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Delyn Grey Stakes Claim to Passion & Purpose in New Single, “Set Me Free”

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Continuing to break barriers and make waves within the rock and alt-pop world, Toronto’s Delyn Grey boldly stakes claim to her passions and purpose on this, her new single, “Set Me Free” — available now.

“This song is a release; it’s relief and empowerment,” she shares of the track. “It’s ‘moving forward’ and ‘getting it done.’”

It’s a sentiment that hits close to home for the Bif Naked-managed singer, songwriter, and production powerhouse. Eschewing traditional love-and-heartbreak themes rife within the genres, Grey combines modern-day R&B and electronic vibes with edgier rock elements reminiscent of grunge’s earlier starts.

This decidedly defiant and brave break from the industry mold results in an accessible, yet fresh, exciting, and at times, slightly dangerous feel to her sound. It has also, she reveals, made some naysayers question her very path forward.

“Despite having written this song several years ago, it holds a huge place in my heart, and comforts me every time I listen to it,” she reveals. “It’s because, when I was first starting pursue music, a lot of people told me I should make it my ‘plan b’ or my hobby because I didn’t ‘have anything unique to offer.’

“No one, let alone a 15 year old, should ever be told they shouldn’t work towards pursuing something that gives them purpose,” she continues. “Music was never a hobby for me; I just couldn’t have that relationship with it, and I needed people to know that. I needed myself to know that I was rooting for me, that I had my back, no matter what came my way, and that I would make it past the snide, or the uninformed comments about MY life choices.

“My art wants purpose, and I work hard to serve that. I work equally as hard to find purpose in my art.”

Such art has come to life across previously released tracks, including “Listen to the Thunder,” “Battle,” “Ghost Town,” and most recently, “Daddy’s Love” — and received critical acclaim from the likes of Abort Mag, New Sick Music, Concert Monkey, ShockYa, Guitar Girl Mag, The Word is Bond, Canadian Beats, and more.

As for “Set Me Free,” Grey says it’s “an anthem for anyone who’s ever been made to feel like their passion is pointless.

“Put in the work, people!” she continues. “Regardless of the goal, the experience alone will be worth it. Grab the reins, and hold on tight.”

“Set Me Free” is available now.

ADVANCE Announces $150,000 Business Expansion Grant From City Of Toronto

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ADVANCE is proud to announce the launch of their brand new $150,000 Business Expansion grant, in partnership with the City of Toronto. This program will help a variety of Black-owned, not-for-profit businesses across Toronto expand and continue to serve and assist Black music professionals in their development. Recognizing the lack of Black representation on the business side of the music industry, compounded by the devastation of the recent pandemic, the ADVANCE Business Expansion Grant will be supporting entrepreneurs and local businesses at various levels of their journey, including emerging, elevating, and established.

ADVANCE, Canada’s Black Music Business Collective focuses on the lack of Black representation on the business side of the music industry. As such, ADVANCE has shown that the lack of Black people in decision-making positions, has halted the success of Black creatives. For the City of Toronto, and the nation, there is great potential for an increased economic effect on tourism, import/export of creative goods and services, film/television production, permanent residency, labour force and trades.

This program is designed to provide targeted investments to address a lack of resources, and systemic barriers that negatively impact Black businesses in the music industry[revise]. By focusing on non-for-profit companies, City of Toronto and ADVANCE expect to see more education-focused business programming that assist Black leaders in their pathway to entrepreneurship or careers within the corporate space of the music industry.

ADVANCE and City of Toronto have partnered to support economic growth and career development of emerging and established businesses. The areas of interest include professional development, education, mentorship, sponsorship for persons interested in the business practices of the music industry.
economic growth and career development

Deadline to submit: October 20th, 2021, 5pm EST. For more information, and to apply, go here.

Bruno Mars & Anderson .paak Announce “An Evening With Silk Sonic” Album Out November 12

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Multiple GRAMMY Award winners Bruno Mars and Anderson .Paak have announced the official release date for new album, An Evening With Silk Sonic – available on all DSPS November 12, 2021. An Evening With Silk Sonic will arrive with previously released hits “Skate” and “Leave The Door Open.”

Most recently, Silk Sonic graced the cover of Rolling Stone’s September issue, where fans got an inside look at Mars and .Paak’s deep friendship and quest for the perfect “feel good” record. The duo coasted into the release of “Skate” on the wave of success from their debut single “Leave the Door Open,” which earned them Best Group at the 2021 BET Awards. It became the group’s first #1 single on the Billboard Hot 100, spending two non-consecutive weeks at #1 and 18 consecutive weeks in the top 10. They released the live version “Leave The Door Open (Live)” and serenaded audiences three times over at the GRAMMY Awards, iHeartRadio Music Awards, and the BET Awards.

Silk Sonic introduced “Leave The Door Open” alongside an official music video directed by Mars and Florent Déchard with over 346 million views and counting. The track was followed by a hugely popular social media campaign, #LetSilkSonicThrive and was immediately welcomed by unprecedented critical acclaim. “What’s new, smooth as silk on the ears, and features two stars of R&B?” wrote Billboard, praising Silk Sonic as “a groovy duo” and the single as “lounge at its heart.” Consequence of Sound enthused, “Mars has a voice like a liquid whip, while .Paak raps and sings through a foggy haze. They sound like smoke on the water.”

The seeds of the collaboration were planted in 2017 when Anderson .Paak and Bruno Mars toured together on the European leg of his 24K Magic World Tour. One late-night jam session on the road unlocked immediate chemistry. Just before the world slipped into quarantine, Bruno called Anderson: “Remember that idea we had back in 2017? Let’s do it.” One studio session grew into to a months-long collaboration, culminating the “setlist of doom.” Legendary Bootsy Collins christened Silk Sonic and came in as the “special guest host” for An Evening With Silk Sonic, their debut album.

Silk Sonic was finally set free on March 5th, 2021. Within less than a month, their debut single “Leave The Door Open” cracked over 230 million streams, and currently sits at 1.2 billion streams with over 346 million official video views. It reeled in rave reviews, including Variety who noted it “could be a Best R&B Song GRAMMY® winner from 1974.” After petitioning the GRAMMY® Awards to #LetSilkSonicThrive, they made their debut performance with “Leave The Door Open” and served up a powerful tribute to Little Richard.

Photo Gallery: Enrique Iglesias with Ricky Martin at Toronto’s Scotiabank Arena

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All photos by Mini’s Memories. If you are an artist or band and need photos done for your next release, you can do no wrong contacting her with your details:

minismemories@hotmail.com

Enrique Iglesias
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Enrique Iglesias
Enrique Iglesias
Enrique Iglesias
Enrique Iglesias
Ricky Martin
Ricky Martin
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Ricky Martin
Ricky Martin
Ricky Martin

Heather Bambrick, Lou Pomonti, John Finley, Charu Suri & More Set to Headline 8th Annual South Coast Jazz & Blues Festival Oct 15-17

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It’s official: headliners Heather Bambrick, the Lou Pomonti Trio, John Finley, Charu Suri, and more are set to dazzle audiences from both in-person and the comfort of their homes for the 8th Annual South Coast Jazz & Blues Hybrid Festival this October 15th, 16th & 17th.

With artist interviews hosted by Canadian media icon Dini Petty, and heralded by the Wall Street Journal in 2020 for their swift pivot online due to COVID-19 restrictions, the South Coast Jazz & Blues Festival is set to roll-tape once again this Fall for another exclusive, live-off-the-floor production — this time, straight from Brantford, Ontario’s Sanderson Centre.

Joining Heather Bambrick, the Lou Pomonti Trio, John Finley, and International artist Charu Suri for the three-day virtual event will be the Gene DiNovi Band, Dave Young, d’Tabora (Tabby) Johnson, David Restivo, Aaron Bell, the White Pine Dancers, Alison Young, the South Coast Jazzin’ Juniors Trio (Vania Lee, Devon Goping, and Daniel Bado), Gaitrie Persaud, and more.

For the live shows, Ian Bell and Thom Adkins will perform at the Brant Hill Inn on October 15th and 16th, respectively, and Jesse Murphy will perform at David’s Restaurant on October 17th.

There will also be a ‘local stage’ featuring Norfolk County artists, and the event is set to pay tribute to Michael Badaway and Aaron Bell, two of the festival’s long-time friends and talented performers who recently passed away.

“These are their last performances,” Festival founder and Director of Operations Juliann Kuchocki shares. “We wanted to honour them, so we have compiled the footage together as best we can to showcase them one last time.”

In addition to roaring support from eager attendees and amazing artists alike, the South Coast Jazz & Blues Festival is honoured to receive funding and other resource support from the Canada Council for the Arts, Ontario Creates, and Norfolk County.

“This continues to be a challenging time for artists, and those in the arts industry,” Kuchocki says. “We are grateful to have the support of these organizations, as well as the fans at home.

“Our goal with the South Coast Jazz & Blues Festival is to delight audiences with the very best the scene has to offer,” Kuchocki continues. “This mission is even more important this time around, and we can’t wait to show fans a good time this Fall!”

Celebrating its eighth year, previous festivals have featured the likes of Kellylee Evans, Holly Cole, David Sanborn, Jane Bunnett, Powder Blues Band, and many more.

The 8th Annual South Coast Jazz & Blues Festival will stream online this October 15th, 16th & 17th. Tickets for the live shows are $75 per person at the Brant Hill Inn, plus an additional $275 for a two-person stay overnight, and $100 per person at David’s Restaurant; all tickets, as well as dinner menus and accommodation options, are available online at SouthCoastJazz.com.

A Thousand Stories, Photos & Memorabilia Moments In New “That Night At Massey Hall” Book

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In an epic archival for the ages of one of Canada’s most iconic venues, author David Binks has written and compiled That Night At Massey Hall — available for pre-orders now here.

At 240 pages, this limited-edition tome teeming with tales from Toronto’s ‘Old Lady of Shuter Street’ is home to more than 1,500 individual story, photo, and memorabilia contributions, and features over 500+ artists — including Rush, Gordon Lightfoot, Bob Dylan, Pavarotti, Aretha Franklin, Neil Young, Bruce Springsteen, Miles Davis, Van Morrison, U2, and The Tragically Hip.

Following a foreword from Grammy Award-winning musicologist Rob Bowman, Binks wastes no time before diving into Massey Hall’s 100+ year history: how protestors of the former USSR marked their presence, or details on which artists turned up at the wrong venue, why the ‘greatest Jazz concert ever’ didn’t ultimately sell-out, and which show was the perfect prelude to a stint in jail…

“That Night At Massey Hall gets into who Gordon Lightfoot called with advice before their debut appearance, which performer saved an audience member’s life, and nuggets like how to secure Keith Richards’ guitar pick,” Binks shares. “These are not just stories about what happened on the stage itself, but also first visits, chance meetings, missed opportunities, first dates…

“And a few last ones, as well.”

Originally from Sheffield, England, and now based in Amsterdam, Binks is a retired CEO, and consultant who first visited Toronto in 2000. “I developed an instant affection for Massey Hall,” he recalls. “One evening, I was reading old advertising notices in the bar area when I first had the idea to collect from people their own personal stories of their favourite ‘Nights’ at this fabled place.

“For Torontonians and Canadians — as well as visitors, artists, and music fans everywhere — I wanted to create a book that offered a lasting connection to our past, and to so many great memories,” he continues. “I worked over a three year period to gather as many stories as I could from artists, audience members, and employees, all through an online submission form on the book’s website. Folks like Alan Cross, Michael Hainsworth, and John Derringer, as well as some well-placed ads in NOW Magazine, etc, were instrumental supporters to help get the word out on what I was looking for.”

Twelve years after his own ‘Night At Massey Hall,’ Binks has produced a beautifully designed collector’s item that, with every turn of the page, whisks readers away on an intimate and inimitable journey through time. “Because the stories were collected from those who spent time within its walls, That Night At Massey Hall is the patrons’ way of giving something back to the venue itself,” he considers. “It captures the affection and emotional connection felt towards it.

“There are definitely lots of fun surprises I came across,” he hints. “Overall, it’s a book about growing up, settling down, looking back, being inspired, and — of course — rock n’ roll.”

That Night At Massey Hall is available for pre-orders now, with shipping slated to begin in October.

SIOBAMM Toys With a Dangerous Dose of Rock and Skating in “Pick Yr Poison”

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Canadian rocker, Derby-enthusiast, and Roller Skating extraordinaire Siobamm faces off with another synth-infused rock anthem in searing new single, “Pick Yr Poison” — available now.

The Toronto-based Roller Derby athlete focused her attention on music during the global pandemic, giving her a chance to marry her love for creating with her passion for skating. The two coming together in phenomenal fashion, Siobamm becomes them both: the champion of a grossly underrated sport, and a stand-out voice in a crowd of indie musicians clamoring to be a part of the scene.

And she weaves the two seamlessly.

Fresh off her recent EP, Gloom Patrol, “Pick Your Poison” sees Siobamm wrestle with love lost, and a woman scorned. Hell hath no fury, they say, and for this music maven, revenge is a dish best served cold.

“I wrote this song with the idea of a revenge fantasy in mind: a woman speaking to a man she knows wants to hurt her,” Siobamm reveals. “The woman turns the situation around and becomes the predator, hunting and taunting her male prey.”

Having penned the track in 2015, she was readily influenced by the media coverage happening that year. “It is inspired by what I was seeing in the media at the time; namely, a lack of consequences for men who violated women, as well as my own experiences with sexual assault,” she recalls. “I wrote ‘Pick Yr Poison’ during the court trials of Brock Turner and Jian Ghomeshi. I had just finished Carrie Brownstein’s memoir, and was in awe of the riot grrrl scene of the Pacific Northwest in the 90’s — both sonically and what they were writing about content-wise.”

Mostly written, recorded, mixed, and produced during quarantine, Gloom Patrol is a steady influence of hazy guitar riffs, gothic linguistics, a myriad of melancholy, and acceptance of reality — flowing with pop melodies and alternative hooks. The result is a dark, beautifully vulnerable piece of work that showcases her as an authentic songwriter with a unique sound.

Following up “Bones”, “Pick Yr Poison” is a sexy, Mazzy Starr-esque love child, mashing a mosaic of feel-good vibes, with dark and edgy lyrics. The song reaches inside the listener and refuses to let go. The beautifully orchestrated pop fringe masterfully masquerades an otherwise haunting story. And that’s the cleverness of Siobamm.

The visual component of the “Pick Yr Poison” is a day at the park with Siobamm’s fellow park skaters. Featuring stunning aerial views of the athletes letting it all hang out on the half-pipe, the video highlights Siobamm’s second love, and feeling of freedom.

Shot in Toronto as COVID-19 restrictions eased, Siobamm says she was inspired to try and emulate an old school skate vibe. “But give it a new twist by featuring female and non-binary roller skaters!” she adds.

“We are all strong, confident, and physically empowered. Being able to do cool moves and keep control of my body at high speeds makes me feel powerful and capable of anything, and I wanted to emulate that feeling with this video. Especially since for the second year in a row, local skaters have to share info through Instagram about the attempted abductions of women at night around local skateparks. We are powerful, but we are also targeted. And that makes me angry.”

It’s that zest for justice and utilizing her power platform to give a voice to the voiceless that sets Siobamm in a league of their own. On “Pick Yr Poison” she offers you two things: one, the chance to revel in the finality of your fate, and two, realize that how you cross the finish line is a decision you get to choose for yourself.

And as the listener slides down the rabbit hole of this sonic soundscape, it’s reasonable to believe you’ll be offering the poison, too.

“Pick Yr Poison” and Gloom Patrol are available now.

CANADIAN BRASS Announce ‘Canadiana’ Featuring Covers Of Rush, Drake, Daniel Caesar, Shawn Mendes, Joni, kd, Leonard and More

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As the most celebrated and enduring brass quintet in history, Canadian Brass unveil the first peek at their forthcoming and first ever all-Canadian album with the release of “Hallelujah” — available now. You can pre-order and pre-save the album here.

The Leonard Cohen cover is first to arrive from the iconic ensemble’s upcoming album, Canadiana. The 11-song collection is set to arrive November 12th via Linus Entertainment, and adds to Canadian Brass’ impressive catalogue that has collectively sold over 2 million albums.

On Canadiana, Canadian Brass celebrates the popular Canadian artists the group both loves to listen to, and has impressed them throughout their career. In addition to Cohen, Canadiana includes songs by Joni Mitchell, Drake, Daniel Caesar, Shawn Mendes, Rush, Bruce Cockburn, Deadmau5, k.d. lang, and Lara Fabian.

“While we were busy practicing our repertoire and honing our craft, we were also listening to these incredible songs as they were released,” Canadian Brass shares. “We now have the incredible opportunity to play these songs ourselves. “

“This recording project gave us a chance to explore the music generated by the great artists that have been around us throughout our performing career.”

A formidable force in the world of Chamber Music since its 1970 inception, and having sold well over 2 Million albums worldwide, the group has been hailed as the ‘Kings of Brass’ for single handedly establishing brass as a major influence on the classical music scene.

The young players in the ensemble today are inheritors of this long tradition, inaugurated over fifty years ago, having grown up with the sound and style of Canadian Brass as a model. With a discography of over 130 albums, and an extensive worldwide touring schedule, Canadian Brass is an important pioneer in bringing brass music to mass audiences everywhere.

Currently, Canadian Brass are Achilles Liarmakopoulos (trombone), Jeff Nelsen (horn), Caleb Hudson (trumpet), Brandon Ridenour (trumpet), and Chuck Daellenbach (tuba), with “Hallelujah” also representing a reunion of sorts; a host of former members of Canadian Brass joined the quintet for this treasured tune.

The ensemble enlisted their trumpet player and in-house arranger Brandon Ridenour to breathe new life into the selected works. Additionally, the album features Grammy-winning Attacca Quartet member Nathan Schram (for Drake’s “Laugh Now, Cry Later”), internationally-beloved guitarist and singer Bruce Cockburn on his own “Thoughts on a Rainy Afternoon,” JUNO-winning jazz trumpet player Ingrid Jensen (Joni Mitchell’s “Both Sides, Now”), as well as guitarist Sean Kelly and percussionist Tim Timleck (“2112 Overture” by Rush).

Canadiana Track Listing
[01] Je Me Souviens (Originally recorded by Lara Fabian) 02:49
[02] Senorita (Originally recorded by Shawn Mendes) 03:11
[03] Constant Craving (Originally recorded by k.d. lang) 03:26
[04] Both Sides, Now (Originally recorded by Joni Mitchell)* 06:12
[05] I Remember (Originally recorded by Deadmau5) 04:39
[06] Laugh Now, Cry Later (Originally recorded by Drake)** 03:37
[07] Overture 2112 (Originally Recorded by Rush)*** 03:11
[08] Best Part (Originally recorded by Daniel Caesar & H.E.R.) 05:14
[09] 13th Mountain (Originally recorded by Bruce Cockburn) 03:29
[10] Thoughts on a Rainy Afternoon (Originally Recorded by Bruce Cockburn)**** 03:27
[11] Hallelujah (Originally recorded by Leonard Cohen) 03:36

*With Juno-winning jazz trumpet player Ingrid Jensen
**Beat production by Grammy award winning Attacca quartet member Nathan Schram
***With Sean Kelly (guitar) and Tim Timleck (percussion)
****With Bruce Cockburn (guitar, vocals)

“Hallelujah” is available now. Canadiana is available November 12th, 2021 via Linus Entertainment.

Canadian Brass Tour Dates

November 20, 2021 Hayes Hall Naples FL USA
November 27, 2021 George Mason University Fairfax VA USA
November 30, 2021 Augusta University Augusta GA USA
December 5, 2021 Staplin Performing Arts Center West Des Moines IA USA
December 6, 2021 Helzberg Hall Kansas City MO USA
December 7, 2021 Hesston Mennonite Church Kesston KS USA
December 11, 2021 Nellerbach Hall Berkeley CA USA
December 17, 2021 Bradley Symphony Center Milwaukee WI USA

Hot Mondy Enlists Acclaimed Talents to Feature on Vagabond-Inspired “Desert Moonlight”

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If you thought Halifax, NS-based country rock band Hot Mondy couldn’t pull any more aces out of their sleeve this season, you are sorely mistaken. Featuring the all-star cast of musicians you have come to know and love, their newest single “Desert Moonlight” — available now — creates an illustrious image of vagabonds and bagmen working under the cover of darkness.

Featuring five friends who have a passion for outlaw country music, Hot Mondy recently debuted single “Pale Embers” and, while the track created an emotional and dramatic picture of the final strings that tend to keep fading love together, “Desert Moonlight” steers Hot Mondy in a different direction.

‘I make the drop, take my brick of cash.
Back on the road to make another dash.’

Hot Mondy takes a crack at elevator pitching their newest single, stating “Desert Moonlight is a pulpy roadhouse epic that tells the story of a bagman who does his work under the cover of night” — which doesn’t do their newest single justice. In addition to being a succulent ballad about a middleman working under the cover of night, “Desert Moonlight” serves as a masterclass in vivid storytelling through a musical medium.

While being extremely talented and versatile, Hot Mondy has an incredible ability to enlist the perfect talents to accompany their productions. It all started with multi-JUNO Award winning producer Michael Phillip Wojewoda dedicating months of his time to hone Hot Mondy’s sound into the Pale Embers EP, which features Hot Mondy’s newest release, “Desert Moonlight.” From there, Hot Mondy sought after accredited film director Brad Tobler of Imagine That Films to assist in creating a visual space for the album, leading up to the eventual release of a full visual album for the Pale Embers EP.

Despite Wojewoda and Tobler onboarding for the whole project, Hot Mondy continued to recruit the help of some very special talent for the production of “Desert Moonlight” — including Wintersleep’s drummer, Loel Campbell, as well as Grammy-nominated strings arranger Drew Jureka.

However, it hasn’t been all daisies and roses for the group; not soon after Hot Mondy finished tracking at Revolution Recording in Toronto, Canada was closed for lockdown during the COVID-19 pandemic. “It was both fun and challenging figuring out how to finish the EP during covid, but the end result was worth it,” they share.

The restrictions placed on the country didn’t hinder Hot Mondy’s creative prowess one bit, and they have continued working on more than ten songs set to debut in a follow-up album in 2022.

“Hot Mondy’s music is familiar yet original, satisfying but unpredictable. With a love of writing, groove, production and storytelling, the music will take you on a journey that you’ll want to return to again and again.”

While brief introductions could never do these men justice, it is worth mentioning who they are. Hot Mondy is Matt Rhind (lead vocals), Travis Flint (guitar and lead vocals), Troy Arseneault (lead guitar), Mat Budreski (rhythm guitar), Matt Brannon (Bass); Hot Mondy is also joined by friend and collaborator Loel Campbell of Wintersleep on drums. As the band grew to love performing together it became clear there was a love of creating and writing together, with a rare chemistry. From there, Hot Mondy started drumming up the concept for the Pale Embers EP in 2019.

Loel Campbell handles the brushes while keying into Travis Flint’s “pulsing hypno-riff” featured in “Desert Moonlight.” It’s this rhythm section that creates a solid foundation for the lead vocals belting out of Matt Rhind, who drums up imagery of “lying penniless in a gutter to standing on top of a mountain with nothing but a loin cloth and a bottle of whiskey.” From there, the flair is left to Troy Arseneault with finessed guitar shredding during his solo, paired with the enlisted help of Drew Jurecka.

While it’s hard to say what is next to come, Hot Mondy is absolutely right when they say their music is “familiar yet original – satisfying but unpredictable.” Hot Mondy’s blend of country, roots, and rock create a devastatingly addictive listening experience that leaves the listener fiending for another “drop” of music. In the meantime, we’ll have to keep waiting for our next fix of Canadian based country rock group, Hot Mondy.

“Desert Moonlight” is available now.

Ringo Starr And 100 Drummers Perform The Beatles’ “Come Together”

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WhyHunger’s Drum Together harnesses the power of music through The Beatles’ iconic song “Come Together” to build a just, hunger-free world.

More than 100 drummers and percussionists have joined forces to create Drum Together—a never-before-heard, drum-focused version of “Come Together,” all to support WhyHunger’s work to end hunger in the U.S. and around the globe and advance the human right to nutritious food for all.

Drum Together features the greatest collection of drummers ever performing on one song, including: Ringo Starr, Alan White, Andrew Marshall, Brian Frasier-Moore, Chad Smith, Cherisse Osei, Cindy Blackman Santana, Dave Weckl, Dennis Chambers, Jim Keltner, Lil’ John Roberts, Jon Fishman, Jonathan Moffett, Kenny Aronoff, Liberty DeVitto, Matt Cameron, Max Weinberg, Nandi Bushell, Pedrito Martinez, Sarah Thawer, Simon Kirke, Steve Gadd, Stewart Copeland, Valerie Naranjo, Vinnie Colaiuta, and many more. See the full list of performers at https://www.WhyHunger.org/drum/about/