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The Roots Picnic 2020 Partners With Michelle Obama’s ‘When We All Vote’ For Virtual Festival Experience

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This year, in partnership with Michelle Obama’s national, nonpartisan nonprofit organization, When We All Vote, The Roots are launching the 13th Annual Roots Picnic as a virtual broadcast experience on Saturday, June 27th, exclusively on YouTube. The event is Executive Produced by Shawn Gee (Live Nation Urban), Ahmir “Questlove” Thompson and Tarik Trotter (Two One Five Entertainment) and Dan Parise (DPS).

Hosted by Questlove, Black Thought and Michelle Obama, the picnic will be filled with amazing performances by a diverse group of young highly popular hip hop, R&B and gospel artists with the goal of engaging and reaching 500,000 eligible voters. When We All Vote volunteers will sign up to text voters throughout the show through Outvote, a web and mobile organizing platform used to reach unregistered voters. Volunteers can sign-up to learn how to reach voters before the event here. In addition to music, this event will include pre-recorded segments with musicians, athletes, social media influencers, When We All Vote Co-Chairs and The Roots sharing one simple call to action, register to vote. Fans can subscribe to The Roots Official YouTube Channel and tune into the broadcast stream HERE.

Fans can anticipate performances by The Roots, H.E.R., Lil Baby, Roddy Ricch, SZA, Kirk Franklin, Snoh Aalegra, Earthgang, G Herbo, Polo G, N*E*R*D Nice and Musiq Soulchild (backed by The Roots) and appearances by Michelle Obama, Lin Manuel Miranda, Chris Paul, Tom Hanks, Liza Koshy, Kerry Washington, Tracee Ellis Ross, Janelle Monáe, and Elaine Welteroth.

“Historically, Questlove & Black Thought have always been very active participants in the voting process, however I felt that it was imperative that this year I open up both The Roots and my Live Nation Urban platforms as vehicles for both voter education and voter registration.” said Shawn Gee, The Roots manager and President of Live Nation Urban. “Our goal is to aggressively impact change and we’re going to have some fun while doing so. This year, we are incredibly proud to partner with Mrs. Obama’s When We All Vote to ensure our audience has the resources they need to register and vote in November’s election.”

“As we face one of the most challenging years for our nation, we could all use a moment of inspiration and light to help focus on what we can do to take action together – and that action is voting. When We All Vote is on a mission to change the culture around voting and we are committed to closing the age and race gap of those who show up at the ballot box, increasing participation in each and every election,” said When We All Vote Managing Director of Communications and Culture Stephanie L. Young. “To change the culture means we have to be in the culture, and iconic events like the The Roots Picnic, a celebration of the most influential artists of today, is just that.”

The partnership comes from a shared ethos of wanting to reach the most underrepresented community of people when it comes to voting, black people between the ages of 21-35. Michelle Obama’s When We All Vote and The Roots have a common goal, to educate and inspire communities to use their voices and vote to make a difference. Starting TODAY and continuing throughout the broadcast, there will be a call to action to allow fans to register to vote here or by texting ROOTS to 56005.* Throughout the broadcast this will be available in the form of a link in the live chat section allowing fans to register to vote in real time while enjoying the show. Additionally, When We All Vote volunteers will work throughout the day and during the show to text and engage 500,000 eligible voters.

This year, with the Picnic in Fairmount Park being postponed until 2021, The Roots are still eager to engage their core audience both in the Philadelphia region and around the world. Over the past 12 years, The Roots Picnic, which is co-produced with Geoff Gordon and the Live Nation Philly team, has become the premiere event and hub for culture for the core audience of Philadelphia and beyond. The picnic is an event known to draw a diverse multicultural mix of Gen X millennial and Gen Z attendees, and is curated and produced specifically with tier interests in mind.

Over the past 12 years, The Roots Picnic has become the premiere event and hub for culture for the core audience in Philadelphia and beyond. The Picnic is an event that draws a diverse multicultural mix of millennial and Gen Z attendees and is curated and produced specifically with their interests in mind. The event has grown from 2,5000 people in a parking lot in downtown Philly to 40,000 people in Fairmount Park, the largest urban park in the United States. Past performers on The Roots Picnic include The Weeknd, Lil Uzi Vert, H.E.R., Pharrell, Lil Baby, Solange, Janelle Monae and many others.

When We All Vote is a national, nonpartisan, non-profit launched by Co-Chair Michelle Obama in 2018 on a mission to change the culture around voting by brnging together citizens, institutions, brands, and organizations to increase participation in every election. They are also on a mission to close the race and age voting gap and empower all eligible voters to cast their ballot by harnessing grassroots energy, establishing strategic partnerships, and implementing digital organizing strategies. Learn more here.

Nina West And Dolly Parton Team Up For “Dolly X Nina: Kindness Is Queen” Collection

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Kindness is Queen! As revealed exclusively through Entertainment Weekly, The Nina West Foundation is thrilled to announce an incredibly special, first-of-its-kind partnership between Country Music legend Dolly Parton and Drag Superstar  and LGBTQ+ activist Nina West. These two Queens of Kindness have teamed up for the Dolly x Nina: Kindness is Queen collection to foster kindness and hope during this difficult time.

Dolly X Nina : Kindess Is Queen Collection

“When I approached Dolly with the idea for a collaboration between the Nina West Foundation and Dolly Parton’s Imagination Library, I was looking for an opportunity to continue to spread my message of kindness while building on the work I’ve done through my foundation supporting LGBTQ+ youth and families,” said Nina West. “Dolly is the Ultimate Queen of Kindness and I am so thrilled that she agreed to this collaboration! We both want to spread the message that Kindness is Queen and that being kind is something that is desperately needed in our world right now!”

Proceeds from the Kindness is Queen Limited Edition T-shirt, Tote Bag and Enamel pin will go to Dolly Parton’s Imagination Library, a book gifting program that promotes literacy by providing free high quality books to children of all ages, and the Nina West Foundation which supports organizations and services that support LGBTQ+ youth and families. The collection is available now at www.ninawest.com/kindness for a limited time.

Animator Animates The 100 Most Iconic Movie Quotes, With A Hilarious Result

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I’m never going to hear “I’m Batman” the same way again.

50 Hit Songs From 1986 Mashed Into 3 Minutes

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Aaron Brink and Steve Reidell of The Hood Internet compiled 50 music videos from 1986 and remixed them into a 3-minute danceable mashup featuring The Bangles, Beastie Boys, Berlin, Billy Bragg, Billy Joel, Bon Jovi, Boogie Down Productions, Book Of Love, Bruce Hornsby & The Range, Cutting Crew, Cyndi Lauper, Duran Duran, Eric B. & Rakim, Europe, Fingers Inc., Genesis, Gwen Guthrie, Howard Jones, Human League, Janet Jackson, Lionel Richie, Loose Ends, Madonna, Metallica, Midnight Star, Nu Shooz, Oran Juice Jones, Orchestral Manoeuvres in the Dark, Paul Simon, Peter Gabriel, Robbie Nevil, Run-D.M.C., Run-D.M.C. & Aerosmith, Samantha Fox, Slayer, Smithereens, Stan Bush, Steve Winwood, and Whistle.

Supertramp’s Isolated Vocals For “The Logical Song”

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When I was young, it seemed that life was so wonderful
A miracle, oh it was beautiful, magical

https://www.youtube.com/watch?v=NB1rjIYuhRQ

The Ramones’ Isolated Vocals For “I Wanna Be Sedated”

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Originally released on The Ramones fourth album, Road to Ruin, in September 1978, I Wanna Be Sedated and was the B-side of the UK single “She’s the One” released on September 21,1978. The song was later released as a single in the Netherlands in 1979, then in the U.S. in 1980 by RSO Records from the Square soundtrack album.

https://www.youtube.com/watch?v=JOhDf79SsJc

1-minute tip for artists: Monologues.

Come for the idea, stay for the Shakespeare.

Montreal Brother/Sister Duo JUST COSTA Make Everything “Peachy” With Fresh, Feel-Good Summer Groove

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For Canadian brother-sister duo Just Costa, music is just the ticket to their own sonic theme park, and their glistening, feel-good summer anthem “Peachy” — available now! — lands as top contender for its theme song.

Lighthearted and upbeat, the track mixes pop, R&B and g-funk into a catchy groove start to finish, combining full band and synth-based elements along the way. “The message shines as a pinnacle of positivity,” the sibling set says. “It expresses that every moment can feel like a margarita on the beach.”

This Montreal-based fam-band embodies the term “happy-go-lucky” through and through. That likening of their music to a theme park? That’s their real deal.

“We call it Just Costa Land,” quips Jesse Just Costa, who leads the outfit with older sibling Juliana. “It’s like this: We want to bring the sense of an amusement park to our music. The excitement, the enthusiasm, the joie de vivre, the willingness to be happy and grateful and positive and live life to the extreme; that’s what we’re trying to construct.”

Between them, they have all the building blocks they need in a sort of supernatural blend of style, skill and substance that takes a lifetime to achieve. Which is about how long the Just Costas have been making music.

By age 13, guitar prodigy Jesse was taking Montreal’s rock scene by storm, playing lead and fronting his own outfit. Meanwhile, Juliana had begun a solo career as an acoustic singer-songwriter. The turning point came a few years ago, when she was heading to Vancouver to record. Jesse decided to tag along, and in need of material, they began to write together for the sessions. The magic was instant. “We weren’t just putting catchphrases over standard chords; we were writing these intricate, meaningful songs,” Jesse recalls. “That really solidified things. That’s when we really hit the ground running together.”

They haven’t slowed. Since joining forces (and fittingly combining their parents’ surnames for their handle), they’ve more than made up for any lost time. They’ve appeared on talent show La Voix (The Voice), played over 400 shows — including a 16-date tour of Italy — performed at festivals and conferences (including the MUZ showcase in Montreal, where they took home a trio of people’s choice awards), released one album — In Time, All Things under their previous moniker Juliana & Jesse — and are midway through writing and recording a new full-length. More focused and ambitious, their newer material takes full advantage of their creative kinship and shared vision — while also acknowledging their different musical backgrounds and skill sets. “One of our greatest strengths in working together is how varied our individual strengths are,” Jesse explains. “I know where Juliana has me beat, and where she might be able to handle a situation twice as well, and I feel like she knows the same about me. So that’s where the lines get drawn.”

As if on cue, she picks up the thread: “For the most part, Jesse has a real knack for melody and chords, and groove as well. So he’ll put something down and we can play off that. And I really like to write lyrics, so we’ll play off of each other. We work together really well in that sense. Other times, I’ll have a really simple kind of idea on the guitar and I can always count on Jesse to spice it up. It’s always good to have a partner in any venture, and there’s no better partner than family. We are really connected — we’re also best friends — and we really do see it as a big blessing. We’re not scared to push each other. And by bringing the best out of each other, we’ve reached some really cool and unique places songwriting-wise that we might not have found. And we feel we have something really special we can bring to people.”

That gift in a nutshell: Love. “I break down life into two really simple things: doing what you love and doing it with the people that you love,” Jesse says. “That’s really where the magic comes from. That’s when the highs start getting higher and the lows don’t feel so bad. That’s what we have, and that’s what we want to share with people. Really, we want to light up every room that we go into. I feel such an energy and positivity inside of me and so much gratitude for everything I have. We want to bring that to ourselves and to bring other people with us. We want … ”

Naturally, Juliana finishes his thought: “We want to take everybody along for the ride.”

The destination? Just Costa Land, of course. Enjoy the trip and get ready to groove.

“Peachy” is available now.

Alexandria, ON’s Contemporary Jazz Singer/Songwriter KATIE DITSCHUN Says “That Is That.” When it Comes to People’s Need for Others

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Canadian contemporary jazz pop singer/songwriter Katie Ditschun lovingly affirms “That Is That.” when it comes to life, love and people’s need for each other in this, her new single — available now.

“One morning, in the shower, I was singing songs from one of my favourite musicals and felt overcome by the powerful fact that everyone needs other people in their lives,” Ditschun recalls. “The power of love and human connection is unparalleled.

“People need people. That is that. People need people. That’s a fact,” she continues, citing the song’s basis. “The juxtaposition in ‘That Is That.’ — with a firm period — is in the fact that it’s a simple song with simple words and statements, but it’s also a very complex and complete message.

“It’s whimsy with depth.”

On that note, ’whimsy with depth’ is a wonderfully all-encompassing description that wraps all that is Katie Ditschun’s music and purpose together into one.

Born and raised in Brantford, Ontario, Ditschun spent time in Montreal, Quebec following her studies at Berklee College of Music for jazz and contemporary vocal, before returning to her home province; she now calls Alexandria home. Though she was diagnosed at 18 months old with juvenile arthritis, beginning piano lessons at age four to keep her fingers moving, it was the onset of her mother’s terminal illness that gave Ditschun the push to pursue music full-time.

“My songs are about relationships — of love, and of those often confused for love,” she explains of her 2019 debut release, Spare Skirt — home to previous singles “Here We Are,” “HER,” and now “That Is That.” Recorded in Ottawa, and featuring some of Eastern Ontario’s best jazz musicians, the track and album feature Ditschun on vocals, piano, and ukulele — a nod to the singer/songwriter’s self-described style of quirky piano pop meets serious jazz notes and thematic, explorative story-based lyricism. “I’m particularly interested in situations where people lack self-knowledge, or gain greater awareness about oneself, or one’s place in the world.

“While first recording this song in-studio, my co-producer said he felt this song was completely me,” Ditschun adds of “That Is That.” “I’m not sure I’ve ever received a nicer compliment…

“You’ll never regret loving, and I like to think that’s me: love hard. I try every day to be the person my dog thinks I am. I need people, and I remind myself that people need me too.”

Ditschun has embodied a form of this sentiment week after week since the national onset of COVID-19, working at mindfully connecting with her community through complimentary virtual music lessons via Facebook live. With a world reacting to increased isolation, Ditschun hoped her at-home music lessons in a live, “social” setting could offer respite for audience members navigating the world’s new circumstance.

“There’s something about being in the moment when the music is all there is…” says the classically trained musician with over 20 years experience in teaching, and member of the National Association of Teachers of Singing and the Ontario Registered Music Teachers’ Association. “For me, all life’s worries melt away and I’m left only concerned about what phrase comes next and letting the notes float out.

“It’s my hope that my online music lessons can offer even just a bit of that for others in this challenging time.”

For those looking to optimize a rise in screen time by developing their sonic skill sets, the lessons are available via Ditschun’s Facebook page; they are geared towards beginners and focus solely on singing — no instruments are required.

For “That Is That.,” Ditschun’s lessons go a step further: “So, if you feel like it, head online, pick up your ukulele — or whatever you play! — and find the lyrics and chords for ‘That Is That.’ at UltimateGuitar(dot)com,” she invites. “Make the song your own, and send me the link to your versions so I can share!”

“That Is That.”’s name, incidentally, serves a secondary purpose; given that it’s the final track on Spare Skirt, it offers a fittingly impassioned bookend to her breakthrough album.

“That Is That.” is available now.

SOCAN Gets Music Makers Paid for Live Facebook and Instagram Concerts with Encore! Program

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Music lovers across the country and social media platforms have benefitted from the generosity of Canada’s music creators since the start of the COVID-19 crisis with live online concerts on Facebook and Facebook-owned Instagram.

SOCAN is now reciprocating the love by launching Encore!, a program that compensates music creators and publishers for their invaluable work.

“Like so many Canadians, SOCAN member songwriters, composers, and music publishers are facing tough times, with the loss of revenue from touring and in-person concerts,” said Jennifer Brown, Interim-CEO of SOCAN. “Many of our members have stepped up for fans, staging online concerts to bring the public together and keep their careers moving ahead, so it is only fair that they get paid for their generous work with our Encore! program.”

SOCAN’s Board of Directors and management team recently approved the allocation of a portion of licensing revenue collected from Facebook for the Encore! program.

Encore! will ease the financial burden on SOCAN writer members and their publishers created by the pandemic. A total of approximately $200,000 is available each quarter for the program for the duration of the COVID-19 lockdown in Canada.

To receive an Encore! payment for a live music event on Facebook or Instagram:

  • At least ten songs/compositions performed live, or a live performance of at least 30 minutes on Facebook or Instagram from March 15, 2020, to March 7, 2021 (inclusive).
  • At least 100 people must have accessed the online event.
  • A setlist of all music performed has to be sent via SOCAN’s Notification of Live Music Performance form at SOCAN.com, with the “venue” identified as Facebook or Instagram.
  • Claims must be made within 90 days of the Facebook/Instagram concert occurring.

Each online concert will be eligible for a total payment of $150, with shares of royalties going to all rights holders of the music performed.

Live performances on social media properties normally do not generate more than a few dollars in royalties for songwriters, composers and music publishers. Typically, royalties from music used on these platforms come from streamed and downloaded recorded music.

In addition to live music events on Facebook and Instagram, SOCAN is in the process of adding more online platforms to the Encore! program. The organization is encouraging its members to submit set lists for all online concerts. Just be sure to indicate the social media platform as the venue.

SOCAN will soon launch its regular “Get Set, Get Paid” awareness initiative, encouraging members to submit Notification of Live Music Performance set lists for past in-person concerts. Only by submitting set lists can license money paid by concert venues be matched to the correct rights holders of the music performed, enabling those who earned royalties to receive them.

SOCAN also confirmed that its regular distribution of royalties to all members will go out as planned on-time. Since March 13th, all 275 SOCAN employees across its offices in Toronto Montréal, Vancouver and Los Angeles have been teleworking with the company operating at full capacity.