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ASTRID TANTON Grapples with Heartbreak in “Love You”

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There’s no more powerless feeling than wanting to love someone only for that person to push that love away, and Canadian indie-pop singer/songwriter Astrid Tanton sits with such sentiments in her new single “Love You” — available now.

Fresh from her debut album, From My Eyes, Tanton’s vocals soar as she sings with the clear-voiced honesty of feeling (metaphorically) bruised by a relationship rotting from the inside, all amid velvety synth and full-bodied piano.

You’ve got me beat up and bruised
I crash into you
Another night, another fight
What should I do?
Because I just want to love you

“This song came from learning to navigate love and relationships,” Tanton says. “Being young and falling in love is completely idealized by society, when it can be really difficult. This song focuses on the fear of being vulnerable and trusting someone to be careful with your heart.

“Love isn’t easy, but nothing worth it ever comes easy.”

That vulnerability is conveyed in both the song and the video concept. “It was to be very stripped back, and focus on the words and emotions of the song,” she shares of the process. “I’ve done a lot of super fun, high-energy videos, so this song and video was a chance for me to do something different; something less polished and rawer.”

At 19, Astrid Tanton is an accomplished artist, writer, and producer. Having loved music from a young age (“Eye of the Tiger” was a favorite at age three) and starting to write with her musician brother at age 11, it was clear to everyone around her that music would always rule her life.

Her goal? Make sure no young person feels alone. Having volunteered at the Regent Park School of Music for four years, Tanton has seen firsthand how music can show kids from a young age that their voices make a better world. Astrid lives in Toronto and attends Ryerson University.

Each song on From My Eyes is as confessional as “Love You.” “I really wanted to let people into what has shaped me into the singer/songwriter and young woman I am today,” Tanton says. “Each song recalls and explores a pivotal event in my self-growth.

“From My Eyes means a lot to me,” she continues. “Not just as a singer, but as a woman being vulnerable and open about experiences that weren’t always easy but made me stronger.”

Her new single “Love You,” and album, From My Eyes, are available now.

A Star In Colombia! Toronto-Based CAROLINA LOPEZ Brings Fire to the Dancefloor with “El Latin Dance”

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Sometimes, all it takes is an invitation to get out on the dancefloor, and there’s no turning one down from Carolina Lopez, who keeps it muy caliente with this, her new single “El Latin Dance” — available now.

A little bit of Cumbia mixed with a driving hip-hop beat, “El Latin Dance” is a summons to dance — no matter your culture, and no matter how shy you might typically be.

“This Latin song only has one rule: to dance,” Lopez says, before assuring, “and I promise – you don’t need to be an expert…

“Just feel it, let the music in, and let’s go to dance!”

It’s a super-sexy jam, with the drums and bass as the stars, while Lopez positively purrs, mostly in Spanish. The sole line she sings in English is “I told him, ‘Let’s go to dance.’”

That lyric was borne of a memory that suddenly hit her while she was working in the studio; the memory was of a man she had once loved. “I remember, when I listened to the bass, it drew me into the exact moment when I saw the deepest chestnut eyes of a man on our first date…” she recalls. “Eyes that I have never stopped seeing since.

“Those eyes deserve a song, I thought.”

And yet “El Latin Dance” isn’t just about getting lost in the eyes of a lover on the dance floor. “This song speaks not only about love, but also about the beauty of sharing our cultural differences with someone open to appreciate them,” Lopez says.

The song was produced by Roy Hamilton III; Lopez also brought in her brother, Esteban Lopez Piedrahita, an award-winning DJ and producer in Colombia, to infuse it with Latin drums. The result is a blend between both North American and Latin sounds. “A fresh and colorful mix between two important cultures,” she says.

Originally hailing from Medellin, Colombia, and currently living in Toronto, Carolina Lopez has gained international recognition as a dynamic and versatile artist, excelling in both film and music. With more than 25 film and television projects and five TV and film nominations in Colombia, Lopez is known for her natural and multifaceted acting.

In recent years, she has made her mark as a singer-songwriter. She earned three nominations at the Canadian International Fashion Film Festival (CANIFFF) in both 2020 and 2021 for her two recent songs “Mundos Paralelos” and “Heroe.”

Her fourth single, “El Latin Dance,” is available now.

Pop-Punk Rapper HOLLOW RIVER Gets Reflective in Charged-Up “September”

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Two months after the release of his upbeat comeback single “Still,” Hollow River — a Canadian pop-punk rapper by the name of Mark MacDonald — has released a rocking new tune called “September.”

Available now, the song lands alongside a simple but gorgeous animated lyric video which pulls you right into the musician’s mind.

Though MacDonald is known well for fusing his rapping abilities with his passion for pop-punk music, this brand-new three-minute, 20 second spanning track is quite a departure from his initial approach. He abandons the rap, for a classic early 2000s-sounding vocal take; think Blink-182 and Good Charlotte!

On top of this, “September” boasts rapid, chugging guitar riffs, enticing harmonic guitar melodies, undeniably radical drum fills and even a brief, yet emotional piano breakdown. It’s exactly what you would want (and more) of any pop-punk anthem!

Just from hearing this song (and all his others), it’s apparent the Boston-based musician (originally from Oakville, Ontario) is an absolute wizard in the studio — whether that be at the control desk, with an instrument in his hands, or just when he’s putting pen to paper.

In his own words, MacDonald says “September” is simply about “living in a toxic moment understanding that that it cannot last forever before the inevitable fall” — which he symbolized in both his lyricism and the entrancing lyric video with the coming of the Autumn season.

“I wrote this song during a period where I was drinking too much and realized that what was once fun was now starting to pull me down,” added MacDonald. “I hope it serves as an allegory for others that have flirted with alcohol or drug abuse.”

While “September” is new to most, it’s actually been in the works for a long time, according to the mastermind behind Hollow River. He admitted what you hear now was actually his third time recording the song, after two attempts he considered to be poor in production quality. Using the skill sets he learned during his four years of post-secondary studies in the U.S., he decided to take another crack at it, and concluded that he is now “excited” to finally have a “killer version” of the song — one he typically uses to close his live sets.

MacDonald’s music career began when he became an intern at Hamilton’s iconic Grant Avenue Studio. After spending some time working at the recording studio, the aspiring star dropped everything to move down to Boston, Mass. so he could attend Berklee College of Music, one of America’s finest music institutes. During his studies, he was working towards a double major in Music Production and Engineering/Songwriting respectively. A few years later, MacDonald decided to take a break and returned to small-town Ontario to focus on his own music career while exploring new professional opportunities on the side.

When he’s not honing in on his own songwriting, he’s a Production Assistant at Revival House Records studio, alongside his mentor, Pat Hanlin; MacDonald also returned to Boston in the fall in hopes of finishing both of his degrees with Berklee.

“September” serves as the rock-rapper’s third overall single and follows the tracks “Still” (released earlier this year) and 2020’s “Known to Lie” — his biggest success to date. On top of these popular and infectious singles, Hollow River has a rocking three-track EP ‘Quarantine Mixtape’ and his 2019, debut album Bleed Only Water, which includes eight originals from the multi-talented musician. The former was released closer to the beginning of the COVID-19 pandemic.

“September” is available now.

Toronto Pop-Artist MISS LIA Releases Empowering & Seductive “Animal Type” Single

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With rich, velvety vox ablaze amidst a sense of passion and playfulness, Toronto singer/songwriter Miss Lia’s new single “Animal Type” captures the carnal charge around setting sights on who you want.

Written in Miss Lia’s unique fashion — a confident, inspired, spontaneous type of lyricism — the song’s origins are rooted in the pop-R&B artist’s penchant for emotionally-driven songwriting that pulls on both past experiences and in-the-moment feelings.

“For ‘Animal Type,’ I was getting ready to go out, and started ‘feeling myself’ — confident and sexy — like an empowered woman,” she recalls. “The vibe just came to me… I was watching myself in the mirror and started singing the melody of the intro. I came up with the first verse and chorus at that moment, and left them unchanged.”

Looking to capture the classic ‘I need you’ feeling, Miss Lia uses “Animal Type” to relate with those who find themselves suddenly overtaken by lust’s ‘I’ve got to have you’ impulse. While the song feels sensuous and provocative upon first listen, it’s Lia’s confidence and empowered spirit intertwined with each line that seeks to seduce the listener further.

Following previously unveiled singles, “Dangerous,” “Lonely,” and “Summersault,” “Animal Type” is the latest to land from Miss Lia. The multi-talented artist recently immersed herself in music, having spent the duration of Covid-related restrictions contemplating a fork in the road; having initially pushed aside her ambitions to pursue music, focusing on academics and athletics instead, Lia spent the time revisiting and rediscovering her passions for poetry and music, and the deep emotional connection it creates.

“Animal Type” is available now.

At 10+ Million Streams Across Platforms, Cmagic5 Brings Good Vibes When it Comes to ‘That Ex’

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Canadian artist Cmagic5 is set to aid and abet audiences to get over their exes in this sizzling new power-pop single and video, “Dancing on My Heart” — available now.

Landing hot on the heels of her highly acclaimed 2021 breakthrough debut, Ready To Run, the sizzling new song underscores the emotional precariousness of the “moving on” phase while showcasing the Toronto-based multi-talented singer/songwriter, actor, and dancer’s soaring, soulful vocals and magnetic, mesmerizing energy.

“In a fun and playful way, it’s about holding your ex responsible for your inability to move on,” Cmagic5 explains. “It’s about that part after falling out of a relationship, and the frustration that develops when you’re avoiding falling in love with the same person all over again because you know they’re not the one for you.

“But, hey! It happens!” she winks. “Have you ever been in love? It’s almost as if your ex is your guilty pleasure. That’s why it’s summed up in the line ‘I keep giving in and that’s my crime.’”

Bursting with feel-good vibes, witty words, and sassy undertones, the songwriting process for “Dancing on My Heart” revealed itself to be a whole new experience for the Royal Conservatory alum and vocal mentor. “It’s definitely one of my favourites, and showcases my artistic evolution,” she shares of the song, and its process. “Ready To Run was entirely self-written, and this was the track I collaborated on with other songwriters. I worked remotely through just a few online sessions with a Grammy- and JUNO- winning and nominated team based out of Toronto and LA and, once we had a bit of a groove happening in our first session, the song was written in a couple of hours.

“Aside from some technical glitches, the writing process was smooth sailing, and it was a blast jamming out with other songwriters,” she continues. “In the next session, I tracked my vocals at Noble Street Studios here in my hometown of Toronto, and a fun fact: my producer recorded the sound of his neighbours’ leaf blower on the way to work and, once he played it for me, I immediately knew we needed to incorporate it; it’s such a cool sound!”

The song’s spicy new video features Cmagic5 front and centre, deftly showcasing her triple-threat status. “I wanted the video to portray female empowerment and the concept of picking yourself back up from breakup, with the support from friends,” she explains of the visual’s treatment; it also aligns with the 19-year-old’s ongoing ambassadorship for mental health awareness, with a focus on helping teens navigate insecurities and build self-confidence and self-esteem. “I wanted something upbeat that would inspire energy and confidence into listeners. I want my music to be a medium through which people easily identify and relate with and, at the same time, enjoy at a personal level.”

“Dancing on My Heart” follows Cmagic5’s debut LP, Ready to Run, as well as skyrocketing singles, “You Don’t Know,” “Just Wanna,” “Lego (Bonus Version),” and more.

“Dancing on My Heart” — the single and video — are available now!

Phil Lynott Doc “Songs For While I’m Away” Has An Official Trailer

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A feature documentary on the life and music of Phil Lynott, telling the story of how a young boy from working class 1950s Dublin, became Ireland’s Greatest Rock Star.

That Time George Carlin & Richard Pryor Appeared On The Tonight Show In 1981

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That time when a legend appeared beside a legend, talking to another legend.

‘Weird Al’ Yankovic Covers Sparks’ “This Town Ain’t Big Enough for Both of Us” On The Accordion

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This performance is included in the jam-packed bonus disc of the Blu-Ray release of Edgar Wright’s amazing documentary “The Sparks Brothers.” Edgar asked ‘Weird Al’ Yankovic to bring his accordion to the Q&A session and perform the Sparks classic for him, and he gladly obliged.

The Mystery Bass of The Beatles “While My Guitar Gently Weeps”

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George Harrison’s 1968 song While My Guitar Gently Weeps is often cited as one of the finest songs written during his tenure with The Beatles. But there’s a mystery buried in the track that recently has become the subject of renewed debate among Beatles scholars and fans alike: who is playing the bass part?

Fred Armisen Impersonates Each Decade of Punk Music

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Fred Armisen shows off his musical impersonations of alternative music from bands like The Velvet Underground and Sleater-Kinney.