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Mick Fleetwood Releases New Music and Video For “These Strange Times”

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Rock & Roll Hall of Fame drummer Mick Fleetwood released today a new recording and video for Mick Fleetwood’s Da*da*ism “These Strange Times,” available on Rhino Records. Originally released on Fleetwood Mac’s 16th studio album Time in 1995, the song was re-recorded adding thirty seconds of Peter Green’s “Albatross” to the end of the song and set to a brand-new video.

Inspired by an eighteenth-century painting, the newly released video and accompanying single artwork are centered around the idea of something greater than us, which lies at the core of our very human struggle to be our best selves.

“The project is about the energy of choice, of deciding if you want to be a part of the dark or the light when push comes to shove, which seems very apropos at this moment in history,” Fleetwood says. “It’s about how you read things, which is very important today. Everyone needs to be carefully paying attention to the information coming our way. There is subtext to everything and we need to be aware of that. When I first encountered the painting that inspired the photoshoot, it was a soul-searching exercise that I was driven to do but I didn’t know when would be the time to release it. Now I know why: the when is now.”
The spoken-word poem at the center of the song finds the narrator, Fleetwood, questioning his feelings and his thoughts, as he has found himself stuck between the dark and the light. The video is meant to be as thought provoking as the song is hypnotic, as the lyrics detail the struggle of the narrator.

“I hope the song conveys that life is about choice,” Fleetwood says. “God is everything, no matter what your belief system is. Being in love is God, no matter your creed. There’s a rejoicing at the end of the song when the narrator chooses the side of the light. The song is about all of us making that choice ourselves and the relief we feel when we are no longer caught in the middle.”

“This is something I wrote many years ago,” Fleetwood says, “and I want it to be nothing more than thought provoking. I want people to see and hear what they will in it. My hope is that by sharing these thought-provoking moments in my world that I can somehow open the eyes of others to things in their world and to the existence we all share, which is more and more endangered with each passing day.”

My Next Read: “The Big Life of Little Richard” by Mark Ribowsky

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Little Richard blazed the trail for generations of musicians―The Beatles, James Brown, the Everly Brothers, Jimi Hendrix, the Rolling Stones, Elton John, Prince . . . the list seems endless. He was “The Originator,” “The Innovator,” and the self-anointed “King and Queen of Rock ’n’ Roll.” When he died on May 9, 2020, The Big Life of Little Richard―a nearly-completed book―was immediately updated to cover the international response to his death. It is the first major biography of Macon, Georgia’s Richard Wayne Penniman, who was, until his passing, the last rock god standing.

Mark Ribowsky, acclaimed biographer of musical icons―the Supremes, the Temptations, Stevie Wonder, Otis Redding―takes readers through venues, gigs, and studios, conveying the sweaty energy of music sessions limited to a few tracks on an Ampex tape machine and vocals sung along with a live band. He explores Little Richard’s musicianship; his family life; his uphill battle against racism; his interactions with famous contemporaries and the media; and his lifelong inner conflict between his religion and his sexuality.

The Big Life of Little Richard not only explores a legendary stage persona, but also a complex life under the makeup and pomade, the neon-lit duds and piano pyrotechnics, along with a full-body dive into the waters of sexual fluidity.

By 2020, eighty-seven-year-old Little Richard’s electrifying smile was still intact, as were his bona fides as rock’s kingly architect: the ’50s defined his reign, and he extended elder statesmanship ever since. His biggest smash, “Tutti Frutti,” is one of history’s most covered songs―a staple of the pre-Invasion Beatles―and Elvis pivoted from country to blues rock after Little Richard made R&B’s sexual overtones a fundament of the new musical order. Even Hendrix, the greatest instrumentalist in rock history, toured with him before launching a meteoric solo career.

Whenever someone pushes the music and culture of rock to its outer borders, one should turn to Little Richard for assurance that anything is possible.

Video: John Lee Hooker, Eric Clapton and The Rolling Stones Perform “Boogie Chillen'” In 1989

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Known to music fans around the world as the “King of the Boogie,” John Lee Hooker endures as one of the true superstars of the blues genre. His work is widely recognized for its impact on modern music – his simple, yet deeply effective songs transcend borders and languages around the globe. Each decade of Hooker’s long career brought a new generation of fans and fresh opportunities for the ever-evolving artist, and he regularly toured and recorded up until his passing in 2001.

Harry Styles’ Isolated Vocals For “Watermelon Sugar”

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Tastes like strawberries on a summer evenin’
And it sounds just like a song
I want more berries and that summer feelin’
It’s so wonderful and warm

Photo Gallery: Dean Brody with Sacha at Toronto’s OLG Play Stage

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

Dean Brody
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You Need This Ukulele Cover Version Of AC/DC’s “Thunderstruck”

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Check out Overdriver Duo’s impressive ukulele rendition of AC/DC’s “Thunderstruck.”

Anna Sofia Reveals Spellbinding ‘Broken Perfection Garage Session’ EP

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Canadian 17 year old rising singer-songwriter Anna Sofia has cemented herself as an artist to watch for this year and beyond, gaining acclaim from the likes of Wonderland, IDOLATOR, American Songwriter, CLASH and more for stellar indie-pop showcase, Broken Perfection.

Today, Anna Sofia continues to showcases her otherworldly ability with the reveal of the Broken Perfection Garage Session, a wonderful stripped back version of the Jeff Hazin produced EP.

At just 17, the Canadian singer-songwriter and multi-instrumentalist has won critical acclaim, millions of streams and legions of dedicated fans for one simple reason: she’s being herself. Her music is not the result of focus groups, marketing or following trends. There’s no hindsight and no lecturing. She’s just an artist living in the moment, reflecting life back to the same people coming of age and navigating the drama of becoming an adult – with sophisticated but immediate indie meets R&B bangers that are totally free of pretense and bullshit, singing directly from the heart of the Gen Z experience.

While determined to reach as many people as possible, Anna Sofia has no manifesto or mission statement – just to stay true and speak to others. “I don’t have a message. It’s just real life,” she admits. “One day, I hope to fill stadiums all over the world. I want to have fans everywhere and have some way of helping them or guiding them through my music. My confidence comes from being myself and connecting with people.”

Sound of Music Festival Announce Mike Taylor Bursary

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With special cooperation from Walk Off the Earth, a partnership between The Sound of Music (SOM) and the firm of Taylor Oballa Murray Leyland LLP, have joined the Taylor Family to proudly announce the annual Mike Taylor Music Education Bursary.

This award will help a promising young individual from the Burlington area pursue their dreams of a career in music and allow Mike’s life and legacy to live on for generations to come.

“Mike Taylor was a person who truly embodied the phrase life is for living”, says SOM executive director, Myles Rusak. “He was deeply passionate about family, friends, business and music alike, he poured his heart and soul into everything that he did and made a massive impact on the lives of people all over the world. We are grateful to have the opportunity to help cement his legacy in this community by giving back to the youth who would follow in his footsteps.”

Many people came to know Mike as the silent, stoic, larger-than-life “Epic Beard Man” that comprised 1/5 of Walk Off the Earth, but few were aware of just how kind, caring and compassionate a person he really was. Mike cared deeply about music education, and worked closely with charities like MusiCounts to help provide young people all across Canada with the opportunity to play, perform and learn about music.

The $1000 bursary will be awarded annually following a call for submissions. A panel consisting of representatives of the Sound of Music, Taylor Oballa Murray Leyland LLP and a member of Taylor Family will select a finalist to receive the one-time bursary.

This bursary is one further step towards fulfilling the Sound of Music’s new vision of being a true champion, year round, for the arts in Southern Ontario. We are proud of this commitment to our community and look forward to being a part of the future development of emerging artists in the region for years to come.

Michael Kiwanuka’s Eponymous Third Album Wins The Mercury Prize Album Of The Year

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Michael Kiwanuka is very proud to be the 2020 winner of this year’s Hyundai Mercury Prize for ‘Album of the Year’ with his eponymous and peerless third album, KIWANUKA.

Michael, who has been nominated for the prize with each of his albums to date, took home the prize at the third time of asking with a record that united the judges.

Remarking on the news straight after its announcement, Michael said: “I don’t even know what to say – I’m speechless. This is amazing…I don’t even have any words. This is ridiculous, it’s crazy! I’m so happy. Third time’s a charm. It’s blown my mind. I’m over the moon, I’m so excited – this is for art, for music, for albums. This is the only thing I’ve ever wanted to do so to win a Mercury is a dream come true. Music and art means so much to me and this is an award that celebrates that so I’m over the moon.”

The judging panel heralded the record as a ‘masterpiece’: “Warm, rich, hugely accomplished and belonging to no one genre but its own, KIWANUKA is a masterpiece.”

KIWANUKA was released in November 2019 to widespread critical acclaim, with The Guardian describing it as one of the albums of the decade. Produced/co-written with Danger Mouse and Inflo, it’s a record that tackles a broader understanding of identity, social injustices, acceptance and resilience all spun through a sonic feast of sound.

To coincide with the award, Michael is pleased to share the video for his latest single, “Light (edit).” “Light (edit)” here is a mesmerizing, psychedelic-kissed tune that showcases the musicianship and atmospherics that make KIWANUKA such an alluring record.

Today, Michael discusses the making of the record and what the award means to him in conversation with Jools Holland on BBC 2. Listen HERE.

KIWANUKA could conceivably have dazzled in any era. A rich and soulful modern classic.

Michael’s eagerly anticipated tour of the UK is now scheduled for the Spring:
26th March – O2 Academy, Glasgow
27th March – Bonus Arena, Hull
29th March – O2 Apollo, Manchester
30th March – Empress Ballroom, Blackpool
1st April – DeMontford Hall, Leicester
2nd April – Princess Pavilions, Plymouth
3rd April – Brighton Centre, Brighton
5th April – O2 Academy, Leeds
6th April – O2 Academy Brixton, London
15th September – O2 Academy, Newcastle
16th September – Corn Exchange, Cambridge
17th September – Alexandra Palace, London

Billie Eilish Announces Documentary Feature Film, Billie Eilish: The World’s A Little Blurry, Coming February 2021

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Apple and Billie Eilish today announced that the highly anticipated documentary feature film, Billie Eilish: The World’s A Little Blurry, directed by award-winning filmmaker R.J. Cutler (“Belushi,” “The September Issue,” “The War Room”), will premiere in theaters and on Apple TV+ in February 2021. The documentary is from Apple Original Films, in association with Interscope Films, Darkroom, This Machine and Lighthouse Management & Media.

Billie Eilish released her groundbreaking debut album WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? in 2019 via Darkroom/Interscope Records/Universal Music Canada, the country’s leading music company, and won Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album at this year’s 62nd Grammy® Awards in January, followed by her rousing performance of The Beatles’ “Yesterday” at the 92nd Oscars®. This year also saw 18-year-old Eilish release her internationally hailed official James Bond theme song “No Time To Die,” for the forthcoming MGM/Eon Productions James Bond Motion Picture.