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British Art-Psych Jazz-Rockers Hill Take You On an Avant-Garde Trip in New Video “We Are In Your Garden”

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British Art-Psych Jazz-Rockers Hill Take You On an Avant-Garde Trip in New Video “We Are In Your Garden”

You can’t say they didn’t announce themselves or weren’t polite about it: British avant-garde jazz-rockers Hill have released their cosmically surfable new video for “We Are In Your Garden” — available now!

“‘We Are In Your Garden’ is thematically centred on an allegory of gnomes in a garden,” frontman Pete The Beet — known to his library card as Maltese-born Russian multi-instrumentalist Pete Piskov. “We are all the gnomes and the garden is the world.

“Some ‘velvet capped,’ and others who ‘don’t want to disturb.’”

If it sounds trippy, it’s because it is.

That’s who Hill is, from main composer, string strummer, vocalizer and flautist Mr. Beet, to cosmic mumbler, bassista and dancer Willow Bumble, to tom tom and symbolist James the Seel.

Their burgeoning brand of psychedelic sojourns look deeply into the future and the past, lucidly laying claim to inspiration in everything around them. “Our music isn’t just for the sake of sound,” Piskov offers. “But for the sake of life.”

They live through what and how they play, heard most recently on 2020’s EP delivery of Into Outta This World. It’s a surreal, alchemical world pillared by powerful lyricism and improvisation. “We play messengers to harmony and dissonance meeting mystery and history in an eternal dance.”

Which brings us back to “We Are In Your Garden;” first released in 2018 and now re-visited on video for release this May, the video is compiled from several years worth of footage Piskov collected on his Sony hi-8 camera, edited during the recent lockdown of their home base in Brighton, England.

So, the song: Picture yourself lying on a cool patch of grass, looking up at the bluest of skies and the fluffiest clouds you’ve ever seen, and… Oh, yeah. Imagine you haven’t been in the same sweatpants for eight weeks.

Let’s go.

“The video emphasizes the layered quality of meaning and image,” Piskov pontificates. “The symbolism plays with concepts of self-realization and reflection.

“There are many symbols and directions and meanings behind each term,” he adds. “The mushroom being the Apple of Eden, but also considering the mycelium-like network of knowledge of self and the outer world as a part of this mythos is definitely a big one for me.

“As well as equating the Garden of Eden to right now as an assertion that we may be living an ignorant life, and are in the darkness, and are yet to bite the apple or mushroom or whatever else that will break the spell.”

They do beg your pardon, but Hill is now “In Your Garden.”

“We Are In Your Garden” is available now.

Matriarch of the Blues DALANNAH Asks What We’re ALL Thinking In 2020: “What The Hell Is That” in Powerful New Single & Video

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Matriarch of the Blues DALANNAH Asks What We’re ALL Thinking In 2020: “What The Hell Is That” in Powerful New Single & Video

Canadian matriarch of the blues and veritable force of musical nature, Dalannah wants to know “What The Hell Is That” when it comes to the state of the world in her empowering single and exceptionally powerful video — each available now.

“This song is simple in its structure with a message of disdain for what is,” she says. “It’s a musical commentary on the state we are in.

“This conspired notion that everything is a commodity and ‘for sale’ in today’s landscape? Some of us who have been through the wars of change, resistance, and honouring our time have gone ‘under cover,’ so to speak, but still holding on to what we hold dear: The ability and opportunity to live beyond the manipulation of society with our core values and beliefs, (and that) every person has the right to live in a land of equality and equal freedoms.”

The song is the latest to come from her fifth and most recent studio album Looking Back, out via Quest Records and with support from Creative BC and the Province of British Columbia.

“I am very fortunate at this time in life as I usually get a message from spirit that it is time to do a CD,” Dalannah shares of her creative process and how Looking Back came to be. “All my albums have come from a waking moment where something comes through me…

“There has always been an underlying theme for my recordings,” she adds. “For Looking Back, I woke up one morning and knew I still had something to say musically at this crucial time. The more I thought about it, I knew that it was — and is — the undeniable fact that we need to take a good look at how we walk on Mother Earth…

“A good look at how we ‘be.’”

Born of African-Canadian and Cherokee heritage, Dalannah Gail Bowen’s indisputable prowess as a prolific singer, songwriter, actress, playwright, storyteller, event producer, social activist, International Memphis Blues Awards semi-finalist and Blues Hall of Fame Master Blues Artist has secured her standing as a fixture of the blues, rock and soul music-making scene for over 40 years.

Canadian Musician Magazine says she “has a truly spectacular set of pipes, and a most commanding stage presence,” before adding that Dalannah “has one of those voices that lays claim to part of your soul the first time you hear it, and never lets go.

“Smoky. Earthy. Soulful. Powerful. But it’s not just the voice, it’s what she does with it. So much emotion. So much control.”

Critics and colleagues across the board have long been ones to agree; an in-demand vocalist, she has performed alongside or opened for the likes of Led Zeppelin, B.B. King, Willie Dixon, as well as The Monkees and The Guess Who during her time with all-female group, The Feminine Touch.

Downbeat Magazine named her 2015 release Been Around A While one of the top blues albums of the year, and that year she was inducted into the Blues Hall of Fame as a Master Artist. Releases Mamma’s Got The Blues and Them Menz were also released to international critical acclaim, and she can also be heard in a wide range of musical collaborations, including traditional drum group The Snowy Owl Drummers, tribute collective to the world-renowned gospel singer in Songs of Mahalia Jackson, and Billie’s Blues: A Tribute to Billie Holiday.

It’s efforts like these that awarded her “The Key to The City” and have December 11th officially declared “Dalannah Gail Bowen Day” by Vancouver’s Mayor and Council.

All this to say there have long been many facets of Dalannah to shine, and they all share a common spark, joy, determination and fire towards her womanhood and craft.

The new release, Looking Back, takes the dynamic artist’s work in a new direction, with the music drawing more heavily from Dalannah’s own and more personal story.

“My journey has led me from an unsettled childhood, to finding music, to getting lost in the trauma, to finding traditional ceremony, and all that that means as far as healing is concerned,” she shares. “My journey as an activist started way back in the 60s, marching for the anti-apartheid movement and human rights… Women’s rights.

“Now, at this place and time, I have the opportunity to be a messenger through my music, and through Looking Back.

“The album also takes a hard look back at our world, and our cultures,” she adds of its genesis. “It takes a look towards our future, too.”

Produced by Michael Creber, Looking Back was recorded at Vancouver’s Monarch Studios and Warehouse Studio on classic mics seemingly designed to capture Dalannah’s rich, arresting vox.

The album features a veritable who’s who of the area’s local music scene, including Jim Byrnes, The Sorjourners, Tom Keenleyside, Andreas Schuld, Chris Nordquist, Miles Hill, Olaf de Shield, Brian Newcombe, and Rob Becker.

“We could have probably called it ‘How We Spent Our Summer’,” she laughs, recalling the release’s recording process. “We more or less missed hitting the beach, but our studio tans looked great!

“And wait ‘till you hear what we put down.”

You don’t have to wait much beyond this line… Looking Back and “What The Hell Is That” are available now.

Country Artist Jeff Orson Releases New Single “Pray” to Raise Funds Towards COVID-19 Relief

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Country Artist Jeff Orson Releases New Single “Pray” to Raise Funds Towards COVID-19 Relief

With 20,000+ views and counting, Oakville, ON-based contemporary country singer/songwriter Jeff Orson and his new single “Pray” is connecting fans around the world while raising funds towards COVID-19 relief.

“I received an email from the editor-in-chief of a popular travel e-zine, The Moodie Davitt Report,” Orson recalls on “Pray” and its original origins. “Martin Moodie asked me to compose an anthem for the hard-hit travel industry in Europe, and other parts of the world.

“I went away with the idea and really thought about it… I really started to take in what the scope of the virus was, and the impact it was having on the world.

“It really struck me how — even beyond the travel industry — the song could serve as a way of reaching out to people feeling isolated and uncertain.

“From there, I wrote ‘Pray’ in a few days,” he continues. “Martin’s idea was to hold a remarkable fundraiser and share the song with the world to raise money for the UNICEF COVID-19 Solidarity Response Fund.”

“The response was immediate and overwhelmingly positive,” Orson says. “‘Pray’ seemed to strike a chord so any proceeds from downloads via Bandcamp will continue to go to the fund until the end of the year.”

Born in Niagara Falls, and now a resident of Oakville, Ontario, Orson’s first introduction to the guitar was by way of a Christmas gift at the age of six. Some lessons from his cousin and a few years playing sporadically aside, it was an extended hospital stay battling colon cancer that had him look to music as an outlet.

“After getting over the initial shock, I turned to writing music for solace,” he shares. “A hospital custodian heard me playing from bed during my recovery and urged me to take my music to the world.

“Before I knew it, one tune seemed to lead to another and I had a catalogue of over 100 songs!”

Clean bill of health in hand, Orson took his story public; features in the Toronto Star, CTV, CBC, and more amplified the Canadian Cancer Society’s annual drive to raise awareness for screening and early detection of the disease.

He also, soon after that, took to Nashville, further solidifying his music’s now-signature style of relatable, heartfelt lyrics inspired by real-life experiences.

Since his breakthrough debut EP California to today’s single “Pray,” Orson’s contemporary country has served chart-climbers “Won’t Let Me Let Go,” “Country Kids,” “Little White House” and more, as well as shows headlining the Horseshoe Tavern to playing Burlington’s Sound of Music Festival, to tour stops including Canadian cities like Vancouver, Calgary, and Montreal, plus abroad in Singapore, France, Sweden, Ireland, England, Scotland, Mexico, and the U.S. — Los Angeles, San Francisco, Denver, New York City, Miami, and Honolulu.

“Pray” is available now.

Pearl Jam Shares “Retrograde” Music Video

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Pearl Jam Shares “Retrograde” Music Video

Pearl Jam revealed the music video for the Gigaton single “Retrograde.”

For the visual, the band teamed up with director Josh Wakely [Beat Bugs, Motown Magic]. The animated clip opens with a lone traveler driving through the rain and descending upon a strip mall. Visiting a psychic, the protagonist witnesses the destruction of the world in a crystal ball as the seas overtake the Eiffel Tower in Paris, London Bridge in London, and the group’s native Seattle. Fluid animation moves like an oil painting in motion as the animated musicians—Eddie Vedder, Stone Gossard, Mike McCready, Jeff Ament, and Matt Cameron—step out of their respect tarot cards and into a march. While the water continues to rise climate change activist and revolutionary Greta Thunberg appears behind the crystal ball as a clairvoyant.

“Retrograde” is the latest single from the band’s new album, Gigaton—available now.

UB40 Featuring Ali Campbell And Astro Release “Lean On Me (In Aid Of NHS Charities Together)”

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UB40 Featuring Ali Campbell And Astro Release “Lean On Me (In Aid Of NHS Charities Together)”

UB40 featuring Ali Campbell and Astro have released their version of the Bill Withers classic “Lean On Me (in aid of NHS Charities Together)” The GRAMMY and BRIT nominated UB40 have sold over 70 million records worldwide, making them the UK’s most successful reggae-pop band.

They’ve been hard at work in the studio recently and wanted to get the song out for everyone to hear, with all proceeds from the track going to the NHS Charities Together Urgent Covid-19 Appeal.

Ali Campbell explains “Astro and I have really felt it was the track that encapsulated everything that’s going on at the moment, we’re all needing to lean on our NHS heroes. We wanted to make our contribution to this great cause; covering this song was the perfect way to show our appreciation.”

This is not the first time Ali and Astro have supported the NHS through music – back in 2018 they helped celebrate the NHS 70th Anniversary as part of the NHS Voices. Alongside NHS singers and other stars including Nile Rogers, Gabrielle, Guy Garvey, Seal and many more, they recorded ‘With A Little Help from My Friends’, produced by BRIT-award winning producer Jon Cohen.

Everyone has had to lean on the NHS at some point in their lives, and Ali and Astro are no exception. Aged 17, Ali was attacked and gained a severe eye injury but, with treatment from NHS doctors, they managed to save 20% of his left-eye vision which otherwise would have been lost. Financial compensation that Ali received after this attack enabled him to start UB40.

Astro knows all too well how exceptional they are, sharing a beautiful statement about how the NHS helped his mother:

“I can’t praise our wonderful NHS enough”, Astro says. “My incredible mother was diagnosed with leukaemia back in 2003 which was a blow to the whole family, but I’m happy to say she was successfully treated at the Heartlands & Queen Elizabeth hospitals in Birmingham! She sadly passed on 18th Dec 2013 aged 82. In my heart I know they gave her the best treatment possible, and I thank them for that! What made me realise what a different breed our doctors and nurses truly are was, as busy as they were, they’d still somehow find the time to have a chat with my mom, genuinely making her feel like she wasn’t there on her own and forgotten about. I know they didn’t have to, but they did, they’d go that extra mile. The same goes for care workers that helped her to convalesce, all that makes them so special! You can teach people to do almost anything, but you can’t teach people to care! Our NHS, they care.”

 

It goes without saying that this song is becoming a somewhat anthem for the NHS, with its heart-felt message truly hitting home at this trying time. There will of course be versions from other acts – just yesterday Beverley Knight, alongside Joss Stone, released a rendition of the song.

 

Ali and Astro want others to join in and take part in this unified support. “I’m sure Bill Withers would have been happy to see his beautiful song put to such great use”, Ali adds.

Lady Gaga Announces May 29 Release Date For Chromatica

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Lady Gaga Announces May 29 Release Date For Chromatica

Lady Gaga announced that her highly anticipated sixth studio album Chromatica will be released on May 29.

The album features collaborations with Ariana Grande, Elton John and Blackpink. The album is executive produced by BloodPop and Lady Gaga.

Chromatica will be available in a variety of physical formats including standard CD, vinyl in various colors, and cassettes in various colors. In addition, Lady Gaga has launched an array of new merchandise and an exclusive vinyl color at ladygaga.com.

The first single from the album, “Stupid Love,” which debuted at #1 on iTunes in 58 countries, has 300 million streams worldwide since release and marks Lady Gaga’s 16thBillboard Top 10.

The video, which was shot entirely on an iPhone 11 Pro, skyrocketed to number #1 trending on YouTube worldwide upon release and currently has more than 70 million views.

Tracklist:

  1. “Chromatica I”
  2. “Alice”
  3. Stupid Love”
  4. “Rain On Me” (with Ariana Grande)
  5. “Free Woman”
  6. “Fun Tonight”
  7. “Chromatica II”
  8. “911”
  9. “Plastic Doll”
  10. “Sour Candy” (with Blackpink)
  11. “Enigma”
  12. “Replay”
  13. “Chromatica III”
  14. “Sine From Above” (with Elton John)
  15. “1000 Doves”
  16. “Babylon”

Norah Jones “Were You Watching?” New Song Out Today

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Norah Jones “Were You Watching?” New Song Out Today

Norah Jones has released “Were You Watching?,” another striking new single from her forthcoming album Pick Me Up Off The Floor, which will be released June 12 on Blue Note Records. The track features Jones’ vocals and piano with bassist Christopher Thomas, drummer Brian Blade, and violinist Mazz Swift, who also contributes background vocals along with Ruby Amanfu and Sam Ashworth. Jones co-wrote the song’s mysterious lyrics with poet Emily Fiskio, a friend whose work (along with all the Dr. Seuss and Shel Silverstein she’s been reading to her kids) inspired Jones to write her own poetry apart from music for the first time. Several of those poems found their way back into songs on the new album, including the previous single “How I Weep.” Pick Me Up Off The Floor is available for pre-order on vinyl, CD, or download.

Jones didn’t mean to make another album. After she finished touring 2016’s Day Breaks — her beloved return to piano-based jazz — she walked away from the well-worn album cycle grind and into an unfamiliar territory without boundaries: a series of short sessions with an ever-changing array of collaborators resulting in a diverse stream of singles (with Mavis Staples, Rodrigo Amarante, Thomas Bartlett, Tarriona Tank Ball, and more). But then slowly but surely, the session songs Jones hadn’t released congealed into that very thing she’d meant to avoid — an album. But Pick Me Up Off The Floor is not some disjointed collage. It holds together beautifully, connected by the sly groove of her piano trios, lyrics that confront loss and portend hope, and a heavy mood that leans into darkness before ultimately finding the light.

“Living in this country — this world — the last few years, I think there’s an underlying sense of, ‘Lift me up. Let’s get up out of this mess and try to figure some things out,'” says Jones. “If there’s a darkness to this album, it’s not meant to be an impending sense of doom, if feels more like a human longing for connection. Some of the songs that are personal also apply to the larger issues we’re all facing. And some of the songs that are about very specific larger things also feel quite personal.”

Norah Jones first emerged on the world stage with the February 2002 release of Come Away With Me, her self-described “moody little record” that introduced a singular new voice and grew into a global phenomenon, sweeping the 2003 GRAMMY Awards. Since then, Norah has become a nine-time GRAMMY-winner and sold 50 million albums. Her songs have been streamed five billion times worldwide. She has released a series of critically acclaimed and commercially successful solo albums—Feels Like Home (2004), Not Too Late (2007), The Fall (2009), Little Broken Hearts (2012), and Day Breaks (2016)—as well as albums with her collective bands The Little Willies, El Madmo, and Puss N Boots featuring Sasha Dobson and Catherine Popper who released their second LP Sister in 2020. The 2010 compilation …Featuring Norah Jones showcased her incredible versatility by collecting her collaborations with artists as diverse as Willie Nelson, Outkast, Herbie Hancock, and Foo Fighters. Since 2018 Jones has been releasing a series of singles including collaborations with artists and friends such as Mavis Staples, Jeff Tweedy, Thomas Bartlett, Tarriona Tank Ball, Rodrigo Amarante, and Brian Blade. The 2019 singles collection Begin Again gathered seven snapshots of creativity from one of the music world’s most consistently intriguing artists.

Frank Zappa’s 1970 Mothers Lineup Commemorated With The Mothers 1970: A 70-song Collection Of Studio And Live Recordings For 50th Anniversary

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Frank Zappa’s 1970 Mothers Lineup Commemorated With The Mothers 1970: A 70-song Collection Of Studio And Live Recordings For 50th Anniversary

To commemorate the 50th anniversary of Frank Zappa’s celebrated but short-lived 1970 Mothers of Invention lineup, “Portuguese Fenders,” the first track to be released from the new collection, The Mothers 1970 is available to stream today. The newly-discovered gem is one of 70 unreleased live and studio recordings featured on The Mothers 1970, available digitally and as a 4-CD box set June 26 via Zappa Records. Recorded live by Zappa on his own tape recorder on tour in 1970, “Portuguese Fenders” is a rollicking live recording featuring an exhilarating guitar solo by the iconoclastic composer and virtuosic guitarist backed by the revered ensemble.

Overseen by the Zappa Trust and produced by Ahmet Zappa and Zappa Vaultmeister, Joe Travers, The Mothers 1970 collects together more than four hours of previously unreleased performances by the heralded lineup which lasted roughly seven months: Aynsley Dunbar (drums), George Duke (piano/keys/trombone), Ian Underwood (organ/keys/guitar), Jeff Simmons (bass/vocals) and Flo & Eddie aka Howard Kaylan (vocals) and Mark Volman (vocals/percussion) of The Turtles who performed under the aliases to skirt contractual limitations of performing under their own names. This iteration of The Mothers, which likely began rehearsals 50 years ago this month, came to an end in January of 1971 when Simmons quit the band during the making of the 200 Motels movie.

The Mothers 1970 encapsulates the band’s brief but productive span, which included two visits to the studio – resulting in the fantastic 1970 album, Chunga’s Revenge – and tours across the U.S., Canada and Europe. Divided into four parts, the collection is anchored by top-notch studio recordings recorded at the famed London-based Trident Studios on June 21-22 with a then-young, unknown producer in the engineer chair by the name of Roy Thomas Baker, several years before he’d go on to have massive success working with Queen, The Cars and Alice Cooper to name a few. An unreleased early mix by Baker of the Chunga’s Revenge track, “Sharleena,” is just one of the many highlights of the studio recordings that also boasts several unearthed rough mixes of the Zappa/Simmons co-write, “Wonderful Wino,” including a rare version that showcases vocals and an alternate guitar solo by Zappa that has been lost to the ages as the original multi-track stems were recorded over. Of the material recorded during this two-day span, “Sharleena” was the only song ever officially released – so tracks like “Red Tubular Lighter,” “Giraffe” and an unheard version of “Envelopes” are completely brand new to fans half a century later.

The band’s live prowess is represented with a slew of concert recordings, including the first official release of the oft bootlegged “Piknik” performance originally broadcast on Dutch radio station VRPO, and live performances from concerts in Santa Monica, Calif. and Spokane, Wash. which have been edited together and presented as a hybrid concert since both shows were not fully captured. The release is rounded out with a selection of live highlights recorded around the U.S., interspersed with candid moments recorded in dressing rooms, motel lobbies and the stage by Zappa who took his personal UHER recorder everywhere. All recordings comprising The Mothers 1970 were sourced from their original tapes discovered in The Vault and digitally transferred and compiled by Travers in 2020. Some tracks were mixed by longtime Zappa Trust associate Craig Parker Adams and the collection was mastered by John Polito at Audio Mechanics.

It wasn’t until 1971 when Zappa would start documenting his gigs with a ½” 4-track recorder so the 1970 tours were not captured in typical fashion. Instead Zappa recorded as much as he could using his personal UHER recorder and it is these recordings that make up the second half of The Mothers 1970. Because of the nature of the recordings it was almost virtually impossible for Zappa to record full shows due to the limitations of the tape recorder and the fact he would often times personally spool tape on the machine on stage while playing. Occasionally Zappa would have the soundman set up the recorder in the venue to tape the concert.  This resulted in ambient recordings which was the case for the Santa Monica and Spokane recordings as well as the live performances that make up the final disc. Similar to the Gail Zappa-created “Road Tapes” live series, these recordings contain audience noise allowing listeners to experience what it was like to be there. The set lists focus heavily on songs from the albums Freak Out!, Absolutely Free, We’re Only In It For The Money, Uncle Meat, the then-recently released Burnt Weeny Sandwich, and early workings of songs that would eventually be released months later on Chunga’s Revenge. Some of the many highlights include the extended guitar workouts, the first version of “Easy Meat” and rare live performances of “Would You Go All The Way?” and “Road Ladies.”

Following Zappa’s especially productive year of 1969, which saw him record and release several albums, including Uncle Meat and Hot Rats, produce Captain Beefheart’s outsider classic, Trout Mask Replica, as well as the one and only album for The GTO’s, the musician disbanded the original Mothers Of Invention and started experimenting with smaller lineups. Through a variety of circumstances and several chance encounters, Zappa began to assemble his new group of collaborators, with the only original Mother being Ian Underwood. As Travers writes in the enlightening liner notes, which also include a wealth of live and behind-the-scenes photos from this era: “It’s no secret that Frank was excited about this group. The cast of characters and their personalities, musically and personally, made for a very eventful and humorous chapter in Zappa’s career. Frank had a blast with these guys. Their sound was unique, their humor was like no other and yet their time was ultimately short lived.”

Fleeting as it may have been, this camaraderie is on full display and will now live on forever as the exciting new collection, The Mothers 1970.

THE MOTHERS 1970: 50th ANNIVERSARY COLLECTION – TRACKLISTING

4-CD FORMAT
Trident Studios, London, England June 21-22, 1970
Disc 1

  1. Red Tubular Lighter
  2. Lola Steponsky
  3. Trident Chatter
  4. Sharleena (Roy Thomas Baker Mix)
  5. Item 1
  6. Wonderful Wino (FZ Vocal)
  7. “Enormous Cadenza”
  8. Envelopes
  9. Red Tubular Lighter (Unedited Master)
  10. Wonderful Wino (Basic Tracks, Alt. Take)
  11. Giraffe – Take 4
  12. Wonderful Wino (FZ Vocal, Alt. Solo)

 

Live Highlights Part 1 – “Piknik” VPRO June 18, 1970 / Pepperland September 26, 1970
Disc 2

  1. Introducing…The Mothers (Live on “Piknik” June 18, 1970)
  2. Wonderful Wino (Live on “Piknik” June 18, 1970)
  3. Concentration Moon (Live on “Piknik” June 18, 1970)
  4. Mom & Dad (Live on “Piknik” June 18, 1970)
  5. The Air (Live on “Piknik” June 18, 1970)
  6. Dog Breath (Live on “Piknik” June 18, 1970)
  7. Mother People (Live on “Piknik” June 18, 1970)
  8. You Didn’t Try To Call Me (Live on “Piknik” June 18, 1970)
  9. Agon (Live on “Piknik” June 18, 1970)
  10. Call Any Vegetable (Live on “Piknik” June 18, 1970)
  11. King Kong Pt. I (Live on “Piknik” June 18, 1970)
  12. Igor’s Boogie (Live on “Piknik” June 18, 1970)
  13. King Kong Pt. II (Live on “Piknik” June 18, 1970)
  14. What Kind Of Girl Do You Think We Are? (Live at Pepperland September 26, 1970)
  15. Bwana Dik (Live at Pepperland September 26, 1970)
  16. Daddy, Daddy, Daddy (Live at Pepperland September 26, 1970)
  17. Do You Like My New Car? (Live at Pepperland September 26, 1970)
  18. Happy Together (Live at Pepperland September 26, 1970)

 

Live Highlights Part 2 – Hybrid Concert: Santa Monica August 21, 1970 / Spokane September 17, 1970
Disc 3

  1. “Welcome To El Monte Legion Stadium!” (Live)
  2. Agon (Live)
  3. Call Any Vegetable (Live)
  4. Pound For A Brown (Live)
  5. Sleeping In A Jar (Live)
  6. Sharleena (Live)
  7. The Air (Live)
  8. Dog Breath (Live)
  9. Mother People (Live)
  10. You Didn’t Try To Call Me (Live)
  11. King Kong Pt. I (Live)
  12. Igor’s Boogie (Live)
  13. King Kong Pt. II (Live)
  14. “Eat It Yourself…” (Live)
  15. Trouble Every Day (Live)
  16. “A Series Of Musical Episodes” (Live)
  17. Road Ladies (Live)
  18. “The Holiday Inn Motel Chain” (Live)
  19. What Will This Morning Bring Me This Evening? (Live)
  20. What Kind Of Girl Do You Think We Are? (Live)

 

Live Highlights Part 3 – FZ Tour Tape Recordings
Disc 4

  1. “What’s The Deal, Dick?”
  2. Another M.O.I. Anti-Smut Loyalty Oath (Live)
  3. Paladin Routine #1 (Live)
  4. Portuguese Fenders (Live)
  5. The Sanzini Brothers (Live)
  6. Guitar Build ’70 (Live)
  7. Would You Go All The Way? (Live)
  8. Easy Meat (Live)
  9. “Who Did It?”
  10. Turn It Down! (Live)
  11. A Chance Encounter In Cincinnati
  12. Pound For A Brown (Live)
  13. Sleeping In A Jar (Live)
  14. Beloit Sword Trick (Live)
  15. Kong Solos Pt. I (Live)
  16. Igor’s Boogie (Live)
  17. Kong Solos Pt. II (Live)
  18. Gris Gris (Live)
  19. Paladin Routine #2 (Live)
  20. King Kong – Outro (Live)

*Previously unreleased

The Artwork Of A 17-Year-Old Kanye West

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The Artwork Of A 17-Year-Old Kanye West

Check out an early portfolio of work by multi-hyphenate artist then-17-year-old Kanye West with Laura Woolley’s appraisal at Desert Botanical Garden in Phoenix, AZ.

Zambia’s 70s Psych Rock Scene Produced The Catchiest Rock Anthems

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Zambia’s 70s Psych Rock Scene Produced The Catchiest Rock Anthems

Zamrock thrived for only a few years in the mid-70s, but it’s bands produced some incredibly catchy rock anthems. Taking influence from a diverse range of sounds like Jimi Hendrix, The Velvet Underground, afrobeat and Zambian folk, Zamrock is an incredibly rich and fun genre to sink your teeth into.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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