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Ty Myers Launches ‘The Legal Tour’ Behind Sophomore Album ‘Heavy On The Soul’

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Ty Myers is eighteen years old, has a gold-certified debut album behind him, a sold-out 73-date headline run already in the books, and a sophomore record arriving March 27. ‘Heavy On The Soul,’ out via Records Nashville/Columbia, sets the stage for ‘The Legal Tour,’ a 33-date headline run launching June 11 at Bowl In The Pines in Sidney, Maine, and running through November 21 at Dickies Arena in Fort Worth. Emerging artist Benny G supports all dates, with Brent Cobb and Lanie Gardner joining on select shows.

The routing hits serious rooms. Red Rocks Amphitheatre on August 30, Moody Center in Austin on November 20, and The Rooftop at Pier 17 in New York City on June 13 are among the standout stops. Myers recently completed his first appearance at C2C: Country to Country marking his international debut, and makes his Stagecoach debut on the Palomino Stage April 26 in Indio, California. He’s also currently supporting Luke Combs on the ‘My Kinda Saturday Night Tour’ at stadiums across North America, with a European run with Combs coming in July between legs of his own headline dates.

Myers was recently selected for Spotify’s Radar program, joining a list of alumni that includes Zach Bryan, Reneé Rapp, and Peso Pluma. Presales for ‘The Legal Tour’ begin March 31, with general on-sale April 3.

Ty Myers ‘The Legal Tour’ 2026 Dates:

June 11 – Sidney, ME – Bowl In The Pines

June 12 – Gilford, NH – BankNH Pavilion

June 13 – New York, NY – The Rooftop at Pier 17

June 19 – Bridgeport, CT – Hartford HealthCare Amphitheater

June 20 – Reading, PA – Santander Arena

Aug 13 – Airway Heights, WA – BECU Live at Northern Quest

Aug 14 – Bend, OR – Hayden Homes Amphitheater

Aug 15 – Nampa, ID – Ford Idaho Center Amphitheater

Aug 20 – Avila Beach, CA – Avila Beach Golf Resort

Aug 21 – Modesto, CA – The Fruit Yard Chicken Ranch Casino & Resort Amphitheater

Aug 22 – Stateline, NV – Lake Tahoe Amphitheatre at Caesars Republic

Aug 28 – Grand Junction, CO – Amphitheater at Las Colonias Park

Aug 29 – Colorado Springs, CO – Ford Amphitheater

Aug 30 – Morrison, CO – Red Rocks Amphitheatre

Sept 4 – Lincoln, NE – Pinewood Bowl Theater

Sept 5 – Andover, KS – Capitol Federal Amphitheater

Sept 6 – Camdenton, MO – Ozarks Amphitheater

Sept 10 – Tuscaloosa, AL – Mercedes-Benz Amphitheater

Sept 11 – Macon, GA – Atrium Health Amphitheater

Sept 12 – Orange Beach, AL – The Wharf Amphitheater

Oct 1 – Baton Rouge, LA – Raising Cane’s River Center

Oct 2 – Little Rock, AR – First Security Amphitheater

Oct 3 – Brandon, MS – Brandon Amphitheater

Oct 8 – St. Augustine, FL – The St. Augustine Amphitheatre

Oct 9 – Clearwater, FL – The BayCare Sound

Oct 10 – Estero, FL – Hertz Arena

Oct 15 – Cary, NC – Koka Booth Amphitheatre

Oct 16 – Wilmington, NC – Live Oak Bank Pavilion

Oct 17 – Port Wentworth, GA – VyStar Pavilion

Oct 23 – Evansville, IN – Ford Center

Oct 24 – Pikeville, KY – Appalachian Wireless Arena

Nov 20 – Austin, TX – Moody Center

Nov 21 – Fort Worth, TX – Dickies Arena

Drew & Ellie Holcomb Join NEEDTOBREATHE On ‘The Long Surrender’ Amphitheater Tour

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Drew & Ellie Holcomb have a full year of road ahead. Currently mid-run on their Never Gonna Let You Go headline tour, the Americana duo will step into a supporting role this summer as special guests on NEEDTOBREATHE’s The Long Surrender tour, a nationwide amphitheater run opening August 12 in Maryland Heights, Missouri, and closing September 20 in Greenville, South Carolina.

The pairing makes sense on every level. Drew and Ellie are longtime friends and collaborators with NEEDTOBREATHE, and the connection runs deep. Ellie’s song “Hope’s Gonna Find You” was co-written with Cason Cooley and NEEDTOBREATHE’s Bear Rinehart, and appears on her solo album ‘Far Country.’ Drew put it plainly: “This new album feels like a homecoming for them. It’s raw, vulnerable, and anthemic in all the ways we’ve come to love and respect.”

The duo is touring in support of ‘Memory Bank,’ their first full-length album together, released in 2025 and recorded at Nashville’s Sound Emporium with producer Cason Cooley. Blending Drew’s road-tested songwriting with Ellie’s emotionally resonant voice, the album marked a defining moment in their creative partnership. Drew has also been building momentum with collaborative track “Mississippi River Bluebird” alongside Jonah Kagen, which has been gaining traction since its release.

The Never Gonna Let You Go headline run continues through May 16, with two nights at the Ryman Auditorium in Nashville closing out that stretch. The Long Surrender amphitheater dates follow in August, hitting Red Rocks Amphitheatre on September 14 and the Greek Theatre in Los Angeles on August 18 among the highlights.

Drew & Ellie Holcomb – Never Gonna Let You Go Tour (Remaining Dates):

April 15 – Tulsa, OK – Tulsa Theater

April 16 – Kansas City, MO – Uptown Theater

April 17 – Denver, CO – Paramount Theatre

April 19 – Scottsdale, AZ – Virginia G. Piper Theater

April 21 – Santa Barbara, CA – Lobero Theatre

April 22 – Santa Cruz, CA – Rio Theater

April 24 – Seattle, WA – Neptune Theatre

April 25 – Boise, ID – The Egyptian Theatre

April 26 – Portland, OR – Revolution Hall

May 12 – New Orleans, LA – The Joy Theater

May 13 – Dallas, TX – Winspear Opera House

May 15 – Nashville, TN – Ryman Auditorium

May 16 – Nashville, TN – Ryman Auditorium

Drew & Ellie Holcomb – The Long Surrender Tour (with NEEDTOBREATHE):

August 12 – Maryland Heights, MO – Saint Louis Music Park

August 14 – Dillon, CO – Lake Dillon Amphitheatre

August 15 – Sandy, UT – Sandy City Amphitheater

August 16 – Sandy, UT – Sandy City Amphitheater

August 18 – Los Angeles, CA – Greek Theatre

August 20 – Bend, OR – Hayden Homes Amphitheater

August 21 – Seattle, WA – Marymoor Amphitheater

August 22 – Airway Heights, WA – Northern Quest Resort & Casino

August 23 – Bonner, MT – KettleHouse Amphitheater

August 25 – Moorhead, MN – Bluestem Amphitheater

August 27 – Chicago, IL – The Salt Shed

August 28 – Cleveland, OH – Jacobs Pavilion

August 29 – Indianapolis, IN – Everwise Amphitheater

August 30 – Rochester Hills, MI – Meadow Brook Amphitheatre

September 5 – Charlotte, NC – Skyla Credit Union Amphitheatre

September 6 – Charleston, SC – Firefly Distillery

September 9 – Irving, TX – The Pavilion at Toyota Music Factory

September 10 – Rogers, AR – Walmart Arkansas Music Pavilion

September 11 – Brandon, MS – Brandon Amphitheater

September 12 – Austin, TX – Moody Amphitheater

September 14 – Morrison, CO – Red Rocks Amphitheatre

September 17 – Franklin, TN – FirstBank Amphitheater

September 18 – Birmingham, AL – Coca Cola Amphitheater

September 19 – Alpharetta, GA – Ameris Bank Amphitheatre

September 20 – Greenville, SC – Bon Secours Wellness Arena

Hilary Duff Takes On The Hot Ones Wings While Talking Pop Stardom And World Tour Plans

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Hilary Duff is back on the road, back on record, and now, back on the Hot Ones hot seat. The singer-songwriter and actress stopped by First We Feast to take on the wings of death, discussing her latest album ‘Luck.. or Something,’ growing up on Lizzie McGuire, pop stardom in the TRL era, and the finer points of cooking the perfect steak, all while working through progressively punishing heat. The Lucky Me Tour marks her first world tour in 18 years, with dates that include Madison Square Garden.

High Desert Shoegaze Rockers BED Reissue Self-Titled LP On Vinyl With Remastered “From Above”

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BED have reissued their 2022 debut full-length on vinyl for the first time, and the remastered single “From Above” is out now via Quiet Panic. The limited pressing comes on opaque white with pink splatter, and it’s the first chance fans have had to own ‘Bed’s Self Titled’ on wax. Recorded with Alex Estrada at Pale Moon Ranch and mixed by Jack Shirley at Atomic Garden, the album blends shoegaze atmosphere, post-hardcore urgency, and alternative rock melody into something raw, melodic, and distinctly its own.

The Los Angeles-area four-piece, founded by Ebed Moreno Leon and now fully formed with Kenneth Bonifacio, Joseph Nixon, and Alberto Lopez, built their sound through DIY shows and relentless touring, drawing from ’80s and ’90s alternative rock and post-punk while holding their own alongside modern underground acts like Title Fight, Joyce Manor, and Nothing. “From Above” captures that balance precisely, shimmering textures pressing hard against driving dynamics.

To mark the reissue, BED hits the road on an extensive North American spring tour covering the Midwest, East Coast, and South before looping back to the West Coast. The run opens March 28 in San Francisco and closes May 14 in Las Vegas, with Toronto’s Hard Luck on April 11 among the stops along the way.

‘Bed’s Self Titled’ Track List:

Telepathy

From Above

Pictures

Blue Sweater

Deja Vu

Trouble

Ghost

Rocket

Night Light

I Want to Dance With You But I Don’t Know How to Dance

Now in Two

Color

BED Spring 2026 Tour Dates:

3/28 — San Francisco, CA — Neck of the Woods

3/31 — Denver, CO — Larimer Lounge

4/01 — Omaha, NE — Slowdown – Front Room

4/02 — Ames, IA — Maintenance Shop

4/03 — Iowa City, IA — Gabe’s

4/05 — Minneapolis, MN — 7th Street Entry

4/06 — Milwaukee, WI — Cactus Club

4/07 — Chicago, IL — Beat Kitchen

4/08 — Urbana, IL — Canopy Club

4/10 — Lansing, MI — Green Door

4/11 — Toronto, ON — Hard Luck

4/12 — Buffalo, NY — Mohawk Place

4/13 — Columbus, OH — Rumba Cafe

4/15 — New York, NY — Mercury Lounge

4/16 — Boston, MA — Warehouse XI

4/19 — Philadelphia, PA — Ukie Club

4/20 — Washington, DC — DC9

4/21 — Richmond, VA — The Camel

4/23 — Raleigh, NC — Pour House

4/24 — Asheville, NC — Revival

4/25 — Atlanta, GA — Masquerade – Altar

4/26 — Orlando, FL — Will’s Pub

4/30 — Hattiesburg, MS — Fat Cat

5/02 — Oklahoma City, OK — Resonant Head

5/10 — Reno, NV — Holland Project

5/11 — Sacramento, CA — Cafe Colonial

5/14 — Las Vegas, NV — Taverna Costera

The Milk Carton Kids Unveil “I’ll Go Home From Here” From Upcoming Album ‘Lost Cause Lover Fool’

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Kenneth Pattengale and Joey Ryan have a new song out and a new album on the way. The Milk Carton Kids share “I’ll Go Home From Here” today, the latest preview of ‘Lost Cause Lover Fool,’ their seventh studio album, arriving April 24 via Far Cry Records in partnership with Thirty Tigers. Produced by Pattengale, the nine-song collection expands on the duo’s signature minimalist sound while staying rooted in the intimate songwriting that has earned them four Grammy nominations and a devoted following across the Americana folk world.

Ryan described the new track with quiet honesty: “‘I’ll Go Home From Here’ is as much about the peace found in resignation, as it is about the redemptive power of love in the face of such impossible circumstances.” That emotional precision is what defines this duo. Pattengale frames the album itself as a collection built around transformation, enlarging small, easily overlooked moments until they become entire worlds.

‘Lost Cause Lover Fool’ follows their praised 2023 album ‘I Only See The Moon’ and includes previously released tracks “Blue Water” and “A Friend Like You.” The duo founded the Los Angeles Folk Festival in October 2023, which has featured performances from Emmylou Harris, Waxahatchee, and Sierra Ferrell, among others. One confirmed live date is on the books, Sad Songs Summer Camp in Big Indian, NY, running July 21 through 24.

‘Lost Cause Lover Fool’ Track List:

  1. Blue Water
  2. My Place Among the Stones
  3. A Friend Like You
  4. I’ll Go Home From Here
  5. Lost Cause Lover Fool
  6. Blinded and Smiling
  7. Sad Song
  8. Ribbon
  9. Young Love

A Lost 1986 Gregg Allman Band Concert Surfaces, And A Documentary Is Coming Too

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January 11, 1986. The Chestnut Cabaret in Philadelphia. A sold-out room, a road-hardened band, and a performance that has remained unheard for four decades. ‘Great As Ever: Live in Philadelphia’ captures the Gregg Allman Band at full power, releasing April 10 with a 12-song setlist that includes an early version of “I’m No Angel,” a deeply personal performance of “Melissa” dedicated to then-estranged Allman Brothers bandmate Dickey Betts, a fiery run through “It’s Not My Cross to Bear,” and a stellar reading of “Queen of Hearts” from Allman’s 1973 debut ‘Laid Back.’ The lineup of Allman on vocals, Hammond B-3, and acoustic guitar, Dan Toler on lead guitar, Frankie Toler on drums, Bruce Waibel on bass, Tim Heding on keyboards, and Chaz Trippy on percussion had been touring for four years straight, and it shows.

Also coming later in 2026 is ‘Gregg Allman: The Music of My Soul,’ a new documentary directed by James Keach, the Grammy and Golden Globe-winning filmmaker behind Walk the Line and Linda Ronstadt: The Sound of My Voice. Built from never-before-seen interviews and rare performance archives, the film traces Allman’s life through the death of his brother Duane, his battles with addiction, and the personal demons that shaped his music. A theatrical release in North America is planned for summer.

‘Great As Ever: Live in Philadelphia’ is available to pre-order now and arrives April 10. Two major additions to the Gregg Allman catalog, arriving in the same year.

Track Listing:

1. Don’t Want You No More
2. Ain’t My Cross The Bear
3. Sweet Feelin’
4. Hot ‘Lanta
5. Need Your Love So Bad
6. Trouble No More
7. Things You Used To Do
8. Queen of Hearts
9. Melissa
10. Midnight Rider
11. Just Ain’t Easy
12. I’m No Angel

Empire Child’s “Negativity Be Gone” Is Ruth Rothwell Finally Stepping Into The Spotlight

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Ruth Rothwell has spent decades building other people’s careers. As a senior A&R manager at MCA/Universal, she helped launch Digital Underground in the UK, worked with Andrew Weatherall, developed Dina Carroll, Carleen Anderson, and Juan Atkins, signed Zero 7, Basement Jaxx, and Air, and put Eg White forward for a co-write with a newly signed Adele that became “Chasing Pavements.” Now she’s making music under her own name, as Empire Child, and the new single “Negativity Be Gone” is out now.

The track is produced by Madrid-based jazz professor and producer Mariano Diaz, and it carries the same forward-moving spirit as its title. Rooted in jazz, soul, singer-songwriter intimacy, and subtle reggae influence, it’s a song about reclaiming mental space, pushing out self-doubt, and choosing who and what gets your energy. Rothwell frames it simply: “I’m trying to get the message across that we have choices. Choices about what we think and who we surround ourselves with.”

“Negativity Be Gone” follows the debut single “Trace the Race,” a deeply personal reflection on identity and ancestry drawn from Rothwell’s own heritage, her mother Indo-Jamaican and part of the Windrush generation, her father from Cape Town, South Africa, having fled apartheid. The wider album expands on those themes, tracing a life shaped by London, resilience, and the courage to move forward.

This is an artist who knows exactly how the music industry works, and has chosen, after all of it, to stand in front of the mic herself. “Negativity Be Gone” makes a strong case that the wait was worth it.

Alex Kilroy’s Journey From Transylvania To The Blues Ends With ‘Break My Chains’ May 15

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Alex Kilroy grew up in Bistrița, Transylvania, with an American flag above his bed and a conviction that Romania was temporary. That instinct led him through classical piano training, a Stevie Ray Vaughan revelation, European festival stages, a Berklee scholarship, visa complications, a cold-called gig at Buddy Guy’s Legends in Chicago, a car rebuilt from junkyard parts, and eventually to Florida, where he made his debut album. ‘Break My Chains’ arrives May 15, produced by Tres Sasser, and the title track and lead single are out now.

The album’s philosophy is straightforward and personal. Kilroy put it plainly: “Break My Chains is about breaking the chains of trying to be somebody else. Breaking the patterns in your own mind. Realizing you’re a soul having a human experience.” That clarity runs through his guitar work, blues-rooted and modern-edged, shaped by a life that moved on its own terms from the start.

Kilroy’s father Iulian, a guitarist himself, was the one who first dared him to learn three Stevie Ray Vaughan songs note-for-note in a single summer. He was also the first to hear the finished masters. Iulian passed away earlier this year after a long illness, but the lessons he gave his son, respect, discipline, and the refusal to imitate, are woven into every track on this record.

The boy who once opened for blues legend Lucky Peterson at age fourteen in Romania now stands in his chosen country, green card in hand, debut album ready. ‘

Flea Steps Out Solo With ‘Honora,’ A Debut Album Unlike Anything In His Catalog And Performs On The Tonight Show

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Flea, the Red Hot Chili Peppers bassist otherwise known as Michael Balzary, releases his debut solo album ‘Honora’ March 27, a compositionally rich, jazz-inflected record featuring Thom Yorke of Radiohead and Nick Cave, alongside contributions from Josh Johnson, Jeff Parker, Anna Butterss, and Deantoni Parks. The tracklist spans original compositions and interpretations of songs associated with George Clinton, Eddie Hazel, Jimmy Webb, Frank Ocean, and Ann Ronell, with Flea handling composition and arrangements throughout. He stopped by The Tonight Show Starring Jimmy Fallon on March 24 to perform “Thinkin Bout You” with The Honora Band, giving the world an early look at what this record sounds and feels like live. A run of already sold-out dates follows in May, hitting Thalia Hall in Chicago, The Opera House in Toronto, Webster Hall in New York, The Fonda Theatre in Los Angeles, and Paradiso in Amsterdam, among others.

Paul McCartney’s Most Personal Album Yet, ‘The Boys of Dungeon Lane,’ Arrives May 29

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The Boys of Dungeon Lane is not only the first new solo album to be released by Paul McCartney in over five years; it is a collection of rare and revealing glimpses into memories never-before shared along with some newly inspired love songs, from one of the most culturally significant figures of our time. 

With The Boys of Dungeon Lane, Paul McCartney turns the lens inward, revisiting the formative years that shaped not only his life, but the very foundations of modern popular culture. In a career defined by timeless storytelling and unforgettable characters, Paul now tells the most personal story of all, his own. The Boys of Dungeon Lane is his most introspective album to date and takes the listener back to where it all began.

These extraordinary new songs find Paul in a candid, vulnerable and deeply reflective mood, writing with rare openness about his childhood in post-war Liverpool, the resilience of his parents, and early adventures shared with George Harrison and John Lennon long before the world had ever heard of Beatlemania. These were the years that historians continue to examine, the quiet, unguarded days that unknowingly laid the groundwork for a cultural revolution. Paul visits them not as myths or folklore but as his own memories.

The album takes its title from one of the many standout tracks which is available now, “Days We Left Behind,” a stripped-back and deeply intimate track that captures the emotional core of the project. Dungeon Lane is a place Paul still sees when returning home serving as a symbolic gateway to a pre-fame world: afternoons by the Mersey, birdwatching book in hand, “smoky bars and cheap guitars”, and dreams not yet lived. Listen here.

Speaking about “Days We Left Behind:” “This is very much a memory song for me. The album title, The Boys of Dungeon Lane, comes from a lyric in this track. I was thinking just that, about the days I left behind and I do often wonder if I’m just writing about the past but then I think how can you write about anything else? It’s just a lot of memories of Liverpool. It involves a bit in the middle about John and Forthlin Road which is the street I used to live in. Dungeon Lane is near there. I used to live in a place called Speke which is quite working class. We didn’t have much at all but it didn’t matter because all the people were great and you didn’t notice you didn’t have much.”

As well as being packed with poignant reflections from an artist whose influence is woven into the fabric of our lives, The Boys of Dungeon Lane also includes new love songs in the inimitable instantly identifiable Paul McCartney style.  A world without Paul McCartney is impossible to imagine, yet here listeners can travel to a world that existed before everything changed, offering memories never previously shared and revealing, with extraordinary honesty, the human story behind a global icon. This is the story before THE story.

About the creation of the album: 

The Boys of Dungeon Lane was first brought into existence five years ago when Paul met producer Andrew Watt for a cup of tea and an exchange of ideas. While playing around on the guitar during the meeting, Paul happened upon a chord that even he — the world’s most successful living songwriter — didn’t recognise. Undeterred and driven by his experimental nature, Paul carried on changing one note, then another, until he had a three-chord sequence — which Watt suggested they should record.

This session yielded the album’s opening track, “As You Lie There.” Encouraged by his new producer, Paul would flesh out the new track, playing the majority of instruments – much in the spirit of his 1970 solo debut album, McCartney.  So began the journey of what became Paul’s 18th studio album credited solely to Paul McCartney.  

Paul’s packed schedule meant that the album was recorded in tight and efficient sessions between legs of global tour dates spanning five years and alternating between Los Angeles and Sussex. With no record label pressure and no deadline, the pair were able to make the album to their own timeline and satisfaction. Like his career, The Boys of Dungeon Lane is musically eclectic and sees Paul across an array of instruments and styles showcasing his broad musicality. There’s Wings style rock, Beatles style harmonies, McCartney style grooves, understated intimacy, melody driven storytelling, character songs – the common thread being Paul.

Track list:

As You Lie There
Lost Horizon
Days We Left Behind
Ripples in a Pond
Mountain Top
Down South
We Two

Come Inside
Never Know
Home to Us
Life Can Be Hard
First Star of the Night
Salesman Saint
Momma Gets By