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Rock Trio Whatzername Seize “Freedom” with New Single

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Badass Canadian rockers Whatzername are guaranteeing audiences always put a song to the name with the unleashing of this, their searing, sardonic anti-establishment single, “Freedom” — available now.

“This song is a tongue-in-cheek anthem to those that work minimum wage in a first world society,” band members Ashlee Standish, Clairisa Rose, and Jess Gold share.

“It addresses the idea of social responsibility, and how hard it is to stay sane while being poor and impossibly trying to ‘get ahead,’” Rose continues. “It’s about poverty, and the limitations people face because of their financial barriers…

“All while living in a ‘free world,’” they add.

It’s the same edgy and fierce torrent of songwriting perspective that welcomingly prods and provokes from across the St. Catharines/Niagara Falls, ON-based trio’s collection of work — including 2019’s breakthrough single, “Something,” follow-up offerings “Vulture” and “Heart of the Undead,” and more.

And it’s all come to a head with their newly released eponymous debut EP, Whatzername (2021).

“For some, music is a hobby, or something you enjoy listening to,” Gold says. “For us, music is as important as breathing is. It’s how we heal, express, communicate, and connect with others on this planet.

“We’re familiar with the heavier and darker side of living, and have an edge,” she adds. “We are not happy pop music; we’re moody, dark, haunting — yet soothing in a knowing, consoling way.”

Much of Whatzername’s ethos mirrors Standish’s as the band’s principal songwriter and leader. “I’ve played keys since I was six and am a classically trained pianist with the Royal Conservatory of Music,” she explains. “I’m a multi-instrumentalist, a poet, storyteller, empath, animal lover, LGBTQ supporter and friend, and encourager of humanity and our need for recognizing our ongoing social, political, and environmental issues.

“I’m a deep-thinking woman who truly wants to love, and shine light, and ignite it within others. My joy in life is to share ideas; stories and songs about reaching for the impossible dream. Being an artist, a songwriter, a musician, a community arts supporter, and a single parent with limited means, music is how I survive and strive.

“The concept of our songs are about strength, perseverance, embracing living life, and accepting death — all through a sarcastic tone,” Standish adds. “Stories about the people you meet, both the good kind, and the bad — and why it’s important to effin’ try.”

Commanding attention with their wailing guitars, melodic lo-fi distortion, and snarling vocal harmonies, the up-and-coming heroes of rock punk are a formidable hailstorm of talent each in their own respective ways.

Having worked with Wow! Recording Studio & Creative Space’s owner and sound engineer Joe Lapinski, and director Bryce Smith — as well as guest collaborators Serena Pryne and Danno O’Shea — it’s their unifying love for alternative, edgy rock music that radiates as a force to be reckoned with, daring anyone who tries to stop them to step up… These three aren’t messing around.

Emblematic of Whatzername, both the album and the band, as a whole, “Freedom” dives into the deep end, refusing to back down from the very first note.

It’s electric-guitar heavy, with industrial riffs that challenge the pulsating percussion. Its lead vox and harmony meld like Joan Jett and Cherie Currie; a timeless Go-Go’s vibe in a Distiller’s chokehold that reminds that punk is very much alive.

“Freedom” and Whatzername expunge all you thought you understood about music — and twist it into a mysteriously woven collection penned by three multi-talented artists redefining what modern rock should sound like.

And we couldn’t be more thankful. To Whatzername.

“Freedom” and Whatzername are available now.

Canada’s Rockin’ Rabbi Gary Zweig’s Kiddush Club Releases Family Music For Exercising

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Canada’s rockin’ Rabbi, author, musician, and founder of Kiddush Club Gary Zweig has just the soundtrack for getting families active this summer: the release of his new song, “Exercise” — available now.

Channelling everyone from the world’s greatest athletes to the beginner at-home fitness enthusiast, Zweig says he set out to create an exciting song to exercise alongside with.

“It’s fun, it’s funky, and it’s got a bit of rock and roll,” the Toronto-based multi-talented singer/songwriter enthuses. “I’m young at heart, so I wrote this song for kids of all ages — from 1 to 101 years old!”

Heard on Kiddush Club’s third album release, Toys, the nine-track LP joins Kiddush Club’s other releases — their eponymous LP, Kiddush Club, and The Wine Album.

First formed in 1988, Zweig initially started Kiddush Club to create parody songs with a decidedly rock n’ roll twist. Featured across CBC, AM740, the Toronto Star, Chatelaine, CITYTV’s Breakfast Television, and more, Zweig most recently penned Toys for his son as a response to a family favourite movie, Toy Story. “I wanted to use themes kids could relate to,” he explains. “The album covers things like sleep, toys, and of course, ‘Exercise.’

“It’s been a hit everywhere we’ve played.”

For Zweig, who started playing the guitar at age 10, that includes Canada, Sweden, Barbados, Mexico, the U.S., and more.

Toys and “Exercise” are available now!

Ottawa Composer Huguette Lavigne Throws Back in the Key of “Piano Retro” — Available Now!

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Innovative and prolific composer Huguette Lavigne is throwing back and taking you along for a jazzed-up, improvisational ride to “Piano Retro” — available now.

The Ottawa-based pianist calls this new release from her latest album Five O’Clock Somewhere “old-school piano jazz… An easy going, smooth flowing, just plain cool jazzy piece and good for the soul.”

She then sets the throwback scene featuring an old-time jazz club player that she imagines performing the song. “Some guy sits down in a smoky room at a large black grand and plays around with jazzy swirls, runs and melodic twists,” Lavigne describes. “He doesn’t take it too seriously, and it all ends with his notes slipping down a long glissando and the bubbles on his brain disappear.”

With the song’s sly, intriguing flourishes, and free flowing form, one can imagine Lavigne’s own whimsical smile as she allowed her muse to guide her fingers in the creation of this piece. Following her fingers and colouring outside the lines is how Lavigne has composed all of her 40-plus pieces over five albums, all released in the last five years.

“There is something about breaking the rules that can be terribly satisfying,” she notes. “My fingers sometimes go where they want to on the keyboard and at times I sort of have to take them back home or rein them in.”

That’s also exactly where the video for “Piano Retro” focuses as well with Lavigne’s fingers dancing on the keys and musical notes swirling in tandem. The video is now available on Lavigne’s YouTube channel.

Along with the improvisational jazz leanings of “Piano Retro,” all of Lavigne’s songs on Five O’Clock Somewhere are diverse in tone and mood. From the sombre “Requiem,” an ode to our current global pandemic, to the playful, fun movement of “As It Goes” to the slow, summer’s day on a boat drift of of “Aux Airs De L’eau,” all nine songs on the album vary greatly in theme. They’re perhaps an extension of Lavigne’s Franco Ontarian, Québecois, and English Canadian upbringing and her wide ranging musical influences of Neoclassicism, Neo-Romanticism, Minimalism, Jazz, Folk and Classical music from India.

“There has always been something alluring about the pieces I studied, loved and discovered over the years,” recalls Lavigne. “They are valuable, inspired specimens of the universal landscape we have all inherited and that we live in today. The fabric of that music inspires me to this day.”

It’s safe, and exciting, to say that no two of Huguette Lavigne’s performances would be exactly the same. You wouldn’t see sheet music or traditional charts as Lavigne relies instead on shorthand of her own to facilitate recall for performances. Finished compositions are eventually stored entirely in her head and fingers and once they’re recorded, Lavigne moves on to creating the next piece.

“Somehow and unexpectedly, a style, theme, mood, emotion or vision is released from the deep recesses of memory,” she explains. “It’s a place where the subjective is stored and it surprises me when it lets something loose. Then, I either capture it, or let it go.”

Huguette Lavigne’s delightful “Piano Retro” is ready for all ears to capture now!

Queen Teams Up With Amazon For New Alexa Interactive Skill Experience

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Legendary rock band Queen has teamed up with Amazon for the newest Alexa interactive skill experience.

With over 400 questions, the Queen Trivia Challenge takes fans on an immersive trip through Queen’s music and history, revealing some surprising facts and insights into one of the most iconic bands in the world.

Queen Trivia Challenge skill for Alexa includes clips from the band’s greatest hits, documentaries, and live performances. On Alexa-enabled devices with screens, not only can you hear the music, you can also see the videos.

Click here to test your Queen knowledge and ask Alexa to play the Queen Trivia Challenge.

Arkells Announce Highly Anticipated New Studio Album, ‘Blink Once’ Out September 30

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Today, Arkells announce their sixth studio album, Blink Once, to be released on September 30th via Universal Music Canada, the country’s leading music company. This new collection of songs prove Arkells continue to push their sound to new heights, with the anthemic Blink Once promising to live up to their famous live show.

“Now more than ever, it seems our lives can change in the blink of an eye,” says frontman, Max Kerman. “We began working on this album before the world changed and this title felt right given where we’ve collectively landed. Everyday you wake up and you think you know a lot of stuff, then it turns out – you don’t.”

The bi-coastal project, recorded in LA and completed in Toronto, includes current hit single, “You Can Get It” featuring K.Flay, which has charted in the #1 spot at Canadian Alternative Radio for 4 weeks and is their fifth #1 at the format. “You Can Get It” was prominently featured in the E3 launch of the Forza Horizon 5 video game trailer this summer. Blink Once also includes #1 track “Years In The Making,” as well as “All Roads,” which serves as the soundtrack to #TogetherAgain, a national vaccine awareness PSA to combat vaccine hesitancy.

The announcement comes alongside the release of sure-fire live stand-out, “One Thing I Know,” a rowdy, feel-good sing-a-along that is bursting at the seams. The music video was filmed after-hours at No Frills’ Dufferin Mall location in downtown Toronto, and finds the band mischievously performing the track at full throttle. “This song is about not being ashamed of who you are and where you come from,” notes Kerman. “The best version of yourself lets your colours show – to feel free, weird and unburdened by all the things out of our control.”

Regularly credited as one of the hardest working bands (period), Arkells have stayed ever-present, even in a global pandemic. Releasing three #1 singles and picking up the 2021 JUNO Award for Group of The Year, Arkells also filled their time off the road by releasing their first acoustic-leaning project, Campfire Chords – a deluxe LP & play-at-home guitar chord book inspired by their most beloved hits, and the band’s live streamed interactive music lessons that moved fans to learn new skills while “flattening the curve” from home.

Watch Tom Jones and Aretha Franklin Bring The Soul In 1970

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On The Tom Jones Show episode that aired on October 9, 1970, Tom was joined by Aretha Franklin, and it’s one of the classic performances of either’s television career – and they were both still in their 20s.

Tom: “What should we talk about?”
Aretha: “I don’t know, but the more we talk, the less time we have to sing.”

So brilliant.

That Time The Office Cast Performed The Human Beinz’s “Nobody But Me”

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To start season 7 of The Office, the entire cast starred in an a great “lip dub,” set to the Human Beinz’s 1968 hit single, “Nobody But Me,” a song written by O’Kelly, Rudolph, and Ronald Isley of The Isley Brothers.

136 Reasons Why Radio Won’t Play Your Song

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A number of years ago, there was a list going around the industry of why radio won’t play your song. I wish I knew where it came from, but it had a few dozen reasons. And now, here’s the updated version for today, with thanks to the many radio pluggers for their input.

1. Not for us or our sound
2. No room
3. No label support
4. I want to give record the best shot, so we will have to wait till when we have more room
5. There are no local sales
6. There is national action
7. Considering…
8. I’m watching and waiting
9. It’s the wrong image
10. It’s not modal
11. I need another copy
12. Poor reaction from test marketing it
13. The jocks don’t like it
14. No phone reaction
15. We played the import
16. We’re going to wait and see what the competition does
17. Will wait for the single
18. The record’s not in any kind of stores around here
19. Need approval from head office
20. I like it but the PD doesn’t
21. It was vetoed in the music meeting
22. Too hard
23. Too soft
24. It’s wimpy
25. Not as good as their last release
26. It needs to be re-listened to
27. It sounds too EDM-ish
28. It sounds too pop
29. We didn’t get the co-promotion
30. Trade #’s don’t merit airplay
31. Sounds like everything else
32. It’s not a good record
33. I don’t like it
34. The MP3 file wouldn’t play
35. The music file crashed my computer
36. We only play stuff that “rocks“
37. Saving room for when new releases get scheduled
38. Going into the library
39. We already have a female-fronted band on the playlist
40. We want to hear a hook
41. No tip sheet advertising
42. Nothing about it hits me
43. Don’t like the mix
44. Not enough guitar
45. Too many strings
46. Over-produced
47. Under-produced
48. Don’t like the band’s name
49. This song is not consistent with their last release
50. Our listeners won’t be able to relate
51. Too rhythm oriented
52. Send all our jocks copies
53. Can’t play too many singles
54. That music only works in the big markets
55. We’ll wait till more stations play it
56. Not our kind of music
57. Too alternative
58. Not alternative enough
59. Where’s the beat…the BEAT!
60. I’ve misplaced it, but its here somewhere, call me back
61. Our competition got on it first, we have to be different
62. I don’t like the cover
63. We didn’t get a co-presents on their last show
64. Too many vulgar words
65. We’re going for a younger demo
66. We’re going for an older demo
67. We don’t have an MD right now
68. We’re not the right station for this
69. The chorus comes in late
70. The intro is too quiet
71. We have too many song by the featured artist in rotation
72. There’s no release date
73. We missed the release date
74. No radio edit
75. I don’t like the radio edit
76. No campus radio promotion
77. Let’s talk when the tour starts
78. The .wav file was block because of the size
79. The YouSendIt file was blocked by my spam filters
80. There’s no story happening
81. They’re overexposed
82. I’m still waiting on feedback
83. Too much CanCon right now
84. Too much International right now
85. It sounds like something my mom would hate
86. We never received your submission
87. I don’t agree with the political view
88. We’ll play the song next week (they didn’t)
89. I’m watching the charts, it’s not very impressive
90. I’m waiting the charts, it’s pretty impressive
91. Their set at CMJ/SXSW/NXNE/CMW was way too long
92. It’s too country (and this from a country station)
93. It sounds like karaoke
94. We’re playing too many covers now
95. We love the song and band but have no room
96. The intro is too long
97. The chorus is too long
98. You know what? The whole song is too long (with Stairway To Heaven playing in background)
99. I’ll listen, but no promises
100. We should be playing this song but haven’t played the artist for years
101. I know this doesn’t help but your band has no relevance
102. I can’t take this band seriously until they sell 100,000
103. What are you going to do for ME?
104. Let’s face it, would you be working this song if you weren’t being paid?
105. We can’t play this. He’s/She’s way off-key in the chorus
106. Too much rap in the middle
107. The stations on BDS aren’t on it
108. There’s only one original member left
109. Didn’t the lead singer die?…oh…I thought they broke up
110. They’re only big in the east
111. They’re only big in the west
112. They’re only big in the north
113. I don’t care if they’re big down south
114. You sent us the wrong promo cds
115. We only play established acts
116. Why should I play a band that sounds LIKE Led Zeppelin when I can PLAY Led Zeppelin
117. Their website hasn’t been update in a year
118. It sounds like their last song
119. It sounds so different from their last song
120. We get no calls
121. Ever since they cut their hair….
122. I’m having trouble with DMDS
123. I can’t find my PD. Can you help me find my PD?
124. We’re a talk radio station
125. Sounds too ‘Active Rock’ for us
126. Sounds too Hot AC for us
127. Sounds too ‘Modern Rock’ for us (this, and the above 2 were all the same song!)
128. They don’t sound as good as they do live
129. They suck live
130. It sounds like something my mom would hate
131. Their video on YouTube doesn’t have enough views
132. Nobody’s listening to them on Spotify
133. Not enough Twitter followers
134. Not enough fans on Facebook
135. Not enough followers on TikTok
136. Didn’t they break up last week?

The Black Crowes’ “Brothers Of A Feather” Trailer Is Now Out

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Never seen in full, “Brothers of a Feather” captures Black Crowes founders Chris and Rich Robinson performing as a duo at an intimate, sold-out concert from San Francisco on March 6, 2020 — about a week before the pandemic shutdown. Free of the full band treatment, the stripped-down arrangements give the music’s lyrics and structures a fresh perspective. Watch The Black Crowes’ ‘Brothers Of A Feather’ on The Coda Collection here: https://bit.ly/3jPivYK

Germany/Italy-Based Alt.Pop Duo Anaté Release Brooding “One Last Time” Touching on Addiction

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Italy/Germany-based, collaborative Alt/Pop duo Anaté have released their latest single, “One Last Time” — available now.

The song is from their debut album, Confessions, due out this Fall.

Composed of singer-songwriter Ana and central producer Andrea, the pair say the song is about addictions and recurrent mistakes.

“It doesn’t point out any specific one,” they explain. “An unhealthy relationship, substance abuse, addiction to a bad job, self-harm, etc…

“It was inspired by the thought of how most of us experience some of this in our life.”

Produced while Andrea was traveling through Croatia, the electronic track is dark and brooding, surrounded by layered synths and Ana’s rich, echoing vocals.

Anaté was formed in 2019 when Andrea was searching for a vocalist to work with for a trip-hop project. When he could find no one who fit the bill, a friend suggested Ana, who ended up sending Andrea “an awesome melody and perfect lyrics”. Meeting for the first time in Brussels merely weeks later, the pair decided their musical chemistry was undeniable and continued to collaborate together. Ana lives in Berlin, and is trained in classical piano. Andrea is based out of Milan, and in addition to producing, has a background playing guitar in various bands for over a decade. Anaté’s influences encompass a broad range of genres and artists, including brit-pop, trip-hop, Pink Floyd, Lenny Kravitz, Massive Attack, and Sade.

Since joining forces, the pair has produced over 20 songs, with a majority of them recorded remotely. Anaté has also been featured in several music outlets and magazines, including Notion, Vents, and Music Crowns, A&R Factory, among others.

“One Last Time” is available now.