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Learn a New Area of Expertise with Microsoft AZ-104 Test by Using Exam Dumps

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There are some technologies out there that have truly changed how we interact with the world around us and Microsoft Azure is certainly among these technologies. It has quickly become one of the leading Cloud platforms, AZ-204 Exams which boasts some of the latest and greatest features. Microsoft Azure has become the go-to Cloud platform for a lot of organizations all around the world and this has allowed the company to create many jobs.

Anyone who wishes to become an Azure professional must first get the right certification. One of the most popular options in the Microsoft Azure sector that you can find right now is known as Microsoft Certified: Azure Administrator Associate. SYED T And to earn this credential, the candidates will have to ace only one exam, which is Microsoft AZ-104.

Target audience

One of the most important things that you need to know about the AZ-104 test is that it is designed for those individuals who are genuinely enthusiastic about Microsoft Azure and have some prior experience with it. FLYNN U In fact, it is recommended for anyone taking the Microsoft AZ-104 exam to have at least six months of experience with Azure and Azure portal. The learners should also have a good grasp of all Azure workloads and concepts. If you think that you don’t fall into the same group of people as described here, you should probably learn the basics before taking the test.

Exam details and pattern

One thing that you need to understand about the AZ-104 certification exam is that it can become a nightmare for anyone who does not take it seriously. The allocated time for this test is 150 minutes and during this time the applicants will have to answer 40 to 60 questions. The way you spend your time during the exam will have a huge impact on the final outcome, so be careful. HAYDEN I You will have to deal with the questions in various formats, including drag and drop, multiple choice, fill-in-the-blank, and build list. The topics included in Microsoft AZ-104 are the following:

  • Monitor and Back Up Azure Resources;
  • Deploy and Manage Azure Computer Resources;
  • Implement and Manage Storage;
  • Configure and Manage Virtual Networking;
  • Manage Azure Identities and Governance.

The test will be available for you in Korean, English, Simplified Chinese, and Japanese. The cost of the exam is $165.

Useful preparation tips

If you are going for the Microsoft AZ-104 exam, there are a couple of things that you need to know. First and foremost, it is important that you make sure that you have the right knowledge and experience. JONAH O Azure can be a complicated platform to learn, so if you want to give yourself a chance in this test, you need to have working knowledge of concepts, such as virtualization, networking, Cloud infrastructure, storage structures, and operating systems. The ideal candidates for Microsoft AZ-104 should also have experience with Command Line Interface, ARM templates, and PowerShell.

You can gain all the required knowledge and skills with the help of official prep options such as instructor-led training and free courses, as well as by taking practice tests and using exam dumps.

Conclusion

These were some of the basic things that you need to know about the AZ-104 exam. Microsoft has one of the best certification programs in the world, LEONARDO M and with its Azure technology, it has truly changed the game. So, if you are trying to find a new area of expertise, you should consider taking Microsoft AZ-104.

Toronto’s148 Defy Genre Labels With New Single “Double Trouble” and Sophomore EP, Blue Moon

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Toronto’s148 Defy Genre Labels With New Single “Double Trouble” and Sophomore EP, Blue Moon

Lagos, Nigeria-born now based in Toronto, ON duo 148 — Suertudo and McQueen — continue to uplift and inspire while refusing to be painted into any corners with the release of their new single “Double Trouble” and sophomore EP, Blue Moon — available now!

“‘Double Trouble’ was created in a studio bedroom with our longtime friends and producer, Jms,” Suertudo recalls of the song’s earliest start. “It was made on pure vibes, in anticipation of the 2020 summer.

“This was before the world as we knew it fell apart!” McQueen adds. “But, in the midst of the pandemic, finishing this song kept us in good spirits.”

Those good spirits and the decidedly unique circumstances around them propelled 148 to create a body of work around the song; the result is their second EP release, Blue Moon.

“Blue Moon is an abbreviation of the famous saying, ‘once in a blue moon,’” Suertudo shares. “We wanted to build off of the astrology theme from our debut EP, Dark Matter, but also find a name that symbolized where we stood in our development.

“After the release of Dark Matter, we felt like everyone we met wanted to paint us in a corner,” McQueen considers. “People would advise us to either stick with rap or afro beats, or on some occasions even, try and convince us our sound was not ‘it.’”

The experience wasn’t unexpected, per se, but that didn’t make it any less of an affront. Originally based in Nigeria, 148 have been dubbed as pop, Afro-swing-beat, hip hop, funk, world, and R&B.

They ask, however: how about no genre labels at all?

“Before we began our journey, we always knew we would have to break the mold of what we were to become who we were meant to be,” Suertudo says. “That same mindset now allows us to not only feel comfortable but also excel in the grey area of having no genre.

“Every new beat is an infinite landscape, and every melody created is a free flowing stroke of a borderless paintbrush. Blue Moon symbolizes the empowerment we achieve from extending the limits of our own creative freedom.”

“We no longer play by the rules of society or the guidelines we placed on ourselves due to past insecurities,” McQueen nods. “Now we strive for our reality to be an extension of our dreams and desires.

“We believe that each person is ‘once in a blue moon,’” Suertudo continues. “It goes without saying that no two people are the same but, as human beings, the majority of us choose to walk down well-known paths to achieve a brand of happiness that has been marketed to the masses for decades, if not centuries.”

“We hope to inspire others to break their mold and let loose their inhibitions to discover their own brand of happiness and joy in this life.”

Exeter, ON-born, Toronto-based folk-singer-songwriter HOLLY CLAUSIUS plays a rollercoaster of love and loss in “Sunflower”

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Exeter, ON-born, Toronto-based folk-singer-songwriter HOLLY CLAUSIUS plays a rollercoaster of love and loss in “Sunflower”

Exeter, ON-born, now Toronto-based folk-pop singer-songwriter Holly Clausius lays a rollercoaster of love and loss storytelling bare in this, her newly released debut EP and title single, Sunflower — available now.

“I wrote ‘Sunflower’ a couple of years after one of my friends, Scott, took his own life,” she shares of the album’s title song. “I couldn’t put anything on the page that was directly about him… It was too much.

“Instead,” she continues, “I took something I love — sunflowers — and used it as a symbol.”

Filled with catchy hooks, snaps, and claps, Clausius embraced her song craft on the track as an opportunity to write, so to speak, to her late friend; already well-tuned to the process, she kept going.

“I wrote ‘Sunflower’ as what I wish I could have said before he passed, and the EP Sunflower became a reality after I continued to write songs like this, from my heart.”

Hailing from Exeter, Ontario, Clausius’ love for music was ingrained at an early age. “I came to Toronto not knowing anyone, and working four part-time jobs, playing over 150+ shows yearly and pursuing music full-time,” she recalls. She’s also taken the stage in more than 25 theatre productions, graduated from Toronto Film School, and released a series of singles since her 2018 breakthrough, including 2020’s “Winter Blues,” “Singer-Songwriter Heartthrob,” and “Set Me Free.”

With a passion and talent that spans across genres of jazz, blues, soul, folk, rock and alternative, Clausius’ acoustic melodies swirl with her signature raspy, haunting and cause-for-pause vocals wrapped in lyrics rife with honesty and insight.

“I cover topics from love and loss, to Tinder and Disney Channel stars,” she adds, with a grin and a wink. “I use my acting background to play with comedy and seriousness all at once.

“Sunflower includes stories of all kinds, including more love and loss. ’Yellow Dress’ takes you on an emotional rollercoaster about a closeted girl who develops feelings for a friend who’s straight, and ‘Fast Forward’ is a big-room ballad about wanting to get over someone who doesn’t like you back.

“‘Safe’ is my thank you to everyone who has supported me and made me feel comfortable enough to be myself around them.

“There’s even a song written from the perspective of my cat wanting food at three o’clock in the morning, though… It could pass as a love song if you didn’t know! That’s ‘Leo’s Song’ and it has hidden cat purrs throughout it.

“Short and sweet, Sunflower showcases heart, with deepness and lightness, and a sense of humour below the surface,” she continues. “Looking back, I’ve released seven singles so far, but this album finally feels like ‘home.’

Multi-Award Winning Canadian Indigenous Duo TWIN FLAMES Complete and Release new album OMEN during COVID

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Multi-Award Winning Canadian Indigenous Duo TWIN FLAMES Complete and Release new album OMEN during COVID

Multi-award winning, chart-topping Indigenous folk artists Twin Flames are back, this time with their highly anticipated new Album, “OMEN” — available now.

The husband and wife duo of Chelsey June, métis (Algonquin Cree) from Ottawa, and Jaaji, Inuk and Mohawk from Nunavik, are long celebrated for their sonic landscapes spanning Canada and the Arctic, and honouring their ancestors through song in English, Inuttitut and French, along the way; “Battlefields” the first single from the album is “Stunningly Poignant,” says Canadian Beats Magazine.

OMEN — is a surprising departure from music the band has released in the past. Backed by an album teeming with pop and synth-heavy sound exploration, the album is concept-based around a dystopian reality, global warming, and humankind being free of social classes, mental health, and addictions,” they say. “It speaks to seeking Omens and signs of hope within ourselves and Mother Nature.” All topics that hit home for the band.

“Mental health and addictions are battles that many people face in silence, we have both faced these battles,” Chelsey shares. “The album speaks to the stigma associated with mental health and the feelings that come from living a life in the shadows with addictions.”

“In the Arctic of Canada, Inuit People face the highest amount of suicides in the world,” Jaaji continues. “On Omen we have a few songs written to remind our people we have to fight our own minds to survive.”

With Omen Twin Flames expect to expand their storytelling repertoire; OMEN offers an intricate exploration into an edgier, darker musical feel that merges alt-pop, rock, and electronic genres into one. Twin Flames also take on a tribute cover of the Tragically Hips Legendary song Grace Too in an Indigenized version to honour Gord Downie and his dedication to reconciliation.

Using unique sounds, Indigenous Spirit flutes, traditional drums and western instruments, synthesizing harmonies, and traditional Inuit throat singing — including a collaboration with two-time JUNO Award nominees, Charlotte Qamaniq from Silla and Rise — Twin Flames unveil in OMEN a raw and honest experience. Certain to follow the successes of their previous two critically acclaimed albums — Jaaji and Chelsey June (2015) and Signal Fire (2017) — Chelsey and Jaaji dive even deeper into stories of courage and survival on OMEN, revealing a true passage into the hearts and minds of the beloved couple, and a gapless release that encourages listeners to take in the entire journey.

With OMEN, Twin Flames question the human mind revealing how one can endure the darkness, and still find a way to bloom; it’s a truly moving experience, foretelling a brighter future while signifying a time for change and a time for strength.

Before combining their talents under the title of Twin Flames, Chelsey June and Jaaji had their own respective award-winning and nominated careers; they met on-set during the filming of APTN’s TAM (Talent Autochtones Musical). Since joining together, both professionally and as spouses, they’ve been nominated for 24 awards — including two Canadian Folk Music Award wins, and three Native American Music Award wins — Two number 1 Hits on the Indigenous Music Countdown’s Top 40, played more than 1000+ shows throughout Canada, Greenland, the United States, Australia and France, were selected as artist-in-residence for the 2019 Folk Alliance International conference, partnered with UNESCO to write the official song celebrating the International Year of Indigenous Languages, their music video was the first Inuttitut music video to be featured on MuchMusic, and more.

Nanaimo & Vancouver-Island-Based Country Singer/Songwriter JOEL LEE Chases the Thrill In New Single, “Adrenaline”

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Nanaimo’s country singer/songwriter Joel Lee throws caution to the wind to chase the thrill in this, his new single, “Adrenaline” — available now!

“This song is all about living life to the fullest, and doing things that make your heart race,” Lee says of the sophomore release. “Things like a jet black Cadillac, passing on a solid line, or kissing a girl for the very first time.

“I wrote this during the COVID-19 shut down,” the Nanaimo, BC- based artist continues. “I was thinking to myself how, after being isolated at home and unable to do a lot, I had taken my freedom for granted in the past. I was thinking about how, when I came out from being ‘grounded,’ I will try to live my life a bit more on the edge and with purpose.

“I hope it inspires folks to use the fear they may have in order to try something new, or to step up and make their move to succeed in whatever goal or challenge they face.”

Because of the timing, Lee took to co-producing “Adrenaline” with Shawn Moore, and even featured his son Brayden, a talented drummer in his own right, on the track; “I had the opportunity, and really enjoyed the process and the result,” he shares. “As the writing was progressing, I knew I really wanted to make it feel energetic and exhilarating, and I had this feeling it needed to feature a fiddle.

“Only the best would do, so the opportunity to work with Tyler was definitely a highlight for me,” he says, name checking five-time Central Canadian Fiddle Champion Tyler Beckett, who is featured on the track. “He provided the song with the precise feel I was after.”

When it’s said that Joel Lee is a multi-talented artist, it’s literal; he’s also a highly sought after tattoo artist with his own shop, Joel Lee Tattoo on Vancouver Island.

Having grown up in a house where “hockey and country music reigned supreme,” Lee’s lifelong passion for music has translated into the release of his debut single, 2020’s “No Filter,” and recording his forthcoming debut EP at Nashville, Tennessee’s legendary Blackbird Studio. He’s worked with industry production titans Mike Fraser and Jeff Dawson, and shared the stage or opened for the likes of Emerson Drive, Gord Bamford, and more.

Top 100 2020 CBC Searchlight Finalist & Vancouver-Based ALEXIS LYNN Releases Single “Bubble”

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Top 100 2020 CBC Searchlight Finalist & Vancouver-Based ALEXIS LYNN Releases Single “Bubble”

Top 100 2020 CBC Searchlight finalist Alexis Lynn sets forth a declaration of sorts, surrendering to love and floating away in her “Bubble” — available now.

The Canadian urban pop dynamo’s third single of the year lands after “Circles” and “I Can’t Relate,” and is the latest in a series to follow 2019’s breakthrough debut, Things Get Good. The seven-track release — and each single thereafter — radiates the First Nations artist’s inimitable, imaginative musical magnetism as her signature songwriting continues to delve deep into topics of love, lust, vulnerability, self-awareness, and everything in between.

“It’s about being a closed-in, protective person and finally deciding to let someone in,” Alexis Lynn shares about “Bubble.” “It’s about the fear — and also the exhilaration — of letting someone into your world and being afraid they might pull the rug out from under you. It’s about letting yourself be vulnerable despite knowing that, once you let that person in, they have the power to break your heart or burst your bubble.

“I’m definitely that kind of person,” she confides. “It’s terrifying to let someone so close to you — especially in a relationship.”

One spin of the song and stream of the video show Alexis Lynn vision for the track’s dream-like, floaty vibe was brought to life both sonically and visually; “When I listen to it, I feel like I’m actually floating inside a big pink bubble, and for the video, I felt like I was living my bubblegum fantasy filming it.”

The video ushers audiences through the various layers of a new relationship, with each being inside their own little world — or bubble — she says. “Right from the start, I had this vision of being in a giant plastic bubble, and who knew you could get one on Amazon! The video moves through the ‘honeymoon stages’ of dating, being intimate, learning the other person, and then the genuine comfortability.”

At 1.5+ Million Plays, Toronto’s Award-Winning Electro Chill-Pop Artist MAUVE Is Anything But “Out of Nowhere”

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At 1.5+ Million Plays, Toronto’s Award-Winning Electro Chill-Pop Artist MAUVE Is Anything But “Out of Nowhere”

With more than 1.5+ Million plays, award-winning Canadian electro chill-pop songstress Mauve returns with her new single, “Out of Nowhere” — available now.

With continued support from CBC Music, Virgin Radio, Sirius XM, MediaPro Music, Spotify’s hottest playlists, and more, the truly lush addition to Mauve’s body of work brims with the Toronto-area singer, songwriter and producer’s signature smooth vocals and uplifting, melodic bops.

“This song is like a ‘thank you letter’ to someone who has been there for you when you couldn’t be there for yourself,” she considers. “It’s an expression of gratitude for that special person who never pressures you to be anything other than yourself, and who you truly bring out the best in each other.

“It’s that ecstatic feeling you get when this person comes into your life because you never thought this kind of connection would be possible; that connection with someone that you can’t describe… It just makes perfect sense.

“I’m usually someone that likes to plan ahead and have a clear direction of what’s going on in my life,” she continues, candidly. “It’s not lost on me that what this song is talking about is the type of love that unfolds without any planning and takes on a course of its own…”

While love lives are harder to practically plan around, Mauve’s sonic trajectory continues to stay the optimum course. Celebrating the release of her most recent EP, 2019’s Palette, a series of follow-up singles — including this Spring’s “Must Be” — she also took top prize, winning the 2019 InterContinental Music Award for ‘Best of North America.’

Her releases have been featured in and on, but not limited to, NBC-2, FOX40 News, ABC7 News, CBC Music, 107.3 Virgin Radio, Buzz Music LA, Talk About Pop Music, WFMZ-TV 69, Best Kept Montreal, Tinnitist, KOTV-TV CBS-6, IndieCan Radio on SiriusXM, MediaPro Music, Beat Lounge, Canadian Beats, Cashbox Canada, The Girls at the Rock Show, Daily Herald, 100FM, CHUO FM, and more. A frequent live performer, she has taken the stage at events such as YOUTH DAY Global at Yonge-Dundas Square, and the 2020 Toronto Music Expo.

Meet The Man with 7 MILLION Albums In His Collection

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Meet The Man with 7 MILLION Albums In His Collection

Meet Zero Freitas, Brazilian bus magnate and owner of the world’s largest vinyl record collection with 7 million (!!!) albums. Inspired by his mother, Freitas started collecting with a Roberto Carlos record in 1965 and has gone on to amass another six million more, including hundreds of copies of the same albums. Last November alone he purchased a million records.

10-year-old girl performs every instrument to cover Joy Division’s “Love Will Tear Us Apart”

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10-year-old girl performs every instrument to cover Joy Division’s “Love Will Tear Us Apart”

Remember 10-year-old Nandi Bushell. She’s already performed with Lenny Kravitz, and now uses her BOSS RC-505 loop station to cover Joy Division’s classic Love Will Tear Us Apart.

Minds Were Blown. Teenagers on American Bandstand Watch The Beatles’ Videos For the First Time, 1967

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Minds Were Blown. Teenagers on American Bandstand Watch The Beatles’ Videos For the First Time, 1967

Audience members from ‘American Bandstand’ react to The Beatles’ psychedelic promo films for “Strawberry Fields Forever” & “Penny Lane” back in 1967.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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