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Ottawa’s Folk-Rockers HemlockHotel Offer Insight into the State of “America” with New Single

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Ottawa, ON-based folk-rock Americana band HemlockHotel are singing of “America” in this, their new single — available now.

Arriving on the precipice of the trio’s forthcoming self-titled album set for release this October, “America” is about growing up and wondering if you’re bound to repeat the life of your ancestors.

“Some critics wondered why a Canadian band wrote a song that focused on the USA and there are a few reasons,” band member Rod Leggett offers. “Though I was listening to a bunch of protest music, the muse did visit so I listened before she escaped.

“A lot of us want to see political change, but how do you go about that when you no longer have role models? There’s a line in the song about ‘what can be done, of fathers and sons?’; the boy in the song wants a better world, and a country that can stand on its feet, but he’s clearly unsure of himself and what to do.

“There’s no doubt there was a direct focus on the political. I mean, you can’t have it both ways: American art and culture gets exported everywhere and we’re so close to them, so we take a lot in. With adoption comes questions. American politics is in a wild period and it’s sometimes difficult to watch.”

Along with Leggett, band members Dan Leduc and Mark Paré have all been members of respective bands since the 1990s, spanning genres from R&B to jazz to Franco-rock, country rock, and progressive rock in between. In the formation that is HemlockHotel, the three blend their varied and expansive histories to create a new — yet, familiar — sound of which “America” and HemlockHotel serve as a preview to.

“The goal of our first album together was to get comfortable and put together some tunes in the Americana tradition,” Paré says. “I mean, that’s pretty much why we got together; we all like that stuff.”

“We didn’t write a concept album,” Leduc shares of HemlockHotel. “Rather, we wanted to keep the production close enough to what a live performance sounds like; that was our primary goal. Generally, we’re very song-by-song driven,” he continues. “Every song is a microcosm which fits in the given galaxy of the time and place of the recording and the people involved in the production.

“Maybe in a few years we’ll see a more obvious pattern that was at work… Some hidden hand.”

Video: Debbie Harry explains the British punk dance The Pogo in 1978

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Sid Vicious allegedly invented the dance as a way of mocking people who came to see Sex Pistols’ performances, but who were not part of the punk movement. With more on this, here’s Debby Harry from Blondie teaches the Americans the style of dance in 1978.

Dan Aykroyd and Bill Murray pitch “Ghostbusters” to independent theater owners in 1984

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“…If not, we got some Canadian film board stuff you can look at…”

Video: Debbie Harry in a commercial for Sara Lee’s French Bread

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“Everybody doesn’t like something, but nobody doesn’t like Sara Lee.”

Listen: Eric Wareheim of Tim & Eric’s old emo-hardcore band

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Eric Wareheim, one half of the comedy duo Tim & Eric, alongside Tim Heidecker, played in several Philadelphia area bands, including the new wave punk band Twelve Tone System, of which Tim was also briefly a member. Eric briefly played backup guitar for the duo Adam and Justine in the 1990s. Eric was also the principal songwriter for The Science Of and had been a member of Elements of Need, I Am Heaven, and briefly with the Vampire-themed punk band Ink & Dagger.

Here’s a rarely-heard clip of I Am Heaven’s EP.

Rough Trade’s “High School Confidential” Trailblazes into the Canadian Songwriters Hall of Fame

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The Canadian Songwriters Hall of Fame (CSHF) is pleased announce the song induction for the breakthrough hit, High School Confidential, written by Carole Pope and Kevan Staples, founders of the band Rough Trade. Written as an anthem to teenage hormones, it was the song’s openly gay and sexually explicit lyrics, paired with their captivating live shows and a controversial television moment, that propelled Rough Trade from the underground Toronto club scene to the national spotlight. High School Confidential ushered in a new era of sexual openness for LGBT and women artists.

As one of the first openly gay Canadian pop stars, Pope was confident in her sexuality and pushed her provocativeness on stage and off, incorporating bondage and overt sexuality in their performances, and penning lyrics with songwriting partner Kevan Staples that were unapologetically explicit and unabashed. High School Confidential was originally written for a male lead to sing, but Pope decided to take on the song herself, recalling, “I didn’t think it would be a big deal that I would be singing about a woman. But when I sang it, it was full of innuendo — a lesbian love song. Quite frankly, we were surprised at how successful we were.”

“Carole Pope and Kevan Staple’s High School Confidential was ground-breaking in so many ways – empowering a generation to express love and sexual desire, no matter what orientation – and turning the tables for women to sing about sex, in a way that only men were allowed to at the time,” said Vanessa Thomas, CSHF Executive Director. “Our mandate at the Canadian Songwriters Hall of Fame is celebrate the songs and songwriters that have not only contributed to the Canadian musical landscape, but that have also influenced the cultural zeitgeist.”

Pope and Staples first collaborated in the ‘60s, with Carole on vocals and Kevan on guitar (and later keyboards), performing at clubs in Toronto. They quickly gained an underground following of fans who flocked to see their avant-garde performances; and eventually caught the attention of record producer Jack Richardson, and signed with Bernie Finkelstein’s indie label True North Records in 1980 to release the sophomore album “Avoid Freud.” Rough Trade recorded High School Confidential at Toronto’s Manta Sound studio and borrowed its title from the 1958 film; which like the film, is fraught with teenage hormones and jealousies.

True North released the single despite concerns about its very explicit lyrics. CHUM radio’s music director called Finkelstein to ask if the band could record an edited version to remove one particularly over-the-top lyric: “It makes me cream my jeans when she comes my way.”

Finkelstein remembered, “I took the idea to Carole and Kevan and although they were somewhat reluctant, they were willing to give it a shot.” After some experimentation, they simply bleeped out the offending words.

CHUM aired this edited version, and as Finkelstein explained, “The phone lines lit up. For a while, it was the most requested song on the station. The ‘bleep’ was like honey to a bear.” Listeners rushed out in droves to buy the album in order to hear the uncensored version, driving album sales to platinum. Pushed by the controversy, the single rose to Top 10 on radio stations RPM’s Top 100.

Rough Trade infamously performed High School Confidential at the 1980 JUNO Awards, when Pope, on live national television, made a gesture to touch herself that was considered obscene. The impact was felt across the music world. Staples later told the CBC that “The appearance on the JUNOs was a life-changing moment.” Her performance garnered praise from fellow female artists, and trailblazed the path for the likes of Michael Jackson and Madonna to take risks on live mainstream television.

At the 1982 JUNO Awards, Pope and Staples were nominated for Composer of the Year and Single of the Year for High School Confidential; with Pope winning Female Vocalist of the Year in 1983, following up her Most Promising Female Vocalist win in 1981. The song was recognized by the CBC as one of the 1980s’ 50 Best Songs; and was re-recorded for TV’s Queer as Folk. In 2017, High School Confidential was honoured with a SOCAN Classic Award.

After recording six albums together and a farewell tour in 1986, Pope and Staples went on to pursue separate and successful careers. Staples continues to compose music for television and film. Pope released solo albums including “Transcend” (2005) and the critically well-received “Landfall” (2011); and published a bestselling autobiography Anti Diva in 2000. Her latest EP “Music for Lesbians” (2015) culminated with a live performance with Peaches on season two of the television series, Transparent.

Video: Ozzy Osbourne tells a story about meeting Oliver Reed who even shocked him

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If Ollie Reed was the only person who could make Ozzy into the sensible, sober one, one of you has a problem.

Video: The early test animation for Pixar’s ‘Monsters Inc.’

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It’s amazing how similar Mike’s facial expressions, his voice, and his movements are to the final cut. Sometimes, when you get it right, you can just feel it.

Yellowman’s Isolated Vocals For “Zungguzungguguzungguzeng”

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Yellowman’s first album release was in 1982 entitled Mister Yellowman followed by Zungguzungguguzungguzeng in 1983 earning instant success. I still can’t believe Word doesn’t know how to spell Zungguzungguguzungguzeng.