (Lucas Gienow); the pair paint a seasonal portrait epitomizing the joy found in hiding out at home, avoiding the crowds and holiday chaos — until the family arrives, that is!

Incorporating the jingling of sleigh bells, a Jason Mraz-sounding plucking vibe, and an up-tempo finger snap percussion, the song is a beautiful blend of Olds’ and Gienow’s gorgeous harmonizing vocals. Referencing ‘Grandpa Steve’ and poking jabs at Grandma and the reindeer incident,’ the cheerful, light-hearted track also features Olds’ father playing trumpet during the bridge — tying the family-friendly record together neatly with a bow.

“The song wasn’t originally about being stuck at home,” Olds reveals. “It was going to be a more classic angle before Lucas joked that sometimes, being amid the holiday chaos and trying to meet family expectations is very overwhelming, and there is peace and yuletide glee to be found in those quiet moments alone.

“This song was also born out of the idea that sometimes we forget we don’t all live those perfect ‘Hallmark movie’ Christmas moments, and that many people share Christmases with multiple families, or experience one alone, or endure complicated scenarios.

“It kind of also represents the thoughts from two different families and how they experience Christmas,” the Bell Media “Future Star” adds.

Olds has become a mainstay in the Canadian music industry, rising rapidly to the top with her infectious pop songwriting and performing ability. Her debut EP, Drowning In My Thoughts, dropped summer of 2021 and went on to amass more than 2+ million streams — hosting a conglomerate of hit singles, including “Best Part of Me,” which reached #22 on Billboard’s Emerging Canadian Artists Chart.

The songstress has earned her way to the opening slots for mega stars Kacey Musgraves, Willie Nelson, Scott Helms, and more, and it was Olds who penned “Moments in the Mountains” for Kamloops’ 2018 BC Winter Games — which would later be selected as the soundtrack for the Fairmont Pacific Rim in Vancouver, BC. She’d follow that success with “Thank You,” an anthem dedicated to life after heartbreak, in whatever form it happens; the song launched Olds onto the Hot AC Charts in Canada, rewarding her with Top 10 accolades with CBC’s Searchlight 2019, and international showcases with Music Matters in Singapore.

A true philanthropist and animal rights activist, Olds has been making waves across socials not solely from her music, but also her desire to fight for causes she holds near and dear to her heart — including stem cell research with Bioxcellerator in Colombia, a biotech company aiding in the assistance of Olds’ partner who lives with a severed spine, by raising nearly 100k on TikTok. Olds has also leant herself to the rescuing of the often poorly-treated Pitbull breed (in which she has personally rescued four herself) by providing time assisting and raising funds for the SPCA. Additionally, Olds has utilized her platform to raise awareness of Mental Health by creating the PoCo Candle line, and sharing about mental health in the media and during Bell Let’s Talk Day.

Madison Olds and Nearly York’s new single, “Christmas At Home,” is available now!

Kayla DiVenere Explores the Stresses of Dating Through Dark Humour in “PSYCHOPATH”

Eric Alper
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Kayla DiVenere Explores the Stresses of Dating Through Dark Humour in “PSYCHOPATH”

Sometimes having a string of fleeting romances in our teen years makes it easy to feel like there might be something wrong if we can’t settle on one person… Canadian pop artist Kayla DiVenere confesses to these feelings, and more, in her alternatingly depressed-then-exuberant new single, “PSYCHOPATH” — available now.

Kicking off with a dark and heavy bassline that’s somehow both goth and grunge-y all at once, the pace picks up and the Montreal-born, Los Angeles-based dynamo’s song quickly turns into a danceable pop-punk earworm.

“Why do I keep stopping
Before it starts
I jump to the end
Like you already broke my heart”

Soon, the narrator asks herself: “Am I a psycho, psychopath / What’s wrong with me, I’m scared to ask.”

Another simpler explanation, however, soon arrives in the second chorus: “Boys are dumb.”

And we suddenly get the full picture of the teen type of angst that knows no particular generation….

“PSYCHOPATH was born through my experience with dating as a Gen Z teen,” DiVenere shares. “I always love to be really open and honest about what I go through in my songs, hoping that others will relate to it or at least laugh at how wacky my thoughts are.”

Revealing relationship rifts that all humans navigate, no matter the age, and no matter how evolved or mature the person is, “PSYCHOPATH’ portrays a romantic self-defense mechanism of ending things before they start, a form of preservation against a broken heart,” DiVenere continues. “The song is intended to show the listener that nothing is wrong with them, that it’s okay, and they are not alone in their fears of not understanding themselves.”

Well-known for her roles on hit shows such as “Law & Order”, Hulu’s “Love Victor,” and Hulu’s “Light as a Feather” — not to mention feature films such as “Under the Silver Lake” — Kayla DiVenere is a teenager enjoying incredible success in her budding music career since bursting onto the scene in 2018 with her debut, “Youth.”

At more than 1+ million streams across Spotify alone, the songstress is making an indelible mark on the industry with her innate talent, songwriting ability, acting and showmanship. Her last single, “Justin Bieber,” about teenage fandom, garnered 1.5 million views on YouTube, and her star just keeps on rising.

Platinum- & Gold-Awarded Canadian Producer & Singer/Songwriter Peter Karroll Releases “Coming Home” For The Vets

Eric Alper
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Platinum- & Gold-Awarded Canadian Producer & Singer/Songwriter Peter Karroll Releases “Coming Home” For The Vets

Inspired by his father’s experiences in WWII, and dedicated to those who fought alongside him for freedom, Platinum- and Gold-awarded Canadian producer, writer, and singer/songwriter Peter Karroll releases the poignant new song, “Coming Home” — available now.

The title track from Karroll’s forthcoming album of the same name, the song shines a beacon of gratitude on veterans, both those who perished during battle and who came home, able to share hard tales with their sons and daughters — something his own father did with him.

“When my brothers and I would come in late at night after our band played, our father would typically be up reading,” Karroll recalls of Edward John Karroll (1922 – 1984). “He would welcome us home, and clearly loved the company of his sons. And on many of these nights, he would tell us about his experiences in World War 2.

“He was one of the first 150 commandos trained in Canada and loaned to the British at the start of the war,” Karroll continues. “His stories spanned the European and North African campaigns, and these stories became the emotional fabric and background for the upbringing of my eight siblings and I.”

It would also serve as a foundation for Peter Karroll’s creative quest of his own; a true storyteller reminiscent of a bygone era of songwriters, he began his professional music career at age 12, singing and playing guitar in country halls and school gyms across the northern Alberta Peace River Country.

From there, it was a long and dusty trail filled with a million stories in the making; from touring on the backroads, to winding his way onto the international scene with major concert stages around the globe, Karroll’s robust career has resulted in chart-topping successes, including #1 on the Billboard Canada’s Top 100, and a multitude of awards and accolades as a music manager, indie-label owner, producer, songwriter, concert musician, and video director.

To that latter talent, the video for “Coming Home” was directed and produced by Karroll, in addition to the song’s writing, production, and performance. The video was edited by Doug Fury Inc, and the song — as well as the forthcoming album, Coming Home — are offered via Her Royal Majesty’s Entertainment and iGen Ventures Corp.

“‘Coming Home’ is dedicated to all of the men and women who paid the ultimate price, and gave their lives for the freedom of generations to follow,” Karroll says. “It’s also dedicated to the veterans who fought, and came home to tell their stories.

“Shall we never forget their sacrifice.”

“Coming Home” is available now.

Toronto Folk Rockers The Honeyrunners Ask “What Are You Scared Of?” in New Single

Eric Alper
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Toronto Folk Rockers The Honeyrunners Ask “What Are You Scared Of?” in New Single

Toronto folk rockers The Honeyrunners set the scene ablaze, asking “What Are You Scared Of?” with the release of their new single and debut LP, Everything Is On Fire — available now via Gypsy Soul Records / Warner Music Canada / FUGA / Proper Music Group.

The band’s new nine-song full-length aims to disrobe our culture of apathy — a sentiment that everything is always on fire, with nothing to do but watch. The chorus of the title track sums up the band’s approach to art: ‘Let it burn. It’s the ashes that I admire.’

Written and composed by the band’s pianist and lead singer Dan Dwoskin and engineer, producer, bassist and vocalist Guillermo Subauste, Everything Is On Fire is a response to a public outpouring of anxiety and depression. The record was born of late nights and long drives; a tapestry of rhythm and melody, underpinned by desperate optimism and a stark reminder of why your presence is needed in times like these.

After a year and a half of challenges in a broken music industry, the two musicians are well-acquainted with these feelings (as are most artists, to some extent), yet they are also acquainted with self-reinvention (as are most artists). The process was cathartic — writing and recording songs for people who need to feel they are not alone in this heaviness, surrounded by a world full of apathy.

“We write songs for the times we need them,” pianist and lead singer Dan Dwoskin notes when asked about the insomnia-fueled lyrics of the album. For him, “this record was born of the love, fear, and insecurity of being a new Father.”

“We anchored tracks with a New Orleans sensibility, using pocket rhythms, countless styles of keys, and punchy horns to bring the songs to life,” Subauste says. “The cherry is a quilt of guitar hooks, a choir’s worth of harmonies, and a soulful lead vocal by Dan.”

It feels like home; there is no coincidence that the band toured to New Orleans in January 2020, showcasing at Folk Alliance International, with the entire industry coming to a standstill shortly after.

“The music on Everything Is On Fire was years in the making, honed during a gap between the original Honeyrunners roster and a new lineup of musicians joining the band between 2018 and 2020,” Dwoskin continues. “We started with 25 songs and trimmed it down to nine, crafting a front-to-back listen with a potent story.”

The four-piece Toronto group (toting 11 members for larger shows) is fronted by Ottawa-born songwriter Dan Dwoskin (keys, lead vocals) and Canadian-Peruvian multi-instrumentalist, engineer, and producer, Guillermo Subauste (bass, vocals). Newer additions to the lineup include the soulful Conor Gains (electric guitar, vocals) and Toronto-born drummer and filmmaker, Lewis Spring (drums, percussion, vocals).

Recording at Subauste’s Pacha Sound studio in Toronto was a blessing for the band, taking the time to fine-tune their new sound, a melting pot of folk, pop, rock, blues, and soul-Americana to the discerning Radio DJ.

Self-produced by Subauste and Dwoskin, the band enlisted a slew of local Toronto talent for the album; Carleigh Aikins (Bahamas, Paper Bird), Haig Beylerian, Marcus Bucci, Meg Contini (The O’Pears, Dwayne Gretzky), Tom Ionescu (Jane’s Party, Whitney Rose), Bruce Mackinnon, Samantha Martin, Tom Moffett (Arkells, Bedouin Soundclash), Andrew Moljgun, Champagne James (Lindi Ortega, Lydia Persaud), and Micah Sky.

The Honeyrunners are a Northern take on Southern Americana – hot-blooded and rife with the poetry of heartache. Their energy is contagious on stage and on record; as are their stories. Their music suits fans of bands like The Lumineers, Bahamas, Alabama Shakes, Brandi Carlile, Nathaniel Rateliff, and Leon Bridges, to name a few influences.

The Honeyrunners have toured North America coast-to-coast, fueled by early commercial success with song placements on ads by Coca-Cola and Bacardi. Singles from the band’s earlier releases, EP I (2013) and EP II (2014) have garnered heavy play on hundreds of Canadian and US college radio stations, paving the road for live appearances on national television, music festivals, breweries, club circuits, and Nashville-style backyard BBQ’s alike (a band favourite). They have been lucky to share stages with friends and mentors, including The Sadies, The Trews, The Beaches, Philip Sayce, Nick Waterhouse, King Khan, U.S.S., Grapes of Wrath, Skye Wallace and many more.

“What Are You Scared Of?” and Everything Is On Fire are available now.

Folk-Rockers THE ALL CANADIAN SOUNDCLASH Releases Blistering “She Won’t Play Your Game”

Eric Alper
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Folk-Rockers THE ALL CANADIAN SOUNDCLASH Releases Blistering “She Won’t Play Your Game”

Folk-rock outfit The All Canadian Soundclash brings the heat with their blistering new single “She Won’t Play Your Game” — available now.

The first single from the debut album, Better Late Than Never, the song is an uptempo number teeming with electricity that surges start to finish; the relentless energy of “She Won’t Play Your Game” is seamlessly intertwined with the positivity in the message.

A story of soulmates and the commitment that is shared between them take center stage in this supercharged love song; “She Won’t Play Your Game” is also a clear message that fate isn’t kind to those who take their partners for granted.

Inspired by the ‘60s and ‘70s arthouse films of John Lennon and Yoko Ono, the music video for “She Won’t Play Your Game” is meant to fuse strong visuals with the complex nature of loving relationships. Beautifully shot on the banks of the Ottawa river, an intimate portrait of companionship is captured through the unbreakable bond of the video’s two stars; the founder of The All Canadian Soundclash Andrew Michelin, and his wife, Julie. Much like Lennon and Ono, the real-life partnership assisted in achieving a more authentic feel to the project.

The long-awaited debut album by The All Canadian Soundclash, Better Late Than Never, was meticulously composed alongside award-winning producer and musician Dale Murray. Murray is the nephew of iconic Canadian singer/songwriter Anne Murray. He brings his expertise to the album, having played with some of the biggest Canadian acts like Buck 65, Joel Plaskett and Matt Mays. Rounding out the band is Jordi Comstock, who keeps the band in time with his thunderous drumming.

The All Canadian Soundclash is based in Ottawa, Canada, and is the creation of Michelin whose songwriting lineage can be traced back to his grandfather. Michelin’s grandfather was one of the last generations of Indigenous trappers that traded with the Hudson’s Bay Company. Trappers would often write songs while isolated in the Canadian wilderness for fun. The connection Michelin has to his family history is indicative of the authenticity that he employs in his art and life.

The All Canadian Soundclash’s new single “She Won’t Play Your Game” from their debut album Better Late Than Never is available now.

Carlo Capobianco Worships at the Altar of Love in Sultry “Pray To You”

Eric Alper
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0
Carlo Capobianco Worships at the Altar of Love in Sultry “Pray To You”

Canadian pop singer/songwriter Carlo Capobianco is down on his knees, worshiping at the altar of an amorous lust so intense, it’s inspired a new single in “Pray To You” — available now.

“This song was a concept I had imagined several years ago,” the Winnipeg, Manitoba-based artist shares. “I was in the depths of a heartbreak, and the person I felt closest to almost felt as far away.

“I ended up having them spiral in my head forever, and I really did feel as if I had a sense of devotion to this person.”

That reverence ultimately spun the yarn that’s become a synth-infused, dance-floor bop, as well as set a solid foundation for Capobianco’s forthcoming album of the same name; the seven-song strong EP is centralized around themes of love lost, loneliness and unrequited love. For Capobianco, it is his life’s work linked together on a cohesive passion project.

“Lyrically, I wanted to make sure that all of my stories somehow connected together,” Capobianco says of the record. “I was sure to keep a consistent theme of production throughout the album — not allowing it to tip too closely to the 80s, or too closely to modernity.

“That said, the 80s were definitely the biggest influence on ‘Pray To You’…”

He admits seeking a producer for the title song proved more difficult than originally thought. For Capobianco, it was the juxtaposition of desire, yet finding freedom in loneliness that was the hardest to parlay to a studio. Luckily for him, Adam Fuhr of House of Wonders studio (Winnipeg, Manitoba) was able to understand the assignment completely; together, the pair masterminded “Pray To You.”

“I shopped the lyrics for a year, and found no one,” Capobianco reveals. “Everyone had turned the song upside down, and couldn’t nail the lonely, yet freeing idea of the song; it was either tacky pop or unfamiliar trap influenced instrumentals. None of it was me.

“By this time, even my own idea of the song changed,” he continues. “Before, it was a slower, piano based idea, and eventually it turned into a darker dance-track.”

The final result is a Bowie-esque, Modern English inverted Smiths, revved up Weeknd meets Ed Sheerhan anthem. It’s sexy, and electric. The lyrics drip off every word of Capobianco’s deep-end vox. It’s the back couch of a dimly lit bar, fumbling in the darkness. It’s the permission to give into wants. It’s the command to move fluidly above and below the sheets. “Honey, don’t you see? I’m down onto my knees,” Capobianco practically moans over the melody.

The subsequent music video for “Pray To You” was filmed shortly after songwriting officially wrapped. Featuring laser lights, a sultry Capobianco daring you to join him on the dancefloor, the video surmises everything we’ve earned off the track. Where the verse seduces you, it’s the hook in the chorus that holds you captive.

And it will take more than a prayer to break free.

Adele’s “Easy On Me” Isolated Vocals

Eric Alper
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0
Adele’s “Easy On Me” Isolated Vocals

Adele’s “Easy on Me” broke the Spotify and Amazon Music records for the most streams for a song in a day or a week. It topped the charts in 26 countries, including the United Kingdom, and United States, marking Adele’s third and fifth chart toppers in the respective territories, and reached the top 10 in 36 countries.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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