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UK fans turn to music to get through 2020 as a new wave of artists fuels streaming growth

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Official figures released by record labels’ association the BPI, based on Official Charts Company data1, show that recorded music consumption in the UK rose by 8.2% in 2020, with 155 million albums or their equivalent either streamed or purchased by fans.

The increase in consumption was achieved despite the disruption caused by the Covid-19 pandemic, which has had such a devastating effect on the live sector. Demand initially dipped around the start of the first lockdown, but listening rebounded across streaming and physical formats and grew throughout the year.

This year’s Top 5 albums: 8 of the top 10 are by British artists:

Lewis Capaldi: Divinely Uninspired To A Hellish Extent
Harry Styles: Fine Line
Dua Lipa: Future Nostalgia
Billie Eilish: When We All Fall Asleep, Where Do We Go?
Stormzy: Heavy Is The Head

Growth was led by streaming fuelled by record label A&R and marketing investment

With nearly 200 artists achieving over 100 million streams or more in the UK over the past 12 months, their success contributed to an overall total of 139 billion audio streams in 2020, up by more than a fifth (22.0%).

Streaming now accounts for four-fifths (80.6%) of UK music consumption, with people of all ages using it for their daily music choices, but also collecting their favourite albums on CD, vinyl and other physical formats. A new wave of artists, who are harnessing the global reach of streaming, are each generating hundreds of millions of streams in the UK alone. Backed by rising label A&R investment, which in 2019 rose to above £250 million, and creative marketing, these new stars know how to unlock the potential that streaming offers to achieve chart success and to forge a successful career.

Major established artists such as Ed Sheeran, Adele, Stormzy, Dua Lipa, Harry Styles, The 1975, Lewis Capaldi, Calvin Harris and Arctic Monkeys have been joined recently by the likes of Mabel, Dave and Jorja Smith, as the next generation of diverse British talent – drawn increasingly from rap, hip hop, dance and other genres – is emerging fast. Acts including D-Block Europe, Aitch, AJ Tracey, Headie One, J Hus, KSI and Nines, plus dance artists Joel Corry and Jax Jones, IDLES and Sports Team, Tom Speight and Scottish singer-songwriter Gerry Cinnamon are just some of the exciting new names that are finding new audiences largely through streaming.

Streaming has made access to music easier for fans, but also increased competition for attention – and popularity remains the key driver of commercial success

Streaming has made it easy and affordable for fans to access more music, and also for more artists to reach more fans. At the same time it has recalibrated success. The top 10 streaming artists in 2020 each achieved over half a billion streams in the UK alone. But below them in the top 200 there were many artists achieving more than 200 million streams, while further down still, even artists ranking between 500th– 1,000th achieved between 43 million and 21 million UK streams. A million streams may sound a lot out of context, but 8,000 different acts now exceed this threshold annually.

The market has become much more competitive, with many more artists able to access distribution and streaming platforms. Even at the lower end of streaming volume has surged, with more than six times as many artists achieving 100,000 streams as the equivalent number of sales in 2007. This means competition for consumer attention has intensified, requiring 24/7 fan engagement and marketing. And this is where labels are stepping up with £250m of A&R investment, helping British artists to continue to lead the world.

Physical remains a key element of the music ecosystem as fans collect the albums they love on vinyl & CD

As recently reported by the BPI, whilst the continued growth in streaming underpinned much of the rise in consumption, the remarkable performance of vinyl, which jumped by over a tenth (11.5%) to almost 5 million (4.8m) copies purchased – representing a 13th year of consecutive growth – confirmed the enduring appeal of the format. The continuing revival of the audio cassette, which almost doubled (94.7%) in sales to 156,542 copies – the highest total since 2003 – also demonstrated the fan appeal of music in tangible formats as a complement to streaming.

Demand for CD continued to reflect long-term trends, but, with 16 million copies sold representing 10.3% of recorded music consumption, the format continues to show its resilience and play a key role in shaping chart success. Physical remains a ‘kingmaker’ for No.1 albums: in the majority of weeks (28) in 2020, it accounted for 50% of chart-eligible sales of the Official Charts No.1 artist album. Digital albums also continued their long-term trend, down by 19.0%, but they still contributed 5.9 million unit purchases to the overall AES total.

Eight of the best-selling artists on album format were British, led by Lewis Capaldi, Harry Styles and Dua Lipa – all three of whom also achieved nearly half a billion streams or more in 2020 in the UK alone and billions more streams globally. Their chart success made it an all-British Top-34. See Charts in Notes.

It was another hugely successful year for Lewis Capaldi, reinforcing his arrival as a major new force in music – his debut album Divinely Uninspired To A Hellish Extent finishing 2020 as the best-selling album of the year, as it did in 2019. The album was also the sixteenth best-selling album on vinyl this year, and the Scottish singer also saw success in the best-selling singles chart, with Before You Go and Someone You Loved, which won Song of the Year at the BRIT Awards 2020.

Harry Styles can also celebrate a successful 2020 as a fully established global star, with his album Fine Line finishing up as the second biggest-selling album of the year. Released at the end of 2019, it was also the fifth biggest selling title on vinyl, fuelled by popular singles Watermelon Sugar and Adore You, which finished at tenth and sixteenth respectively in the end of year Official Singles charts. As well as being nominated for two BRIT Awards at the start of the year, Harry was nominated for three Grammy Awards in November.

Dua Lipa continued her rise to pop superstardom, with her album Future Nostalgia the third best-selling album of the year, and the top seller released in 2020. Her self-titled debut album also featured in this year’s top 25. The three time BRIT Award winner also saw success in the end-of-year singles chart, with Don’t Start Now, the lead single from Future Nostalgia, being the sixth best-selling single of 2020, while Physical also featured in the top 20. The album also shifted significant quantities of cassettes, finishing up as the eighth best-selling album in the format. Now without a doubt a global star, Dua is also nominated for six Grammy Awards, including in the prestigious Record of the Year, Song of the Year and Album of the Year categories.

Other UK artists to make the Top-10 included Stormzy with Heavy Is The Head at No.5, Ed Sheeran with No.6 Collaborations Project at No.7, and Elton John’s Diamonds compilation. The top ranked international act was Billie Eilish, whose debut album When We All Fall Asleep Where Do We Go? made the year’s Top-5. Kylie Minogue celebrated huge physical sales, with her 2020 album Disco the seventh biggest selling cassette of the year, and sixth biggest selling album on vinyl. IDLES and Fontaines D.C. both had continued success in the best-selling vinyl charts, with Ultra Mono and A Hero’s Death finishing tenth and seventeenth respectively.

The biggest-selling singles of the year were Blinding Lights by The Weeknd, Dance Monkey by Tones & I, and Roses by Saint Jhn. Lewis Capaldi had two tracks in the Top-10 with Before You Go (No.4) and Someone You Loved (No.8), while fellow Brits Dua Lipa, Joel Corry (with MNEK), and the Stormzy and Ed Sheeran Own It collaboration (with Burna Boy) also made the Top 10. Despite the disruption to the showcasing of new releases and artist promotion brought about by the pandemic, there were some UK artists who had their first No.1 albums in 2020 – Gerry Cinnamon, IDLES, Nines, Headie One, and Paul Heaton and Jacqui Abbott. Additionally, Joel Corry attained his first No.1 on the Official Singles Chart as well as being streamed over 200m times in the UK. Many of these newly emerged artists – also including Aitch, D-Block Europe, J Hus and AJ Tracey achieved hundreds of millions of streams each in the UK alone in 2020.

Via

Peter Hook and The Light Perform Virtual Cover of ‘Love Will Tear Us Apart’

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As part of the recent Yamaha Guitars ‘Open House Online’ event, Former Joy Division and New Order co-founder and bassist Peter Hook and his band The Light performed a socially distanced live version of Love Will Tear Us Apart.

Toronto Funeral Director SAGEN PEARSE Drops “Haunted” Music Video Under His HOLLOWSAGE Moniker

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Funeral director by day, songwriter by night, Toronto singer/songwriter Sagen Pearse has just released the latest music video from his debut album, Nuclear Home. The three-minute, 15-second spanning folk song is called “Haunted” and was released under the moniker Hollowsage & the Three Mile Islanders.

“Haunted,” some might ask?

As someone who clocks in and bears witness to the frontlines of human grief on a near-daily basis, it’s understandable that the up-and-coming musician would cover the ground of dark subject matter.

Monsters, death and darkness… You name it, he’s written it.

Ultimately though, Sagen always wanted to use his platform and natural storytelling abilities to share soothing songs for people who are struggling with the unfortunate and necessary truths of life; as a body of art that might help them cope with the bittersweet nature of reality.

Sagen began performing covers at a local open mic night hosted by producer Kevin Ker (Future History) a few years back. After his debut performance, he was encouraged to attend weekly and play some of his original music. Since then, Sagen has garnered a dedicated following across Canada by playing intimate shows to crowds all across Ontario and beyond.

Prior to “Haunted,” “Monsters” and “Naturally Disastrous” were released as standalone singles before the release of Hollowsage & the Three Mile Islanders’ debut album, Nuclear Home, this past February. As described by Sagen, Nuclear Home is a collection of folk tracks filled with stories of heartache, honesty and overall hope.

Along with “Haunted,” the remainder of Hollowsage’s record was recorded in the span of only three days at Union Sound Studio in Toronto. Sagen wrote the entire 12-track release, while Ker produced it. Additionally, Ker contributes electric guitar in the band.

The two remaining Three Mile Islanders, as Sagen calls them, are Markham-based drummer Justin Dillon and bassist/keyboardist Quincy Bullen, also from Markham.

During the ongoing COVID-19 pandemic, Sagen has encouraged his fans to stay safe by staying at home to help mitigate the risk of spreading the virus. As an added measure, the Sault Ste. Marie-born, Markham-based musician opted to play online shows only until the global health crisis is merely an issue of the past.

Linus Entertainment Acquires Borealis Records Catalog

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After 25 years of proudly putting out some of the best Canadian folk and roots music, the principles of Borealis Records – Grit Laskin and Bill Garrett – have announced that as of January 1, 2021 the Borealis catalogue will shift to the management of Linus Entertainment, a leading Canadian rights management company whose portfolio of labels includes True North Records, Stony Plain Records, The Children’s Group, and Solid Gold Records.

In a joint statement, Laskin and Garrett said of the transition, “We have partnered with Linus Entertainment for some 13 years in distribution and they have been our partners in the best sense.”

Geoff Kulawick, President and CEO of Linus Entertainment, said of the transition, “It has been a joy to work with Grit and Bill and their wonderful artists.  Taking on the responsibility of managing the Borealis catalog, which includes many ever-green musical gems of Canadian culture and folklore was a natural fit as we know the music well, so transition for the artists and our global distribution partners will be seamless.”

Laskin and Garrett continued, “We have been most fortunate in being able to work with a large number of very fine artists over the years. Their music has been a constant source of inspiration and the friendships made will be life-long.   Although we leave the business of running a record company behind we by no means will be leaving music.”

Grit Laskin continues to craft some of the best acoustic guitars made anywhere and Bill Garrett is in demand as a producer.

Virtual Maple Blues Awards Launch From Four Cities

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The Toronto Blues Society’s annual Maple Blues Awards will be a little different this year in that, like many arts awards and programs, it will be held virtually and streamed from four cities across Canada on each Monday of the month of February.

Multiple Maple Blues Awards have been selected to host and perform for the awards events beginning with Alana Bridgewater and Johnny Max hosting from Toronto on Monday, February 1st with a performance from Dione Taylor, who has been nominated for Female Vocalist of the Year, new Artist / Group of the Year, and Songwriter of the Year. Also performing is Jack de Keyzer, who has been nominated along with his bandmates for Entertainer of the Year, Electric Act of the Year, Male Vocalist of the Year, Recording / Producer of the Year, Guitarist of the Year, Horn Player of the Year (for Richard Thornton), and Bassist of the Year (for Alan Duffy).

On Monday, February 8th Angelique Francis and Matt Sobb will be hosting the stream from Ottawa and the evening will feature a performance from JW-Jones, who has been nominated along with his bandmates for Entertainer of the Year, Electric Act of the Year, New Artist / Group of the Year (for Jones’ other project HOROJO Trio), and Recording / Producer of the Year. Also streaming a performance from Ottawa is Nashville-based Indigenous artist Crystal Shawanda, who has been nominated for Female Vocalist of the Year, Songwriter of the Year, and Recording / Producer of the Year.

Monday, February 15th the Maple Blues Awards will be streamed from Montreal and hosted by Dawn Tyler Watson and Ben Racine and will feature a performance from Durham County Poets, who are nominated for Songwriter of the Year and Recording / Producer of the Year. Matt Andersen, who has been nominated for Acoustic Act of the Year and Male Vocalist of the Year will also be performing.

The final night of the Maple Blues Awards stream will be coming from Vancouver Island on Monday, February 22 and will be hosted by Dalannah Gail Bowen and Jim Byrnes and will have performances from 13-year old New Artist / Group of the Year nominee Liam Docherty and Drummer of the Year nominee Lindsay Beaver, streaming from Halifax for a true coast-to-coast MBA experience.

The 24th Annual Maple Blues Awards will be streamed at 8:00 PM Eastern via Facebook at https://www.facebook.com/TorontoBluesSociety

Ukulele Orchestra of Great Britain Performs An Even Happier Version of Pharrell Williams’ ‘Happy’

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This week’s Sunday offering from the Ukulele Orchestra of Great Britain is a clip taken from their 2018 Le Poisson Rouge, NYC show. The Ukulele Orchestra of Great Britain live streamed a concert to promote their upcoming US tour. This version of ‘Happy’ is taken from that live show.

UOGBTV presents the Ukulele World Service Episode 2, our second pay-per-view show, available to stream now from their website. For £5 you will be able to access the video stream for 5 days. You can watch as many times as you like within those 5 days.

Get your Virtual Tickets here – https://www.ukuleleorchestra.com/world-service.

OutKast’s Isolated Vocals For “Ms. Jackson”

OutKast’s “Ms. Jackson” was released as the second single from their fourth album, Stankonia, and topped the US Billboard Hot 100 chart for one week on February 17, 2001, and also reached number one in Germany, the Netherlands, Norway, and Sweden. In October 2015, NME placed it at number 81 on its list of the, “150 Best Tracks of the Past 15 Years” and in June of the same year Rolling Stone ranked it at number 55 in their, “100 Best Songs of the 2000s”

Video: Vintage Footage Of Robin Williams And Jim Varney Hanging Out Together Will Make You Miss Them Both

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Robin Williams and Jim Varney hang out backstage and riff off each other for a minute and half.

Nominations for the 20th Anniversary INDIES are Now Open!

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Canadian Music Week announces the 20th Anniversary Canadian Independent Music Awards –  Live Streamed on Friday, May 21st, 2021.

Part concert and part awards, the 2021 Jim Beam Indie Awards are a celebration of new music and the artists who inspire the independent spirit, both nationally and internationally. Submit your nomination(s) today for a chance to be recognized among industry peers, media and fans alike. Submissions are being accepted through indies.ca until February 5, 2021. Artists or their representatives (including labels, agents, managers, and publishers) can submit nominations on their behalf. The eligibility period for all awards categories runs from January 1, 2019 through January 1, 2021. Nominees must have been active during the eligibility period and are based on the performance of the group or artist. For complete submission details, eligibility criteria and award categories, see “Criteria” on the Indies website.

Past winners include The Weeknd, Arcade Fire, Carly Rae Jepsen, Deadmau5, Alexisonfire, Lights, Marianas Trench, Mother Mother, Arkells, Jessie Reyez, KAYTRANADA, Death From Above, The Strumbellas, Crystal Castles, and many more! Past nominees include Daniel Caesar, City and Colour, MAGIC!, Alvvays, Purity Ring, Coeur de Pirate, BADBADNOTGOOD, Chromeo, Bob Moses, Mac DeMarco, and more.

Past performers include Janelle Monae, Tokyo Police Club, Billy Talent, Metric, The New Pornographers, Passion Pit, Rural Alberta Advantage, Bombay Bicycle Club, Born Ruffians, Arkells, and many others!

Calgary’s K BESD nominated at 3rd Annual Canadian Independent Music Video Awards for Cover of Goddo’s “TUFF TIMES”

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Canadian singer/songwriter dynamo K BESD has turned rock, pop, and hip hop genres on their heads as she pays homage to Goddo’s 1978 iconic hit in “TUFF TIMES” — available now.

This week, the video has been announced as a finalist for The Canadian Independent Video Awards, conceived to share a spotlight on the incredible videos that are created by independent artists across the country. Last year the contest received over 100,000 votes and this year is set to be higher.

Round one ends with four finalists chosen, per genre. Two videos will move forward based on Judges choices and two based on fans votes. These finalists will move on to round two. The finalists will be decided between a combination of Judge and fan votes. The winners will be announced at a live (and potentially virtual) event in 2021, the date and venue for this event have yet to be announced at www.independentmusicvideoawards.com.

Executive produced by Goddo’s Greg Godovitz himself — and co-produced by Trey Mills (KRS One, Canadian Brass, Forest Blakk) and Eddie Kramer (The Beatles, the Rolling Stones, David Bowie, Jimi Hendrix) — the track was mastered by multi-GRAMMY Award-winning engineer John Greenham (Billie Eillish).

“I’ve known Greg since I was a kid, and ‘Tough Times’ has always been one of my favourite songs of Goddo’s,” K BESD (Kelly Abesdris) recalls. “My producer and I were sitting at the studio brainstorming ideas and played the beginnings of Post Malone’s ‘Take What You Want’ and Goddo’s ‘Tough Times’ — they both have a great guitar riff in the intro, and I love the idea of blending genres to create what Post Malone calls ‘shmusic.’ We realized it was time for me to make a call to Greg and luckily he said yes to allowing me to rework his song.

“A lot of magic happened right from the beginning,” she recalls. “Trey started working on the beat and soon enough, the lyrics simply flowed out of me. I knew I wanted the original hook, and to incorporate some of the other lyrics — but also make them my own.

The rap feature involves Calgary-based artist Jackie Art. “I felt the way he wrote and delivered his lyrics would fit perfectly so I reached out to him on Instagram and, within 24 hours, he had written and sent over his idea.

“It was perfect.”

The pieces had come together but, before releasing “TUFF TIMES” to the world, K BESD was keen to glean Godovitz’s thoughts on the reimagined track. “Once we had it somewhat put together, I sent it to Greg on my way home from the studio one night. He called shortly after and said, ‘ARE YOU KIDDING ME?!’

“I held my breath for a moment,” she reveals. “I was wondering if this was a good or bad reaction? It turns out it was good, and he immediately sent it over to his pals Paul Dean (Loverboy) and Eddie Kramer, both of whom shared his enthusiasm.”

So much so that Kramer would come aboard to co-produce the track. “He really had a hand in shaping the vision and the sound of the single.”

At 15,000+ streams across platforms, “TUFF TIMES” is K BESD’s sophomore single release; it follows this year’s hit “L.I.Y.E. (Lights in Your Eyes),” and lands ahead of the Toronto-based artist’s forthcoming EP.