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Submissions Are Now Open For The 2021 Canadian Folk Music Awards

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Submissions are now open for the 16th edition of the Canadian Folk Music Awards, with early bird rates on until May 29, 2020. The 2021 CFMAs will take place the weekend of April 9-10, 2021, in Charlottetown, PEI. NEW for 2021, the CFMAs are pleased to announce reduced submission fees (a reduction of $10-$15 per category!) , and new Categories: “Single of the Year” and ”World Music Album of the Year” which combines the two previous categories “World Solo Artist of the Year” and “World Group of the Year.”

We are looking forward to heading to Charlottetown, PEI for the 2021 Awards Weekend. This weekend will capture the true heart of the folk community, while celebrating the 2021 nominees and the category recipients. Visit our website to stay on top of our upcoming events, announcements and awards weekend details.

Submissions are open NOW, and due to the Covid-19 situation, we have decided for this year to temporarily reduce the submission fees for CFMA 2021. Instead of $70 for the first category submission and $60 for each subsequent category, pricing will be $50 per category during the Early Bird period, and $55 per category until submission deadline.

NEW categories for 2021:

Single of the Year: This award recognizes an artist or group, and their producer(s) for Single of the Year. It is open to all folk genres, songs and instrumentals, recognizing single release recordings, or a track from an album which has been released as a single.

World Music Album Of The Year: This award replaces “ World Solo Artist of the Year,” and “World Group of the Year.”

Submit for the 2021 CFMAS here.

EARLY BIRD SUBMISSION: Apply early and save money! Early bird fees for each category submission is $50, you save $5 by applying before the early bird submission deadline of May 29, 2020 midnight EDT. After May 29, 2020, all category submissions are $55.

FINAL DEADLINE: All submission details and payments must be received through our website no later than 5:00 pm EDT, July 31, 2020. Submissions must have been uploaded and received by our office no later than that date. For more information: folkawards.ca/eligibility

ELIGIBILITY REQUIREMENTS: Canadian artists who have released recordings between May 1, 2019 and July 31, 2020 are eligible to submit to the CFMAs 2021. Complete eligibility requirements are listed here.

Please be aware, the CFMAs have a no refund policy. It is vital to ensure your submission meets all eligibility criteria, including for the definition for all selected categories. Submissions that are disqualified will not be notified.

Established by Canada’s burgeoning and internationally-recognized folk music community, the awards currently boast 19 categories plus the Unsung Hero Award. Nominees are chosen for each category. A two stage jury process by 100+ jurors located across Canada representing all official provinces, territories and languages determine the official recipients in each category.

Nirvana’s “In Bloom”: Jazz-funk Cover

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Metaphump presents a cover version of Nirvana’s In Bloom in the jazz and funk genre.

That Pepsi commercial with Canadian rock trio Triumph in 1985

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When corporate sponsorships were just beginning to get cool.

1-minute tip for artists: Music docs.

It’s not just the film, but what you’ve learned from it that counts.

An MTV Interview with Steve Albini from 1993

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Score one for indie music, and for the graphic department. Here’s super-producer Steve Albini (Big Black, Nirvana, Shellac) interview on MTV´s Alternative Nation in 1993 featuring Jonathan Poneman from Sub Pop Records.

https://youtu.be/vcWkmZEAhdg

The Muzak Tape for playing on United Airlines in the 1960s

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No need to wait for the invention of headphones, United Airlines had you covered in the 1960s.

That time Brian Wilson recorded a duet with Weird Al.

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Sweet Insanity is an unofficial album by Brian Wilson that was originally planned for release in 1991. He has said that the master tapes were stolen, preventing an official release, although the songs are available on numerous bootlegs. “Let’s Stick Together”, which featured “Weird Al” Yankovic on accordion, was retitled “The Waltz”

Journey’s 1983 Bally Midway Mame Retro Arcade Games

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Journey’s 1983 arcade game was a cool project where the members go to various planets to get back their instruments. This was the first commercial video game to have digitised sprites (used for the band members heads) and was planned to coincide with a US tour by the band.

MusiCounts launches MusiCounts Learn

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MusiCounts is excited to launch MusiCounts Learn: a resource that will help teachers and parents #StayInTune with all the latest music education developments in Canada, as well as help keep kids engaged with music education from home.

Click here to explore the program!

 

Funk Royalty Maceo Parker Announces New Studio Album ‘Soul Food – Cooking with Maceo’

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Funk legend Maceo Parker is set to release his first studio album in eight years, ‘Soul Food – Cooking with Maceo,’ on June 26th. His 16th solo album and first release on Mascot Label Group’s new imprint, The Funk Garage, the album finds Parker signature punchy saxophone sound partnering with New Orleans Funk royalty to cook up a fresh selection of Soul and Funk classics, as well as Parker originals. The album was recorded at New Orlean’s House of 1000hz with Andrew “Goat” Gilchrist and producer Eli Wolf (Norah Jones, Madlib, Al Green).

‘Soul Food – Cooking with Maceo’ blends raw, old school funk with the flavors of New Orleans, featuring collaborations with Ivan Neville, Nikki Glaspie, Tony Hall, and a host of local musicians. The funky flavor of the city weaves its way through the album, as Maceo and the band take on iconic songs from Mississippi masters like Dr. John (“Right Place, Wrong Time”) The Meters (“Just Kissed My Baby”) and Allen Toussaint (“Yes, We Can Can), as well as Aretha Franklin’s “Rock Steady,” Prince’s “The Other Side of the Pillow” and David “Fathead” Newman’s “Hard Times.” We also get funky workouts from Parker’s own back catalogue on ‘M A C E O’ and ‘Cross The Track,” the staple song of Giles Peterson’s iconic WAG Club in Soho, London in the 1980s.

It is almost impossible to separate which came first – Maceo or the Funk. He has played with each and every leader in the funk genre, starting with James Brown in the 1960s before jumping aboard the Mothership Connection with Parliament-Funkadelic, and later spending a decade collaborating with Prince.

Maceo’s career as a band leader began in 1970, and since embarking on a second solo career in 1990 he has released a catalogue of stunningly evocative releases from Maceo and All The King’s Men ‘Doing Their Own Thing’ (1972) all the way to 2012s ‘Soul Classics.’ This is not to mention working with titans of the music world such as Keith Richards, Bryan Ferry, Living Color, Dave Matthews Band, Red Hot Chili Peppers, Jane’s Addiction and De La Soul. He has also been sampled by hip hop icons including the Notorious B.I.G., 2Pac and Busta Rhymes.

In the 1994 documentary ‘My First Name is Maceo,’ George Clinton said, ”You just transcend things and just be energy and beautiful, that’s where Maceo can play and sing, to me, that’s where I really enjoy Maceo the most.”

“One of the things that I have enjoyed about being an artist is that sooner or later it’s time to record new material. Somehow, this time around, we decided to cover some tunes. So, that’s what this album is all about. In the studio, you have the luxury of recording songs by groups that you have enjoyed throughout the years.

Once you become a recording artist, there’s a satisfaction that you are now part of the collective group of artists that you admire.

Maceo & All the King’s Men was the first band I formed after leaving James Brown’s group. There is a sense of pride when, as a musician, you reach a level where your own material is in stores and being played on the air. It’s almost like graduating from local musician to world-renown artist. So it was fun to revisit two songs from that period.

I’ve always been inspired by everyone, simply everyone who has worked with Ray Charles, including the Raelettes and Hank Crawford, so it’s especially nice to have included a David “Fathead” Newman tune on the album. I’ve worked with the Meters, with Dr John and Aretha Franklin over the course my rather long career, so it’s a pleasure to include some of their songs.

More than anything I miss Prince. He was a genius, so it was special to re-record a song he and I had once toyed with idea of releasing and give it that special New Orleans feel while also referencing the person I most admired growing up, the Genius Mr Ray Charles.” – Maceo Parker

‘Soul Food Cooking With Maceo’ Track List
1. Cross The Track
2. Just Kissed My Baby
3. Yes We Can Can
4. M A C E O
5. Hard Times
6. Rock Steady
7. Compared To What
8. Right Place Wrong Time
9. Other Side of the Pillow
10. Grazing In The Grass