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Toronto’s HOLLOW RIVER Releases Protest Concept EP & Video Trilogy, ‘Quarantine Mixtape’

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Canadian pop punk rapper Hollow River delivers his version of a protest record with the unleashing of Quarantine Mixtape — a concept EP and video trilogy release available now.

Balancing the fine line between personal and political themes, art quickly imitated life for the Boston- and Toronto-based artist.

“I was stuck in my apartment, still taking classes at Berklee, and needing to keep up with a pretty heavy load from my songwriting classes,” he recalls. “But all I could think about was the lockdown, and I couldn’t stop watching the news. I ended up writing about that for my classes just to get through some assignments, but my classmates and teachers encouraged me to see the project through to the end.

“This revisits those first days of quarantine and the feelings of helplessness and isolation many felt during that period. There were a number of times over the last few months I almost axed it altogether but, unfortunately, it’s now Fall and the coronavirus is more topical than ever…

“Wash your hands and wear a mask.”

At three tracks, Quarantine Mixtape lands as an experimental follow-up to this year’s previous release, “Known To Lie” — which received critical acclaim from Alan Cross and appeared on Ottawa’s Live 88.5.

Hollow River first fledged his music career interning at Hamilton’s legendary Grant Avenue Studio (Daniel Lanois, Gordon Lightfoot, John Cage) before heading to Boston, Massachusetts to attend Berklee College of Music — where he currently resides — to pursue a double major in music production and engineering/songwriting.

Time not spent studying revolves around furthering his craft, including freelance production and mix work with a variety of artists, and songwriting and arrangement consulting.

His efforts are quickly becoming noticed; “Mark is a talented and adaptable musician who can evolve on a dime when he needs to,” says Berklee Songwriting professor, George Woods. “(Mark is) committed and dedicated to what he does.”

Award-winning songwriter and producer Pat Hanlin — who MacDonald is mentored by as a production assistant at Hanlin’s Revivalhouse Records & Film — agrees, adding “(Hollow River’s) super power is the tone of his writing; it’s raw and real and really well composed, lyrically.

“The guy’s a maniac in the studio,” Hanlin continues. “You know anything Hollow River releases is going to BUMP!”

New Documentary Music, Money, Madness . . . Jimi Hendrix In Maui And Live In Maui Album Out November 20

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Experience Hendrix L.L.C. in partnership with Legacy Recordings, a division of Sony Music Entertainment, are releasing the brand new feature length documentary Music, Money, Madness . . . Jimi Hendrix In Maui as well as the accompanying album Live In Maui on November 20. The film chronicles the Jimi Hendrix Experience’s storied visit to Maui and how they became ensnared with the ill-fated Rainbow Bridge movie produced by their controversial manager Michael Jeffery. The Blu-ray will include the full documentary as well as bonus features featuring all of the existing 16mm color film shot of the two performances that afternoon mixed in both stereo and 5.1 surround sound. Included in the package will be Live In Maui – both of the aforementioned sets spread across 2 CDs or 3 vinyl LPs, newly restored and mixed by longtime Jimi Hendrix engineer Eddie Kramer, and mastered by Bernie Grundman.

By the middle of 1970, Jimi Hendrix was working on a follow up album to Electric Ladyland with his bandmates Mitch Mitchell (drums) and Billy Cox (bass), headlining festivals and arenas across the U.S. and building Electric Lady Studios in Manhattan’s Greenwich Village. Completing this state-of-the-art recording facility was proving to be a costly endeavor, so his manager Michael Jeffery procured a $500,000 advance from Warner Bros. to fund the remaining construction required to complete the studio. At those same meetings, Jeffery convinced Warner Bros. executives to finance a film called Rainbow Bridge that was to be shot in Maui, in exchange for rights to its soundtrack album consisting of new Jimi Hendrix studio recordings.

Inspired by Easy Rider and directed by Warhol acolyte Chuck Wein, Jeffery’s film centered around the idea of a “rainbow bridge” between the unenlightened and enlightened worlds. It was envisioned to feature everything from surfing and yoga to meditation and Tai-Chi and filmed without the aid of a script or professional actors. It proved to be a rambling assemblage of hippie excess and Jeffery grew concerned that his investment was being squandered. The Experience were already booked to perform a concert in Honolulu at the H.I.C. Arena on August 1, 1970. Chuck Wein, desperate to feature Hendrix in some capacity within the film, devised a plan to film a free ‘color/sound vibratory experiment’ on the lower slope of the dormant Haleakala volcano. Word of mouth about a free Jimi Hendrix concert led a few hundred curious Maui locals to the Baldwin cattle ranch in Olinda where a makeshift stage was constructed and the audience was arranged by their astrological signs. The performance was a success – the trio was at the height of its powers and played two sets flawlessly against a stunning natural backdrop.

In the aftermath of his performance on Maui, Hendrix would return to New York and his work at Electric Lady Studios. He had no further involvement in Rainbow Bridge. He left for Europe at the end of August to headline the massive Isle Of Wight festival and begin a European tour. Tragically, he would die in London on September 18, 1970.

The Cry Of Love, the first album of posthumous Jimi Hendrix recordings, was issued in 1971 to wide commercial and critical acclaim. Jeffery readied Rainbow Bridge and its accompanying soundtrack to be the next release. Despite its Hendrix association, the film was a commercial flop. Rainbow Bridge confused moviegoers, many of whom were under the impression they were going to see a concert film. A scant 17 minutes of haphazardly edited Hendrix concert footage was used in the final cut, and it proved to be the film’s saving grace. Due to technical problems inherent in the original recording of the Maui performances, Mitch Mitchell had to overdub his drum tracks at Electric Lady Studios in 1971 just so those performances could be featured.

Eddie Kramer recalls, “Mitch did a tremendous amount of work on the overdubs. If he didn’t get it in one take, he certainly did in the second one and I was so blown away by his ability to duplicate the parts he had already played! He was determined to fix what suffered on the recordings due to the 50 mile an hour winds because they were playing on the side of a bloody volcano! After Jimi died it took a while before I was able to go back to the closet with all the tapes. Mitch was a trooper with a can do British attitude. It’s all very well to overdub drums, but to do it so you can’t tell, that’s the magic. He knew the material extremely well and it’s a tribute to his sensitivity as a great musician and an equal and willing partner of Jimi’s.”

The posthumously released Rainbow Bridge soundtrack album, prepared by Mitch Mitchell, Eddie Kramer and John Jansen, was first rate and featured classics such as “Dolly Dagger” and “Hey Baby (New Rising Sun).” The album, however, did not include audio from the Maui concert, which may have also added to consumer confusion.

Directed by John McDermott and produced by Janie Hendrix, George Scott and McDermott, Music, Money, Madness . . . Jimi Hendrix In Maui incorporates never before released original footage and new interviews with firsthand participants and key players such as Billy Cox, Eddie Kramer, Warner Bros. executives and several Rainbow Bridge cast members, as well as its director Chuck Wein. Their fascinating account tells the definitive story about one of the most controversial independent films ever made.

The documentary sets the proverbial stage for Live In Maui – the two full Jimi Hendrix Experience sets, including breathtaking renditions of crowd favorites like “Foxey Lady,” “Purple Haze” and Voodoo Child (Slight Return),” as well as then-unreleased songs like “Dolly Dagger” and “Freedom” that showcased the new direction Hendrix was moving toward.

The Jimi Hendrix Experience – Live In Maui CD tracklist

DISC ONE
FIRST SHOW:
Chuck Wein Introduction
Hey Baby (New Rising Sun)
In From The Storm
Foxey Lady
Hear My Train A-Comin’
Voodoo Child (Slight Return)
Fire
Purple Haze
Spanish Castle Magic
Lover Man
Message to Love

DISC TWO
SECOND SHOW:
Dolly Dagger
Villanova Junction
Ezy Ryder
Red House
Freedom
Jam Back at the House
Straight Ahead
Hey Baby (New Rising Sun)/Midnight Lightning
Stone Free

Toronto’s Kensington Market Jazz Festival Announces 2020 Virtual Festival Lineup

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The show is set to go on: Toronto’s acclaimed Kensington Market Jazz Festival has announced the first lineup of artists set for feature in their first-ever virtual edition this November 7th and 8th — including Jackie Richardson, Joe Sealy, Dave Young, Robi Botos, Mike Downes, Larnell, Billy Newton-Davis, and more!

The weekend will also include two yet-to-be announced special guest performances from Champian Fulton and Brandi Disterheft.

While the Festival’s format streamed to KensingtonJazz.com may look a little different this year, the spirit remains the same, steadfast in its commitment to delight audiences far and wide with some of the country’s best in jazz.

“Over the past five years, the Kensington Market Jazz Festival has been proud to showcase hundreds of established musicians on the Toronto and Canadian jazz scene in one of the city’s most vibrant neighbourhoods in the heart of Toronto’s heritage district,” says Festival founder, singer-songwriter, artist and philanthropist Molly Johnson. “However, in these pandemic times, we are all forced to experience a different capacity of life. This year, we’ve had to make some tough choices and, though producing within a limited schedule was very difficult for the KMJF team, we are pleased to present a two-day festival with online shows that can be enjoyed by Canadians coast to coast!”
The Kensington Market Jazz Festival 2020 Lineup:

Saturday, November 7th — (Hosted by Garvia Bailey)

5:00 pm: Colleen Allen Group + Kalabash
5:30 pm: Heather Luckhart + Attila Fias
6:00 pm: Stu Mac + Stu Harrison
6:30 pm: Kevin Barrett + Rebecca Campbell
7:00 pm: Jay Douglas
7:30 pm: Genevieve Marentette + KC Roberts
8:00 pm: Angela Turone + Chris Platt
8:30 pm: Joanna Majoko + Andrew Marzotto
9:00 pm: Laura Hubert + Nathan Hiltz
9:30 pm: Barnes + Woldemichael ETHIOJAZZ Quartet
10:00 pm: Barbra Lica + James Bryan
10:30 pm: John Alcorn + Reg Schwager
11:00 pm: Shakura S’aida

Sunday, November 8th — (Hosted by John Devenish)

5:00 pm: Chris Butcher Band
5:30 pm: The Bullen Family
6:00 pm: Alex Pangman Trio
6:30 pm: Micah Barnes Trio
7:30 pm: Laila Biali Trio
8:30 pm: Jackie Richardson, Joe Sealy, Dave Young
9:00 pm: Robi Botos, Mike Downes, Larnell Lewis
11:00 pm: Billy Newton-Davis Trio

Born and raised in Kensington Market, Johnson had dreamed of launching a Festival of this nature for years; on September 16th, 2016, her dream came true. “Five years later, the original philosophy still holds true,” says Johnson. “The Kensington Market Jazz Festival is proud to be an artist-driven, volunteer-fuelled festival that has been met with overwhelming support.”

In addition to the annual Festival, the KMJF team have brought many other projects to the Kensington Market neighbourhood, including winter and spring series in the market, two live recordings, and KMJF Kids Music, launched in 2018 in partnership with the festival’s patron saint, Tom Mihalik of Tom’s Place, Yamaha Canada Music Ltd., Discovery Through The Arts, Youth Arcade Studio, and St. Stephen’s Community Centre. KMJF has continued support from Slaight Music, Ontario Arts Council, City of Toronto, Long & McQuade, Yamaha, and the Kensington Market BIA.

The Kensington Market Jazz Festival will run Saturday, November 7th and Sunday, November 8th at 5:00pm EST.

From Jail To The Top Of The Charts, Toronto’s MAYNE CHAMPAGNE Releases New Single and Video For “Joanna”

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Jermaine Lawrence describes himself as an anomaly: an R&B artist as Mayne Champagne and producer then-known as Jimmy Jump or Jump with GRAMMY and Platinum-selling artist co-works to his credit, including placement on Drake’s sophomore mixtape Comeback Season, he’s been in and out of jail since his teen years. He also turned heads when the story of identifying his mother to police in relation to an acid attack on a three-year old boy hit the local news in 2015.

Now, it’s only ever about the music and, with his forthcoming debut EP Evoking Emotions on the horizon, Mayne Champagne leads with “Joanna” — a blend of both his old world and new — available now.

“The writing of ‘Joanna’ comes from the time in my life when I was a pimp, for a lack of a better word,” he shares. “I grew up in Malvern, which was a troubled neighbourhood, and my mother tried to steer me on the right path by making me attend church and participate in the choir. The lure of street money was overwhelming, though, and I never was in a long term relationship with a woman if monetary gain wasn’t involved.

“‘Joanna’ was a person I met in high school who I had a deeper rapport with,” he continues. “More than any other woman I’ve ever known. She was the ‘square’ best friend I could talk to about subjects most criminals would find boring and uninteresting, and she was a consistent, steady person in my life of chaos.”

“‘Joanna’ saw and appreciated both sides of me: Jermaine, the hustler, and Jermaine, the intellectual.

“As the online escort business started booming in the late 2000s, I got involved. The money was great but I always felt like something was missing in my life on a personal level. I felt if I got ‘Joanna’ involved in what I was doing, I could have the best of both worlds — someone I could build a future with both business-wise and personally.

“Not too long after she decided to work as an escort, I caught a gun charge and was sentenced to five years in the penitentiary. I had centred my life around another woman that also worked as an escort, but I felt more of a romantic and personal connection with ‘Joanna.’ I decided to gamble on love and shift my focus, but it was the biggest mistake I ever made on both a personal level, and as a business decision.

“Sometimes you can’t have it all, but it makes for good writing and life experience.

“You live and you learn.”

The Odds’ MURRAY ATKINSON Releases “#Grinding” From Instrumental EP Mubla Tubed

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Canadian rocker Murray Atkinson is nothing short of “#Grinding” in this, his new single off his epically masterful instrumental hard rock album, Mubla Tubed.

“Mubla Tubed is the result of a few years of experimentation and vibe chasing at home with no one else around — just me and my guitar and a vision of creating something energetic and interesting,” Atkinson shares of the project. “Most of the songs are straight ahead instrumental rock tracks, with the exception of ‘Moonlight’ and ‘Endless’ — the former being a nylon guitar Spanish-sounding composition, the latter being a vast, lush orchestral ambient piece, another genre of music I’ve been exploring lately.

“I love vast, epic ambient soundscapes and decided to add ‘Endless’ to the EP to tie together this album with another one I was concurrently working on at the time,” he continues, citing Aetherium Divine, his EP of fully ambient, lush orchestral soundscapes. “I also included an instrumental cover of a Soundgarden song called ‘Never the Machine Forever’ from their Down on the Upside album.

“It was an experiment with the lowest I’ve ever tuned any guitars; its performed utilizing a low A tuning, which is an additional whole step down from the low end you get with standard 7-string guitars or 5-string basses, so it’s pretty big and fat in the low end.”

Having grown up in an exceptionally musical family, it was only natural — predestined, one might say — for Murray Atkinson to not only gravitate towards being an artist, but be one so dynamically multi-faceted across multiple genres. “I got my start slugging it out on the road with various bands and projects, teaching guitar on the side,” he recalls.

He won the 2007 Vancouver CFox Seeds radio contest and used the prize money to record at Armoury Studios, laying the foundation for tracks that would eventually become 2010’s album release, Salt March, under the band name Swan. Following charting success, he then won top prize for ‘Hard Rock / Alternative’ category at the 2012 USA Songwriting Competition. He’s also a member of The Odds, tours with Steven Page, and composes music packs for video game developers.

“Guitar has always been my first love,” Atkinson muses. “As a musician, when I get a guitar in my hands, it feels like I can say whatever I want.

“I grew up with rock music, and it was always the sound of the electric guitar coupled with some hard driving drums that got me excited about music. While I’ve spent a lot of time in bands with lead singers doing the usual lead melody duties, I have always written instrumental music and felt it was time to release some of it.

“I found it to be a tricky balance,” he considers. “Part of me loves to shred and play fast, but a bigger part of me loves melody and song structure even more, so I wanted to make an album that was guitar driven and instrumental, but not your typical ‘guitar shredder guy’ album. When I write music, it’s always melody and song structure first. Any shredding or technical stuff usually happens out of necessity to create a certain energy at a certain part of the song, but it’s always only in service to what the vibe of the song requires at that moment.”

Struggling With Writer’s Block? Take a Hike!

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We’ve all been there…

Those times when a huge invisible wall keeps us from finishing that song we so badly want to record. When that last line just won’t come. When our muse is AWOL. When we’ve got, alas, the one thing every writer fears most…writer’s block.

The internet is awash with all kinds of remedies for this age-old curse, but did you know that one of the most effective is simply going on a hike? Many famous literary and musical geniuses have found their creative muse in nature. Maybe a wander in the wilds will do the same for you!

Below, here are 6 scientifically-backed reasons why a brush with nature can help you overcome your brain’s creativity boycotts.

Curiosity Cures Creative Cramp

Research suggests that we should spend more time in natural environments to increase our creativity. This is because the more time we spend in nature, “the more time we actually get”.

Let’s unpack that a little…

According to a University of Utah study, exposure to nature promotes feelings of awe and curiosity. In three experiments, the study showed that these emotions expand our perception of time. This, in turn, heightens attention to stimuli and improves cognitive exploration.

This means you’ll be more attuned to and appreciative of things that you may ordinarily push aside, letting in what regular thinking patterns keep out, and oiling the cogs that get your creative wheel turning.

The Woods Will Improve Your Moods

According to this study, spending time in nature can greatly enhance sensory experience.

The benefits of this phenomenon for writers and artists are numerous.

Firstly, the study revealed that two of the colors predominantly found in nature—green and blue—can reduce anxiety and stress. It also demonstrated that sounds heard in nature—birdsong, the rush of a river, the humming of the wind—have restorative qualities that help to soothe our technology-troubled and generally overloaded brains. Lastly, the smells of nature can have pronounced effects on your mood, cognition, and behavior, triggering feelings of nostalgia and connection that help put us in a more positive mood.

Positive thinking alone won’t write your next magnum opus, granted. However, negative minds are risk-averse and apprehensive minds. Positive ones, on the other hand, are disinhibited and more likely to explore novel ideas and find creative solutions.

Nature: One Giant Resource of Inspirational Wonders

A Japanese engineer once saw a kingfisher dive into a lake while out on a hike. Fast forward a few years, and Japan unveiled the world’s first “bullet train”, a locomotive capable of traveling at higher speeds and with minimal noise all thanks to a pilot end shaped like a Kingfisher’s beak.

Plenty of other artists, designers, and innovators have taken inspiration from nature, too.

Some of the most notable include engineer George de Mestral, who created something called “Velcro” after seeing burrs of burdock stuck to his dog; Sir Issac Newton, who discovered the Law of Gravitational Force after watching an apple fall from its tree; Italian composer Ludovico Einaudi, whose collection “Seven Days Walking” speaks for itself; and a guy called Beethoven, who loved the countryside and headed out on hikes in all weather to kindle his creative fires.

A New Environment Will Give Your Brain a Boost

One of the leading causes of writer’s block is fatigue and stress, both of which find an antidote in the form of time spent in nature.

In a study by the University of Michigan, spending time in nature was revealed to promote a healthier mind by reducing mental fatigue and symptoms of stress. This, in turn, helps to sharpen your focus, improve your memory, and create a less inhibited, more productive state of mind.

Hiking Broadens Your Horizons

One of the main benefits of hiking is getting to experience new things and meet new people.

Humans are walking, talking, breathing stories. Interacting with ones outside your usual social circle is a sure way to garner new ideas, insights, and an even better understanding of humanity. New places, likewise, promote a conceptual break from the ordinary. By freeing your mind from its habituated MO, this allows it to wander in entirely new directions.

Broadening your perspective this way encourages loose and lateral thinking, which we all know is the key to getting creative.

If our studies and studios are the proverbial “box”, where could be more “outside the box” than a hiking trail? And if your usual confreres are fellow musicians and artists, who more likely to shake up the status quo of your social circles and everyday cerebral content than peeps from an entirely new and refreshingly heterogenous demographic?

Variety isn’t just the spice of life, it’s the enabler of uncommon experience. Uncommon experience isn’t just fun, it’s the midwife to all creative endeavor.

Healthy Body, Healthy Mind

Hiking provides a low-intensity cardio workout that brings many health benefits. It reduces your risk of heart disease, improves blood circulation, and increases lung capacity. It also helps your body regulate serotonin and melatonin levels, gives you a healthy intake of vitamin D, and triggers the production of endorphins, aka “the happy hormones”.

Super, we hear you say, but how the heck’s all that supposed to help me write?

Well, a healthier respiratory and circulatory system brings more oxygen to the brain. A bonus for humaning in general, this is especially important to keeping our gray matter sharp, more active, and resilient.

Serotonin and melatonin also fall into the decidedly “not-bad-to-have” category. While the former stabilizes your moods, the latter helps you get adequate Type 2 Beauty Sleep, i.e. the kind that lets you wake up feeling fresh and ready to pen a beautiful pièce de résistance instead of encountering resistance from your pen.

And Vitamin D? The “sunshine vitamin” not only wards off depression, but also promotes “general brain health,” which makes it sound less like an optional supplement and more like the oil in your car or even the blood in your veins, i.e. kinda necessary!

Lastly, like the oft-quoted “runner’s high”, hiking also stimulates endorphin production. In addition to relieving pain and stress, these hormones sharpen focus, improve concentration, and also stimulate the development of new brain cells.

But couldn’t I just get all this goodness on a treadmill? You may ask.

Some of it, yeah. We’d reply. But in lower doses and without the synergistic effect that sees both the physical and mental benefits of exercise multiply when undertaken outdoors.

Sometimes, You Just Need a Well-Deserved Break

Several recent studies have shown that taking a step back and resting is conducive to better productivity and more innovative thinking.

But is hiking really a form of resting?

Sadly, many of the activities considered “restive” in the modern world are far from it. Spending time on our phones and laptops might feel a less egregious source of fatigue and irritation than the day job, but all are, in psychological parlance, stressors.

Going on a hike allows you to disconnect from stressors and take a break from technology. Doing so, in essence, hits a big reset button in your brain, leaving you refreshed and ready to face up to your inbox, unfinished chores, and, importantly, your compositions when you get back to civilization.

Just don’t leave it so long next time, you hear? We know those lyrics and notes won’t write themselves, but breaking up the routine with a regular wander in the wilds might just let them come a little easier when you get back to business.

 

 

THE THICK Are Toronto’s Funk Rock Band O’ Brothers; Release Debut Full-Length “If You Don’t Already Know”

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If You Don’t Already Know,” Canadian band o’ brothers funk rockers The Thick are back with their new single and full-length album of the same name.

“This is one of the more mysterious sounding songs on the record, and it’s our personal favourite,” the band says — including members Charlie Rosenberg, Richard Stirling, and Jeff Stirling. “The song touches on personal regret and nostalgia, yet we find solace in these aspects of our lives through the performance and the expression of the song.

“It’s the cornerstone of, not only this album, but of our entire discography.”

Speaking of The Thick’s discography…

With two EPs under their belt — 2017’s eponymous The Thick, and 2018’s sophomore follow-up Ms. Sundown — If You Don’t Already Know lands as a raw, electric, upbeat and highly mosh-able (remember that?!) 10-track LP of funk, rock, and R n’ B, all toeing the line at the gates of metal.

“Blood is thicker than water,” is the mantra they live by. “Our loud, brotherly grooves hit you hard, almost on a cellular level. It’s a feel, a vibe, an unspoken language…

“We’re a band where all are welcome; sisters, only-children, cousins twice-removed, dogs, cats, fish… You get the picture!”

The Zolas Talk Politics with new video “I Feel the Transition”

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The Zolas recently shared a video for their latest single “I Feel the Transition. Speaking about the new song, Zach Gray says, “We’ve got a whole generation coming of age and immediately noticing that the politicians in power now don’t have the spine to make real moves on climate change or wealth disparity or [name an issue].None of us have a silver bullet but the system clearly needs flipping and as this generation starts flexing their influence you can feel so many little waves building into one big one to make the transition. It’s 2020 The Times They Are A-Changin’ with better vocals or A Change Is Gonna Come with way worse.”

Montreal’s JAMHAITIAN Says “You So Fly” in New Reggae/ Hip Hop Single – Available Now

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Award-winning Montreal-based Jamhaitian blends his magnetic mix of reggae, hip hop, pop and tropical in a new single, “You So Fly” — available now!

“This song is about describing and showcasing the true beauty of a woman,” Jamhaitian swoons of the song’s universal muse. “Especially the one you find so incredibly beautiful and wonderful to your eyes; her style, her elegance, her intellect…

“It’s about the one who fits the true meaning of that person being your ‘one and only.’”

Speaking of ‘one and only,’ Montreal’s Renald Jean-Denis Boyd is known for bringing an inimitable uniqueness and dynamically fresh sound to the table. Honouring mother and father’s heritages — Jamaican and Haitian — Jamhaitian is on a mission to lead when it comes to the genre of New World, and creates his signature sound from the likes of reggae, urban, pop, and tropical with English, French, Patois, and Haitian Creole.

Jamhaitian has released singles “Wine Up Your Batti,” and “Jingle Bells,” and featured on hit singles from Che The Lord, Hypnotiza and Duro, among others, toured national and performed on stages at the International Reggae Festival of Montreal, the International Balloon Festival of Saint-Jean-Sur-Richelieu, and then some, as well as a model for Fashion Week Montreal and TV hosting and acting work.

After winning ‘Best Song’ at the 2015 Akademia Awards, Jamhaitian was nominated for ‘Reggae Single of the Year’ at the 2016 Cut Awards, and placed Top 3 at the 2017 Coast2Coast International Showcase.

Produced by MacMonee and mixed/mastered by Jonathan Harbec, “You So Fly” is available now via We Are Royalty Records and Emergence Music Distribution.

Nashville’s BEN DE LA COUR Releases Latest Americanoir Album ‘Shadow Land’ – Available Now

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There are singer-songwriters, and there are troubadours. Singer-songwriters are sensitive, polished souls, sharing their journal entries with the world, whereas troubadours do their best just to stay out of jail. And in the wake of Ben de la Cour’s astonishing new record, Shadow Land, you can add his name to the top of the list of younger troubadours to whom this ever-so-occasionally poisoned chalice is being passed.

Shadow Land shimmers – it’s both terrifying and soothing, suffused with honesty, craft and a rare soul-baring fearlessness with enough surprises to keep the listener guessing. It gets down and dirty with electric guitar but also features Ben’s diffident fingerpicking in quieter moments. Ultimately, it is a darkly beautiful meditation on what it means to be human. Ben’s voice renders raw emotion with authority as he recounts tales of suspicious characters, lost love, murder, bank robbers, suicides, mental illness and ghoul-haunted pool halls. On the brilliant “From Now On”, he sings “it’s hard to hold a candle / in a wind so wild and strong.” That one line sums up the troubadour’s life about as well as anything ever said before.

To say Ben de la Cour has lived an eventful life in the course of keeping that flame lit is to put it mildly. As young man, he was a successful amateur boxer (taking in the lithe frame he sports today and his aquiline undamaged features, you’d never know that small-time pugilism was ever a feature of his life) which may have inspired the line “never trust any man / if he don’t have no scars”. After playing New York City dives like CBGBs with his brother a decade before he could legally drink, he had already stuffed himself into a bottle of bourbon and pulled the cork in tight over his head by the time he was twenty one. There were arrests, homes in tough neighborhoods all over the world, countless false starts and stays in psychiatric hospitals and rehabs as Ben battled with mental health and substance abuse issues. But in 2013 he finally found himself in East Nashville, and this year saw the release of far and away the best of his four albums – Shadow Land.

Shadow Land comes in steaming with “God’s Only Son”, a gut-bucket western about a bank-robbing drifter who may or may not believe he is the messiah that sounds like Ennio Morricone being fed through a meat grinder. “High Heels Down the Holler” is Appalachian gothic at its finest; an unsettling, rough and twisted tale that features a threatening fiddle weaving its way like a water moccasin through grimy, hypnotic slide guitar. On “In God We Trust… All Others Pay Cash” Ben’s scathing put-down of corporate crooks “putting candles on dog shit and calling it cake” seethes alongside a band channeling “Stop Breaking Down.” On the other side of the fence are the delicate, atmospheric “Amazing Grace (Slight Return)” and “The Last Chance Farm”, a heartbreaking tale about Ben’s first day in rehab.

Ben turns on a dime on “Basin Lounge”, all pure jittery New York Dolls vibe highlighted by a boogie-woogie piano that would make Jerry Lee proud and a snarling guitar that brings to mind Joe Strummer’s The 101ers. One of the album’s crowning moments arrives with “Swan Dive”, a gorgeous feat of narrative storytelling. A gentle waltz, it tells a shattering tale of lost love and suicide, questioning how close to the edge we really are. When he sings, “My heart does a swan dive, right out of my chest, into a river of sorrow,” the desolation is palpable. The final track on the album, “Valley of the Moon”, is a terrifying meditation on what Jack London referred to as the ‘white logic’ of alcohol-induced psychosis, while simultaneously contemplating Chuang Tzu’s meditation on material transformation in a voice as cold and dead as the man in the moon himself.

You would be forgiven for thinking that Shadow Land was an East Nashville record, but you would be wrong. Ben de la Cour, the drunk and unhinged miscreant, decided to write a grant proposal in hopes of receiving funding from the Canada Council for the Arts. “I locked myself away and wrote this fifty-page grant proposal without really sleeping. And then I went straight to rehab” he laughs. When he got out, Ben de la Cour caught a break – Manitoba Film and Music ponied up to cover the recording costs. So Shadow Land, which drips with swampy, deep south vibes, was actually recorded in Winnipeg with producer Scott Nolan in the middle of a polar vortex. “I figured everyone is making records in Nashville. For better or worse I don’t get that excited about doing what everyone else seems to be doing. Scott is a great artist in his own right and has produced several records that I really love, and we bonded over Nick Cave and the fact that we’re both recovering metalheads. So we holed ourselves up in his studio in Winnipeg and got to work. I flew my brother Alex out so he could play drums on it – we haven’t made a record together since we were twenty. They have some amazing pickers in Winnipeg. It’s like the Tulsa of Canada.”

“You know,” Ben continues, “you write songs because you want to connect with people, and so you don’t want to make a record that obscures those songs – that’s just as bad as making a record that sounds like everything else in an attempt to appeal to people in a calculated way. You need to make something that interests you. There’s a fine line between artistic expression and pointless self-indulgence, but you also want to have a good time making a record, otherwise what’s the point? I work really hard on songs. So I don’t want to paint over that. Everything has to be in the service of the song. That’s one of the reasons we recorded almost the whole thing live, vocals included. I wanted to have fun. In an evil way.”