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Calgary Rocker KEVIN TOWILL Reflects After The Party Is Over with “The Contemporary American Dream”

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Canadian rocker Kevin Towill may have planted his roots in the punk community, but it’s his expressive, electric guitar-laden new EP, After The Party Is Over — available now — that showcases the depths of his ability to bend genres and colour outside the lines.

Kicking off with lead track, “The Contemporary American Dream,” the Calgary-based artist’s move to write a solo album followed Towill’s decision to re-prioritize his ‘9-5’ life, shifting focus from working solely at a gig he picked up when his former punk outfit, The Reckless Heroes, disbanded in 2017, and gravitating back to music.

“Music was far too important and self-identifying to abandon completely,” he explains; knowing that music was a lifeline to the air he breathes, Towill set out to lay the tracks of his breakthrough solo project.

After The Party Is Over maximizes the time it’s afforded across five intricate songs — each rooted in electric, and each telling its own unique story. Towill shines in fluidly moving from one song to the next; some requiring vocals, others an instrumental roadmap to an artist’s mind.

Towill’s gritty, bass-heavy vox pleads, concedes, offers, and bargains across the melodies. Pulling back the instrumentation pushes Towill into a raw, sonic-sphere where his voice is forced to carry the track.

On this EP, Towill gives it all — unabashedly. His vox is brought to the spotlight; every word, and every nuance highlighted to expose him under his artistry.

And he makes this leap from punk to introspective flawlessly.

Coercing a variety of song styles, Towill preys on his influences to create an overall journey in ambiance. Some tracks are laced with upbeat, 90s vibes; others are melancholic and deeply introspective.

Percussion – including double kick, pulsating drum lines – creep in on the opening track “The Contemporary American Dream,” featuring ethereal back-up vox that equates the song as both liberating, and haunting in equal measure. Towill concludes the EP with simply “Goodbye,” an instrumental, exclusively electric guitar curtain call that wraps up the pieces of the album with a tidy bow and a nod of thanks for listening.

What Kevin Towill gleans from the album is validation. From years spent hauling the enormous space that occupies the punk scene, After The Party Is Over reiterates what fans of Kevin Towill already knew: that even in an ultraviolet, stripped back and vulnerable soundscape, he shines on with rugged talent.

And he didn’t have to wait until After The Party Was Over to tell it, but we’re glad he did.

After The Party Is Over and “The Contemporary American Dream” are available now.

Riding the Emotional Roller Coaster of Rejection & Loneliness, EZRA JORDAN Releases “dollarama”

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Diving even deeper into his realest, rawest, and most realized artistic self yet, Canadian contemporary pop, R&B and soul artist Ezra Jordan (son of Marc Jordan and Amy Sky) releases his new single, “dollarama” — available now.

“This song was written during one of my lowest points during the pandemic,” Ezra shares. “I was suffering from a pretty significant depressive episode, my plans to move to LA had been derailed, and I had lost my job and moved back with my parents.

“I took stock of my life, my relationships, my friends, and my own self-image, and tried to figure out where this empty feeling was coming from.

“Out of that, I wrote ‘dollarama.’”

With nearly six million streams across Spotify and YouTube alone — plus appearances as a finalist on CTV’s The Launch, performing at the 2019 JUNO Awards TD Green Room, and charting at radio across the US — “dollarama” arrives ahead of Jordan’s forthcoming sophomore album, 117. Scheduled for release this Fall, the five-track EP follows 2020’s breakthrough debut, Cheap Therapy.

“This collection of songs is, without a doubt, the most meaningful and vulnerable music I’ve ever released,” he says. “I’ve been doing this ‘music thing’ for a while now, but I think it took this many years to feel fully realized as a writer and an artist.

“In so much of my other music, I’ve always felt there was a compromise; I was trying to shoehorn the music I really wanted to make into a form that was ‘cool’ or ‘poppy’ or ‘current’ enough. But when I truly faced the thought of abandoning music and finding some other way to spend my life, I felt I owed it to myself to make at least one thing that was as close to my true artistic vision as I was able to get.

“And that’s the 117 EP.”

“dollarama” is available now. 117 is available October 6, 2021.

Sonic Reducers: The Trailer for Todd Haynes’ New Velvet Underground Documentary Is Out

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Sonic Reducers: 1 topic. 2 music nerds. 5 minutes.

Sit in as we get excited about Todd Haynes’ upcoming Velvet Underground documentary, tie it in with all the assorted VU rarities and reissues that have come down the pipe lately, and ponder whether this movie could have been made when Lou Reed, Nico and other principals were still around.

Photo Gallery: Blue Rodeo with Alan Doyle at Toronto’s Budweiser Stage

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All photos by Mini’s Memories. If you’re an artist or band and need photos done for your next release, you can no wrong contacting her with your details: minismemories@hotmail.com

Blue Rodeo
Blue Rodeo
Blue Rodeo
Blue Rodeo
Blue Rodeo
Blue Rodeo
Blue Rodeo
Blue Rodeo
Blue Rodeo
Alan Doyle
Alan Doyle
Alan Doyle
Alan Doyle
Alan Doyle

Rock + Country’s MATT MORSON Releases “Tailgate Patio” Summer Jam All About The Dancing

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Sometimes the best things about summer are the most simple: the smell of dew in the grass, a charge in the night air, and infinite stars in a clear sky. And Nobeton, ON’s singer-songwriter Matt Morson captures these modest joys, and more, with his new single “Tailgate Patio” — available now.

All about a night of jubilant dancing and partying among friends in the bed of a truck, Matt takes us along for the ride among driving electric guitars and an easy, dashboard-thumping beat. His lyrics take us down tree-lined country roads – windows down, breeze in our hair – to the perfect spot for a bonfire and, of course, a tailgate. The headlights illuminate your crush’s smile, there’s a hint of perfume in the air, and then your favorite song comes on the radio. All in all, the perfect summer night. A singalong-ready chorus, female-backed vocal harmonies, and a wailing guitar solo make it one that’s hard to forget.

A faster, more rock-infused departure from his usual country-and-blues sound, Matt wrote “Tailgate Patio” while sitting on a hill at dusk, turkey hunting. “Not the usual place to write a song,” Matt said, “but it seemed to produce results for me.” All he knew when he started was that he really wanted to write a summer song. “Growing up, I loved those summer anthems that made you want to drive with the windows down, so I thought I would try my hand at one,” he says, adding that the resulting song is what he set out to do. “It’s fun and fast and still a little rock inspired as all my music is. It’s a summer jam that I feel is still me. Still in my lane.”

Born and raised in a small town in Ontario, Matt has always used his love of music and songwriting as a mode of self-expression. He picked up his first guitar at age 11 to master Led Zeppelin’s “Communication Breakdown,” and it all fell into place from there. Matt’s charismatic presence and ability to connect with an audience have led him to many notable performances throughout his career. Highlights include opening for Doc Walker, George Canyon, Jojo Mason, River Town Saints, Paul Brandt, and Aaron Pritchett. Most comfortable on stage, he and his band are known for a high energy and extremely passionate live show.

Not one to expect opportunities to just come looking for him, Matt spends the bulk of his free time in the studio, recording and rehearsing with his band. He’s always striving to improve his sound and hone his artistry. Hence writing a song even while turkey hunting, reaching through the dusk for that danceable summer jam.

“Tailgate Patio” is available now.

Nunavut-Based Record Label Hitmakerz Takes Over Ottawa Mansion to Connect Inuit Artists with Industry Heavy Hitters

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From Canada’s northern epicenter of music, straight to the nation’s capital, Nunavut-based record label Hitmakerz is set to host a week-long professional development event this September.

Hitmakerz Compound will take place from September 2–9, 2021. The songwriting and music production workshops will take place September 6, 10, and 11, 2021.

During these events, six artists from Hitmakerz’s inimitable roster will be harnessing their time together for a dynamic week of creative collaboration and music making. And extending beyond their own incredibly multi-talented roster of Inuit artists, Hitmakerz will welcome industry heavy hitters –– including award-winning, Platinum-selling producers Chris Birkett and Dale Penner, as well as many other local Ottawa-based songwriters, producers, and artists.

In this project, Iqaluit’s head-turning record label will transform an Ottawa-area mansion into an immersive content creation house dubbed the “Hitmakerz Compound.” Four of the artists in attendance — Joey Nowyuk, Jacob Okatisak, Brenda Montana, and Angela Amarualik — will write songs, record, and producer their upcoming albums, while two artists –– Aocelyn (pronounced “aw-slin”) and Shauna Seeteenak –– are slated to record music videos for upcoming single releases and demos for their next albums.

Several of the artists have had their albums come out in 2021, including Joey Nowyuk –– whose album Tumitit won an Indigenous Music Award –– Shauna Seeteenak, and Aocelyn. During Hitmakerz Compound, all of the artists will also undergo daily industry training and coaching.

According to Hitmakerz CEO Thor Simonsen, the project was born out of necessity and pragmatism. “The idea came about since we were already flying people around the country for production,” says Simonsen. “Then we thought: Wouldn’t it be great for all these amazing artists and producers to meet and work in the same space at the same time?

“The project was partly inspired by the innovative concept of a TikTok content creation house” Simonsen continues. “We expect the Hitmakerz Compound to allow our artists to be inspired, cross-pollinating ideas in order to create new music, beautiful content, and continue developing sustainable careers in the arts.”

The producers lined up to work with the artists are no strangers to the industry, or creative ways of producing music: Birkett has worked with the likes of Led Zeppelin, Sinead O’Connor, Sting, Quincy Jones, and Buffy Sainte-Marie. His work has won him a Grammy, JUNO Awards, and Canada’s top musical honour, the Polaris Prize.

Penner, a Platinum-selling and multi-award winning producer, engineer, and mixer, also has a chart-topping list of credits that include Nickelback, The Matthew Good Band, Econoline Crush, and more.

Simonsen, also an award-winning music producer, will be the executive producer of each project. Simonsen’s credits include everyone on the label’s roster, as well as Aasiva and the late Kelly Fraser — with whom he originally founded the company in 2016.

Legendary Nunavut speed-rapper, Hyper-T (TO BE CONFIRMED), as well as Ottawa-based music producer, Tev Bourque (TO BE CONFIRMED), will also be working with the artists as producers. Additionally, Hitmakerz COO and Performance Coach, Sarah Elaine McLay, will assist with production and training.

in order to capture the spirit of the project for a potential documentary, Joan Prowsewill direct a small team of aspiring documentary filmmakers. Joan is a JUNO Award-nominated and esteemed writer, producer, director, and video editor. The music videos will be directed by Ottawa-based filmmaker Rachel Vrecic, who will manage a small team of filmmakers.

In addition to the albums, music videos, etc., three full-day songwriting and music production workshops will be held on the campus — taught by Birkett and Penner, respectively. Open to any Ottawa-based artists with more than two years of songwriting experience, the workshops are $248, and will serve to help artists create new material and network; all attendees must provide proof of full Covid-19 vaccination.

The songwriting workshops will offer guidance and feedback as songwriters pair off to write and record demos for three new songs each. Demos and stem audio files will be recorded for each song and sent to the songwriters. The music production workshops will offer industry-leading take on music production, as well as hands-on instruction to create and enhance productions. The workshops, which will include other presenters, will provide tips, tricks, and best practices on how to make a living as a professional songwriter and/or producer and engineer.

In each workshop, attendees will receive bonuses valued at more than $1,400, including a free PRO Single Release with CD Baby, access to Indie Week’s Music Pro Summit, a free mini-course on grant writing, free headshots or band photos, and a free vocal assessment. Attendees will also receive valuable insights from other on-site professionals, including Ottawa-based entertainment lawyer, Byron Pascoe, of Edwards Creative Law. Breakfast, lunch, and snacks will also be included, as well as discounts, prizes, giveaways, and more.

“I think everyone will benefit from getting to know each other and working together,” Simonsen says of the event. “These intimate events will create amazing new music, friendships, and unforeseen opportunities for growth”.

“Covid-19 completely changed the world of concerts, live music, and gatherings,” says McLay. “For us, this in-person event is a sign of hope towards a return to normalcy.”

Study: Canadian Women Eager for Adventure and Travel in 2021

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Canadian women are increasingly ready to travel, says Carolyn Ray, Publisher and Editor-in-Chief of JourneyWoman. And many of their top destinations are right here, between our coastlines.

The internationally renowned travel publiciation’s Global Travel Trends: Women’s Travel Readiness and Once-in-a-Lifetime Travel Experiences surveys took a look at Boomer and GenX women’s travel habits, seeing who is actively planning future travel — and where.

“In January 2021, there was notable apprehension around how ‘ready’ travellers — especially women travellers — were feeling,” Ray shares, noting one-third of respondents from around the world were planning to travel in 2022, and another third weren’t sure when they’d next hit the road. “Our research shows that as of July 2021, the number of women planning to travel in 2022, or sooner, rose considerably.”

“As key influencers in travel, Boomer and GenX women are signalling several major shifts in their future travel habits,” Ray says. “They’re more likely to explore somewhere completely new, travel for longer periods of time, which is a trend called slow travel, and allocate more of their disposable income to travel — especially since women are 73% more likely to pay a premium to feel safe.

“Women will be more purposeful in the way they travel, choosing more eco-friendly, ethical wildlife and indigenous travel experiences,” she continues. “Pre-pandemic, most women took two or three trips per year and, while that average is on-trend to continue, I expect we will see a rise in female travellers seeking out places in need of tourism dollars, as well as more eco-friendly accommodations, and choosing to engage in more ethical animal experiences.”

For Canadian women looking to first travel within their own borders, more than half of respondents listed a visit to British Columbia and Alberta — a destination also at the top of Ray’s itinerary. “In July, I joined women-owned Wild Women Expeditions on a week-long, off-the-grid backcountry horseback riding trip in Banff through the Canadian Rockies,” she shares, adding that her next trip will be to the Northern Lights in the Northwest Territories this September. “Setting your soul on fire underneath the ethereal Northern Lights ranked #1 on JourneyWoman’s list of Top 7 Once-in-a-Lifetime Experiences Recommended for Women, by Women.

“Travel-at-home trends show a strong interest in both of our beautiful coastlines, as well as Quebec or our most northern regions,” she continues. “We asked women for their Top 10 Less-Travelled Places to Get ‘Off the Grid,’ and three of the finalists were right here in Canada: Haida Gwaii in British Columbia, Newfoundland & Labrador, and Baffin Island.

“Beyond our borders, many Canadian women are looking at Europe as one of their first destinations once travel resumes safely. Boomer and GenX women travellers generally prefer a slower, more authentic approach to their travels — and often ones that include elements of luxury, or wellness, or have some culinary, historical, art, nature, or adventure aspect to it.”

Founded in 1994, JourneyWoman™ is the world’s first solo female travel resource and one of the most popular and respected women’s travel brands in the world, providing advice, tips and editorial on solo travel safety to a global audience of adventurous women. Based in Toronto, Canada, JourneyWoman Publisher Carolyn Ray is a board member of the Society of American Travel Writers (SATW) and the Travel Media Association of Canada (TMAC). To help women be more purposeful when they travel, JourneyWoman has created a 10-point TravelReady Checklist, and hosts virtual events on topics such as self-defense and safety, downsizing, travel insurance, and ethical animal tourism. JourneyWoman is a registered trademark of Journeywoman Enterprises Inc.

“First Lady of the Guitar” LIONA BOYD Serves Up Retro-Disco Remix of Instrumental Hit “Popcorn”

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Five-time JUNO Award-winning and Gold- and Platinum-selling Canadian ‘First Lady of the Classical Guitar’ Liona Boyd presents her newly minted version of the instrumental hit “Popcorn” in new single, “Popcorn (Remix)” — available now.

A vibrant arrangement for classical guitar, complete with a retro disco feel, “Popcorn (Remix)” is certain to get audiences up, and out of their seats dancing.

“This version of ‘Popcorn’ has been several years in the making,” Boyd reveals of the newly reimagined tune. “I’m so happy to finally be sharing both this instrumental song, and video!”

Filmed in Toronto, as well as Palm Beach, Florida, the playful and colourful video radiates Boyd’s love of life — all while continuing to highlight her tenured career enthralling millions with her signature romantic spin on classical, folk, and world music.

“I filmed the video in a studio in Toronto with messy, colourful scribbles on the wall,” she reveals, of the song’s accompanying video. “I danced in five-inch spike-heel platform shoes, and wore a funky bell-bottom outfit I found in a little store on Yonge Street.

“After a quick change, I pranced around in a designer green and black evening gown — which was first featured in my video for Vivaldi’s ‘Allegro.’ For fun, I even painted my fingertips pink, and wore a chunky turquoise ring my late mother and I had chosen in Arizona back in the 60s, as well as some pink enamel earrings from my jet-set days in Acapulco…

“Later, I filmed in various locations in Florida, and we also included some clips from my ‘former life’ in Los Angeles.”

It’s personal details like these that weave throughout the video in its entirety, and ones that further immerse and endear Liona Boyd’s legion of fans even more.

“The video is full of call-backs to my past,” she says. “There’s a mini clip of my beloved cat, Muffin, a snippet of Venice, San Miguel del Allende, Moorish Dance, and the Bel Air shoot carrying the white parasol my mother gave me one birthday…

“The video also uses images superimposed from some of my oil paintings, as well as those of my late father,” she details. “It also features several guitars — including one purchased in Istanbul in 2016.

“This was a fun little number to arrange and memorize, and I hope everyone enjoys it!”

Recipient of both the Order of Canada and the Order of Ontario, Liona Boyd is the winner of five JUNO Awards, five Guitar Player Magazine’s Classical Guitar Musician of the Year awards, Vanier Award, Women Who Make a Difference award, Prix ‘Esprit du Ciècle, and Artist of the Year and Honorary Mayor of San Antonio, Texas — plus four Honorary Doctorate of Law degrees and an Honorary Doctorate of Music degree. She has received a Lifetime Achievement Award from the National GUITAR Museum, joining the accolade’s ranks among fellow peers B.B. King, Glen Campbell, Bonnie Raitt, and more, as well as a Lifetime Achievement Award from the JoAnn Falletta International Guitar Competition, and inducted into Guitar Player Magazine’s Gallery of Greats.

Since the beginning of her career in 1974, Boyd has released 28 albums — many of which have been Gold- and Platinum-selling. She has upwards of 16 Million streams across platforms, and rising, and her Holiday special, A Winter Fantasy, continues to be televised nationally via PBS and CBC across the United States and Canada, respectively.

Liona Boyd has appeared in countless outlets around the world, and collaborated with the likes of Sir Andrew Davis, Yo Yo Ma, Eric Clapton, Gordon Lightfoot, Tracy Chapman, Ronnie Hawkins, and Olivia Newton-John, to name a few. The author of two books, No Remedy for Love and In My Own Key, Boyd is also a dedicated philanthropist and activist for a lengthy selection of charities close to her heart.

“Popcorn (Remix)” is available now.

Award-Nominated Saskatoon-Based Tour de Force velours Lifts the Curtain on “Whatever That Means”

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Multi-award nominated Canadian tour de force velours has lifted the curtain on her newest single, “Whatever That Means” — available now.

A follow-up to her breakthrough debut EP, Identity, the bilingual Canadian songstress with velvety vox strikes the chord between progressive rock and alternative pop — all the while, her lyricism sparked with emotion, laced with authenticity and emphatically raw in its delivery.

For velours, the effort to seek refuge through empathy captivates and fascinates audiences alike. She doesn’t shy away from sharing – from lining the walls of her lyrics with the truth. In fact, she fashions her artistry from laying it all to bear – for better or worse; and the resolve that comes from being truly vulnerable.

Enlisting JUNO Award-winning powerhouse producer Ryan Stewart, (Carly Rae Jepson, Biff Naked), velours has welcomed early success in her newly found space inside Canada’s far and expansive musical soundscape. Her interest in pursuing song writing professionally came from being inspired during her brief stint living on the west coast’s Vancouver. Shortly after, she penned her smash debut single, “Tell Me” (2019) with Stewart handling the production. The song would score big with listeners, earning velours more than a staggering three thousand spins on the first day of its release; instantaneously creating her a solid fanbase and triggering her decision to pursue music and songwriting as a career.

velours’ tremendous follow-up arrived in the Identity EP — featuring critically acclaimed singles “Summer Haze” (2020), “Your Sweater” (2021), and more. The strength of her vocal agility and lyrical prowess has garnished critical praise for her work, including a host of notable gigs. velours’ music isn’t simply relegated to an audio experience; her thought-provoking accompanying music videos pack a visceral punch for fans of the indie darling.

Early nominations for her debut effort include nominations at the Saskatchewan Music Awards for Rock/Pop Artist and Best Music Video, plus a variety of industry spins on radio, television and written reviews.

velours has also found herself able to showcase and spotlight her wide variety of talents, including acting, performing, impressionism, and covering industry divas by the likes of Adele and Britney Spears. She shines on her Identity EP; her rich vocals and intricate melodies blush starry eyed across each track. One after the other, velours takes hold of every note, and finds her place along the hook. Danceable, emotive; dark and moody, bright and controlled.

In less than two years, velours has written the book on taking talent to an enchanting level by honing in on pure authenticity, and being unafraid to take chances and risks to see your dreams through. With eager fans holding their breath for her next release, velours is taking in the reality around her with plans to continue to write, produce and perform music for live shows and concerts.

From the young, inspired budding songstress jamming along to her mother’s radio, to blossoming into one of Canada’s hottest new starlets to take the mic and own the alternative pop soundverse, velours is at the beginning of a very big career – and global pop dominance.

“Whatever That Means” is available now.

Tune Up Toronto: Beyond the Binary – An Intersectional Guide for Working with Trans and Nonbinary Communities

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A great panel has been announced by MusicOntario, and well worth your time, and it’s free online.

Tune Up Toronto: Beyond the Binary – An Intersectional Guide for Working with Trans and Nonbinary Communities

Facilitated by Ronnie Ali, R.P. (they, them, their) from Leaves on a Stream

Session 1: August 30, 2021 @ 5:30-6:30PM ET via ZOOM

Session 2: September 27, 2021 @ 5:30-6:30PM ET via ZOOM

You can register for free here.

Beyond the Binary invites industry peers to join us over two workshops, the first of which will review basic terms and concepts related to trans and nonbinary experiences, including an analysis of ‘gender’ based in intersectional anti-oppression, anti-racist, and decolonial perspectives. Participants will also learn about the impact of privilege and oppression while exploring best practices of meaningful accountability and harm reduction when working with trans and nonbinary communities. This is a valuable step in beginning to support trans and nonbinary creatives and voices in Ontario’s music sector.

For the second session, we invite participants to return with questions they might have after sitting with what they learned and experienced during the first session, once again facilitated by Ronnie Ali.

Ronnie (they/them/their) is a psychotherapist and consultant serving intersectional communities in and around Tkaronto since 2010. Last year, they founded Leaves on a Stream, a consulting practice that is built on radical empathy, ethical process, mindfulness, and collective healing. Through Leaves on a Stream, they offer clinical consultation, trauma-informed coaching, and social programming. Ronnie identifies as an immigrant-settler, trans femme, non-binary, queer, able-bodied, person of colour.