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How Artificial Intelligence Has Changed the Music Streaming Industry

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Music has always been about creative expression and about sharing a message or feeling. While that still holds true today, the music industry has changed in many ways since people first started buying vinyl records decades ago. Namely in the way that music is shared and distributed but also in the way music is viewed – at least by record labels. Now big data drives their decision-making processes to reach as big of an audience as possible.

Machine learning, fueled by a massive internal, user, and external data sets, have redirected the way people create and consume music forever. The streaming industry has only blossomed in the last decade – the blink of an eye in music terms – and AI runs it.

Dancing to the Tune of Artificial Intelligence

Streaming platforms like Spotify, Joox, and QQ Music apply AI and machine learning liberally to increase personalization. In fact, providing personalized experiences lies at the heart of the massive success that streaming companies like Spotify have enjoyed so far.

This is because music is a deeply personal experience, and people differ in their tastes, even within the same genre. Then there’s also the fact that a person’s mood can influence the music they decide to listen to.

Companies know that, which is why they’re using machine learning to transform the way they deliver music. The current AI application has already made great strides in search optimization and recommendation engines by analyzing listener habits, the media, and audio.

How Machine Learning Improves The User Experience

The term artificial intelligence can be confusing as it has several different applications. In terms of the music industry, this translates to algorithms used to detect patterns and make decisions based on them. Those patterns are supplied by two major sources:

User Data

Streaming platforms look at users’ behavioral trends to guide their algorithms. This includes how often they listened to a song, which genres they listen to most, and which songs they add to playlists. Each platform’s algorithms surely include many more behavioral markers than those listed here, but the public isn’t necessarily privy to them.

 

What is evident, however, is that these companies also gather other sets of personal data to link to their users for deeper insights. The type of data they gather likely varies, but it does include things like people’s location, age, keyword preferences, and the devices people use.

Audio Analysis

One of the most intensive applications of AI in music streaming is in audio analysis – also called audio models. The big streaming platforms, like Spotify and Apple Music, add thousands of new songs to their libraries every day. Every song is analyzed and tagged according to different vectors.

Some companies utilize advanced technology, like convolutional neural networks – the same tech used in facial recognition. This helps streaming services go beyond normal genre tags to analyze a song’s pitch, melody, vocal styles, lyrics, and more. With that, they can combine user preferences to recommend songs that those users will presumably want to listen to.

Security Flaws Inherent in Today’s Data Gathering Model

The prospect of personalization is promising – who doesn’t want new playlists tailored to their tastes and moods? But it comes at a cost because AI isn’t just used to provide a better user experience. Streaming services are also using machine learning for advertising purposes.

While that’s already frustratingly invasive to a degree, the bigger problem is that user data can be exposed during cybersecurity attacks. Data breaches are among the most common security threats in the world right now, and they expose a lot of sensitive personal information. This threat isn’t just limited to the streaming platforms people use either but includes the advertisers they share information with.

So what can users do? The first step is to be informed on how much of their data is being collected. The next is to use additional privacy tools like VPNs to avoid the risk of cyber threats.

A virtual private network encrypts users’ online traffic, and hides their location, preventing third parties (like advertisers) and hackers from getting their information. Don’t opt for the free services, though, as they’re usually slow and may gather data for advertisers too, defeating the purpose.

Paid VPN services offer protection from more than just data-gathering streaming platforms and provide a few other benefits too. For instance, they give users access to geo-restricted streaming content and can even help save a few dollars off of online shopping or travel expenses.

The Future of Personalized Music Streaming

Artificial intelligence has and continues to transform the music industry in incredible ways, however, this needs to be tempered with caution. Right now, AI is used to gather incredible amounts of data, which could fall into the wrong hands.

This threat may become even greater in the near future as people start moving towards wearable technology. Imagine a sensor or implant that monitors their moods and can adapt the music they’re listening to accordingly in real-time. It may not be a reality now – but neither was music streaming tw

Why AutoZone’s Online Auto Parts Store Is So Easy to Navigate

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More people than ever before are shopping online, and those in need of car parts are no exception. AutoZone has a long history of being a well-organized and accommodating chain for car parts, and the company has taken its strong reputation to the internet. Whether you need windshield wiper blades or new engine parts, the chain’s online shopping options make shopping for car parts a breeze.

The Website Is Well-Organized

The key to a successful online store is ensuring it’s well-organized and easy to navigate. AutoZone’s online auto parts store goes above and beyond. Shoppers will find a dropdown menu on the left side of the page that provides several ways to browse. The most popular categories are listed at the top for the easiest access, and a full list of them are directly below that. Finally, a deals section provides information on top deals, ads for local stores, and rebates.

You Can Add Your Car to the Search

AutoZone’s online store goes beyond browsing and even beyond basic search features. The website’s “Add Vehicle” tab allows you to search for the parts you need based on which car you’re working on. Simply input the year, make, model, and type of engine. If you work on more than one car, don’t worry. The website lets you list more than one vehicle and has a section for managing the ones you’ve added in the past.

Tips To Using AutoZone’s Online Car Parts Store

The two best things you can do to ensure you use AutoZone’s website efficiently is to keep your vehicle’s manual handy and to sign up for an account with AutoZone. Keeping your manual nearby is important for ensuring you purchase parts that you can use for your car, since it will offer everything from engine information to wiper blade size. In fact, it is a good idea to read the manual before you even begin shopping to ensure you don’t miss any important information. Signing up for an AutoZone account has benefits as well. Account holders receive information about sales and other important auto information first. They often earn discounts and can more easily track their addresses, vehicles, local stores, and previous purchases.

How Do You Get AutoZone Rewards?

AutoZone Rewards provides members with a wide range of additional savings and benefits. Signing up is free and easy to do when you create an online account. From bonus rewards for signing up and making purchases, to exclusive promotions and even a faster checkout process, the program has a lot to offer. Earned rewards are good for one year after receiving them, and you’ll receive $20 every time you make five purchases of at least $20 each.

Shopping for car parts online doesn’t need to be risky. AutoZone makes it easy to find exactly what you’re looking for the first time and provides a generous return policy just in case you need it. Don’t let your car go unattended. Find what you need online and have your vehicle back on the road in no time.

Beck Presents HYPERSPACE: AI EXPLORATION A Visual Album Experience

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Given that ROLLING STONE’s 4-star review of Beck’s Hyperspace likened his voice to “David Bowie’s Major Tom checking in from distant orbit,” it’s purely logical that the seven-time GRAMMY-winner’s next collaboration would be with NASA’s Jet Propulsion Laboratory (JPL) in southern California.

With the release of Hyperspace: A.I. Exploration, Beck takes the universally acclaimed album to new frontiers via an interstellar journey combining publicly available NASA mission images, curated with assistance from NASA JPL, visualizations, animations and data with revolutionary Artificial Intelligence tech. The result is the creation of new worlds borne from NASA missions, each soundtracked by Beck’s songs: actual Hyperspaces.

The realization of these Hyperspaces was executed by A.I. architects and directors OSK, who asked “How would artificial intelligence imagine our universe?” In finding the answer, OSK created a unique A.I. utilizing computer vision, machine learning and Generative Adversarial neural Networks (GAN) to learn from NASA’s vast archives. After training on hundreds of thousands of images, videos and data points from NASA’s space exploration research and missions, the Hyperspace A.I. then began creating its own visions of our universe.

The resulting visual album merges science and art, taking us on a journey across space, time, and beyond – all scored by the otherworldly music of Beck’s Hyperspace. Actual NASA expeditions and data are transformed into vivid new universes “imagined” by an emerging new kind of creative intelligence.

The Hyperspace: A.I. Exploration Visual Album Experience track listing including corresponding NASA destinations is as follows:

  • Hyperlife | Landsat 8, International Space Station
  • Uneventful Days | Lunar Reconnaissance Orbiter (LRO), Apollo 12
  • Saw Lightning | Mars Reconnaissance Orbiter (MRO), Curiosity Rover, Viking 1 Orbiter
  • Die Waiting | Solar Dynamics Observatory (SDO)
  • Chemical | Cassini-Huygens
  • See Through | Juno
  • Hyperspace | Transiting Exoplanet Survey Satellite (TESS)
  • Stratosphere | Spitzer Space Telescope
  • Dark Places | Hubble Space Telescope (HST)
  • Star | Hubble Space Telescope (HST), Swift, Fermi Gamma-Ray Space Telescope
  • Everlasting Nothing | Hubble Space Telescope (HST)

+ visualizers for bonus tracks ‘I Am The Cosmos (42420)’ and ‘Dark Places (Soundscape) using A.I. footage trained on NASA black hole and star data.

In addition to taking his 14th album beyond the confines of the atmosphere, Beck ventures further into these songs’ innerspace via a limited edition vinyl LP release of Hyperspace. Due out December 4, Hyperspace (2020) features two previously unreleased songs ‘Dark Places (Soundscape)’ and a bonus solo acoustic version of Chris Bell’s ‘I Am The Cosmos (42420)’ recorded at home in April of 2020, plus brand new 2020 mixes of ‘Star’, ‘Hyperspace’, ‘See Through’ and ‘Die Waiting’. The vinyl is a limited edition 12” with holographic jacket, and also includes a 24-page booklet with AI images & NASA data for each track, limited to 5000 copies. The Hyperspace special edition LP adds new dimensions to the Beck album PEOPLE magazine called “his best in a decade.”

1-minute tip for artists: Your story.

Write about the past, and the now.

Dr Dre and Jimmy Iovine on their tips for success

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Talking beginnings, business and billion-dollar Beats, Dr Dre and Jimmy Iovine reveal how their partnership kickstarted a digital revolution and how to talk together as partners and friends.

This Woman Tracked Her Guitar Playing Month By Month Over Four Years

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This is Rachelf’s progress throughout her first four years playing the electric guitar. She started playing guitar in Jan 2016 as an adult beginner and she’s been entirely self-taught with the help of the internet.

Watch Leonard Cohen Do Comedy In 1965

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The clip is included in the 1965 documentary Ladies and Gentlemen… Mr. Leonard Cohen,

Anna Sofia reveals stunning new EP Broken Perfection out today

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Today, 17 year old rising singer-songwriter Anna Sofia continues to build buzz around her name with the reveal of sophomore EP, Broken Perfection. Lead by stand out focus track “Don’t Play Pretend,” the EP is another glimpse into the stunning ability of Anna Sofia, a newcomer just as comfortable creating gorgeous sparse indie in “Either Way” and blissed out pop in “Happy For You.” Working with long time collaborator Jeff Hazin and Frank Dukes ( Drake, Taylor Swift), Anna Sofia has been earmarked as one to watch, with support coming from the likes of Wonderland, Complex, American Songwriter, IDOLATOR and more. Broken Perfection is an exciting glimpse into what comes next for Anna Sofia.

At just 17, the Canadian singer-songwriter and multi-instrumentalist has won critical acclaim, millions of streams and legions of dedicated fans for one simple reason: she’s being herself. Her music is not the result of focus groups, marketing or following trends. There’s no hindsight and no lecturing. She’s just an artist living in the moment, reflecting life back to the same people coming of age and navigating the drama of becoming an adult – with sophisticated but immediate indie meets R&B bangers that are totally free of pretense and bullshit, singing directly from the heart of the Gen Z experience.

While determined to reach as many people as possible, Anna Sofia has no manifesto or mission statement – just to stay true and speak to others. “I don’t have a message. It’s just real life,” she admits. “One day, I hope to fill stadiums all over the world. I want to have fans everywhere and have some way of helping them or guiding them through my music. My confidence comes from being myself and connecting with people.”

Bobbie Gentry’s Concept Landmark ‘The Delta Sweete’ Celebrated With Expanded Edition

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2018’s Grammy nominated The Girl From Chickasaw County Box Set reacquainted the world with the beguiling work of enigmatic singer-songwriter, Bobbie Gentry. Universally acclaimed, the Box Set housed all seven of the studio albums she recorded for Capitol, including the one which has over the years become recognized as her brilliant conceptual masterpiece: The Delta Sweete.

Today, UMC releases an expanded edition of The Delta Sweete on 2 CD and deluxe 2-disc vinyl. The expanded CD edition features a new stereo mix of the album (sourced directly from the surviving four-track and eight-track tapes) by Producer/Compiler Andrew Batt, alongside the original mono mix making its debut on CD. There are a total of 10 bonus tracks to treasure, including a previously unreleased original demo “The Way I Do” and a special instrumental version of “Okolona River Bottom Band” featuring the great Shorty Rogers on bass trumpet. The deluxe vinyl is the first official repress of the album since 1972 and features the new stereo mix on disc 1 and the 10 bonus tracks on disc 2.

Released in February 1968, barely six months after Bobbie Gentry’s debut LP, The Delta Sweete may not have contained anything as career-defining as the song “Ode to Billie Joe,” but it represented a definite step forward in its musical ambition: A multi-faceted, quasi-concept album, where each track blurred, dream-like, into the next, the songs evoked the melancholy adolescent world of Bobbie’s childhood in Chickasaw County while further deepening her fascination with loss, illusion and the often comic absurdity of the conventions of everyday life. Even the album’s name was pure Gentry, the ‘Sweete’ in the title punning on both Bobbie’s Southern-belle good looks (a pretty girl in the South might be referred to as a sweete) and the album’s musical song structure. The artwork also poetically evoked the music it contained, featuring a double exposure of a contemplative black and white image of Bobbie in tight close-up, superimposed onto a colour photo of a run-down shack taken on her grandparents’ farm where she grew up.

West Coast jazz pioneer Shorty Rogers was a notable addition to the Gentry sound, helping to move ‘The Delta Sweete’ away from the largely acoustic feel of her debut, and together they opened up her songs to a broader pallet of instrumentation. The strings were once again orchestrated by Jimmie Haskell whose memorable arrangement on ‘Ode to Billie Joe’, would win him a Grammy in the spring of ‘68. The great Elvis TCB band leader James Burton features on guitar and Hal Blaine is socking it on drums. The resulting production gave Bobbie a unique and distinctive sound that merged country, soul, chamber-pop and psychedelia, quite unlike anyone else. The album begins back “in Chickasaw land” with the swampy southern groove of ‘Okolona River Bottom Band’ and progresses through a mixture of originals such as ‘Reunion’, ‘Jessye’ Lisabeth’, ‘Refractions’ and ‘Mornin’ Glory’, entwined with some carefully chosen covers like Mose Allison’s ‘Parchman Farm’ and two of Willie Dixon’s – ‘Big Boss Man’ and session outtake ‘The Seventh Son’. Other bonus tracks included Bobbie’s beautifully laid-back demo of the Anthony Newley / Leslie Bricusse classic ‘Feelin’ Good’, and an alternate version of her own ‘Mississippi Delta’ that was originally intended to close out the LP’s second side.

Whilst the album flopped commercially upon its original release, today The Delta Sweete is considered by fans and critics alike to represent the pinnacle of Bobbie’s artistry; recently placed 4th in Uncut Magazine’s ‘Ultimate Genre Guide’ to the top 40 singer-songwriter albums of all time, the LP is justly acknowledged as one of the great previously unsung masterpieces of the 60’s. Just over 50 years after its release, US indie rock band Mercury Rev with special guests that included Hope Sandoval, Beth Orton, Vashti Bunyan, Laetitia Sadler and Lucinda Williams paid homage with their re-recorded tribute album The Delta Sweete Revisited helping a whole new audience to discover the brilliance of Bobbie’s Delta soul. Mercury Rev frontman Jonathan Donahue described Bobbie’s original LP as “a gem of an album. It feels like an island that someone left off a map. It was always flourishing and is still vibrantly alive… It’s just that people didn’t know to sail over there to see it”. The Delta Sweete is now firmly back on the map, and many more will be ready to make that journey – if you haven’t already, it’s time to set sail.

Richard and Linda Thompson’s Iconic First Three Albums Re-Released On Vinyl On September 11, 2020

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Richard and Linda Thompson’s early recordings together have attained an almost mythical status and their first three acclaimed Island Records classics will now be available again on vinyl from September 11 through UMe/Island. I Want To See The Bright Lights Tonight (1974), Hokey Pokey (1975) and Pour Down Like Silver (1975) have all been pressed on 180 gram vinyl. These seminal works, ground-breaking at the time, have influenced generations of artists and firmly established Richard and Linda Thompson as major figures on the British folk scene.

Recorded in May 1973, but not released until 1974 due to an international oil shortage, I Want To See The Bright Lights Tonight is a dark and eclectic affair. Richard and Linda share vocals and many of the album’s 12 tracks would become firm fan favorites, including: “When I Get To The Border,” “Calvary Cross,” “We Sing Hallelujah” and “The End of The Rainbow,” “Down Where The Drunkards Roll,” “Has He Got A Friend For Me?,” “The Great Valerio” and the title track. Now considered a classic album, it did little to trouble the charts on its original release but was very well received by the music press. Geoff Brown of Melody Maker proclaimed: “Richard Thompson is… the most accomplished guitarist in this land… He’s written some masterful songs, here and Linda, has performed them as perfectly as we’ve a right to expect.”

Richard and Linda’s second album Hokey Pokey, released in 1975, is a mixture of darkly comic songs like “Smiffy’s Glass Eye,” the more world-weary “I’ll Regret It All In The Morning” and “A Heart Needs A Home” and more sombre songs such as “The Egypt Room.” Richard always envisaged Hokey Pokey as “a music-hall influenced record.” He was a big fan of Harry Lauder and Gracie Fields, and this inspiration can be seen in the Victorian style cover by Shirt Sleeve Studio and is audible on the title track and also “Georgie On A Spree.”

Also released in 1975, Richard and Linda’s third LP Pour Down Like Silver became known as “The Sufi album” due to Richard’s recent conversion to Islam. It is a more restrained and spartan album compared to its lusher sounding predecessors and contains some of Richard’s most beautiful songs including “For Shame Of Doing Wrong,” “Beat The Retreat” and “Dimming Of The Day,” with “Hard Luck Stories” probably the most musically upbeat song on the album. The record was warmly received with Rolling Stone observing: “Pour Down Like Silver is the kind of album that makes listening to music worthwhile, a record of such rare beauty and scope that one honestly feels privileged to hear it.” And Angus MacKinnon of the NME concluded that: “through its exploration of extreme disillusionment, ‘Pour Down Like Silver’ remains a considerable and deeply moving achievement.”

Tracklistings:

I Want To See The Bright Lights Tonight (1974)

Side A

  1. When I Get To The Border
  2. The Calvary Cross
  3. Withered and Died
  4. I Want To See The Bright Lights Tonight
  5. Down Where The Drunkards Roll

Side B

  1. We Sing Hallelujah
  2. Has He Got A Friend For Me?
  3. The Little Beggar Girl
  4. The End Of The Rainbow
  5. The Great Valerio

Hokey Pokey (1975)

Side A

  1. Hokey Pokey
  2. I’ll Regret It All In The Morning
  3. Smiffy’s Glass Eye
  4. The Egypt Room
  5. Never Again

Side B

  1. Georgie On The Spree
  2. Old Man Inside A Young Man
  3. The Sun Never Shines On The Poor
  4. A Heart Needs A Home
  5. Mole In A Hole

Pour Down Like Silver (1975)

Side A

  1. Streets of Paradise
  2. For Shame of Doing Wrong
  3. The Poor Boy Is Taken Away
  4. Night Comes In

Side B

  1. Jet Plane In A Rocking Chair
  2. Beat The Retreat
  3. Hard Luck Stories
  4. Dimming Of The Day / Dargai