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With a Wilted Relationship as a Muse, St. Catharines, ON’s KATHRYN SINOPOLI Releases New Single “Waterproof”

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The coming of a new year often fills people with a great deal of hope and ambition to make a difference and do something noteworthy; whether that’s for themselves or others. Well, only one week in and Canadian pop singer Kathryn Sinopoli has already done just that, with a song by the name of “Waterproof” — available now.

With this track, not only has the St. Catharines-based artist managed to leave some of the demons of 2020 in her past, but she’s released possibly her most powerful and inspiring single to date.

Along with producer Derek Elliotson, Sinopoli penned “Waterproof” last August after experiencing what she said was a “long conversation with a counsellor.” The reflective, piano-driven ballad is about a personal relationship which didn’t work out, according to the singer/songwriter.

“Not sure where to place blame; knowing two parties are always guilty,” she adds in regards to the wilted relationship.

Not only do the heart-filled emotional instrumentals of “Waterproof” instill hope for the prosperity of a long-decaying romance in the listener, but Sinopoli’s raw, tear-jerking lyrics take it to the next level. It’s clear that the up-and-coming artist has no trouble connecting her passion — music — with her deepest, most personal feelings after hearing the emotional chorus. She sings: “(When) I was sinking in a sea of inadequacy / I was gasping hoping you would rescue me / I could see you on the shore / Wondering what you were waiting for / I’m sorry I thought you were waterproof.”

At the mere age of two, Sinopoli began singing, however, didn’t take her songwriting abilities seriously until she reached her early 20s. Finding few opportunities to grow her skills in her hometown of St. Catharines, Ontario, Sinopoli joined the Nashville Songwriters Association International, where she has been recognized as “One to Watch” and has polished her skills to create strong lyrical phrases and new melodies.

Kathryn Sinopoli released four singles last year, including “Head Space,” “Clean Hands,” “Lemonade,” and “Home for Christmas.” Following her release of “Home for Christmas” in November 2020, the breakout Ontarian star landed herself on the Canadian AC Billboard Chart at #40; on top of that, it became the #3 Most Active Indie song in Canada on the week of its initial release.

Former Lou Reed, Foreigner And Downchild Keyboardist MICHAEL FONFARA Dies At 74

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Internationally renowned Canadian keyboard player, Michael Fonfara has died in a Toronto hospital on January 8, 2021, due to complications from his two-year battle with cancer. He was 74.

Born in Stevensville, ON, Canada in 1946, the former Lou Reed keyboardist/bandleader appeared on nine of Reed’s albums between 1974 and 2005, including his highest charting US album (#10) Sally Can’t Dance on RCA, as well as Rock and Roll Heart, Street Hassle, The Bells (which Fonfara executive produced) and Growing Up In Public that was co-written and co-produced by Fonfara for Clive Davis’ Arista Records in 1980.

A supremely talented musician, Fonfara loved many different styles of music, performing on British-American Rock band Foreigner’s iconic album 4, produced by Mutt Lange, including their Top 5 Billboard Hot 100 hit “Urgent”. He also recorded with The Everly Brothers, Rough Trade, Rhinoceros, Electric Flag and was a current and 30-year plus member of Canadian blues legends Downchild, who are perhaps best known as the inspiration for Hollywood stars Dan Aykroyd and John Belushi’s hit film The Blues Brothers, until his untimely death.

“He`s the best musician I`ve ever worked with,” states Downchild leader and co-founder Donnie Walsh. Bassist Gary Kendall echoes that sentiment “Yesterday we lost a brother, a band mate, a co-writer and a dear friend. If you met him, you loved him. A creative genius.”

Fonfara’s final recording was Downchild’s Live At The Toronto Jazz Festival, recorded at their 50th Anniversary party in 2019, where he performed live alongside special guests Dan Aykroyd, Paul Shaffer, David Wilcox, Kenny Neal, Gene Taylor and Erja Lyytinen. The new album was just released worldwide on October 16, 2020, as the final chapter of his illustrious career.

2018 Juno Award (Canadian equivalent of a Grammy Award) winners, Downchild, include some of the most well-respected musicians in Canada, who have performed together for over 25 years. Guitarist, harmonica player, leader and co-founder of the band, Donnie “Mr. Downchild” Walsh, lead singer and harmonica player Chuck Jackson, Pat Carey on tenor sax, Mike Fitzpatrick on drums, Gary Kendall on bass, and Michael Fonfara on keyboards.

Michael Fonfara is survived by his wife Avril, his daughters Ashley and Ciara and his grandchildren Brooklyn, Camden, Jamie, and Jaxon.

Moncton, NB’s Award-Winning Country Outlaws THE DIVORCEES Mark 16 Years with Release of New Album, Drop of Blood

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Multi-award winning Canadian blue-collar country outlaws The Divorcees are taking a moment to reflect with the announcement of their new album, Drop of Blood — available now!

The release includes the premiere single, “Dying Breed.”

Two-time winners of East Coast Music Association’s Country Album of the Year — plus several more from Music New Brunswick for good measure — members Alex Madsen, Jason Haywood, Denis “Turtle” Arsenault, Shawn Thomas, and Kevin Macintyre celebrate their 16th year as Americana trad-country aficionados this year.

With nearly two decades — not to mention coast-to-coast touring, over 120,000+ streams across platforms, and five studio albums — under their belt, Drop of Blood offers a glimpse into one of Canada’s most bona fide country acts.

“The Divorcees have been a story of never, ever taking the easy way out,” says Madsen, “and on this record, we most definitely did not. It’s called Drop of Blood for a reason.”

“This album truly represents where we are as a band — one that never settles for less, one that values authenticity and one that will push as hard as it can to achieve its vision,” Macintyre continues, citing their 2005 start and the tenacious arc between. “Drop of Blood is a near-perfect take at what 16 years of standing strong, despite impossible odds, looks like. We’ve been there, done that. We’ve paid our dues. This album tells that story.”

Their fifth studio release, Drop of Blood follows From Labour To Refreshment (2016), Four Chapters (2012), Last Of The Free Men (2009), and their 2006 breakthrough debut, You Ain’t Gettin’ My Country. With high praise from the likes of SavingCountryMusic(dot)com and Exclaim! The Divorcees’ music has been featured in a wide variety of media and formats, including the film The Phantoms and the Heartland series, on CBC, multiple music videos on CMT, as well as airplay on radio stations nationwide and around the world.

As can be expected with any legacy-in-the-making act, this release goes beyond marking The Divorcees’ status as ever-evolving artists; it also underscores the band’s long-held standing as friends and brothers.

A testament to this friendship is the return of founding member and lead singer, Jason Haywood. Haywood, who decided to take his leave in 2008 to pursue his own creative endeavours, rejoined the group in late 2019 in an effort to rekindle the collaborative spark that shaped their debut album.

As Turtle explains, “we brought Jason back after many years, largely because we wanted to revisit making music together. As separate artists, we’d each grown considerably over the past decade and we had a feeling that we could come up with something special if we joined forces. In addition to the 11-track LP, The Divorcees are releasing a documentary of the same name to complement the offering.

“We knew making it this far as a band warranted some extra attention,” Thomas shares. “We decided it was time to document the making of a Divorcees album and were very fortunate to have Kevin’s daughter Harmonie, who is in media studies, come in and film.”

“We’re really happy to finally be able to share an intimate part of our world this way. This documentary gives a bit more of an in-depth look at our creative process, our history and a glimpse into what makes us who we are as people.” Haywood adds.

Toronto’s 19th Annual Winterfolk Blues and Roots Festival Back With FREE Virtually Streamed Performances

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When a Canadian music festival has been running for 19 consecutive years — in the middle of winter, no less — rest assured, they’ve seen it all.

And this year, Toronto’s annual Winterfolk Blues and Roots Festival can add ‘pivoting to online due to a pandemic’ to that list.

Undeterred, Winterfolk XIX is set to stream this Friday, February 19th and Saturday, February 20th online. Registration to watch is free, and optional donations will be collected in support of the Daily Bread Foodbank.

While the logistics are different for 2021, Winterfolk’s renowned lineup of the best and award-winning musicians across blues, rock, jazz, folk, roots, and more remains the same. On deck are Julian Taylor, Jack deKeyzer, Ken Whiteley, Laura Fernandez, Melanie Peterson, Mandy Goodhandy, Donné Roberts, Diana Braithwaite, Chris Whiteley, Ariana Gillis, Suzie Vinnick, Q&A, and Sue and Dwight.

Winterfolk Blues and Roots Festival was founded by Festival Director Brian Gladstone, and is a division of The Association of Artists for a Better World, a registered non-profit organization.

“For the first time, Winterfolk will not be live in-person,” Gladstone confirms. “That said, the challenges the past year have presented all the more reason to celebrate the Festival’s 19th birthday.

“This year’s virtual celebration is affirming what we in Toronto have long-recognized: this city has an unwavering commitment to musical excellence and, especially in times like these, an equally great commitment to our communities.”

Registrants will also receive complimentary access to Scenes from Winterfolk XVIII.

WINTERFOLK XIX SCHEDULE:

February 19th, 2021 — 7:00 – 10:00pm EST

Donnie Roberts
Mandy Goodhandy
Ken Whiteley
Q&A — Tony Quarrington & Zoey Adams
Suzie Vinnick
Julian Taylor

February 20th, 2021 — 7:00 – 10:00pm EST

Melanie Peterson
Sue & Dwight
Laura Fernandez
Jack de Keyzer
Diana Braithwaite & Chris Whiteley
Ariana Gillis

How @JazzInToronto is Giving Toronto Musicians the Spotlight During the Pandemic

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Before the pandemic, if you wanted to hear Toronto jazz musicians, you would head to the Rex Hotel or the Reservoir Lounge or the Jazz Bistro and odds are you’d get your fix just about any day of the week. While live music venues remain silent for now, there’s an online destination where the city’s jazz community is coming together with a live-stream series to keep the music playing.

@jazzintoronto was started a few years back by Lina Welch, initially as an Instagram account which provided daily listings. Says Welch: “When I moved to Toronto in 2018 I was excited to find out what Toronto’s Jazz scene had to offer, but quickly noticed that there was no easy way to find out who was performing at any time – particularly knowing where and when any of these events were taking place.”

In 2019 musician Ori Dagan joined the @jazzintoronto team, initially reporting on the live music scene with Instagram stories and video diaries. Welch and Dagan came up with a mission statement for @jazzintoronto community hub: connecting Toronto’s jazz musicians, audiences, venues and presenters. Once COVID hit, they decided to present a live-stream series from the @jazzintoronto Facebook page: www.facebook.com/jazzintoronto

Over the summer the series was presented in partnership with The Emmet Ray, but due to the latest provincial restrictions the series is currently called #JazzFromHome featuring solo artists and duos, in some cases couples and in others, roommates.

This passion project provides a platform for musicians to perform and encourages audiences to share the broadcast, interact with the stream by leaving comments, and to send tips if they are able to do so, with all proceeds going to the artists.

LINKS TO SOME OF THEIR PREVIOUS CONCERTS:

Rebecca Hennessy and Michael Herring (May 23, 2020)
Melissa Lauren and Nathan Hiltz (June 13, 2020)
Alison Young and Jeff McLeod (July 4, 2020)
Donovan Locke with Jesse Whiteley and Matt Coldwell (August 30, 2020)
Mike Kerr (September 5, 2020)
(all can be found at www.facebook.com/jazzintoronto/live)

 

Upcoming @jazzintoronto Concerts:
Friday January 22, 8pm: Suzi Wesson (vocals) & Doug Balfour (piano/vocals)
Saturday January 23, 8pm: Rebecca Hennessy (trumpet/accordion/vocals) & Michael Herring (bass/vocals)
Sunday January 24, 4pm: Patrick Smith (tenor saxophone) & Ewen Farncombe (piano)
Friday January 29, 8pm: Sam Dickinson (solo guitar)
Saturday January 30, 8pm: Robert Ball (vocals); Eric Lundgren (guitar)
Sunday January 31, 4pm: Ted Warren (drums, piano, harmonica)
February 5, 7pm: Sophia Perlman (vocals); Adrean Farrugia (piano)
February 6, 8pm: Queen Pepper (vocals and piano)
February 7, 4pm: Mike Kerr (guitar)
February 12, 7pm: Melissa Lauren (vocals); Nathan Hiltz (guitar)
February 13, 8pm: Love Songs for Valentines with Laura Anglade (vocals); Jonathan Chapman (bass)
February 14, 4pm: Valentine’s Day Requests & Dedications with Ori Dagan (vocals/piano)
 

Mashup Of Huey Lewis And The News and Metallica Is Exactly What You Need Today

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Bill McClintock’s latest concoction, “Hip to Be the Sandman,” which mashes together Metallica’s “Enter Sandman” with Huey Lewis and the News’ “Hip to Be Square” is the song on 2021.

Top Five Japanese Games for Android

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Without Japan’s influence on the gaming world, there would be no Pac-Man, no Zelda, and no Mario. In today’s world where many people enjoy playing games on the go, Japan’s video game industry is going as strong as ever. Here are five of the best Japanese games you can play on Android.

Chaos Rings III

The 2014 role-playing game ケイオスリングス, which translates as Chaos Rings III, was developed by the Japanese company Media.Vision and published by Square Enix. The fourth game in the popular Chaos Rings series first appeared on the PlayStation Vita platform, but it is now available to play on iOS and Android devices. The fun-and-thrilling game sees adventurers wishing to travel to a planet called Marble Blue.

Dragon Quest VIII: Journey of the Cursed King

The eighth instalment of Square Enix’s massively popular Dragon Quest series was released on Android in 2013. The plot of Dragon Quest VIII: Journey of the Cursed King involves embarking on a journey to defeat the evil Dhoulmagus, who has cursed the Trodain kingdom. If you love fantasy RPGs, this is undoubtedly one of the best available on Android. And if you are in the mood for more dragon-themed games, check out slot games like Dragon Shrine, Dragon’s Fire, and Dragon Dance, which can be played at カスモ (Casumo) online casino.

Space Invaders Infinity Gene

When Japanese game developer Tomohiro Nishikado created Space Invaders in 1978, no one could have predicted how much the game would become a famous part of popular culture. The original arcade game set the mould for shoot ‘em up games. Space Invaders Infinity Gene combines the classic gameplay of the original Space Invaders with the concept of evolution. At the start of the game, you can move the ship left and right to shoot. But as the game progresses, you earn genes that enable your ship to move in all directions, and you also get to unlock additional features like weapons and an increased life limit. Space Invaders Infinity Gene was launched on Android in 2011.

Super Mario Run

Did you know that Nintendo’s lovable plumber mascot Mario has appeared in over 200 games? He has certainly come a long way since his debut in Donkey Kong when he was known as Jumpman. One of the best Mario games of the last few years, and unquestionably the best Mario game for Android, is Super Mario Run. When it was released in 2016 on iOS, it had 50 million downloads in just the first week. In 2017, the game was made available on Android. Like other Mario games, Super Mario Run involves controlling the moustached-hero as he runs and jumps, while dodging enemies and hazards, to save a kidnapped princess from the evil Bowser.

Final Fantasy IX

It is hard to believe that the original Final Fantasy role-playing video game came out way back in 1987. Since then, it has spawned numerous sequels and spin-offs, making the franchise one of the most popular video games series of all time. Fans will endlessly debate which Final Fantasy game is best, and while VI and VII are contenders for the best-ever when it comes to Android, Final Fantasy IX is unquestionably the greatest. The plot of the game concerns the bandit Zidane Tribal travelling through the medieval fantasy world of Gaia. It is Tribal’s mission to take down Queen Brahne of Alexandria, who began the war. The remastered Android version of Final Fantasy IX was released in 2016, and it has loads of great features, like an auto-save feature and game boosters such as achievements, no encounter modes, and high speed.

Australia’s GABRIEL VARGAS Gives Sombre Take on The Tea Party’s Hit “Heaven Coming Down”

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As a follow up to the successful single “Silent Waves,” emerging Australia’s Gabriel Vargas has released an emotive version of the Tea Party hit, “Heaven Coming Down” — available now!

First released by the Canadian band in 1999 where it reached #1 on International charts, Vargas has breathed new life into the song with a piano-laden, mournful version that creates a dynamic new sound to accompany the haunting lyrics, serving as a tribute to what drew him to the original version way back when.

A friend and touring partner of The Tea Party’s acclaimed lead singer, Jeff Martin, Vargas was hesitant at first to cover a track written by someone he considers a mentor. “My cover of ‘Heaven Coming Down’ was a beautiful accident,” Vargas recalls. “During rehearsal, I was running through a chord progression that reminded me of the song and, next thing you know, I was singing the lyrics.

“My long-time friend and songwriting collaborator, Jake Lowe, took the essence of what was created during that rehearsal and stripped the music back to a piano and strings arrangement.

“I played Jeff the finished recording in person and he was visibly moved; he loved it, giving me his blessing to release it.

“It meant a great deal to receive Jeff’s blessing, as the original release of ‘Heaven Coming Down’ came along at an important time in my life,” Vargas continues. “I was at a fork in the road, having endured shoulder surgery for the second time, and wrestling with the idea of pursuing a career in music.

“Specifically, the lyric ‘stay strong, keep faith, there’s a change that’s coming through’ gave me the strength and inspiration to commit myself to a life in music.”

Vargas believes this message of hope is needed now more than ever, given the events of 2020. “Last year was such a testing year for people on many fronts, so it was my intention to start the year with a release that inspires hope. I think the world could do with a little bit of faith and hope right now as we move to a new phase of being.”

Brazilian-Australian, Gabriel Vargas is an international artist whose musical experience is vast. He has headed up bands such as Gasoline Inc., which saw him supporting acts such as rock icons INXS and The Feelers, and having their song “Superstar” picked up by the Australian Football League.

The last band fronted by Vargas was Veludo, which he also co-founded. Veludo erupted onto the Australian music scene in 2014 with the launch of their self-titled debut EP, which was mixed by the legendary, GRAMMY Award-winning producer Tim Palmer (David Bowie, Pearl Jam, U2, Bon Jovi), produced by ARIA-award winning Jimi Maroudas (Eskimo Joe, Kimbra), and recorded at the world-class Sing Sing Studios.

SULTANS OF STRING Announces Upcoming Interactive Livestreamed Concert January 23

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Once again, multi-award winning, Billboard- and New York Times-charting Canadian band Sultans of String will ZOOM into audiences’ homes to help bide time through continued COVID-19 restrictions — this time with a live virtual concert this Saturday, January 23rd! Tickets can get bought here.

The theme will be ‘Best of the Sultans’ and will feature band members Chris McKhool, Kevin Laliberté, and Drew Birston; Eddie Paton and Rebecca Campbell will join for songs, as well. It’ll also serve as a celebration of sorts; Sultans of String were recently nominated for two 2021 Canadian Folk Awards, both for Ensemble of the Year and Producers of the Year.

“The only thing we’re looking to super-spread is some good live-streaming vibes,” bandleader Chris McKhool quips. “We’re looking to help keep everyone connected which is why the ZOOM format is so great; it’s interactive, and everyone is able to see and hear each other.

“It’s like a real live show!

“We set the link live at 7:40pm — about 20 minutes before the concert actually starts — to allow everyone to get settled in and so we can chat,” he continues. “The show lasts about an hour, including a talk-back portion, so we encourage everyone to pour a ‘quarantini’ and bring their burning questions for the band!”

Tickets are limited with a minimum $10 donation. “We have kept the price low as we know many of our friends and fans are out of work right now. $1 from each ticket sold is being donated to our UN Refugee Agency fundraiser.”

The efforts are aligned with the band’s continued commitment and amplification of the cause; their historic and visionary seventh album Refuge (2020), funnelled the band’s unique brand of musical synergy and collaboration into the studio like never before. Their most ambitious, diverse, inclusive and passionately political album, Refuge puts the Toronto-based Sultans face-to-face with a VIP roster of artists from around the globe — including American banjo master Béla Fleck, Israeli vocalist Yasmin Levy and others, like Iraqi violinist Imah Al Taha and Iranian santur master Amir Amiri, who have fled the peril and persecution of their homelands for the safer shores of North America.

“We love to expose people to sounds they might not have heard before,” McKhool — Sultans of String’s violinist and bandleader — summarizing the mission statement of the groundbreaking and acclaimed world music ensemble. “And we love collaborating with other artists.”

Over the past dozen years and six albums, Chris McKhool and his bandmates — co-founding guitarist Kevin Laliberté, bassist Drew Birston, Cuban percussionist Rosendo ‘Chendy’ Leon and second guitarist Eddie Paton — have excelled at both. Thrilling listeners around North America with their genre-hopping fusion of Celtic reels, flamenco, Gypsy jazz, Arabic, Cuban, and South Asian rhythms, Sultans of String celebrate diversity and creativity with warmth and virtuosity. And they often do it with artists such as Paddy Moloney and The Chieftains, Richard Bona, Benoit Bourque (Bottine Souriante), Nikki Yanofsky, Alex Cuba, Ruben Blades, Crystal Shawanda and Ken Whiteley.

Sultans of String have never taken the easy road. Since releasing their debut album Luna in 2007, they have continually strived to make each chart-topping album more original and meaningful than the last. That includes working with an orchestra (2013’s Symphony), teaming with Pakistani sitarist Anwar Khurshid (2015’s Subcontinental Drift) and even crafting a world-music holiday album (2017’s Christmas Caravan), which landed them on the Billboard charts and the New York Times. Their ambition and work ethic have garnered them multiple awards and accolades, including three JUNO Award nominations, first place in the International Songwriting Competition (out of 15,000 entries), three Canadian Folk Music Awards, and countless other honours.

Their live resumé is similarly stellar. Equally at home in a concert hall, jazz club or festival setting, the Sultans have gigged at the legendary club Birdland in New York, the renowned Celtic Connections Festival in the U.K. and the San Jose Jazz Festival. They have performed with symphonies across Canada and the U.S., and played live on BBC TV, Irish National Radio, World Cafe and SiriusXM in Washington. No matter the venue, the goal is the same, McKhool says.

“I’ve always wanted our concerts to be a place where everyone feels welcome. I want to reach out to diverse communities to say, ‘Come out and enjoy music with us — you’re going to have a really good time.’ And it’s great to see people from, say, the South Asian community mixed in with the hipster crowd. Or to play some very small towns where they might not have heard a sitar played live before. It benefits society as a whole, to have people from around the world blending their ideas, mixing their cultures.”

And sharing the wealth.

CBC Music Expands Programming With Two New National Radio Shows Focused On The Discovery Of Black And Global Music

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CBC Music today announced two new national radio shows, THE BLOCK (February 1) and FREQUENCIES (February 2), which will bolster the discovery of Black and global music and artists, and serve a greater range of musical interests and communities across Canada.

“We are expanding our range of music programming to amplify voices and genres that have not consistently had a home on mainstream or national airwaves,” says Steve Jordan, Senior Director of CBC Music. “Adding The Block and Frequencies to our schedule is a part of our evolving strategy to connect and reflect a wider range of musical interests and communities across Canada. Angeline and Errol each bring an abiding passion and deep knowledge for the music that they will be sharing with the nation.”

Debuting Monday, February 1, THE BLOCK is a brand new, two-hour radio show, airing 7 – 9 p.m., Monday through Friday on CBC Music and CBC Listen. Hosted by Edmonton-raised, Toronto-based Angeline Tetteh-Wayoe, THE BLOCK is the home for music of Black origin. The music played will reflect the many intersections within Black music from across the diaspora; where Soca meets Pop (Rihanna), R&B meets Reggaeton (J Balvin), the transformative leaders in Hip-Hop today (Haviah Mighty, Chika, Clairmont The Second), the elite artists with the ability to execute in multiple genres (Drake, Beyoncé) along with regular nods to the early influencers of Hip-Hop and Funk.

“The Block is home. A place of belonging. It’s community and familiarity. It is a reflection of the depth and breadth of Black cultural contributions and innovations in music,” says Angeline Tetteh-Wayoe, host of THE BLOCK. “I am so thrilled to be providing a platform to elevate the immense pool of talent in this country that has been largely ignored by traditional terrestrial commercial Radio. Hip Hop saved my life but I have been left gasping for something on the air that represented people who looked like me. With this show we can finally breathe.”

Launching February 2, FREQUENCIES, hosted by Errol Nazareth airs Tuesday evenings at 6 p.m. on CBC Music and CBC Listen. Building on the format of his popular Toronto radio show BIG CITY, SMALL WORLD, FREQUENCIES will highlight musical storytelling from cultures and communities across Canada that are not always reflected in mainstream media. Listeners will hear music from Canada and around the globe, brought to life with the voices of the artists behind the music.

“I’ve been championing the music emerging from Toronto’s various ethnic communities – as well as music from around the globe – ever since I began writing professionally and working for CBC Radio 15 years back,” says Errol Nazareth, host of FREQUENCIES. “I love discovering new sounds and sharing them – and the stories behind them – with listeners. To have the opportunity to do this on a national level is, quite honestly, a dream come true.”

See the full CBC Music radio schedule here and find your local CBC radio frequency here.