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Florida Gulf Coast Rising Star Madden Metcalf Delivers Raw Post-Breakup Anthem “I Don’t Wanna Cry Anymore”

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Panacea, Florida has fewer than a thousand residents, and it just produced one of country music’s most compelling new voices. Madden Metcalf, 20 years old and signed to Wexler Records/MCA, has released “I Don’t Wanna Cry Anymore,” a thrillingly candid post-breakup anthem that lands with the kind of emotional specificity that takes most artists years to develop.

The track is out now and appears on his debut EP ‘Saltwater Southern’, out now via Wexler Records/MCA. Written by Metcalf alongside Grammy-nominated songwriter and producer Freddy Wexler and Elliah Heifetz, and produced by Wexler and Paul Sikes, it opens with sunlit strumming and driving rhythms before building into an impassioned, hand-percussion-fueled chorus that earns every bit of its intensity.

Metcalf wrote it from a real place: “‘I Don’t Wanna Cry Anymore’ captures the vulnerability we all feel when things don’t go our way. I wrote it when I was at my lowest, fed up with feeling completely stuck on a situation I couldn’t change. Writing helped me move through it and I hope this song can give someone else the same comfort it brings me. And it’s a banger!”

He’s not wrong. The bridge delivers genuine catharsis, a burst of momentum that cuts through the fog of heartbreak and frustration with real musical force. It’s only his 3rd release, but the nuance and warmth in his vocal delivery suggest an artist already operating well beyond his years.

Metcalf grew up splitting his days between early mornings on a crab boat and afternoon shifts at a family friend’s restaurant, raised on Johnny Cash, Jimmy Buffett, and Kenny Chesney playing constantly in his father’s pole barn, the same place where he first picked up a guitar. ‘Saltwater Southern’ hovers between Florida and Nashville, shaped by Gulf Coast skies and deep Southern pride, and it’s out now.

R&B Superstar Ty Dolla $ign and Leon Thomas Connect on “Miss U 2” From New EP ‘Girl Music Vol. 1’

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‘Girl Music Vol. 1’ started as a conversation at a dinner table in New York City, and that organic energy runs through every second of it. Ty Dolla $ign’s 6-song EP is out now via Atlantic Records, and lead single “Miss U 2” with triple Grammy Award-winning R&B sensation Leon Thomas sets the tone immediately.

Produced by Keyz, “Miss U 2” is soulful, melodic, and built for the moments the project was designed around, getting ready, being at the club, or sitting at home thinking about someone. It’s a direct line back to the R&B roots that defined Ty’s early catalog, and it sounds completely natural because it is.

Ty was clear about where the project came from: “The DJ at the restaurant was playing all the right music and it got us thinking about the music that girls really want to hear. Everything about this project has been organic and natural. This is really some of my favorite music I’ve made in a long time. And this is only volume one.”

The EP follows Ty’s acclaimed 2025 album ‘Tycoon’, which featured “Don’t Kill the Party” with Quavo and Juicy J alongside appearances from A$AP Rocky, Travis Scott, Lil Wayne, Chloe Bailey, and more. ‘Girl Music Vol. 1’ strips things back, live band included, with Ty’s father Tyrone Griffin Sr. on trumpet among the players.

The release also follows January’s Ty Dolla $ign & Friends, The EZMNY JammJam, a one-night-only livestreamed event presented by Amazon Music and Jammcard that brought together Ne-Yo, T.I., JoJo, Wale, Rapsody, Lalah Hathaway, the Black Eyed Peas, and a roster of rising EZMNY talent for an unprecedented late-night jam session. ‘Girl Music Vol. 1’ is out now.

Multi-Platinum Singer-Songwriter Calum Scott and Rap Sensation Aitch Reimagine “Unsteady”

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“Unsteady” just got a second life. Multi-platinum UK singer-songwriter Calum Scott has teamed with English rap sensation Aitch on a reimagined version of the track, originally featured on Scott’s 2025 album ‘Avenoir’, and the collaboration landed exactly as naturally as it sounds.

The backstory is genuinely warm. Scott spotted a post of Aitch’s sister Gracie singing “You Are the Reason,” sent a thank-you video, and a conversation started. “Aitch and I started chatting and we said we should collab so we got in a studio,” Scott explains. “I showed him ‘Unsteady’ before it was released and he was like ‘give me an hour.’ Aitch is a great guy with an amazing talent who has brought a completely new dynamic to the song whilst keeping the message sincere.”

Aitch’s contribution is exactly that, a heartfelt verse that doubles down on the song’s core idea without pulling it off course. The track’s message, finding steadiness in 2 imperfect people, lands with added resonance across both artists’ deliveries. The video, directed by Ben Morgan, intercuts the 2 artists with intimate footage of couples from all walks of life, keeping the emotional core front and center.

Scott’s headlining Avenoir Tour is currently running through North America, hitting venues including The Wiltern in Los Angeles, Austin City Limits Live at The Moody Theater, and Terminal 5 in New York City, before heading back to the UK for a pair of arena shows and on into Europe.

Sun Records Brings 18 Rare Johnny Cash Recordings to Digital Streaming With ‘Pure Johnny Cash’

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Before Johnny Cash became a legend, he was a young man in a Memphis studio recording takes that would quietly change American music forever. ‘Pure Johnny Cash’, now streaming on all major platforms, collects 18 rare and seldom-heard recordings from those formative Sun Records sessions, meticulously remastered from the original analog tapes with no overdubs, no studio polish, just Cash in the room, in the moment.

The collection features alternative takes and standout versions of classics including “Train of Love,” “Ballad of a Teenage Queen,” and “I Walk the Line.” Originally released as a premium vinyl collection in partnership with McIntosh, the album now reaches a global digital audience through Qobuz’s high-resolution platform, with full wide release on all major streaming services now available.

Sun Records Senior Director A&R + Sync Chase Gregory put it plainly: “Sam Phillips had a way of capturing lightning in a bottle, and these early recordings of Johnny Cash perfectly exemplify that. Everything you hear was performed in one take with no overdubs. It’s a direct line to the room, the moment, and the voice that changed American music.”

A new lyric video for the ‘Pure Johnny Cash’ version of “Ballad of a Teenage Queen” is also out now, bringing fresh visual storytelling to one of Cash’s most beloved early recordings.

Luke Bryan Drops Fresh New Single “Word On The Street”

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“Word On The Street” is Luke Bryan’s first new music of 2026, and it arrives with a tour named after it already locked and loaded. The track, written by Payton Smith, Josh Thompson, and Justin Ebach, is out now via MCA and follows Bryan’s 32nd No. 1 hit, “Country Song Came On,” which topped the charts last summer.

Bryan didn’t hesitate when he heard the demo: “This one felt right to get out asap after naming my summer tour from the title. When I first heard the demo, I knew I had to go in and record it. I loved everything about how the writers approached this song, it just felt fresh.”

The Word On The Street Tour kicks off with back-to-back shows May 29-30 in Gilford, New Hampshire, with openers Drew Baldridge, Karley Scott Collins, Lanie Gardner, Randall King, Zach John King, Shane Profitt, Raelynn, Lauren Watkins, Jake Worthington, and DJ Rock appearing across the run. The tour is produced by Live Nation.

Bryan has sold more than 20 million concert tickets across his career and ranked No. 20 on Pollstar’s Artists of the Millennium list based on tour ticket sales. He’s also featured on George Birge’s “Ride, Ride, Ride,” a modern-day cowboy anthem out now.

Lee Brice Drops “Country Nowadays” and Announces New Album ‘Sunriser’

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Lee Brice knows exactly who he’s writing for. The multi-platinum country star has released “Country Nowadays,” an honest, twangy confessional backed by lush acoustic instrumentation that longs for simpler times and small-town values. It’s the kind of track that lands because it means what it says, and it’s the first taste of his upcoming 6th studio album, ‘Sunriser’, due June 5 via Curb Records.

The album is built around a clear and specific idea. Brice laid it out directly: “Anybody can see a sunset, but a sunrise, you gotta earn. Whether you’re waking up or just pulled an all-nighter, I tip my hat to you, sunriser.” The 16-song record honors the people up before dawn, from firefighters, nurses, and truck drivers to blue-collar workers clocking out of graveyard shifts and tired parents getting up for their kids.

Through the lens of God, country, and family, ‘Sunriser’ delivers hopeful and resilient reflections on love, faith, and heartbreak. “Country Nowadays” is out now, and the full album arrives June 5.

Tracklist:

  1. Sunriser
  2. Killed The Man
  3. Me and Whiskey
  4. Country Nowadays
  5. Devil’s At It Again
  6. She Wasn’t Like That
  7. Bury The Dead
  8. Truck Bed Mixtape
  9. What You Know About That
  10. Said No Country Boy Ever
  11. All The Way Down
  12. Drinkin’ Buddies
  13. Old Men
  14. Cry
  15. Daddy Don’t Care
  16. When The Kingdom Comes

Foreigner’s Lou Gramm Returns With “Long Hard Look,” the Second Single From His New Solo Album ‘Released’

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Lou Gramm hasn’t lost a thing. The legendary vocalist and 2024 Rock & Roll Hall of Fame inductee has released “Long Hard Look,” the second single from his solo album ‘Released’, out now via Rhino Records, and it’s a commanding reminder of why his voice defined an era.

The track is a brooding, mid-tempo rock anthem built on muscular guitars and Gramm’s unmistakable vocals. Written with longtime collaborator and former Black Sheep bandmate Bruce Turgon, it moves from a shadowed opening into a sweeping, chant-ready chorus with the kind of melodic authority that made Foreigner one of the biggest rock acts on the planet.

The production matches the ambition. Alex Garcia delivers soaring lead guitar work, Tony Franklin anchors the low end, and Ben Gramm drives the rhythm section with real force. Lou produced the album himself, and that ownership comes through in every element of the recording.

‘Released’ is Gramm’s 3rd solo studio album and the long-awaited completion of a pivotal chapter in his solo catalog. The record features Def Leppard’s Vivian Campbell on guitar for opener “Young Love,” Tony Franklin on bass for “Long Gone,” and includes “True Blue Love (Unplugged),” originally released on his 1989 solo album ‘Long Hard Look’. The physical release is available on CD and limited-edition ruby red vinyl.

Gramm’s solo career runs alongside one of rock’s most decorated band histories. Foreigner famously became the first act since The Beatles to see their first 8 singles reach the US Top 20. With ‘Released’ now out and a 2026 touring schedule that includes solo dates and special appearances with Foreigner, Gramm is fully back in the game.

Bebe Rexha Drops Albanian-Inspired House Anthem “Çike Çike”

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“Çike Çike” is Bebe Rexha at her most personal and her most floor-ready at the same time. The bass-driven house track, whose title translates to “hey girl, hey girl” in Albanian, weaves bilingual Albanian-English lyrics through a peak-hour groove that locks in and doesn’t let up. It’s an ode to her heritage and a girls’ night out anthem rolled into one, and it absolutely delivers.

Rexha was direct about where the track came from: “When DJ Snake sent over this beat with that incredible 808 bassline, the second I heard it, it made me want to dance. I knew I wanted to weave something from my heritage into the track, and I immediately thought of this Albanian phrase, ‘çike çike.’ It felt like the perfect way to pay homage to my roots while creating a powerful fusion of the EDM sound I love.”

Raised by Albanian parents in New York, Rexha built “Çike Çike” as part of a larger statement. The track is lifted from her forthcoming album ‘Dirty Blonde’, due June 12 via Empire, a project she’s described as being all about fully embracing her truth.

Video: Lou Reed Delivers a Masterful “Sweet Jane” in This Stunning 1974 Paris Performance

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1974 Lou Reed in Paris, and “Sweet Jane” has never sounded quite like this. Captured in high definition, this live performance finds Reed at a particular peak, loose and confident, the song stretching out with a raw, unhurried energy that studio versions simply can’t replicate.

Lou Reed Shuts Down a Reporter Cold in This Newly Resurfaced 2003 Interview Clip

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A 2003 interview clip of Lou Reed is making the rounds again, and it’s a reminder of exactly who he was. When a journalist pushes him on 9/11 and the Iraq War, Reed doesn’t flinch, doesn’t deflect, and doesn’t entertain the line of questioning for a single second. He shuts it down flat, with the kind of controlled, unbothered authority that defined everything he did. It’s a brief moment, but it’s pure Lou Reed, direct, uncompromising, and completely on his own terms right to the end.