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Foundation for Independent Music Announces Programming And Keynotes For Indie Week 2026 In New York

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The Foundation for Independent Music (FIM) today announces programming for the 18th annual Indie Week conference, along with a keynote from Shira Perlmutter, Register of Copyrights and Director, U.S. Copyright Office. Perlmutter joins previously announced keynote speaker Charlie Lexton, CEO of Merlin.

Supported by the American Association of Independent Music (A2IM), Indie Week is the premier gathering for the independent music community, bringing together label executives, artists, distributors, technology leaders, attorneys, and global partners of strategic conversations, networking, and forward-looking programming. The three-day conference takes place June 8-11 at the InterContinental New York Times Square. Purchase tickets HERE.

This year’s special programming includes IndieVest – an initiative designed to bridge the gap between the independent music community and the investment world – the dedicated networking and discussing session Record Swap, and Continued Legal Education (CLE) sessions curated by Perkins Coie. Along with sponsored workshops and masterclasses, Indie Week programming seeks to bring together leaders from across the independent music ecosystem for strategic insight, collaboration, and community.

Indie Week will include programming from Symphonic on International Market Spotlight on LATAM, exploring options for labels to grow in the market and The Modern Label Playbook, focused on smarter data usage. An interactive program will be presented by SonicOrigin, Spotify will host an Artist Masterclass, and Chartmetric will present on how to leverage data usage, specific to the indie music sector.

The premier independent music industry conference will once again feature a robust slate of programming spanning global markets, including a special focus on the APAC market. Diverse discussions on artist development, beyond traditional releases, strategic catalog management, and forward-thinking marketing sessions on fan lifecycle, radio strategy, micro-genres, UGC, and visual storytelling. Along with discussions on smart business growth and best tactics to support a long-term vision.

INDE WEEK 2026 PROGRAMMING:

SPECIAL PROGRAMMING:

IndieVest – IndieVest is an initiative designed to bridge the gap between the independent music community and the investment world. The program creates a dedicated space for conversations around financing, revenue analysis and new business opportunities. It also features a pitch competition, Elevating Indies: Music Innovation Showcase.

Elevating Indies: Music Innovation Showcase – This is your chance to showcase your innovation to industry leaders, investors, and fellow creators at Indie Week 2026. We’re looking for groundbreaking projects that push the boundaries of the independent music ecosystem – whether it’s a new business model, technology solution, or creative strategy. Selected participants will present their ideas live, gaining valuable exposure, expert feedback, and the opportunity to connect with potential partners and supporters.

Record Swap – Record Swap is a dedicated networking and discovery session at Indie Week where attendees bring, exchange and explore music from across the independent sector.

Continued Legal Education (CLE) curated by Perkins Coie – Curated by Perkins Coie LLP, A2IM is proud to present another full-day Continuing Legal Education at Indie Week 2026 bringing together leading practitioners and industry experts for timely discussions on music litigation cases, privacy considerations for music services and distributors, AI music licensing, and a special Ethics panel focused on women in music, diversity, and representation. The program will also feature in-depth sessions on catalog transactions and strategic enforcement – exploring the lifecycle of music catalog deals and the evolving role of litigation in protecting rights in today’s digital and AI-driven marketplace.

Hot Litigation Cases in the Music Industry 2.0

Ethics, Equity & Representation: Women, Diversity, and Professional Responsibility in the Music Industry

Privacy Considerations for Music Services and Distributors

Music Licensing in the Age of AI

Inside the Deal: Selling, Leveraging, or Scaling a Music Catalog

What’s It Take to Litigate? Enforcement, Leverage, and the Cost of Protecting Rights

PROGRAMMING:

International Market Spotlight: LATAM presented by Symphonic – Latin America continues to be one of the fastest-growing and most culturally influential music markets in the world – but growth in the region looks very different from the U.S. or Europe. This market overview panel offers a practical look at how the LATAM music ecosystem actually works today, from streaming dynamics and audience behavior to local partnerships, monetization realities, and regional nuances across key markets. Learn what indie labels need to know before entering or expanding in LATAM, including market fragmentation, language considerations, release strategies, rights and revenue flows, and common pitfalls for non-local companies.

The Modern Label Playbook: Data, Discovery & Demand in 2026 presented by Symphonic – The next era of label growth isn’t about releasing more music – it’s about building smarter systems. In 2026, the strongest labels will blend data discipline, real audience insights, DSP strategy, fan discovery, and multi-vertical marketing to drive sustainable demand. This panel brings together leaders across DSP relations, artist marketing, brand partnerships, and tour/media strategy to break down how modern labels can operate like scalable enterprises. We’ll explore what today’s performance signals really mean, how to architect a repeatable growth engine, and the tactics that will shape catalog, A&R, and marketing decisions over the next decade.

SonicOrigin Challenge – SonicOrigin’s interactive listening room will let attendees test whether they can detect audio watermarking in real time, exploring how this technology can be adopted across the independent music sector to track and protect recordings in the age of AI.

Spotify for Artist Masterclass – At Spotify, we’ve been developing tools to help artists and their teams build hype for new music and connect with new fans across the release cycle – from pre-release to release day and beyond – right on the platform where music is streamed. Join the Spotify music team to learn how to best leverage our products – like Countdown Pages, Clips, Music Videos, Marquee, Showcase, and more – across all phases of an artist’s journey.

Indie Music: A Data-Driven Global Snapshot Presented by Chartmetric – Leveraging Chartmetric’s comprehensive data, this presentation explores the current state of the global indie music landscape. We will consolidate key metrics surrounding A2IM-represented music entities to showcase the collective impact and unified power of the independent sector.

A2IM’s Annual General Meeting – Join Ian Harrison, CEO of A2IM, and the A2IM Team as they wrap up Indie Week 2025 with the Annual General Meeting. Meet the newly elected board of directors, and featured speakers: Nabil Ayers (Beggars Group, A2IM Board), Noemi Planas (WIN), Charlie Lexton (Merlin), and Josh Hurvitz (NVG, LLC).

International Market Spotlight: APAC – The Asia-Pacific region represents a massive opportunity for independent music companies – but success requires a market-specific approach. From Japan and South Korea to India and Southeast Asia, each territory has distinct consumer behavior, platform ecosystems, revenue models, and partnership structures. This market spotlight explores where indie labels should realistically focus their efforts, what entry strategies work in different territories, and how to prioritize markets based on genre, audience, and business goals.

Artist Development Beyond Music Releases – More artists are expanding beyond albums and tours to build careers in film and television scoring – bringing their unique creative voices into visual storytelling. This panel explores how recording artists are making the transition into composing and scoring for film, and what that shift means for modern artist development. Panelists will discuss creative pathways, collaboration models, and the business considerations behind moving into film composition, including rights, compensation, representation, and the role of labels and managers in supporting these opportunities.

Catalog as Strategy: Managing, Protecting & Scaling Long-Term Music Assets – As catalogs become more valuable – and more complex – independent labels are being forced to treat them less like passive libraries and more like core business infrastructure. This panel focuses on how to manage catalog strategically over time, from rights clarity and data hygiene to release planning, global exploitation, and risk management. Panelists will discuss how thoughtful catalog management supports sustainable growth, strengthens negotiating power with partners, and creates flexibility for future opportunities – whether that’s expansion, partnerships, or acquisition.

Building the Fan Lifecycle – As the music industry shifts from short-term attention to long-term relationships, label teams play a critical role in building and sustaining artist fan communities. This panel explores how labels are designing engagement strategies that go beyond releases and campaigns to create lasting connections between artists and their audiences. Experts will discuss how label teams use data, community platforms, content ecosystems, direct-to-fan strategies, and live experiences to deepen fan relationships over time.

Micro Genres, Macro Opportunities – The global music landscape is becoming more fragmented, highly focused genre scenes with deeply engaged fan communities are creating powerful opportunities for independent labels. From hyper-specific sounds to culturally rooted movements, these spaces offer strong identity, loyal audiences, and new pathways for growth. This session explores how indie labels can strategically collaborate around genre-driven communities – through cross-label partnerships, targeted marketing, community-led releases, and shared infrastructure – to expand reach and unlock new revenue streams.

From Spins to Strategy: Making Radio Work for Indies – Radio remains a powerful discovery and promotion channel – but for independent labels, knowing when and how to invest can make all the difference. This session explores how indie teams approach radio strategy today, from evaluating opportunities and allocating budgets to measuring impact and return on investment. Experts will discuss what’s working across formats and markets, what’s losing effectiveness, and how labels can make informed decisions about timing, spend, and campaign scale.

UGC & the Influencer Landscape: What’s Actually Working Now – User-generated content (UGC) and creator partnerships have become core drivers of music discovery, fan engagement, and release strategy. But with constant platform shifts and rising costs, independent labels must make smarter decisions about when to invest, how much to spend, and which partners actually deliver results. This session explores how teams are strategically leveraging creators, influencer campaigns, and fan-driven content across platforms like Snapchat, TikTok, Instagram, and YouTube to build sustained visibility. Learn how to identify the right creator partnerships, determine timing within a release cycle, navigate budget constraints, structure campaigns, and measure impact.

Beyond the Music Video: Creating a Visual Legacy – Visual storytelling has become a core part of how artists introduce themselves, build recognition and grow lasting fandoms. This panel breaks down how labels and teams approach visual identity with clear budgets, performance goals, and return expectations. Panelists will share real benchmarks around spend (from $5K short-form campaigns to $250K+ flagship videos), how to determine the right level of investment, when visual campaigns deliver meaningful ROI, and how to build a consistent visual strategy that strengthens artist identity while supporting long-term business outcomes.

CFO Roundtable: Hard Lessons from Running an Independent Label – In this off-the-record CFO roundtable, senior finance leaders share the hard lessons learned from managing cash flow, structuring deals, forecasting growth, and navigating risk in an unpredictable market. From costly mistakes to smarter systems, this session delivers real-world insights for building financially resilient independent labels.

Durability Over Hype: Long-Term Thinking for Independent Companies – In an industry built around short-term wins and constant change, long-term survival has become one of the hardest challenges for independent music companies. This executive-level panel focuses on how indie labels and music businesses build durability over years, not release cycles. Rather than chasing trends, the conversation centers on repeatable decision-making, sustainable growth, and preserving independence while adapting to shifting markets. Designed for founders and senior executives, this session offers practical insights into building an indie business that lasts.

Metadata to Money: Solving the Metadata Gap – Inaccurate or incomplete metadata is one of the biggest – and most preventable – causes of lost revenue. Missing credits, incorrect identifiers, and inconsistent data across platforms can lead to uncollected royalties, delayed payments, rights disputes, and missed opportunities across the board. The conversation will provide practical solutions on best practices for metadata creation and management, quality control process, and tools that ensure accurate registration, tracking and reporting.

Owning Your Data: Navigating Distribution, Control, and Catalog Transitions – As the music industry consolidates, independent labels face growing challenges around data ownership, catalog management, and platform dependence. Relying solely on distributor-provided systems can lead to data lock-in and operational risk – especially if your partner is acquired or changes direction. This panel will unpack why controlling your own data is essential for long-term stability and flexibility, and explore the practical realities of catalog redistribution when changing distributors.

The New DNA of High-Performing Music Teams – The best music companies today are built on hybrid thinking: analytical meets creative, strategic meets relational, operational meets visionary. This panel breaks down the attributes of teams that consistently outperform – including role design, communication styles, talent composition, and leadership structures. Panelists will explore how organizations can mirror the audiences they serve and avoid “echo chamber” decision-making that limits innovation. Ideal for leaders optimizing team structure for future growth.

Right People, Right Time: Strategic Hiring for Music Companies – Hiring the right people at the right time can define a company’s trajectory. For independent labels and music companies, building an efficient team isn’t just about filling roles – it’s about aligning talent with vision, culture, and long-term growth. Panelists will share practical insights on when to expand your team, how to identify the right candidate beyond the resume, and how to build human-centered hiring practices that foster performance, trust, and retention.

Guitarist Zack Miranowic Releases “Reflections” From Upcoming Album ‘Sinking Low’

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Southampton, New Jersey-based rock and metal guitarist Zack Miranowic has released his new single and video “Reflections”, the first preview of his upcoming album ‘Sinking Low’. The track continues Miranowic’s solo project – a deeply personal outlet built around massive riffs, dynamic songwriting, and melodic vocals with a raw edge.

Miranowic also handled the entire production process himself. “The album was completely produced, mixed, and mastered by me,” he says, highlighting the fully independent nature of the project.

Lyrically, “Reflections” explores themes of memory, regret, and self-examination. “In life we tend to think about our past and how certain events played out. At times we come to regret some of our decisions or think we could have done better, but the truth is that we just did what we thought was right at the time,” Miranowic says.

Known for his work with Disciples Of Verity, Sekond Skyn, and Riversend, Miranowic launched his solo project with the album ‘Fear’ in 2022 followed by the EP ‘Cryin’ Out’ in 2023. He plans to release additional singles throughout 2026 leading into the full release of ‘Sinking Low’.

Country Singer-Songwriter Keith Burns Releases “They Don’t Live Here” And Launches New Single Series

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Country singer-songwriter Keith Burns – founding member of the platinum-selling trio Trick Pony – begins a new chapter in 2026 with a series of new solo releases. The first track, “They Don’t Live Here,” arrives March 13 as part of a Q2 waterfall series and was written by Burns and Ray Termini, who also produced the song. Inspired by the loss of Burns’ father, the track unfolds as a quiet reflection on memory, family, and the passage of time.

Burns says the song came together during a deeply personal moment. “Ray came to the writing session with the idea. Having just lost my dad in October, it came at the right time – sat with me in a big way,” Burns says. “We’ve both experienced the loss of our fathers, who, ironically, share the same name … and ‘Frank’ gets a special mention in the storyline. The song is really about the circle of life. It kind of just wrote itself.”

The new single highlights Burns’ continued presence in Nashville’s songwriting community following more than three decades in the industry. As a member of Trick Pony, he helped score three consecutive Top 10 hits – including “Pour Me” and “Just What I Do,” both co-written by Burns. He has also written songs for artists including Joe Diffie and later formed the duo Burns & Poe with Michelle Poe.

Burns’ momentum continues this year with an Inspirational Country Music Association nomination for Outlaw Gospel Artist of the Year. He will also co-host the 2026 Inspirational Country Music Awards – where he will perform “They Don’t Live Here” – at the Grand Ole Opry House on April 6.

Additional releases in the series will include “Cowboys Don’t Get Old,” featuring Tracy Lawrence, followed by Burns’ new version of the Trick Pony hit “Pour Me” titled “Pour Me (Single Shot),” celebrating the song’s 25th anniversary.

Grupo Duelo Announces U.S. ‘Gravedad’ Tour 2026

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Regional Mexican norteño band Grupo Duelo has announced the Gravedad Tour 2026, a 22-date run across the United States produced by Live Nation in collaboration with La Bonita Music and Latino Live. The tour will bring the group’s emotionally driven sound to major cities including San Antonio, Houston, Dallas, Nashville, Atlanta, Chicago, Denver, Phoenix, and New York.

The tour marks a new chapter for the band with a redesigned live show and expanded stage production designed to highlight the emotional core of their music. Inspired by the immersive 360-degree concert format at Arena Monterrey, the production aims to recreate the warm, intimate energy of a palenque-style performance while strengthening the connection between the band and their audience.

Presales begin March 4 ahead of the general on-sale March 6 at 10 am local time. VIP packages will also be available. Throughout their 26-year career, Grupo Duelo, led by singer-songwriter Óscar Iván Treviño, has built a devoted following with heartfelt lyrics, romantic melodies, and a deep connection to fans across Mexico and the United States.

TOUR DATES:

May 1 – San Antonio, TX – Freeman Coliseum
May 2 – Laredo, TX – Sames Auto Arena

August 22 – Houston, TX – Toyota Center

September 4 – El Cajon, CA – The Magnolia
September 5 – San Jose, CA – San Jose Civic
September 11 – Fresno, CA – William Saroyan Theatre
September 12 – Las Vegas, NV – House of Blues
September 18 – Austin, TX – ACL Live at The Moody Theater
September 19 – Dallas, TX – Dos Equis Pavilion
September 26 – Edinburg, TX – Bert Ogden Arena

October 1 – Nashville, TN – Brooklyn Bowl
October 2 – Charlotte, NC – The Fillmore
October 3 – Atlanta, GA – Coca-Cola Roxy
October 4 – Raleigh, NC – The Ritz
October 17 – Rosemont, IL – Rosemont Theatre
October 23 – Inglewood, CA – YouTube Theater

November 6 – Denver, CO – Paramount Theatre
November 13 – Phoenix, AZ – Arizona Financial Theatre
November 14 – El Paso, TX – El Paso County Coliseum
November 21 – New York, NY – Palladium Times Square
November 27 – Orlando, FL – House of Blues
November 28 – Miami, FL – Miami Beach Bandshell

Blues Rock Guitarist Jared James Nichols Releases “Killing Time” From Upcoming Album ‘Louder Than Fate’

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Blues rock guitarist Jared James Nichols has released “Killing Time”, the latest single from his upcoming album ‘Louder Than Fate’, arriving June 5 via Frontiers Music Srl. The track was written and recorded in Nashville with Roger Alan Nichols, while the official video was filmed in the basement of Halestorm Manor, the home of Lzzy Hale and Joe Hottinger of Halestorm.

Nichols describes the song as an emotional reflection on moving forward after a relationship ends. “‘Killing Time’ is not being able to cut the loss of a relationship when you know you have to move on. It’s about walking a lonely path while hanging onto hope, even when all is lost. Every stripped-down chord echoes the regret of moments thrown away and words left unsaid. Writing this song was a personal reminder that it is OK to close chapters and move on to new beginnings.”

Produced and mixed by Jay Ruston, with additional production from Roger Alan Nichols, ‘Louder Than Fate’ blends thunderous riffs, soaring solos, and emotionally driven vocals with modern rock production. Songs such as “Bending or Breaking” and “Killing Time” expand the sonic palette with keyboards and cinematic strings while maintaining Nichols’ blues-driven hard rock core.

Nichols has built a reputation as one of the most electrifying guitarists of his generation, known for his distinctive tone and high-energy performances. He says the new record captures a wider emotional range than his previous releases. “I’m beyond excited for this record. I’ve been counting down the days until its release like it’s a personal holiday. If the singles are any hint for you, there are plenty of riffs ripping through the speakers like a buzz saw.”

He adds, “But going deeper into the record, there are tons of different emotions and sounds that I have yet to explore as a singer/songwriter. I am personally thrilled to share different shades of myself on this record, giving so much more depth and insight to the listener. Get ready for ‘Louder than Fate’.”

RECORD RELEASE SHOWS:

May 29 – Teaneck, NJ – Debonair Music Hall
June 3 – Sweden Rock Festival
June 6 – London, U.K. – The Lexington
June 10 – Nashville, TN – The Basement East

Lecx Stacy Releases “Safe In Your Hands, I Clasp”

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Los Angeles-based indie singer Lecx Stacy has released the new song “Safe In Your Hands, I Clasp”, continuing his exploration of memory, identity, and emotional vulnerability through sound. A first-generation Filipino American originally from San Diego, Stacy grew up surrounded by music through family karaoke nights, piano lessons, and early beat-making sessions with his older brother. After his brother’s passing, the recording equipment he left behind became a creative lifeline, helping Stacy begin shaping the deeply personal sound that defines his work today.

The new track unfolds gradually, beginning with delicate acoustic guitar, subtle strings, and breathy vocals before expanding into layered distortion and dense textures. Stacy describes the song as “a soundtrack to my anxieties. It’s about clinging to idealized versions of life and love for comfort, only to feel that comfort slip further away and swallowed by noise and distortion.” The structure mirrors that emotional tension, swelling into chaos before returning to a softer arrangement.

Across his recent releases, Stacy continues to explore emotional extremes through shifting sonic landscapes. Songs like “Winter, A Wilted Flower” leaned into stillness and fragility, while “With You, I’d Be Closer to God” embraced distortion and intensity. With “Safe In Your Hands, I Clasp”, he expands that palette further while remaining rooted in vulnerability and instinct.

The broader project draws inspiration from Stacy’s personal history and cultural memory. Stories from his father about Filipino “folkhouses”, bars where men gathered to sing American folk songs after long nights of drinking, inform the album’s sense of place and identity. The result blends Americana with echoes of Filipino tradition through Stacy’s mix of emo-folk, folktronica, ambient textures, and noise.

Stacy’s live performances reflect the same emotional intensity found in his recordings. He has previously toured with Eartheater, Jean Dawson, and Sega Bodega, delivering performances that treat memory and experience as something fluid, shifting, and ritualized through sound.

Matt Berninger And Rosanne Cash Cover The Velvet Underground Classic “Who Loves The Sun” For Hulu Series ‘Sunny Nights’

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Matt Berninger and Rosanne Cash have released their cover of The Velvet Underground’s “Who Loves The Sun” ahead of the Hulu debut of the comedy-drama series ‘Sunny Nights’. The recording appears in the opening scene of the first episode and serves as the theme song for the series, which is directed and executive-produced by Trent O’Donnell.

Berninger says the collaboration came naturally after his long friendship with O’Donnell. “I’ve been a Trent O’Donnell fan for a long time. We became good friends when he cast my brother, Tom, in an episode of his show No Activity, and we’ve had a close, creative bond ever since.”

When O’Donnell approached him about recording the Velvet Underground song for the series, Berninger immediately envisioned it as a duet. “When he asked me to cover the Velvet Underground for Sunny Nights, I immediately thought of it as a duet with Rose and John [Leventhal]. We recorded it in their Chelsea brownstone last summer. John did most of the work while Rose and I drank chardonnay in the garden in the sun.”

‘Sunnny Nights’ stars Will Forte as Martin Marvin, a straight-laced American who moves to Sydney to start a spray-tan business with his unpredictable sister Vicki, played by D’Arcy Carden. As the siblings try to grow their startup into a successful company, they become entangled in Sydney’s criminal underworld, forcing them to navigate danger while keeping their business afloat.

Swedish Pop Star Loreen Releases “Wildfire” Title Track And Announces U.K. And European Tour

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Today, multi-platinum, award-winning artist Loreen releases the title track from her upcoming brand-new album Wildfire, set for release on 27th March 2026 via Polydor France. She exclusively unveiled the song live for the first time last week at YOYO in Paris. Driven by a hypnotic, sweat-slick club beat, Loreen invites listeners to “dance the pain away,” pulling them into the visceral centre of her new album. “Wildfire” builds with aslow, smouldering intensity, its clean, mesmeric electronic production colliding with sensual lyricism as her voice shifts from intimate restraint in the verses to commanding release in the chorus. It’s a tantric track that leans into darker, raw dancefloor energy, embracing movement as catharsis.



Written with Jesse St. John (Charli XCX, Britney Spears, Kim Petras), it was created with the queer dancefloor in mind, charged with sexual energy,flirting with the forbidden, and shedding inhibition without judgement. Just raw, sexy, punk-leaning electricity designed to lure the listener in and keep them moving. Loreen also announces the Wildfire Tour spanning seven countries including the UK, Ireland, Germany, Belgium, France, Poland and the Netherlands. The tour opens in Dublin’s National Stadium on 22nd September 2026, before travelling through Glasgow, Manchester and London, continuing across Europe and culminating at the iconic Paradiso in Amsterdam on 6th October.

Loreen’s upcoming album Wildfire has been a decade in the making and will include her first single “Feels Like Heaven” co-written by Sia, the critically praised “Is It Love” alongside the global phenomenon “Tattoo”, which topped charts in more than ten countries and reaffirmed her place as one of the defining artists of her generation. Wildfire follows a career-defining catalogue of era-spanning releases, including “Euphoria”, a cultural milestone; alongside “Forever”, “Gravity”, and “WarningSigns”, each exploring themes of love, vulnerability, identity and cosmic connection. Nine years on from her last album and fourteen years since her debut, her work has amassed billions of streams worldwide and established Loreen as one of modern pop’s most spiritually resonant and emotionally fearless voices.

WILDFIRE ALBUM TRACKLIST
1. WHERE DO WE GO FROM HERE
2. FEELS LIKE HEAVEN
3. WEAPONS
4. IS IT LOVE
5. CANT PULL ME DOWN
6. MELT
7. WILDFIRE
8. COMING CLOSE
9. SET ME FREE
10. TATTOO
11. LOSE THAT LIGHT FT. 6LACK
12. KISS THE SKY
13. TRUE LOVE

WILDFIRE 2026 TOUR DATES:
22 September – Dublin, Ireland – National Stadium
24 September – Glasgow, UK – O2 Academy
25 September – Manchester, UK – O2 Victoria Warehouse
26 September – London, UK – O2 Brixton Academy
28 September – Cologne, Germany – Carlswerk Victoira
29 September – Brussels, Belgium – Cirque Royale
30 September – Paris, France – Salle Pleyel
2 October – Berlin, Germany – Astra
3 October – Warsaw, Poland – Stodola
5 October – Hamburg, Germany – Grobe Freiheit
6 October – Amsterdam, Netherlands – Paradiso

Pre-order Wildfire (out 27th March 2026) now to gain pre-sale access to tickets
for Loreen’s UK & European tour starting 4th March at 9am GMT / 10am CET.
Wildfire will be available in multiple physical formats including CD and three vinyl editions:
Day, Dusk and Midnight (availability varies by territory).

Billy Morrison Announces New Album ‘Hollow’ Featuring Sully Erna And Nuno Bettencour

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Two years ago, BILLY MORRISON—the British guitarist, singer, and songwriter, primarily known as Billy Idol’s rhythm guitar player for the past 17 years alongside lead guitarist Steve Stevens—released THE MORRISON PROJECT via TLG | ZOID | Virgin Music Group. It marked his third solo album (and first since 2015) and produced the #1 Active Rock Song (Mediabase) in America: “Crack Cocaine” featuring Ozzy Osbourne and Steve Stevens and co-written by all three artists. A deluxe edition of the album followed in 2025 and bonus track, “Gods Of Rock and Roll (Orchestral)”—another seismic collaboration with Osbourne and Stevens—landed in the Active Rock Top Ten (Mediabase).

MORRISON will build on that success with his upcoming album HOLLOW, out sometime in August via TLG | ZOID | Virgin Music Group. The album will launch with the March 27 release of its first single and video “Becoming” which was written by MORRISON, Sully Erna (Godsmack) and Brett Scallions; it features Erna on lead vocals and Grammy Award-winner Nuno Bettencourt (Extreme) on lead guitar.

HOLLOW will follow the success of 2024’s THE MORRISON PROJECT format with 12 songs, half sung by Morrison and half sung by a handful of MORRISON’s friends. Guests include Dexter Holland, Marilyn Manson, Chuck D, B Real, Duff McKagan, Steve Stevens, DMC, and the above-mentioned Sully Erna and Nuno Bettencourt, among others. “Forgive Me,” “The Tailor,” “No Suspects,” “Another Day,” “Leave No Trace,” and “Becoming” are among the song titles.

“The last album was so much fun and such a creative experience for me that I got the band back together for a follow up record,” says BILLY. It’s on the same label (TLG | ZOID | Virgin Music Group), with the same crew (Barry Pointer mixing the record, Dave Donnelly mastering and all art / photography by Jane Stuart) and I’m excited to share this body of work with the world.” He adds: “The guests on this record are at the core of the collaborative spirit that I try to put in the center of these records. Every single person I worked with stepped up, brought their A game and helped me produce an album that crosses genres, features some really diverse songwriting, and yet has a truly cohesive, and powerful sound. Ultimately, I am just grateful to everyone involved for allowing me to do this again.”

Mountain Music Festival Returns To Gatlinburg With Bret Michaels, Rick Springfield, Sebastian Bach And More

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The Mountain Music Festival will return August 21 through August 23 at the Gatlinburg Convention Center in the Great Smoky Mountains of Tennessee. The three-day classic rock gathering will feature more than twenty-five artists performing across three stages along with interactive fan events including photo opportunities with select bands, a Rock N Roll Marketplace, a Rock N Roll Art Gallery, and an outdoor patio experience.

The 2026 lineup features a mix of classic rock favorites and emerging acts including Bret Michaels, Rick Springfield, Sebastian Bach, Night Ranger, Lita Ford, Warrant, Vixen, and John Waite. Additional performances come from Pearcy and DeMartini performing the music of RATT, Lynch Mob, Jackyl, White Lion, Vandenberg, Steelheart, and many more artists throughout the weekend.

New to the festival this year will be Guitar Clinics hosted by Joel Hoekstra, Reb Beach, and George Lynch. The sessions will give fans an opportunity to hear stories from the road, receive performance insights, and learn techniques directly from the guitarists in an intimate setting. Access to the clinics is available through a special three-day pass package.

Three-day and two-day General Admission passes are on sale now, while single-day tickets will be released later this year. VIP Top of the Mountain passes sold out during the alumni presale. Fans purchasing early can also take advantage of limited discounts on multi-day passes through March 31.

LINEUP

Friday, August 21
Pearcy and DeMartini performing the music of RATT
Sebastian Bach
Lynch Mob
Tuk Smith and The Restless Hearts
Reb Beach
Tora Tora
The Cruel Intentions
Ted Poley
Wildstreet
Soto and Bieler
No Love Lost

Saturday, August 22
Bret Michaels
Night Ranger
Jackyl
Lita Ford
White Lion
Vandenberg
Dangerous Toys
Crazy Lixx
Bad Marriage
Wildstreet
Hoekstra and Gibbs

Saturday Late Night Show
Faster Pussycat

Sunday, August 23
Rick Springfield
38 Special
Warrant
Vixen
John Waite
Steelheart
The Cruel Intentions
Bad Marriage
Luke Robert