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How to pick the right slots site

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Slots really are the best of all online games. They are a huge amount of fun and can make a great hobby as long as you are careful when it comes to how much you spend and how long you play for. Plus there are some amazing jackpots to be one, especially when you think of progressive slots that offer prizes that can get up into the millions in some cases. Can you win on slots from King Casino?

The problem, though, is determining just where the best place to play online slots is. That is, which online slots’ site is the right one for you. There are so many of them that it can feel like there is just too much choice, and this can put some people off from visiting them altogether – it’s easier not to. Yet once you know what the best casino sites are, and what you should be looking out for, it’s a much easier process, so read on to find out what you should be paying attention to. 

The Number Of Games

When you’re playing slots, you’ll realise that the game itself – whatever game it is you have chosen – is a simple one. You pay your money, you click a button, and you watch as fate dictates what happens next. Despite this, many people do find slots very exciting because of the random element of where the symbols are going to fall. 

The choice of the game is all part of that fun. For some, it’s a ritual they like to go through before they start playing. If you are this kind of player, you’ll need to find a site with a lot of games so you can be sure you’re choosing exactly the right slot to play. However, too many games and you might spend too long choosing. Too few and you may not get the range of games you need to make a good choice. Just like Goldilocks, the number of games has to be just right. 

Different Providers

There’s something else to look for when you’re choosing a casino site, and it also relates to the games. You’ll need to see how many different slots’ developers and games’ providers there are. You don’t really want to play at a site that only has a limited number if providers included as it won’t give you the full range of choice that you would have elsewhere. 

Plus, if you’re just starting out and you don’t know what slots’ developer you do or don’t like yet, finding yourself on a site that only has a few of them represented isn’t going to allow you to fully explore. 

Bonuses and Promotions

If you find an online casino that doesn’t have any kind of welcome bonus attached to it, you’ve found a rare beast indeed. Most online casinos are going to have a variety of different bonuses available, and you should investigate these thoroughly before you make a decision. Some will benefit you, and some are really just there for show because no one can actually make use of them. 

It all comes down to the withdrawal restrictions. The best bonuses are those that allow you to withdraw your winnings without having to pay a huge amount of your own money to do so. Unfortunately, not all are like this, and some require you to have paid in a certain amount before you can withdraw anything that was won using the bonus money. This could mean paying in more than you’ve won. These are the sites to stay away from.

Variations in Poker Hands

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Poker games are designed to include various hands. These poker-hands come in different rankings which decide the winners in the game. The rules of the game dictate the hands to come in a set of five cards. Moreover, each of these hands has their own value and rank in the sequence. Whether you want to play at real online casino sites for real money or for free, you must know these hands to win bigger.

Keep reading to know different types of poker hands and their ranks.

 

Royal Flush

This is the best hand in the entire game. It comprises five cards, all from the same suit. Furthermore, the five cards include an Ace, a King, a Queen, a Jack and a 10 in this particular sequence. 

Example: a) A, K, Q, J and 10 of Spades. 

 

Straight Flush

The straight flush comprises five numerical cards from the same suit. These numbers must be consecutive offering a straight-set. However, this isn’t just limited to numerical.

You can even continue to form sequences using the face cards (A, K, Q and J) along with the numerical ones. 

Example: a) 6, 5, 4, 3, 2 of Diamonds

  1. b) Q, J, 10, 9, 8 of Clubs

 

Four of a Kind

Four cards of the same rank but a different suit. The 5th card is known as the Kicker. Four of a Kind hand is also known as Quad. 

If two players have the same valued four of a kind suits, the highest kicker card decides the winner of the two.

Example: a) 6, 6, 6, 6, Q – This includes 6 of Spades, 6 of Clubs, 6 of Diamonds and 6 of Hearts. 

  1. b) K, K, K, K, 8

 

Full House

This constitutes 3 cards of same rank + 2 cards of same ranks, all from different suits. 

Example: 10, 10, 10, 6, 6

 

Flush

Flush includes 5 cards of the same suit but different ranks. They do not have to be in numerical order.

Example: A, K, 6, 4, 3 of Hearts.

 

Straight

The straight hand consists of 5 cards of different suits which are numerically connected. 

Example: 9 (Spades), 8 (Clubs), 7 (Hearts), 6 (Diamonds) and, 5 (Clubs).

 

In straight hands, an Ace can be used as a high rank or low-rank sequence.

High Rank: A, K, Q, J, 10

Low Rank: 5, 4, 3, 2, A

 

Three of a Kind

This includes 3 cards of the same rank. The remaining 2 cards can be anything.

Example: 10 (Diamonds), 10 (Clubs), 10 (Hearts), 7 (Clubs), 3 (Diamonds).

 

Two Pair

A set consisting of two different pairs of two same rank cards. 

Example: Q (Diamonds), Q (Clubs), 7 (Hearts), 7 (Spades), and 5 (Diamonds).

 

One Pair

This set consists of one pair of the same rank cards.

Example: K (Clubs), K (Hearts), 4 (Spades), 9 (Hearts), 3 (Diamonds).

 

High Card

Five cards constituted of all different ranks and different types of cards forming no pair whatsoever. This is also known as No Pair and is the worst poker hand.

Example: K (Hearts), 10 (Spades), 7 (Diamonds), 5 (Clubs), 2 (Hearts).

Understanding the Ante and Blinds in the Poker Game

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Ante and blinds are best forms often used in the various poker variants. The bets are mandatory to be wagered before the game begins. Hence, they are also known as forced bets. However, if you want to play at a reliable casino, read this tsars casino review to know what you should look for.

Let’s get a deep understanding of the Ante and Blinds in the poker game below.

Ante

Before the game begins, each player at the poker table has to place an amount of bet to form the pot. The amount placed by all the punters is in equal proportion. This is mainly proposed to increase the hand value. This way players will play the hand rather than folding it. 

Furthermore, the ante amount is generally small. So once players are done placing the ante, the poker game begins. 

Generally, the ante bets are equipped in the draw poker and stud games. Additionally, stud games also come with bring-in bets. The bring-in bet is designed to remain greater than the ante. However, they are smaller than the small bets. For instance, if the ante is €1 and the small bet is €5, the bring-in bet is €2. 

Blinds

Blinds are another type of forced bet which are placed before the cards are dealt to the players. Since the players have not seen their respective cards and have blindly placed the bet, this particular wager is termed as ‘Blinds’.

There are generally two types of blinds- small and big- depending on the amount of the bet. This amount is decided before the game begins. 

Moreover, they are placed by two players sitting left to the dealer button. After the first two players are done placing their bets, the dealer button again moves to the next players. This is done to provide all players, present at the table, a chance to place the blind bets. The dealer button moves in a clockwise direction.

Small Blinds: Small blinds are placed by the punter sitting immediate left to the dealer button. It is usually half of the entire bet meant for that round. 

Big Blinds: These are now placed by the second player sitting left to the first player. Big blinds are the entire bet amounts which were decided before the game begins.

After the bets are placed, the cards are dealt to the punters. Now, the punter sitting next to the player who placed the big blinds begins the game. This player can either fold, call or raise the bet keeping in line with the big blind’s bet.

General Outcomes on the Bet Size of the Poker Games

The outcome of the ante on the game’s bet size is nil. So, it is considered as a dead amount which basically only increases the overall size of the pot. 

However, the blinds directly influence the size of the bet. Suppose if the small blinds are €10 and the big blinds are €20. So, the next player playing after the big blinds are placed, should call and place the same bet of €20. Or, he/she can raise the bet to €40.

Michael Bublé’s “Christmas” reclaims Official Albums Chart top spot

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Michael Bublé’s Christmas album climbs to Number 1 on this week’s Official Albums Chart, returning to the summit for the first time in nine years.

Released in October 2011, the collection last held Number 1 in the final week of that year, and this week returns to claim a fourth non-consecutive week at the top, finishing ahead of Taylor Swift’s Evermore (2).

Meanwhile, Dua Lipa’s Future Nostalgia flies 15 places to Number 3, the album’s first Top 5 appearance since June, and Pop Smoke’s posthumous debut studio album Shoot For The Stars, Aim For The Moon is up 17 spots to Number 5 – its highest placing since October.

Sam Smith’s Love Goes rises four to return to the Top 10 at Number 9, while Ariana Grande’s latest effort Positions is up 18 places to Number 11. Taylor Swift’s Folklore rebounds 15 places to Number 15.

American rapper Playboi Carti claims the week’s highest new entry with Whole Lotta Red at Number 17 – his first Top 20 collection. Australian rapper The Kid Laroi’s debut mixtape F**k Love rebounds 13 to Number 22, landing just ahead of Lil Durk, who enters at 26 with The Voice, his sixth studio album and highest charting collection in the UK.

George Michael’s Twenty Five greatest hits collection flies 37 places to Number 30 following the fourth anniversary of his death, and finally, the late Juice Wrld’s 2018 debut Goodbye & Good Riddance rebounds 22 to Number 34.

“Last Christmas” by Wham! finally claims Official Singles Chart Number 1

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Wham’s Last Christmas finally claims Number 1 on the Official Singles Chart 36 years after its release and breaks a new Official Chart record in the process, the Official Charts Company can confirm.

The festive favourite climbs from 3 to 1 after racking up 9.2 million streams over the past week, reaching the summit on the fourth anniversary of George Michael’s death.

Last Christmas sets a new record for the longest time taken for a single to reach Number 1, at 36 years, overtaking Tony Christie’s (Is This The Way To) Amarillo, which took 33 years and 4 months to claim the top spot (March, 2005).

Martin Talbot, chief executive, Official Charts Company said:

“This is a fantastic record for Last Christmas. Just a few weeks after Mariah Carey’s All I Want For Christmas is You reached Number 1 after a 26 year wait, for the Wham! tune to make its own impact after so long really shows how much the British public love their Christmas classics.”

Previously, Last Christmas was the UK’s best-selling single to never reach Number 1, accumulating 1.9 million pure sales to date across its lifetime. That title is now handed over to Maroon 5’s Moves Like Jagger ft. Christina Aguilera (1.55m pure sales), a Number 2 hit in 2011.

Released in 1984, Last Christmas spent five weeks at Number 2 that year, pipped to the Official Christmas Number 1 post by Band Aid’s Do They Know It’s Christmas?. It was re-released the following year and reached Number 6.

Since 2007, shortly after downloads were introduced to the Official Chart, Last Christmas has re-entered the Top 40 on a further 13 occasions, reaching Number 2 again in 2018. View Wham’s complete Official Chart history here.

Last Christmas is the second festive classic to finally claim chart glory in recent weeks, after Mariah Carey’s All I Want For Christmas Is You reached Number 1 in December, 26 years after its release.

Recipients of the 8th Annual Canada’s Walk of Fame RBC Emerging Musician Program Are…

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One of Canada’s most successful programs supporting aspiring Canadian musical artists today adds five new recipients to its yearbook. Canada’s Walk of Fame announces the recipients of the 8th Annual Canada’s Walk of Fame RBC Emerging Musician Program, with budding Hip-Hop and R&B duo, Allydice of Mississauga, Ontario taking the Grand Prize. Chosen by a selection committee of music industry experts, Allydice and the other four finalists will share the prizing and the program benefits valued at more than $100,000.

For the first time in the program’s history, musicians from each province and territory entered for a chance to be a part of this coveted program. Of the more than 1400 applicants, five talented musical acts will take part in this year’s program.

The recipients of the 8th annual Canada’s Walk of Fame RBC Emerging Musician Program are:

  • Grand Prize Winner: Allydice of Mississauga, Ontario
  • Second Prize Winner: Breagh Isabel of Halifax, Nova Scotia
  • Finalist: Maya Malkin of Montreal, Quebec
  • Finalist: BOLD AS LIONS of Winnipeg, Manitoba
  • Finalist: Elijah Bekk of Faro, Yukon

Allydice, featuring Canadian-Jamaican identical twin sisters Kayle and Kayla Allydice, have been honing their musical craft for 13 years. They describe their original sound, inspired by reggae and dancehall, as music for the people. Allydice are currently working on their EP set for release in the Fall of 2021.

As the Grand Prize winner, Allydice will receive a cash prize of $20,000, private studio recording time at the renowned Metalworks Studios, introductions to industry executives and album art cover design. A cash prize of $6,000 goes to Halifax-based singer Breagh Isabel for Second Prize, and the three Finalists will receive cash prizes of $4,000 each. All recipients will have opportunities to elevate their career, including access to industry workshops, performance opportunities, private career development mentorship sessions with industry professionals and more.

For complete prizing details and to review the full release, visit canadaswalkoffame.com.

Dolly Parton’s Massive Imagination Library to Be Focus of New Documentary

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“The Library That Dolly Built” is a feature-length documentary, covering the history, impact and future of Dolly Parton’s world-wide book gifting program. Featuring the music of Dolly Parton, the film is narrated by actress and author, Danica McKellar.

Produced by Land Grant Films, “The Library That Dolly Built” is directed by journalism professor Nick Geidner, edited by video instructor Clinton Elmore, and crewed by 15 University of Tennessee students.

New Documentary Asks ‘What The Hell Happened to Blood, Sweat and Tears?’

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Jesse James Films in association with Crew Neck Productions are producing a fully authorized documentary blending music, politics, social commentary and a mystery involving one of the biggest rock bands of the late 60s/early 70s: Blood, Sweat & Tears. The film will be written, produced and directed by award-winning filmmaker John Scheinfeld (The U.S. vs. John Lennon, Who Is Harry Nilsson (and Why Is Everybody Talkin’ About Him)?, Chasing Trane: The John Coltrane Documentary and The Happy Days of Garry Marshall) who is diving deep into the mystery of what actually happened to the band that suddenly fell from grace at the peak of their fame.

In 1970, Blood, Sweat & Tears was one of the biggest bands in the world. They had exploded on the scene with both daring and promise, selling millions of records, winning multiple Grammy Awards including Album of the Year (beating out The Beatles’ Abbey Road) and one of the headliners at the legendary Woodstock festival. In demand for concert and TV appearances, BS&T was a darling of the mainstream and rock press, icon of the counterculture and inspiration for a generation of horn-based bands. Their future was limitless. And then it all went wrong.

Created with the full cooperation of Blood, Sweat & Tears, the film will overflow with great music, international political intrigue, compelling human moments, humor and fresh insight into this strange never-before-told story.

“John Scheinfeld is a unique combination of filmmaker, historian and detective,” says BS&T’s Bobby Colomby. “He asked me a simple question: ‘What the hell happened to Blood Sweat & Tears?’ My convoluted answer somehow ignited an engine inside of John that was the beginning of an unexpected adventure: creating a documentary film to reveal the answer to this decades old question. This won’t be your typical music doc, in any way, shape or form.”

A key element of this untold story is that a film crew accompanied the band on their U.S. State Department-sponsored 1970 tour behind what was known as the Iron Curtain, shooting 65 hours of footage and recording many of the group’s concerts to raucously adoring crowds in Communist Yugoslavia, Romania and Poland. The intent was to produce a documentary to be shown in theatres around the world. But the film was never released and the raw footage disappeared. What happened?

During the first months of the COVID-19 quarantine, Scheinfeld began to dig for answers and recently unearthed a 53 minute version of the tour film that raised more questions than answers. Questions that involve the FBI, CIA, Immigration and Naturalization Service, Republicans and Democrats and the secret police of three nations.

WHAT THE HELL HAPPENED TO BLOOD SWEAT & TEARS? will reveal how BS&T found itself victim of the significant societal upheaval and culture wars in an America that was divided as it had not been divided since the Civil War.

This toxic environment, fostered by a rogue Presidency intent on quashing dissent and winning an election, found the band in the crossfire between the Right and the Left and suffered greatly as a result. Although rooted firmly in the past, what happened to Blood, Sweat & Tears has surprisingly strong parallels to the present.

Jesse James Films is a Los Angeles-based production company founded by James Sears Bryant and Jesse Murphy in 2019. JJF is backed by a seven-figure rights acquisition and development fund focusing on mining high profile and high concept intellectual property as the basis of film, television and live stage productions.

This collaboration with Crew Neck Productions marks the company’s first foray into documentaries. According to Bryant, who is financing and will executive produce the documentary, “The untold Blood Sweat & Tears’ journey is rare – it speaks to a generation. The parallels of what we are experiencing in our society today is uncanny and, truthfully, concerning. This story has the uncommon power to entertain and educate – and John Scheinfeld is a prolific filmmaker whose work has consistently excelled at both these callings. Jesse and I have always sought those Black Swan opportunities and candidly, this is it.”

The Canadian Folk Music Awards Announce 2021 Nominees

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The Canadian Folk Music Awards celebrates its 16th edition, with a roster of nominations that celebrates the breadth and depth of Canadian folk music.  This year’s nominees span the country from Baie-Egmont, Prince Edward Island to Pangnirtung, Nunavut, and from Horsefly, British Columbia to St. John’s, Newfoundland — celebrating the diversity and talent of artists and musicians across Canada.

Established by Canada’s vibrant and internationally-recognized folk music community, the awards currently boasts 19 categories. Nominees are chosen for each category through a two-stage jury process. More than 100 jurors, located across Canada, representing all official provinces, territories and languages, determine the official recipients in each category.

CFMAs are pleased to present two NEW Award categories for 2021. A new award for “Single of the Year” recognizes an artist or group, and their producer(s) for a single release recording, or a track from an album that was released as a single, open to all folk genres, songs and instrumentals.  Another award has been added, “World Music Album Of The Year,” which replaces the former awards for “World Solo Artist of the Year,” and “World Group of the Year.”

The 16th edition of the Canadian Folk Music Awards Celebration will take place online again this year, and will present all 19 Awards, plus the Unsung Hero Award bringing the total to 20 Awards, virtually, over the weekend of April 9-10, 2021. The Awards were originally scheduled in-person over this weekend in Charlottetown, PEI, however, the CFMAs have made the difficult decision to cancel the live shows and weekend celebrations due to COVID-19. The health and safety of our patrons, artists, staff and the general public remains paramount, more information will be shared in early 2021.

THE 2021 CANADIAN FOLK MUSIC AWARD NOMINEES ARE:

Children’s Album of the Year / Album jeunesse de l’année

  • Broccoli Farm by/par Claire Ness
  • Goodnight To You All by/par Charlie Hope
  • Small But Mighty by/par Ginalina
  • The Mountain Man by/par Spencer Burton
  • Tous musiciens by/par Henri Godon

Contemporary Album of the Year / Album contemporain de l’année

  • Are You in Love? by/par Basia Bulat
  • At the Edge of the World by/par Mike McKenna Jr.
  • Coyote by/par Catherine MacLellan
  • Drifters by/par Joe Nolan
  • Reliever by/par William Prince
  • Sugar & Joy by/par The Dead South
  • The Unconquerable Past by/par Stephen Fearing
  • Yours To Break by/par The East Pointers

Contemporary Singer of the Year / Chanteur contemporain de l’année

  • Coco Love Alcorn for/pour Rebirth
  • Basia Bulat for/pour Are You in Love?
  • Tim Chaisson for/pour Yours To Break
  • Catherine MacLellan for/pour Coyote
  • William Prince for/pour Reliever

English Songwriter(s) of the Year / Auteur compositeur(s) anglophone de l’année

  • Coco Love Alcorn for/pour Rebirth
  • Basia Bulat for/pour Are You in Love?
  • William Prince for/pour Reliever
  • Pharis & Jason Romero for/pour Bet On Love
  • Sarah Jane Scouten for/pour Confessions
  • Julian Taylor for/pour The Ridge

Ensemble of the Year / Groupe de l’année

  • OKAN for/pour Sombras
  • Pharis & Jason Romero for/pour Bet On Love
  • Sultans of String for/pour Refuge
  • Sussex for/pourThe Ocean Wide
  • The Dead South for/pour Sugar & Joy

French Songwriter(s) of the Year / Auteur-compositeur(s) francophone de l’année

  • Guillaume Arsenault pour/for La partie de moi qui tremble
  • Raphaël Delahaye pour/for Le sens de la dérive
  • Marie-Ève Lapierre-Lemoyne pour/for Onze
  • Flavie Léger-Roy pour/for Ce chapeau est trop grand pour moi
  • Alexandre Poulin pour/for Nature humaine

Indigenous Songwriter(s) of the Year / Auteur compositeur(s) autochtone de l’année

  • Jason & Nadia Burnstick for/pour Kîyânaw
  • A.W. Cardinal for/pour Bare Knuckles & Brawn
  • Leela Gilday for/pour North Star Calling
  • Riit for/pour ataataga
  • Crystal Shawanda for/pour Church House Blues

Instrumental Group of the Year / Groupe instrumental de l’année

  • Beòlach for/pour All Hands
  • Emilyn Stam & John David Williams for/pour Honeywood
  • Gordon Grdina’s The Marrow for/pour Safar-E-Daroon
  • Jessica Deutsch & Ozere for/pour Traces
  • Rhizome for/pour Double capture

Instrumental Solo artist of the Year / Instrumentiste solo de l’année

  • Marc Atkinson for/pour Solo
  • Benjamin Barrile for/pour Esperando el Alba
  • Gordon Grdina for/pour Prior Street
  • Nick Hornbuckle for/pour 13 or So
  • Natalie MacMaster for/pour Sketches

New/Emerging Artist(s) of the Year / Artiste(s) de la relève de l’année

  • Noah Derksen for/pour America, Dreaming
  • Marie-Ève Laure for/pour Onze
  • Maya Rae for/pour Can You See Me?
  • Emily Rockarts for/pour Little Flower
  • Rum Ragged for/pour The Thing About Fish
  • Emily Triggs for/pour Middletown

Producer(s) of the Year / Réalisateur(s) de l’année

  • Dave Clarke & Bill Garrett for/pour Coming Home (Steel Rail)
  • Roy Forbes for/pour Edge of Blue (Roy Forbes)
  • Marc Jenkins for/pour Bet On Love (Pharis & Jason Romero)
  • Dayna Manning for/pour Morning Light (Dayna Manning)
  • Chris McKhool & John ‘Beetle’ Bailey for/pour Refuge (Sultans of String)

Oliver Schroer Pushing the Boundaries Award / Prix Innovation musicale Oliver Schroer

  • Aerialists for/pour Dear Sienna
  • Mélisande [Électrotrad] for/pour Les myriades
  • Riit for/pour ataataga
  • The East Pointers for/pour Yours To Break
  • The Henrys for/pour Paydirt

Single of the Year / Monoplage de l’année

  • K’eintah Natse Ju by/par Leela Gilday (Producer / Réalisateur: Hill Kourkoutis)
  • Some Kind of Hell by/par Burnstick (Producers / Réalisateurs: Jason & Nadia Burnstick)
  • The Spark by/par William Prince (Producers / Réalisateurs: Scott Nolan, Dave Cobb)
  • Wintergreen by/par The East Pointers (Producer / Réalisateur: Gordie Sampson)
  • Yellowknife by/par Craig Cardiff (Producer / Réalisateur: Craig Cardiff)

Solo Artist of the Year / Artiste solo de l’année

  • Catherine MacLellan for/pour Coyote
  • Lynn Miles for/pour We’ll Look For Stars
  • William Prince for/pour Reliever
  • Riit for/pour ataataga
  • Julian Taylor for/pour The Ridge

Traditional Album of the Year / Album traditionnel de l’année

  • All Hands by/par Beòlach
  • Bet On Love by/par Pharis & Jason Romero
  • Crowing Ignites by/par Bruce Cockburn
  • Debout! by/par Le Diable à Cinq
  • The Lost Tapes by/par Ian & Sylvia

Traditional Singer of the Year / Chanteur traditionnel de l’année

  • Mike Bravener for/pour Depends Upon The Pay
  • Kevin Harvey for/pour Hand me Down Blues
  • Mark Manning for/pour The Thing About Fish
  • Lou Natale for/pour Workin’ the Mystery
  • Pharis Romero for/pour Bet On Love

Vocal Group of the Year / Groupe vocal l’année

  • Beauséjour for/pour Beauséjour
  • Big Little Lions for/pour Inside Voice
  • Kennedy Road for/pour A Little Fight Left Yet
  • Pharis & Jason Romero for/pour Bet On Love
  • The Barrel Boys for/pour Mainline

World Album of the Year / Album de musiques du monde de l’année

  • Africa Without Borders by/par Okavango African Orchestra
  • Kora flamenca by/par Zal Sissokho
  • La Serena by/par Aviva Chernick
  • Patria by/par Mazacote
  • Sombras by/par OKAN

Young Performer(s) of the Year / Jeune artiste(s) de l’année

  • Maya Rae for/pour Can You See Me?
  • Moscow Apartment for/pour Better Daughter
  • Paige Penney for/pour Watch Out For Your Step
  • Quin With One N for/pour Out of the Blue
  • The Gilberts for/pourThe Gilberts: One

Justin Bieber Announces New Single + Video “Anyone” Arriving New Year’s Day

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Justin Bieber will ring in the New Year with yet another gift for fans across the world. Today, Bieber announces his new single “Anyone” – co-written and produced by Andrew Watt with a visual directed by Colin Tilley – set for release at 12am EST on January 1, 2021. Fans tuned in to Bieber’s livestreamed New Year’s Eve concert presented by T-Mobile will have the chance to hear “Anyone” performed live for the first time, anywhere.

“I can’t think of a better way to close out 2020 and kick off 2021 than celebrating with my fans all over the world and sharing this new music with them,” said Justin. “Music has gotten us all through so much this year, and for me personally it’s been healing and transformative. ‘Anyone’ is such a special, hopeful, anthemic song. It sets the tone for a brighter new year full of hope and possibility.”

Closing out 2020 with three smash singles – “Holy,” “Lonely,” and “Monster” – Justin Bieber reigns as one of the biggest artists in the word: the #1 artist on YouTube with 60mm subscribers, the #2 artist on Spotify globally with over 75mm monthly listeners, over 200mm in combined U.S. radio audience per week, and three Grammy nominations and an American Music Award for his 2020 album Changes.

Changes, the fifth studio album by Grammy Award®-winning global superstar Justin Bieber, debuted at #1 on the U.S. album chart, netting over 1 million in first week global consumption. Bieber’s 7th overall #1 album, Changes also debuted at #1 on the Billboard R&B Albums chart, a career first for him. Underscoring the global dominance of Changes, the album reached #1 in the UK and Canada, and clocked in at #1 iTunes in 85 countries.

Over the course of his career, Justin Bieber has amassed more 50 billion streams and more than 60 million album equivalents worldwide. Justin’s Grammy-winning 2015 album PURPOSE has sold over 21 million copies worldwide.