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Hot 8 Brass Band Performs Joy Division’s “Love Will Tear Us Apart” For Charity

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Join the Hot 8 Brass Band in their own homes as they record a special version of “Love Will Tear Us Apart” for the Jazz Foundation Musicians’ Emergency Fund Concert.

The Jazz Foundation of America said “In demanding times, musicians keep us grounded. They call up the strong, beautiful parts of our spirits. But without a single gig taking place during this crisis, there are no clubs to go to, no concerts to attend. The sudden standstill has left thousands of vulnerable artists in a state of financial free fall as they live gig to gig and month to month. The need is unprecedented but reminds us of mission and purpose to provide emergency assistance in time of crisis.”

You can provide direct assistance to the musicians deeply affected by this catastrophe here.

Who Sampled: KRAFTWERK Edition

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This episode explores some of some the artists or groups – including Beck, Sir Mix-a-Lot, The Chemical Brothers, and Miley Cyrus – that sampled Kraftwerk.

Styx’s “Mr. Roboto” Performed on Floppy Drives

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Styx’s 1983 single Mr. Roboto is still a pretty great song, and it’s made …. differently … as played by Paweł Zadrożniak’s electromechanical orchestra, the Floppotron and its servo-powered instrumentation.

1-minute tip for artists: D.I.Y.

I haven’t made anything in my life since high school’s shop class, and that was a disaster. You are not me.

The Raconteurs Team With Spotify For LIVE AT ELECTRIC LADY EP and Documentary

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The Raconteurs – Jack White, Brendan Benson, Jack Lawrence, and Patrick Keeler – have announced today’s release of their new EP, LIVE AT ELECTRIC LADY, exclusively via Spotify. Recorded in late 2019, the EP includes seven explosive live tracks recorded at the legendary New York City studio, showcasing favorites like “Level” and “Old Enough” alongside songs from last year’s chart-topping HELP US STRANGER (Third Man Records). In addition, LIVE AT ELECTRIC LADY features a special introduction from famed filmmaker Jim Jarmusch as well as an electrifying bonus studio version of Richard Hell and the Voidoids’ seminal “Blank Generation,” recorded that day.

Furthermore, THE RACONTEURS PRESENT LIVE AT ELECTRIC LADY, THE ENHANCED ALBUM will be visually enhanced with a number of Spotify Canvas and Storylines incorporating never-before-seen video footage from the event. Highlights include Jarmusch’s exclusive interview with The Raconteurs as well as a behind-the-scenes look at the recording of “Blank Generation,” featuring a special visit from original Voidoids guitarist Ivan Julian explaining the song’s instantly identifiable guitar hook to the band.

“I’ve always loved that guitar part and never really sat down and exactly figured out what he’s doing,” says Jack White. “How amazing for Ivan to show up and show us how to do it.”

As if all that weren’t enough, LIVE AT ELECTRIC LADY is accompanied by a full-length one-hour documentary, streaming now via YouTube.

HELP US STRANGER, the acclaimed third studio album from The Raconteurs, debuted at #1 on the SoundScan/Billboard 200 upon its June 2019 release – the band’s first-ever #1 and third consecutive trip to the top 10. The album also debuted atop the Physical Albums chart and as well as the Vinyl Albums chart. In fact, HELP US STRANGER garnered the sixth highest first-week vinyl sales in the SoundScan era (with Jack White holding the #1 and #4 spots for LAZARETTO and BOARDING HOUSE REACH, respectively). The album was also the first #1 for an independent record company in 2019 and the fourth consecutive Billboard #1 for Jack White as an artist. In addition to its chart-topping achievements here in the United States, HELP US STRANGER also debuted at #1 on the album sales chart in Canada and #2 on the overall Canadian album chart. The success continued in the UK where the album took the top spot on the UK vinyl chart, along with being the #3 independent album and #8 on the Official UK Albums chart. HELP US STRANGER is available physically and digitally worldwide.

Esperanza Spalding and Fred Hersch Release EP To Benefit Jazz Foundation’s Covid 19 Musicians’ Emergency Fund

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The COVID-19 pandemic continues to have a devastating effect on the jazz community, leaving countless musicians to face an uncertain future.

Four-time Grammy Award-winning visionary vocalist, bassist and songwriter

Esperanza Spalding and fifteen-time Grammy nominee, iconic pianist/ composer

Fred Hersch have committed to do their part to help fellow musicians in need with the limited release of Esperanza Spalding & Fred Hersch: Live at the Village Vanguard – Rough Mix EP, a five-song EP captured during the duo’s 2018 run at the iconic New York City nightclub. The EP is a live rough mix with no edits.

The EP will be offered exclusively for download through Bandcamp, with all proceeds benefitting the Jazz Foundation of America’s Covid 19 Musicians’ Emergency Fund.

Released today the scintillating performance will be available only through the month of June for a minimum of $17, with additional donations encouraged on a pay-what-you-wish basis.

Live at the Village Vanguard provides a rare opportunity for listeners to enjoy this singular and thrilling collaboration. Spalding and Hersch have convened for only a handful of NYC performances since their first meeting in 2013. In that limited time the pair has developed a wholly unique approach, not only in the annals of piano-voice duets but in their own already distinctive practices.

“This recording feels like you’ve got the best seat in the house for a very live experience,” Hersch says.

“I think there’s a lot of joy and beauty in this music that Fred and I made,”

adds Spalding. “Beyond collecting money for musicians in need, sharing the beauty in our hearts can have a healing effect as well.”

The five pieces included on Live at the Village Vanguard span a vast spectrum of repertoire, from original compositions to a Brazilian classic to familiar standards. A determined original in her own music, Spalding rarely sings standards, and her approach here is unique to her partnership with Hersch.

Her improvisation on the Gershwins’ “But Not For Me” becomes a witty, poetic extemporization on the lyric itself. Neal Hefti and Bobby Troup’s chauvinistic ditty “Girl Talk” comes under barbed scrutiny from not only a feminist but also an eco-conscious perspective. Hersch’s “Dream of Monk” has been a staple of the duo’s sets since the beginning. “Some Other Time” is a Sammy Cahn/Jule Styne song, less well known than the Leonard Bernstein classic. The set closes with Egberto Gismonti’s “Loro,” launched by Spalding’s unconventional scatting, which she eventually uses to engage in a nimble dance with Hersch’s jaunty piano.

“Playing with Fred feels like we’re in a sandbox,” Spalding says. “He takes his devotion to the music as serious as life and death, but once we start playing, it’s just fun.”

“I don’t think anybody’s heard Esperanza sing like this,” Hersch says, returning the compliments. “She’s fearless, and is one of the smartest people I know.”

Dolly Parton Releases a New Song ‘When Life Is Good Again’

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Dolly Parton has consistently used her platform to spread hope and joy to countless fans throughout her legendary career. At a time when our world seems to be in disarray and so many are struggling, Parton is once again using her familiar and comforting voice to lift us all to a better place with the release of her new song “When Life Is Good Again,” which premiered earlier this week on EW on May 27th and it’s official music video that premiered exclusively on TIME on May 28th following Parton’s illuminating interview with “TIME100 Talks: Finding Hope” series.

The music video for “When Life Is Good Again” is a heartwarming visual that reminds everyone of all the happy memories and inspires us to look forward past this temporary moment of distance and isolation. Parton also uses the video as a nod to all of the selfless front line workers who are fighting each day to keep us safe. Several of those courageous health workers are featured in the video as a symbol of community and how in times of crisis we come together to support one another.

“Since our world was forever changed by the COVID virus, I have felt a deep respect and appreciation for all of our frontline responders,” says Parton. “This video is to pay respect to them and to remind all of us that this too shall pass. If we pull together as a community, we can rise above and look forward to more beautiful days on the horizon. I hope you love this song as much as I have loved bringing it to you.”

Parton appeared in conversation with TIME Editor-In-Chief, Edward Felsenthal, on “TIME100 Talks: Finding Hope” on May 28th, where she discussed public service and why initiatives like her influential children’s literacy program, The Dolly Parton Imagination Library, and her current web series, “Goodnight With Dolly,” are so important and close to her heart. At the conclusion of the interview stream, Parton and Felsenthal exclusively premiered the official music video for “When Life Is Good Again,” which is currently featured on TIME.com’s homepage.

The “TIME100 Talks: Finding Hope” series brings together the world’s leading voices to spotlight solutions and encourage action toward a better world. This series will have a special focus on the COVID-19 pandemic. Other luminaries who have been featured in the series include Angelina Jolie, John Legend, among many others.

In addition to speaking on the Imagination Library and their work, Parton also discusses her wildly successful YouTube series, “Goodnight with Dolly,” in which she reads select Imagination Library books, all carefully chosen for this moment in time. The 10-week series kicked-off on April 2nd with a reading of “The Little Engine That Could” and will come to the end of its run on June 4th.

Kids Can Start Summer with SiriusXM’s “Camp KPL” – the virtual summer camp

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SiriusXM’s Kids Place Live announced the launch of “Camp KPL”, a series of fun at home summer camp activities and projects, upbeat family-friendly music and more, beginning on Monday, June 1 and running throughout the summer. “Camp KPL” on SiriusXM’s Kids Place Live channel will air weekdays from 12:00 pm – 3:00 pm ET, and each show will be available On Demand for two weeks.

With some summer camps cancelled due to coronavirus concerns, “Camp KPL” on Kids Place Live gives children and their families a virtual worry-free option to stay home, explore new activities outside, get creative and remain active all summer long. It’s hard for kids to imagine a summer without friends, outdoor fun and the freedom that comes with camp. The hosts of Kids Place Live are here to bring joy to your backyard or living room by expanding your ideas about summer playtime and how to make the most out of these unique circumstances.

“Camp KPL” contributors will consist of all Kids Place Live hosts who will lead virtual activities, expanding imaginations through theater of the mind and will take call-ins from listeners. Other features include daily story time; a mix of recorded and new stories, a kid’s comedy club where children can call in to tell their favorite jokes, and daily missions from award-winning Kids Place Live host, Absolutely Mindy. Mindy’s missions include fun daily tasks kids can do at home rain or shine.

Listeners can also hear Grammy award-winning kids’ musicians and outdoor experts The Okee Dokee Brothers share songs and ideas for safe summertime activities kids and families can do, including cleaning up a neighborhood park, birdwatching, picnicking and more.

The challenge of trying to become a record-breaker is a fun way to keep kids entertained at home, and “Camp KPL’s” segment “At-Home Challenges with GUINNESS WORLD RECORDS™”, includes a collection of world records kids and families can try safely at home.

SiriusXM’s Kids Place Live also offers parents a simple solution to summertime cabin fever with “Instant Naptime”, a 5-hour loop of lullaby songs curated by Kids Place Live. The channel has always played lullaby music during the overnight hours, but this is a soothing way families can access it On Demand at any time on the SiriusXM app.

SiriusXM Kids Place Live is the ultimate entertainment platform for children, an oasis that families can rely on for fun, learning and laughs, available to subscribers nationwide on SiriusXM radios (ch. 78). SiriusXM is now offering listeners its best streaming offer yet: Sign up to stream SiriusXM for 4 months free with a new subscription. To see offer details and to start listening on the SiriusXM app, on connected devices and smart speakers in your home, go to www.siriusxm.com/homefree.

Canadian Health Arts Organization Room 217 Foundation Releases Library of Music Care Collections for Digital Streaming

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Canadian health arts organization Room 217 Foundation has released their extensive library of highly innovative non-pharmacological palliative care collections for digital streaming — plus a comprehensive user guide for care providers and family members alike.

Initially designed as a cost-effective comfort tool in the resource kits of nursing and care staff, volunteers, hospices, palliative care units, long-term care and assisted living homes, Room 217’s increased availability via online streaming is offering community members increased access for home and personal use within their families.

A world leader in music care, Room 217’s expanded digital availability adds to already more than 45,000+ copies sold worldwide, and is set to include this Spring’s newest releases: Collection 3: Diverse Sounds, Collection 4: Boomer Tracks.

“Room 217 Music Collections are a series of albums designed to be a cost-effective comfort tool to meet the psychosocial and spiritual needs of persons in palliative and end-of-life care,” says Room 217 Foundation Executive Director Bev Foster. “We have been a forerunner in bringing the caregiver, especially the family caregiver as a vital care partner, into the music and health sector.”

Promoting sleep and a general sense of peacefulness, Room 217 Music Collections have been proven to help alleviate agitation and anxiety, provide comfort and a distraction from pain, make eating more enjoyable, assist in closure and relationship completion, enhance communications through reminiscence, and more, as well as de-stress caregivers and make care and dying spaces beautiful.

Room 217 music is produced with defined therapeutic and artistic values, including familiar songs and sounds in comforting styles, 60-minute continuous play, with a mix of instrumental-only and albums with vocals — both gently arranged for up to six voices or instruments. Tempos are paced between 54 – 72 beats per minute to entrain with a resting heart rate.

“Collections 3 and 4 — Diverse Sounds and Boomer Tracks — address the need for more cultural- and age-specific music for use in hospice palliative care,” Foster shares of the Foundation’s newest releases. “Collection 3: Diverse Sounds is an inclusive palette of music composed of soothing and healing sounds that reflects the cultural diversity in Canada, and the beauty of our global music community.

“Collection 4: Boomer Tracks showcases music from the ‘50s, ‘60s, and ‘70s. The songs were selected with the help of a team of musicians, music therapists, and Baby Boomer music lovers.”

Since its creation, Room 217 has dedicated itself to be a world- and industry-leader wholly focused on developing, producing and delivering research-informed music care products, education, training, and research.

“Music care is the intentional use of music by anyone to improve health and well-being,” Foster explains. “Music care integrates sound, silence and music into the circle of care, paying close attention to how interpersonal connection and human contact is enhanced through musical associations.”

Room 217 is a Canadian music-based health arts organization and social enterprise providing innovative approaches to well-being through a philosophy of music care.

Its inspiration was deeply personal to Foster, both in practice and need. “The first Room 217 was at a small rural hospital in Uxbridge, Ontario,” she recalls. “There, I said goodnight to my Dad for the last time.

“My family experienced music’s unique ability to accompany us through his end of life journey,” she continues. “When I left the hospital that night, I had two compelling questions:

“1) Is there anything more powerful than music to bring people together through the passages of l living and dying?

“2) Do caregivers have access to tools, understanding, and evidence about music in care?”

With these questions in mind, Foster and her husband Rob gathered a top-notch team of skilled music educators, music therapists, music and health researchers, and community musicians and artists to produce and deliver music care products, education and training and help carers integrate music into their regular practice, enhancing quality of life and improving the care experience.

In its 11 years of groundbreaking work, the impact Room 217 Foundation has had on those both receiving and providing care is immense. Through the development of numerous music care conferences, education platforms and products currently implemented within care settings across the country and around the world — including the Pathways Singing Program for dementia care, Conversation Cards for music sharing, Recollections for reminiscence, and Music Collections for palliative and end-of-life care — the Foundation is considered a national and international leader within the industry.