This past April, the personal odyssey of Indigenous Canadian musician Tom Wilson TehaohĆ hake hit a new milestone when his 2017 novel, Beautiful Scars: Steeltown Secrets, Mohawk Skywalkers and the Road Homeāwhich had already been adapted into a 2022 film documentaryāwas presented as a stage musical at Hamiltonās Theatre Aquarius. Now, Wilsonās own take on one of the big numbers from that show, āDeath Row Love Affair,ā is being released as a single, adding yet another chapter to his perpetually captivating story of healing while acting as a tantalizing preview of a new album heāll be delivering later this year.
In the show – co-conceived by Wilson and writer/actor Shaun Smyth – the song provides a powerful closer to Act One. Wilsonās own rendition is an achingly honest rumination, with a hovering ominousness that perfectly befits its depiction of a human soul at a reckoning point:
Whoās kiddinā who about where love goes
Some speed away
Some are going down slow
Oh Iām going nowhere in this death row love affair
Wilson calls the songās sentiments āwords of love from the silence between heartbeats.ā The recorded track fills those silences perfectly: With no percussion to interfere with its almost free-time introspection, it paints an exquisitely unhurried portrait of wistfulness. Completing that portrait was a task Wilson entrusted to producer/engineer Gary Furniss, who also played guitar, bass and keys on the track, augmenting Wilsonās own lead vocal and acoustic guitar. Thompson Wilson provided additional vocals, with Jesse OāBrien on piano and Aaron Goldstein on pedal steel and baritone guitar.
āDeath Row Love Affairā is the latest installment in the Beautiful Scars project, an ongoing chronicle of the culture shock Wilson experienced upon discovering the Mohawk heritage that had been kept from him by his adoptive parents. As a musician, heās taken to branding himself as Tom Wilson TehohĆ”hake to better reflect that heritage (āTehohĆ”hakeā being Mohawk for ātwo roadsā). And heās made the trials of people like him a key focus of his efforts as a musician, writer, and visual artist.
āThe intention of my writing, my music and my art is to reduce the gap between my Indigenous culture and colonialists to make a more patient, loving community,ā he says.
He certainly has the artistic pedigree to get people to listen. Wilsonās tireless efforts as a musician have netted him numerous nominations and awards, from the Hamilton Music Awards to the Polaris Prize to the JUNO Awards. And heās gone gold and platinum over the course of his storied recording career, which has encompassed releases as not just a solo artist but with his popular bands Junkhouse, Blackie and the Rodeo Kings and the Lee Harvey Osmond band, winner of a 2020 JUNO for their album Mohawk.
As a songwriter, Wilson has seen his work recorded by and with artists like Sarah McLachlan, City and Colour, Jason Isbell, Colin James, Lucinda Williams, Billy Ray Cyrus, Mavis Staples and The Rankin Family.
His forays into fine art have included Beautiful Scars: Mohawk Warriors, Hunters and Chiefs, a successful exhibit at the Art Gallery of Burlington. In its wake, Wilsonās paintings have been displayed in various galleries across Canadaā including the Torontoās Cultural Goods Gallery and Tom Beckett Fine Art in Hamiltonāand collected in a book, the recently published Mohawk Warriors, Hunters and Chiefs: The Art Of Tom Wilson TehohĆ”hake, available from New Brunswickās Goose Lane Editions.
In 2020, he established the Tom Wilson Indigenous Bursary in Honour of Bunny Wilson, his adoptive mother, at McMaster University. The bursary helps first-year Indigenous students from Ontario secondary schools to complete their undergraduate education.
All that activity hasnāt gone unnoticed by his country. Last year, Wilson was named a Companion of the Order of Canadaāthe second-highest honor the system bestows ā āfor his multifaceted contributions to the arts in Canada, notably as an iconic musician, as well as for his advocacy of Indigenous communities in Canada.ā This September, heāll be formally appointed to the Order. And that isnāt the only honor coming to Wilson this year. On June 6, as part of Canadian Music Week, heāll receive the 2024 CMW Allan Slaight Humanitarian Spirit Award during the Jim Beam INDIE Awards at the Danforth Music HallĀ in Toronto. His Tom Wilson TehahĆ hake Trio will also be performing one song that evening, warming them up for a series of full concerts theyāll be performing through the end of the year. Dates are as follows:
June 15 ā Markham Village Music Festival, Main Street, Markham, ON
Oct. 4 ā Creemore Festival of Arts, St Johnās United Church, Creemore, ON
Oct. 5 āĀ Market Hall Performance Centre, Peterborough, ON
Oct. 18Ā āĀ Festival of Small Halls, St. Johnās United Church,Ā Brockville ON
Oct. 19Ā – Festival of Small Halls -Westmeath Recreation Centre, Westmeath ON
Oct. 26 – Festival of Small Halls -Old Town Hall, Waterford ON
Wilson has plenty of additional activity booked with Junkhouse, who will be celebrating the 30th anniversary of their debut album, Strays, in a pair of shows that will also pay tribute to their late bandmate, Russell Wilson. The first show will be held June 22 in Uxbridge, ON at a location thatāll be disclosed to ticket buyers upon making a reservation. The second show is set for July 18 at the Algonquin Theatre in Huntsville, ON. Further Junkhouse gigs for 2024 are:
July 19 ā Crewfest 2024, Lions Park, Brantford, ON
Aug. 2 ā Rockinā the Fields of Minnedosa 2024, Minto, MB
And if that werenāt enough to make his already overstuffed schedule creak from the weight, Wilson has a couple of shows lined up with Blackie and the Rodeo Kings:
July 13 ā Hope Volleyball Summerfest 2024,Ā Mooneyās Bay Beach Park, Ottawa, ON
July 21 ā Hillside Festival 2024, Guelph Lake Conservation Area, Guelph, ON
Yes, itās going to be a heck of a 2024. But Wilson isnāt afraid of a little hard work. After all, he already has the Scars to show for it.

