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Nunavut-Based Record Label Hitmakerz Takes Over Ottawa Mansion to Connect Inuit Artists with Industry Heavy Hitters

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From Canada’s northern epicenter of music, straight to the nation’s capital, Nunavut-based record label Hitmakerz is set to host a week-long professional development event this September.

Hitmakerz Compound will take place from September 2–9, 2021. The songwriting and music production workshops will take place September 6, 10, and 11, 2021.

During these events, six artists from Hitmakerz’s inimitable roster will be harnessing their time together for a dynamic week of creative collaboration and music making. And extending beyond their own incredibly multi-talented roster of Inuit artists, Hitmakerz will welcome industry heavy hitters –– including award-winning, Platinum-selling producers Chris Birkett and Dale Penner, as well as many other local Ottawa-based songwriters, producers, and artists.

In this project, Iqaluit’s head-turning record label will transform an Ottawa-area mansion into an immersive content creation house dubbed the “Hitmakerz Compound.” Four of the artists in attendance — Joey Nowyuk, Jacob Okatisak, Brenda Montana, and Angela Amarualik — will write songs, record, and producer their upcoming albums, while two artists –– Aocelyn (pronounced “aw-slin”) and Shauna Seeteenak –– are slated to record music videos for upcoming single releases and demos for their next albums.

Several of the artists have had their albums come out in 2021, including Joey Nowyuk –– whose album Tumitit won an Indigenous Music Award –– Shauna Seeteenak, and Aocelyn. During Hitmakerz Compound, all of the artists will also undergo daily industry training and coaching.

According to Hitmakerz CEO Thor Simonsen, the project was born out of necessity and pragmatism. “The idea came about since we were already flying people around the country for production,” says Simonsen. “Then we thought: Wouldn’t it be great for all these amazing artists and producers to meet and work in the same space at the same time?

“The project was partly inspired by the innovative concept of a TikTok content creation house” Simonsen continues. “We expect the Hitmakerz Compound to allow our artists to be inspired, cross-pollinating ideas in order to create new music, beautiful content, and continue developing sustainable careers in the arts.”

The producers lined up to work with the artists are no strangers to the industry, or creative ways of producing music: Birkett has worked with the likes of Led Zeppelin, Sinead O’Connor, Sting, Quincy Jones, and Buffy Sainte-Marie. His work has won him a Grammy, JUNO Awards, and Canada’s top musical honour, the Polaris Prize.

Penner, a Platinum-selling and multi-award winning producer, engineer, and mixer, also has a chart-topping list of credits that include Nickelback, The Matthew Good Band, Econoline Crush, and more.

Simonsen, also an award-winning music producer, will be the executive producer of each project. Simonsen’s credits include everyone on the label’s roster, as well as Aasiva and the late Kelly Fraser — with whom he originally founded the company in 2016.

Legendary Nunavut speed-rapper, Hyper-T (TO BE CONFIRMED), as well as Ottawa-based music producer, Tev Bourque (TO BE CONFIRMED), will also be working with the artists as producers. Additionally, Hitmakerz COO and Performance Coach, Sarah Elaine McLay, will assist with production and training.

in order to capture the spirit of the project for a potential documentary, Joan Prowsewill direct a small team of aspiring documentary filmmakers. Joan is a JUNO Award-nominated and esteemed writer, producer, director, and video editor. The music videos will be directed by Ottawa-based filmmaker Rachel Vrecic, who will manage a small team of filmmakers.

In addition to the albums, music videos, etc., three full-day songwriting and music production workshops will be held on the campus — taught by Birkett and Penner, respectively. Open to any Ottawa-based artists with more than two years of songwriting experience, the workshops are $248, and will serve to help artists create new material and network; all attendees must provide proof of full Covid-19 vaccination.

The songwriting workshops will offer guidance and feedback as songwriters pair off to write and record demos for three new songs each. Demos and stem audio files will be recorded for each song and sent to the songwriters. The music production workshops will offer industry-leading take on music production, as well as hands-on instruction to create and enhance productions. The workshops, which will include other presenters, will provide tips, tricks, and best practices on how to make a living as a professional songwriter and/or producer and engineer.

In each workshop, attendees will receive bonuses valued at more than $1,400, including a free PRO Single Release with CD Baby, access to Indie Week’s Music Pro Summit, a free mini-course on grant writing, free headshots or band photos, and a free vocal assessment. Attendees will also receive valuable insights from other on-site professionals, including Ottawa-based entertainment lawyer, Byron Pascoe, of Edwards Creative Law. Breakfast, lunch, and snacks will also be included, as well as discounts, prizes, giveaways, and more.

“I think everyone will benefit from getting to know each other and working together,” Simonsen says of the event. “These intimate events will create amazing new music, friendships, and unforeseen opportunities for growth”.

“Covid-19 completely changed the world of concerts, live music, and gatherings,” says McLay. “For us, this in-person event is a sign of hope towards a return to normalcy.”

Study: Canadian Women Eager for Adventure and Travel in 2021

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Canadian women are increasingly ready to travel, says Carolyn Ray, Publisher and Editor-in-Chief of JourneyWoman. And many of their top destinations are right here, between our coastlines.

The internationally renowned travel publiciation’s Global Travel Trends: Women’s Travel Readiness and Once-in-a-Lifetime Travel Experiences surveys took a look at Boomer and GenX women’s travel habits, seeing who is actively planning future travel — and where.

“In January 2021, there was notable apprehension around how ‘ready’ travellers — especially women travellers — were feeling,” Ray shares, noting one-third of respondents from around the world were planning to travel in 2022, and another third weren’t sure when they’d next hit the road. “Our research shows that as of July 2021, the number of women planning to travel in 2022, or sooner, rose considerably.”

“As key influencers in travel, Boomer and GenX women are signalling several major shifts in their future travel habits,” Ray says. “They’re more likely to explore somewhere completely new, travel for longer periods of time, which is a trend called slow travel, and allocate more of their disposable income to travel — especially since women are 73% more likely to pay a premium to feel safe.

“Women will be more purposeful in the way they travel, choosing more eco-friendly, ethical wildlife and indigenous travel experiences,” she continues. “Pre-pandemic, most women took two or three trips per year and, while that average is on-trend to continue, I expect we will see a rise in female travellers seeking out places in need of tourism dollars, as well as more eco-friendly accommodations, and choosing to engage in more ethical animal experiences.”

For Canadian women looking to first travel within their own borders, more than half of respondents listed a visit to British Columbia and Alberta — a destination also at the top of Ray’s itinerary. “In July, I joined women-owned Wild Women Expeditions on a week-long, off-the-grid backcountry horseback riding trip in Banff through the Canadian Rockies,” she shares, adding that her next trip will be to the Northern Lights in the Northwest Territories this September. “Setting your soul on fire underneath the ethereal Northern Lights ranked #1 on JourneyWoman’s list of Top 7 Once-in-a-Lifetime Experiences Recommended for Women, by Women.

“Travel-at-home trends show a strong interest in both of our beautiful coastlines, as well as Quebec or our most northern regions,” she continues. “We asked women for their Top 10 Less-Travelled Places to Get ‘Off the Grid,’ and three of the finalists were right here in Canada: Haida Gwaii in British Columbia, Newfoundland & Labrador, and Baffin Island.

“Beyond our borders, many Canadian women are looking at Europe as one of their first destinations once travel resumes safely. Boomer and GenX women travellers generally prefer a slower, more authentic approach to their travels — and often ones that include elements of luxury, or wellness, or have some culinary, historical, art, nature, or adventure aspect to it.”

Founded in 1994, JourneyWoman™ is the world’s first solo female travel resource and one of the most popular and respected women’s travel brands in the world, providing advice, tips and editorial on solo travel safety to a global audience of adventurous women. Based in Toronto, Canada, JourneyWoman Publisher Carolyn Ray is a board member of the Society of American Travel Writers (SATW) and the Travel Media Association of Canada (TMAC). To help women be more purposeful when they travel, JourneyWoman has created a 10-point TravelReady Checklist, and hosts virtual events on topics such as self-defense and safety, downsizing, travel insurance, and ethical animal tourism. JourneyWoman is a registered trademark of Journeywoman Enterprises Inc.

“First Lady of the Guitar” LIONA BOYD Serves Up Retro-Disco Remix of Instrumental Hit “Popcorn”

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Five-time JUNO Award-winning and Gold- and Platinum-selling Canadian ‘First Lady of the Classical Guitar’ Liona Boyd presents her newly minted version of the instrumental hit “Popcorn” in new single, “Popcorn (Remix)” — available now.

A vibrant arrangement for classical guitar, complete with a retro disco feel, “Popcorn (Remix)” is certain to get audiences up, and out of their seats dancing.

“This version of ‘Popcorn’ has been several years in the making,” Boyd reveals of the newly reimagined tune. “I’m so happy to finally be sharing both this instrumental song, and video!”

Filmed in Toronto, as well as Palm Beach, Florida, the playful and colourful video radiates Boyd’s love of life — all while continuing to highlight her tenured career enthralling millions with her signature romantic spin on classical, folk, and world music.

“I filmed the video in a studio in Toronto with messy, colourful scribbles on the wall,” she reveals, of the song’s accompanying video. “I danced in five-inch spike-heel platform shoes, and wore a funky bell-bottom outfit I found in a little store on Yonge Street.

“After a quick change, I pranced around in a designer green and black evening gown — which was first featured in my video for Vivaldi’s ‘Allegro.’ For fun, I even painted my fingertips pink, and wore a chunky turquoise ring my late mother and I had chosen in Arizona back in the 60s, as well as some pink enamel earrings from my jet-set days in Acapulco…

“Later, I filmed in various locations in Florida, and we also included some clips from my ‘former life’ in Los Angeles.”

It’s personal details like these that weave throughout the video in its entirety, and ones that further immerse and endear Liona Boyd’s legion of fans even more.

“The video is full of call-backs to my past,” she says. “There’s a mini clip of my beloved cat, Muffin, a snippet of Venice, San Miguel del Allende, Moorish Dance, and the Bel Air shoot carrying the white parasol my mother gave me one birthday…

“The video also uses images superimposed from some of my oil paintings, as well as those of my late father,” she details. “It also features several guitars — including one purchased in Istanbul in 2016.

“This was a fun little number to arrange and memorize, and I hope everyone enjoys it!”

Recipient of both the Order of Canada and the Order of Ontario, Liona Boyd is the winner of five JUNO Awards, five Guitar Player Magazine’s Classical Guitar Musician of the Year awards, Vanier Award, Women Who Make a Difference award, Prix ‘Esprit du Ciècle, and Artist of the Year and Honorary Mayor of San Antonio, Texas — plus four Honorary Doctorate of Law degrees and an Honorary Doctorate of Music degree. She has received a Lifetime Achievement Award from the National GUITAR Museum, joining the accolade’s ranks among fellow peers B.B. King, Glen Campbell, Bonnie Raitt, and more, as well as a Lifetime Achievement Award from the JoAnn Falletta International Guitar Competition, and inducted into Guitar Player Magazine’s Gallery of Greats.

Since the beginning of her career in 1974, Boyd has released 28 albums — many of which have been Gold- and Platinum-selling. She has upwards of 16 Million streams across platforms, and rising, and her Holiday special, A Winter Fantasy, continues to be televised nationally via PBS and CBC across the United States and Canada, respectively.

Liona Boyd has appeared in countless outlets around the world, and collaborated with the likes of Sir Andrew Davis, Yo Yo Ma, Eric Clapton, Gordon Lightfoot, Tracy Chapman, Ronnie Hawkins, and Olivia Newton-John, to name a few. The author of two books, No Remedy for Love and In My Own Key, Boyd is also a dedicated philanthropist and activist for a lengthy selection of charities close to her heart.

“Popcorn (Remix)” is available now.

Award-Nominated Saskatoon-Based Tour de Force velours Lifts the Curtain on “Whatever That Means”

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Multi-award nominated Canadian tour de force velours has lifted the curtain on her newest single, “Whatever That Means” — available now.

A follow-up to her breakthrough debut EP, Identity, the bilingual Canadian songstress with velvety vox strikes the chord between progressive rock and alternative pop — all the while, her lyricism sparked with emotion, laced with authenticity and emphatically raw in its delivery.

For velours, the effort to seek refuge through empathy captivates and fascinates audiences alike. She doesn’t shy away from sharing – from lining the walls of her lyrics with the truth. In fact, she fashions her artistry from laying it all to bear – for better or worse; and the resolve that comes from being truly vulnerable.

Enlisting JUNO Award-winning powerhouse producer Ryan Stewart, (Carly Rae Jepson, Biff Naked), velours has welcomed early success in her newly found space inside Canada’s far and expansive musical soundscape. Her interest in pursuing song writing professionally came from being inspired during her brief stint living on the west coast’s Vancouver. Shortly after, she penned her smash debut single, “Tell Me” (2019) with Stewart handling the production. The song would score big with listeners, earning velours more than a staggering three thousand spins on the first day of its release; instantaneously creating her a solid fanbase and triggering her decision to pursue music and songwriting as a career.

velours’ tremendous follow-up arrived in the Identity EP — featuring critically acclaimed singles “Summer Haze” (2020), “Your Sweater” (2021), and more. The strength of her vocal agility and lyrical prowess has garnished critical praise for her work, including a host of notable gigs. velours’ music isn’t simply relegated to an audio experience; her thought-provoking accompanying music videos pack a visceral punch for fans of the indie darling.

Early nominations for her debut effort include nominations at the Saskatchewan Music Awards for Rock/Pop Artist and Best Music Video, plus a variety of industry spins on radio, television and written reviews.

velours has also found herself able to showcase and spotlight her wide variety of talents, including acting, performing, impressionism, and covering industry divas by the likes of Adele and Britney Spears. She shines on her Identity EP; her rich vocals and intricate melodies blush starry eyed across each track. One after the other, velours takes hold of every note, and finds her place along the hook. Danceable, emotive; dark and moody, bright and controlled.

In less than two years, velours has written the book on taking talent to an enchanting level by honing in on pure authenticity, and being unafraid to take chances and risks to see your dreams through. With eager fans holding their breath for her next release, velours is taking in the reality around her with plans to continue to write, produce and perform music for live shows and concerts.

From the young, inspired budding songstress jamming along to her mother’s radio, to blossoming into one of Canada’s hottest new starlets to take the mic and own the alternative pop soundverse, velours is at the beginning of a very big career – and global pop dominance.

“Whatever That Means” is available now.

Tune Up Toronto: Beyond the Binary – An Intersectional Guide for Working with Trans and Nonbinary Communities

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A great panel has been announced by MusicOntario, and well worth your time, and it’s free online.

Tune Up Toronto: Beyond the Binary – An Intersectional Guide for Working with Trans and Nonbinary Communities

Facilitated by Ronnie Ali, R.P. (they, them, their) from Leaves on a Stream

Session 1: August 30, 2021 @ 5:30-6:30PM ET via ZOOM

Session 2: September 27, 2021 @ 5:30-6:30PM ET via ZOOM

You can register for free here.

Beyond the Binary invites industry peers to join us over two workshops, the first of which will review basic terms and concepts related to trans and nonbinary experiences, including an analysis of ‘gender’ based in intersectional anti-oppression, anti-racist, and decolonial perspectives. Participants will also learn about the impact of privilege and oppression while exploring best practices of meaningful accountability and harm reduction when working with trans and nonbinary communities. This is a valuable step in beginning to support trans and nonbinary creatives and voices in Ontario’s music sector.

For the second session, we invite participants to return with questions they might have after sitting with what they learned and experienced during the first session, once again facilitated by Ronnie Ali.

Ronnie (they/them/their) is a psychotherapist and consultant serving intersectional communities in and around Tkaronto since 2010. Last year, they founded Leaves on a Stream, a consulting practice that is built on radical empathy, ethical process, mindfulness, and collective healing. Through Leaves on a Stream, they offer clinical consultation, trauma-informed coaching, and social programming. Ronnie identifies as an immigrant-settler, trans femme, non-binary, queer, able-bodied, person of colour.

Toronto Dancehall and R&B Artist OMEGA MIGHTY Debuts New Dance With “Whine Masta”

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Contagious and hard-hitting as a dancehall track, new single “Whine Masta” — available now — is inspired by talented and boundary-defying Toronto-based dancehall and R&B artist Omega Mighty’s Jamaican / Bajan heritage.

And with plenty of electronic strings, deep punching bass, and an infectious melody, “Whine Masta” is sure to get audiences on their feet and feeling good.

The deliciously fantastic new single was conceptualized after Omega Mighty found herself drawn to creating a song that would promote confidence and sensuality. With that idea fresh in her mind, Omega Mighty recalls she “really wanted to push the boundaries with the beauty looks.

“As a beauty professional,” she continues, “I always want to incorporate clean beauty elements with non-traditional elements…”

That crossover has come together in more ways than one; “Whine Masta” is poised to work with beauty supplier, Cloré Beauty, for the next few weeks as shoppers and fans will have the opportunity to both save while shopping, and win by participating in the “Whine Masta” dance challenge.

An eclectic female singer, songwriter and performance artist poised for greatness, Omega Mighty’s distinct lower register in which she sings gives her a unique edge. Coupled with her raw and edgy fashion sense, Omega Mighty is sure to give you something to think about long after you’re done listening to “Whine Masta.”

Watching the music video for “Whine Masta” is like a blast from the past after the last year of quarantine and the not so clear future ahead. Featuring a barnyard dance party, Omega Mighty was focused on showcasing a new and exciting dance after putting together a concept for “Whine Masta”s music video.

“The choreography features a newly created dance by Toronto Dancehall choreographer, Jonna Abrams, known as the ‘Mega Whine,’” Omega Mighty explains. “Named after myself, the simple dance is a sensual yet majestic whine that mirrors the song’s aesthetic.”

Reflecting back on how Omega Mighty wanted to include the dance break, she recounts that “the song had been complete for a year but, as I was writing the video treatment, I saw the opportunity for a dance break.

“I went back to producer Taabu, and he came up with something epic…”

If you’ve been following Omega Mighty’s exciting career and it’s development, you’ll know already that Taabu (Spencer Heaslip) has done a lot of production and collaboration with Omega Mighty — including Haviah Mighty’s award-winning album, 13th Floor, and Taabu’s recently released album, Bellows.

“Whine Masta” is available now.

Americana and Protest Singer Jordan Page Encourages Unity with Inspiring New Single, “Hour of Change”

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Recognizing the cultural division in not just his home country, but all over the world, Americana-centric musician Jordan Page has released his latest track, “Hour of Change” — available now.

Crafted for ‘all people of all nations,’ the soulful, electric-acoustic ballad is very much on-brand for the Northport, Washington-based artist. An advocate for equal human rights and general liberty — in not just a musical sense, but in morality too — the inspiring single not only offers a gorgeous variety of chord progressions and soothing vocal melody sure to make arm hairs stand on end, but reflects on current times, celebrating unity in an era plagued by fear and division, too.

This concept is echoed in the song’s touching music video which accompanies it; there, the viewer is met with a montage of shocking news broadcasts, struggling people in poverty, protesters, and frontline healthcare workers who all come together as one, in unity, against corruption and darkness which has shrouded the world for the last few years.

Before getting into the nitty-gritty of the song, however, the thought-provoking video kicks off with a passage from 2 Corinthians 4:8 that reads: ‘We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed.’

Page was inspired to write “Hour of Change” after hearing a powerful sermon held in a church in small-town Montana during which the pastor declared to the congregation that he was “ready to bear witness to a lost and dying world.” Page heard those words, and the floodgates opened.

According to the established singer-songwriter, the message “took root in his heart and became an anthem for unity and brotherhood” — just as the hit-single did upon release. The song was recorded between Page’s home state of Washington, and the world’s much-beloved music city, Nashville, TN.

In his 13+ year-spanning solo music career, Jordan Page has released seven singles, two full-length studio albums, and his debut, six-track EP — 2008’s Revolution EP. Though “Hour of Change” was released in June of 2020, the self-proclaimed “liberty musician” notes its continued relevance, given the ongoing news cycle, reeling in more than 275,000+ watches on YouTube alone.

The extremely humble Page has been in the music business for more than two decades overall, and has toured all over the world performing for tens of thousands of fans. He’s a dynamic performer, known for his passionate baritone voice, poetic lyrics, and his vigorous guitar skills.

With his work frequently featured in film, TV and radio, his hit single “Liberty” was also recently featured in the explosive documentary film, Non-Compliant.

On top of this, he serves as a voice of conscience and truth in a general time of turmoil and deceit. The reason he writes songs like “Hour of Change is to help open the hearts and minds of people all around him,” he shares.

In short, he wants to change the world through positive means.

“Hour of Change” is available now.

Pop/Rock Duo View19 Celebrate the Freedom of Summer with “Big Night Out”

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Two months after the release of their debut studio album, Daydreaming, Simsbury, Connecticut-based pop/rock duo View19 are celebrating the summer with a brand-new single, “Big Night Out” — available now.

Just as its name implies, “Big Night Out” is an upbeat track about going out on the town and having fun. Whether that’s dancing to music, hitting a patio, or being out with your family, friends, or dearly-loved ones, View19 just wants their fans to celebrate the (hopefully) soon-to-be forgotten COVID-19 pandemic.

To help relay that message, the listener is met with a consistently groovy pop bassline which calls back to the mid-1970s disco era. Along the way, you’re met with a multitude of different keyboard and synth sounds which perfectly complement the soothing backup vocals of View19 songwriters and co-founders, Sean Lorden and Lorenzo Biscotto.

One of the best parts, however, is the leading vocal track that comes from an uncredited female singer. With a voice that transcends genres and leaves you in the mood for pop, disco and funk, all at once, her delivery on this stunning, four-minute track is truly something fresh for the avid music listener.

“Although View19 is a duo, we owe a tremendous amount of gratitude to the many people in our spheres of influence,” the pair says, “including all the artists, engineers and, frankly, people from all walks of life that provide us with assistance, inspiration and opportunities for collaboration.”

“Big Night Out” serves as the twosome’s twelfth overall single, and the lead track from their aforementioned, brand-new record, Daydreaming. Daydreaming was released on March 5th, and includes 12 original tracks from the pair.

Since having access to his grandmother’s reliced Baldwin piano as a kid, Sean has been continuously improvising riffs and songs. Lorenzo, on the other hand, has been filling notebooks and journals with lyrics and poetry for decades. After years of friendship, they began making music together, and 2019 seemed like the right time to form View19.

Their entry to the music scene was immortalized with the release of their popular, debut single, “Face to Face in the Dark.”

“Since then, we’ve never really stopped creating new music,” they say. “It’s a labour of love.”

On their musical influences, View19 really struggled to narrow it down, however decided that a blend of the rock, pop and alternative genres are what they’re trying to concoct in the studio. “We have a ton of musical and artistic influences that span a wide range of time, and our music doesn’t tend to fall into any one particular category. If there is one thing we typically strive for, it would be to create songs that are heartfelt and insightful.

“Maybe that’s two things,” they laugh.

“Big Night Out” and Daydreaming are available now.

Folk Troubadour JAMES GORDON Finds Inspiration in Being Housebound for His 40th (!!!) Album, When I Stayed Home

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While Canadians were largely at loose ends self-isolating during the lengthy series of pandemic-related lockdowns, prolific folk singer/songwriter James Gordon hunkered down and got busy creating his 40th album, When I Stayed Home — available now.

That’s right; Four. Zero.

And the timely 13-track full-length release also features Gordon’s powerful musical response to the national residential school tragedies with the song, “We’ll Bring You Home.”

https://www.youtube.com/watch?v=5D4cAXqSjZg

The arrival of COVID-19 — and the fear, uncertainty, and disruption it brought with it — initially affected Gordon, like many of us, negatively. Since the Guelph, Ontario based artist has toured all over the globe relentlessly since his twenties, being stuck at home was depressing… At least, for a while.

Then, the creative muse stepped in and Gordon got busy with a capital B. From his tiny home studio, he finished a soon-to-be-released ‘musical novel’, The Ark of the Oven Mitt, set to be accompanied by a 36-song recording. He also created a virtual tour of his one-man show, James Gordon’s Emergency Climate Musical, as well as successfully navigated his side hustle as a Guelph city councillor, and, perhaps most significantly, wrote and recorded When I Stayed Home.

“I can’t seem to stop writing songs,” Gordon shares. “Mostly, they write themselves — I just hold up a net, and catch them as they flutter past.”

Some of those 1,500+ songs Gordon modestly claims to have merely ‘fluttered past’ have also landed on stage and in studio with the likes of Cowboy Junkies, James Keelaghan, Melanie Doane, Laura Smith, Miranda Mulholland, and various international choirs.

The songs Gordon wrote for When I Stayed Home cover an array of compelling and current topics — including climate change, the income gap, racism, empathy, social justice, our natural environment, and ‘love in a challenging time’.

The first single, “We’ll Bring You Home,” packs a punch that hits closest to the heart for all of Canada right now; in response to the horrific discoveries of hundreds of unmarked graves belonging to unknown Indigenous children at residential schools in Western Canada, Gordon wrote and recorded the late addition to the album just prior to final preparations for its release.

Over his enduring forty-year career, Gordon has released music both as a longtime, successful solo artist, and as a founding member of the groundbreaking Canadian folk group, Tamarack.

That said, When I Stayed Home marks the first time a James Gordon solo album has been created almost exclusively… Well, solo.

Unable to bring any of his stable of top Canadian talent into the studio, Gordon took on the formidable task of playing all the instruments himself on the album’s baker’s dozen of tracks — including acoustic and electric guitar, banjo, mandolin, piano, bass, accordion, harmonica, tin whistle, ukulele, and percussion. Just two brief exceptions were made to Gordon’s “all by myself” rule, with stellar cameos from vocalist Tannis Slimmon and clarinetist John David Williams.

After a year and a half of being off the road and pivoting to a live streaming show world, James Gordon is looking forward to leaving home again and lighting up stages with his warm, reflective and topical songs of When I Stayed Home, and more.

“These songs demanded to be written,” says Gordon. “I’m excited about sharing them with the opening-up world.”

When I Stayed Home and “We’ll Bring You Home” are available now.

Toronto Dancehall Artist Fokus Serves Up “Sweet Tooth” in New Single

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Set to savour the fruits of summer, Canadian hip hop/reggae/calypso artist Fokus is serving up his brand-new single, “Sweet Tooth” — available now.

“As a Dancehall, Reggae and R&B artist looking to make music that will encourage my listeners to dance, I purposely made the concept of ‘Sweet Tooth’ very simple,” Fokus explains. “Basically, I portray my thoughts and observations of that woman who stands out in the crowd when going to the club, a party/jam, or what West Indians call a ‘fete’.

“In my lyrics, I explain how the woman who stands out in my eyes is one who is very subtle,” he continues. “One who is not trying too hard with her hair and makeup, but one who embraces her natural beauty, and does not care about what others think about her. She is there to enjoy herself, not to be judged or disrespected.

“This is the type of female I tend to crave for, in all romantic and intimate ways… Hence, my ‘Sweet Tooth’.”

The banger is set to be a summer standard; it’s a ‘boombox by the pool’ bop ready for a margarita in-hand.

With the beat produced by Yeong Chino, Fokus says he wanted to write a song that would get listener’s hyped for savouring the summer season. “I also wanted to instill positivity throughout this pandemic crisis,” Fokus reveals. “It had to be a song that listeners can vibe and dance to within their close circle, and get excited about for the season.

“There has not been much upbeat music released throughout the past year and a half,” he continues. “Just listen to what’s on the radio. I wanted to write something in terms of my experiences of just starting off my weekend, after that last shift of the week from a day job, heading to a dance party function, and seeing the type of woman I fancy being attracted to.”

Luke “Fokus” Uddenberg grew up in a musical household to a Jamaican mother and Trinidadian father who’s joint love of reggae, calypso, and pop were instilled early into the musician’s heart. Their blended musical influences left an indelible mark on Fokus’ creative desires and, within his first years of elementary school, he found himself finding outlets to hone his talent, and cultivating friendships with like-minded musicians who would go on to work jointly with him in his budding career.

Long-time musical partner and co-collaborator Emmanuel Addai (founder of NewClearSound Productions), has been a main-stay in Fokus’ musical tenure, having not only been introduced to the indie songwriter in high school, but also becoming an major influence in the beats, sounds, and vibe Fokus has become known for. Together, the pair joined musical forces with Dominic Giuliano (co-founder of SounDrive Records) for a stint while still teenagers. This friendship would reunite when Giuliano would link up Fokus and Emmanuel with gigs through his independent label during the pair’s 2016 drop “Homecoming King”, featuring Jermaine “JFreshaz” Chin.

Fokus’ keenly clever lyrics, and innate talent for spitting rhymes have gained him the attention and respect deserved for his well-crafted musical offerings. It was the 2016 release of “Whine For Me,” in collaboration with JFreshaz, that Fokus felt confident to lace his knowledge of Jamaican Patois and Caribbean influence into his writing and performing style. Raised with the dialect both at home and in his social circle, Fokus’ spin on his musical directive was met with praise and admiration from the Caribbean community. Fokus, Emmanuel, and JFreshaz were picked up by Carib101 on SiriusXM for an interview and airplay, and found themselves featured in TorontoCaribbean Newspaper summer of 2016.

Never one to shy away from a creative opportunity, Fokus would follow up the year with an EDM collaboration produced by Milan “Chromak” D’Agostini (founder of Music by Milano) after being introduced by Fokus’ cousin Brock Hewitt (Stories in Sound.) The “Voodoo” single featuring Fokus and Emily Marques dropped in 2017 alongside a subsequent music video.

After a brief stint at Toronto’s former EMI headquarters (now Universal Music), Fokus has collectively carried the experience and know-how to not only write, compose, publish, and market his music, but how to also package and deliver it to fans worldwide. Currently streaming on major platforms, the verified artist has spent the better part of the pandemic fleshing out the tracks for his solo project — including this latest release, “Sweet Tooth”.

Having spent two years injecting himself into the culture of Latin dance, mastering Salsa, Bachata, and Merengue music, Fokus has become determined more than ever to highlight and showcase the music of the West Indies and Latin America.

The imposed quarantine that surged the world in 2020 gave Fokus the opportunity to distribute his tracks, and bridge new collaborations for releases. “Homecoming King” can be heard on multiple streaming platforms, “Comerte a Besos” (an early mastered second single) was fully released by Emmanuel, and Fokus also worked alongside Leiro Dan Records of Jamaica to produce “Missed Call”; his third release of last year alone. Without skipping a beat, Fokus has two new tracks buzzing for fans — January’s release “Same Trust Back,” and the newly delivered “Sweet Tooth.”

With “Sweet Tooth” firmly locked on streaming sites for fans to absorb and enjoy, Fokus is working on his “tunnel vision” for 2021; enough released singles to comprise a total solo debut album. “I intend on reminding listeners in my music that, regardless of the global circumstances, there is still a life ahead of us we need to make the most of,” Fokus says.

That’s something worth craving with your “Sweet Tooth.”

“Sweet Tooth” is available now.