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YouTube Original THE GIFT: THE JOURNEY OF JOHNNY CASH documentary to premiere Nov 11

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YouTube Originals will premiere The Gift: The Journey of Johnny Cash, from director Thom Zimny (Elvis Presley: The Searcher, Springsteen on Broadway), on Monday, November 11. The film, which was created with the full cooperation of the Cash estate and rich in recently discovered archival materials, brings Cash the man out from behind the legend. Taking the remarkable Folsom Prison recording as a central motif and featuring interviews with family and celebrated collaborators, the 90-minute documentary explores the artistic victories, the personal tragedies, the struggles with addiction, and the spiritual pursuits that colored Johnny Cash’s life.

Video: The Original The Muppet Show Pitch From 1975

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Jim Henson made this as part of a pitch reel to showcase the Muppets’ sense of humor. Ultimately CBS passed, but The Muppet Show later went on to be one of the most successful TV shows of all time.

Video: Paula Abdul live in concert from 1992 featuring MC Skat Kat

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Paula Abdul’s “Under My Spell Live” was filmed during live performances at Yokohama Arena in Japan and released on VHS video and laserdisc formats in 1993. The concert also aired numerous times on the Disney Channel in 1993.

https://youtu.be/asoD_XOHCe8

Noel Gallagher Looks Back in Anger at Spicy Wing

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Noel Gallagher is a rock ‘n’ roll legend formerly of the band Oasis, and currently with Noel Gallagher’s High Flying Birds—”This Is The Place” is their newest single and EP. But how is he with spicy food? Find out as the Manchester-born musician faces off against the wings of death and unleashes his no-holds-barred wit on a whole host of topics: the rise of Manchester City Football Club, Kanye West interviews, meeting Hulk Hogan, the state of UK hip-hop, and much more. Don’t miss out on a very rock ‘n’ roll Hot Ones!

Zakk Wylde Plays Black Sabbath on Hello Kitty Mini-Guitar

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Zakk Wylde jams Black Sabbath’s ‘N.I.B.’ on a Hello Kitty mini-guitar with some help from Ozzy-fied kitties.

Watch Queen Rehearse For Their Historic Live Aid Performance, 1985

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In just 20 minutes, Queen’s performance at the 1985 Live Aid concert changed everything for them. Held at Wembley on 13 July 1985, in front of the biggest-ever TV audience of 1.9 billion, Queen performed some of their greatest hits. The show’s organisers Bob Geldof and Midge Ure, other musicians such as Elton John, Cliff Richard and Dave Grohl, and journalists writing for the BBC, CNN, Rolling Stone, MTV, The Telegraph among others, described Queen as the highlight. Mercury’s powerful, sustained note during the a cappella section came to be known as “The Note Heard Round the World”, and band were revitalised by the response to Live Aid – a “shot in the arm” Roger Taylor called it – and the ensuing increase in record sales.

K-Pop All-Star Group Announces SuperM “WE ARE THE FUTURE” Tour

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K-pop all-star group SuperM will launch its first series of live shows on November 11th, 2019 at Dickies Arena in Fort Worth, TX. The first leg will include a November 19th show at New York City’s Madison Square Garden. Kicking off on January 30th, 2020 at Viejas Arena in San Diego, the second leg will include a February 1st, 2020 concert at The Forum in Los Angeles – one of four West Coast dates. The U.S. outing will conclude at Rogers Arena in Vancouver, BC on February 6th, 2020. See below for itinerary.

Tickets for the live shows, which are being produced by Live Nation, go on sale Saturday, October 5th, 2019 at 10am local time at SuperMofficial.com. In celebration of the band’s first series of live dates, the majority of tickets at all shows are priced at $50.00 (plus fees) with a limited number of premium tickets available through VIP Packages and Platinum. Every online ticket purchased for the run will include a CD of the band’s debut EP – The 1st Mini Album ‘SuperM’ – set for release on October 4 via Korea’s largest entertainment company, SM Entertainment, in partnership with Capitol Music Group and Caroline.

Its seven members – Taemin from SHINee, EXO’s Baekhyun and Kai, NCT 127’s Taeyong and Mark, and Ten and Lucas of Chinese band WayV – have sold more than 14 million adjusted albums combined globally and amassed nearly four billion online video views worldwide. With their respective bands, they’ve performed for over seven million people around the globe.

SuperM – LIVE
2019
November 11th Fort Worth, TX, Dickies Arena
November 13th. Chicago, IL, United Center
November 15th Atlanta, GA, Infinite Energy Arena
November 17th Washington, DC, EagleBank Arena
November 19th New York, NY, Madison Square Garden

2020
January 30th San Diego, CA, Viejas Arena
February 1st Los Angeles, CA, The Forum
February 2nd San Jose, CA, SAP Center
February 4th Seattle, WA, ShoWare Center
February 6th Vancouver, BC, Pepsi Live at Rogers Arena

Sultans of String release “I Am A Refugee” single and video with Somali Refugee Poet and Multimedia Artist Ifrah Mansour

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Multi-award winning — plus New York Times and Billboard Magazine charting — Canadian world music collective Sultans of String deliver to the world stage their powerful, evocative new single “I Am A Refugee” — available now.

Featuring esteemed poet, multimedia artist, and Somali refugee Ifrah Mansour, the gorgeous and heart-gripping track is part of a larger cross-collaboration release, Refuge. Set for Spring 2020, this their seventh and most historic album features talents that arrived to Canada and the U.S. as immigrants and refugees — many of whom are GRAMMY and JUNO Award winners.

“Each one of us in the world has a remarkable story to tell…” says Sultans of String co-founder, Chris McKhool (Jesse Cook, Pavlo). It’s his bold, fiery fiddle — melded seamlessly with founding guitarist Kevin Laliberté’s (Jesse Cook) rumba rhythm — that lead the group’s distinctly signature sound.

Added to this rich foundation are bass master Drew Birston (Chantal Kreviazuk), guitar wizard Eddie Paton, and Cuban percussion master Rosendo Chendy Leon (Alex Cuba). Together, their musical synergy strikes inimitable, explaining their three JUNO Award nominations, and four Canadian Folk Music Awards, plus many more.

“We are excited to share the beauty of these collaborations that feature special guests from First Nations, Turkey, Somalia, Iraq, Iran, Pakistan, Greece, Syria, Mexico, Portugal, Cuba, and Sudan.”

The five-piece recently marked their 12th anniversary as a band, which includes a dizzying series of award-winning releases, international touring at notable venues (including JUNOFest, Glasgow’s Celtic Connections, NYC’s Birdland, and selling out Koerner Hall several times over), plus appearances on BBC, CBC, Irish National Radio, NPR, SiriusXM, and then some.

“This is a project that is centred around the positive contributions of refugees and new immigrants,” McKhool offers, recalling his own grandfather who stowed away on a Lebanese ship bound for North America a century ago. “We are bringing in special guests that are newcomers to this land, as well as global talents that have been ambassadors for peace. We wish to celebrate the successes of those who make the journey here, and bring their extraordinary talents with them.

“We hope the kinds of conversations we can have as musicians can provide a model for peace that our politicians and citizens find inspiration from.”

For her part, Mansour’s tireless work and advocacy complement the mission.

“I wrote the poem for me, for my community, and for those yearning for change or to deepen their empathy,” Mansour details. “I wrote it because I was so frustrated with so many people sending me emails, and asking what I thought about (the United States) travel ban.

“A lot of times, those that are surviving are busy surviving… It is very hard for them to voice their pain. Those that have an ounce of empathy, and that have experienced something similar, have that responsibility to share.

“Writing the poem was a way to unleash some pain that I could name finally.”

Born in Saudi Arabia, Ifrah Mansour’s family attempted to return to their native Somalia only to be met with a civil war and collapsed government. Her parents and five siblings soon left for a refugee camp in Dadaab, Kenya — one of the oldest and largest in the world — before settling in Dallas, Texas, where the only African-American they knew was the mailman. “The whole family would run to the door when he came,” she recalls. “We asked him, ‘where are all the brown people?’”

Ultimately, Mansour would move to Minneapolis around high-school age, and now lives among the largest Somali diaspora community America. Now 30, she notes she hasn’t followed the ‘Somali immigrant path’ that she — or anyone else — expected. “I was doing what everyone was doing, which was ‘go to college and seek a degree that will financially stabilize you and your extended family,’” she says. “I was on-track for ‘elementary ed’ and my life was set… I was going to be the ‘perfect kindergarten teacher.’”

It was then she discovered her penchant — and passion — for performance and artistry.

“A lot of times, you have the ‘feeling,’ but you don’t have the words,” she says. “I feel like, as an artist, I have these words…

“An artist’s job is to draw that hope, especially in a time of deep hopelessness,” she continues. “There is an increase of refugees around the world… An increase in homelessness… There is a deep need for people to hear a message of hope, but also a message of pain.

“As an artist, I have to keep holding on to hop in days where it feels that there is nothing left to hold onto. It helps to keep creating because now I have a metaphor for anyone who is experiencing some kind of injustice, homelessness, forced migration, and their rights are being taken away.”

“I Am A Refugee” is co-produced by McKhool and John “Beetle” Bailey. The beds were recorded on First Nations land at the renowned Indigenous-owned Jukasa Studios; founded by Ohsweken’s, Kenneth Hill & Jerry Montour, Jukasa Studios is a multi-million dollar studio created for world-class and developing artists to make music in surroundings rich in spirit and tradition. (Fun fact: the legendary 8072 G Series Vintage Analog Console — which spent 12 years of its life in Studio Three at Abbey Road Studios in London England — was purchased and moved to Jukasa Studios in 2009.) Overdubs and mixing was done at The Drive Shed with John “Beetle” Bailey, and mastering by Harry Hess at HBomb Mastering.

“I Am A Refugee” is available now. Refuge is set for release Spring 2020.

Sultans Of String Tour Dates
September 28 @ Festival of Small Halls – St. John’s United Church, Brockville ON
September 29 @ Burlington Performing Arts Centre, Burlington ON
w/ Guest Anwar Khurshid & the Burlington Symphony
September 30 @ Burlington Performing Arts Centre, Burlington ON
Special Performance for Younger Audiences
November 8 @ OMEA Showcase, Toronto ON
November 23 @ Fergus Grand Theatre, Fergus ON
November 28 @ Banff Centre for the Arts, Banff AB
Christmas Caravan w/ Guest Rebecca Campbell
November 29 @ Fish Creek Concerts, Calgary AB
Christmas Caravan w/ Guest Rebecca Campbell
November 30 @ Festival Place, Sherwood Park AB
Christmas Caravan w/ Guest Rebecca Campbell
December 1 @ Beneath the Arch Concerts, Turner Valley AB
Christmas Caravan w/ Guest Rebecca Campbell
December 5 @ Wolf Performance Hall, London ON
Christmas Caravan w/ Guest Rebecca Campbell
December 6 @ Live Wire Music, Kingston ON
Christmas Caravan w/ Guests Rebecca Campbell & Lynn Miles
December 8 @ Concert Hall at Victoria Hall, Coburg ON
Christmas Caravan
December 13 @ Sanderson Centre, Brantford ON
Christmas Caravan w/ Guests Rebecca Campbell, Donné Roberts & Ken Whiteley
December 14 @ Oakville Performing Arts Centre
Christmas Caravan w/ Guests Rebecca Campbell, Lynn Miles, Donné Roberts & Ken Whiteley
December 15 @ Kingston Road Village Concert Series
Christmas Caravan w/ Guests Rebecca Campbell, Lynn Miles, Donné Roberts & Tamar Ilana
December 19 @ Shenkman Arts Centre, Ottawa ON
Christmas Caravan w/ Guests Rebecca Campbell, Lynn Miles, Kellylee Evans & Kristine St-Pierre
February 8 @ Living Arts Centre, Mississauga ON
w/ Mississauga Symphony Orchestra
March 7 @ Classic Theatre, Cobalt ON
May 2 @ Gravenhurst Opera House, Gravenhurst ON

Expansive CD & LP Box Sets Present All Four Historic Hendrix Band of Gypsys Performances At The Fillmore East Newly Mixed by Eddie Kramer

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Experience Hendrix L.L.C. and Legacy Recordings, a division of Sony Music Entertainment, are proud to release Songs For Groovy Children: The Fillmore East Concerts by Jimi Hendrix, on CD and digital November 22, with a vinyl release to follow on December 13. This collection assembles all four historic debut concerts by the legendary guitarist in their original performance sequence. The 5 CD or 8 vinyl set boasts over two dozen tracks that have either never before been released commercially or have been newly pressed and newly remixed. Those who pre-order the digital version will instantly receive the previously unreleased track “Message To Love,” from the New Year’s Eve second set performance on the collection.

Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities.

The revolutionary impact Jimi Hendrix, Billy Cox and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two captivating evenings. These performances were first celebrated by Band of Gypsys, which featured six songs from the two January 1, 1970 concerts, including “Machine Gun,” the album’s dramatic centerpiece. Issued in April 1970, Band of Gypsys challenged and surprised the wide following of Jimi Hendrix with its extended arrangements and vibrant mix of rock and soul.

In June of 1969, at the height of their fame, The Jimi Hendrix Experience, closed a musical chapter. Before the shockwaves could settle, Hendrix assembled a new, expanded ensemble to perform at Woodstock in August. A new chapter was opened as Hendrix introduced Gypsy Sun and Rainbows. The large ensemble included Jimi’s longtime friend Billy Cox, on bass, whom he had befriended when both were serving with the 101st Airborne Division in Ft. Campbell, Kentucky in 1962. This Woodstock lineup was short-lived; from its ashes a new trio emerged in October that Hendrix dubbed Band of Gypsys, consisting of Hendrix, Cox and Electric Flag drummer Buddy Miles, who would also contribute occasional lead vocals. Hendrix was inspired by his collaboration with Cox and Miles and this creative renewal drove the development of promising new material such as “Power Of Soul,” “Burning Desire” and the extraordinary “Machine Gun.”

Their debut live performances were a series of four concerts at the Fillmore East in Manhattan – two on New Year’s Eve 1969 and two on New Year’s Day 1970, each of which were professionally recorded. Hendrix had sold out Madison Square Garden just nine months prior, but the Fillmore East was chosen as the setting for a live recording. Long before his fame, Hendrix had signed what he thought was a release for appearing as a studio musician in October 1965. Unfortunately, the one page artist agreement drafted by PPX Industries bound his services for a period of three years. Unwilling to live hands tied, Hendrix agreed to a 1968 legal settlement whereby Capitol Records would be granted the distribution rights for his next album. By the autumn of 1969, Capitol and PPX were pushing hard for the album delivery and Hendrix decided to give them a live album.

However stressful this legal obligation had been for the guitarist, the end result proved to be an artistic triumph. True to his unpredictability, Hendrix opened his four-show stint with a masterful, eleven song set that did not feature a single song he had commercially released. Exciting new songs such as “Izabella,” “Ezy Ryder” and “Burning Desire” thrilled the sold-out house. Hendrix would pepper the remaining three shows with supercharged reworkings of favorites such as “Stone Free,” “Purple Haze,” and “Fire” but these were presented alongside such devastating, newly developed fare as “Machine Gun.” In his review of the second New Year’s Eve concert, Down Beat critic Chris Albertson wrote, “That ability of his to utilize fully the technical possibilities of his instrument, combined with his fertile musical imagination, makes him an outstanding performer.”

By the end of January 1970, the band was history, but the blend of funk, rock and soul pioneered by the trio became history, making a profound impact on popular music in its wake. Notable devotees include funk pioneers Parliament-Funkadelic, Curtis Mayfield, the Isley Brothers (with whom Hendrix himself had at one time played) and Bootsy Collins, extending all the way forward to hip-hop. Countless artists cite the record as a cornerstone in their appreciation of Jimi Hendrix ’s remarkable abilities.

The original 1970 Band of Gypsys album was edited and sequenced from songs performed during the two Fillmore sets on January 1, 1970. Subsequent collections mined more material from each of the performances with significant chunks of these phenomenal recordings from those nights sitting unreleased for almost half a century. Newly mixed and restored in sequence without edits, fans can finally hear Hendrix, Cox and Miles blast through their genre-defying sets that included freshly written songs like “Earth Blues” and “Stepping Stone,” as well as Experience favorites inclusive of “Foxey Lady,” “Voodoo Child (Slight Return),” “Wild Thing,” “Hey Joe” and “Purple Haze.” Additionally, exciting new versions of Howard Tate’s “Stop,” “Steal Away,” by Jimmy Hughes and a searing “Bleeding Heart” by Elmore James highlighted the command that the trio had over blues & R&B music.

The lavish package is filled with unseen photos from talent such as Fillmore East house photographer Amalie Rothschild, Jan Blom (whose iconic, color saturated images provided the original artwork for 1970’s Band of Gypsys) as well as Marshall Amplifier representative Marc Franklin, who had full access to the group in their dressing room backstage. The booklet features remembrances from bassist Billy Cox and liner notes by author/journalist/filmmaker Nelson George. Songs For Groovy Children was produced by Janie Hendrix, Eddie Kramer and John McDermott – the trio that has overseen every project for Experience Hendrix since 1995. The box set was mastered by Grammy-winning engineer Bernie Grundman.

Kicking off today at the Paramount Theatre in Jimi’s hometown of Seattle, WA is the fall leg of the Experience Hendrix Tour, the acclaimed multi-artist celebration of Jimi Hendrix’s musical genius. The trek winds its way down the west coast into Oregon, California, Nevada, and then heading eastward into Arizona, Colorado, Oklahoma and Texas, culminating in San Antonio Oct. 22. Participants include blues legend Buddy Guy, best-selling instrumental rock guitarist Joe Satriani,Taj Mahal, Dweezil Zappa, Jonny Lang, Eric Johnson and Billy Cox. His has, arguably, the longest lasting musical relationship with Jimi Hendrix, spanning their time in the U.S. Army, performance in Nashville-based soul combos and with Band of Gypsys, and continuing with the Tribute Concert Tours in honor of the legacy of Jimi Hendrix to the present day.

Jimi Hendrix – Songs For Groovy Children:
The Fillmore East Concerts 5CD collection

12/31/69 1st Set:
DISC ONE
1) Power Of Soul
2) Lover Man
3) Hear My Train A Comin’
4) Changes
5) Izabella
6) Machine Gun
7) Stop
8) Ezy Ryder
9) Bleeding Heart
10) Earth Blues
11) Burning Desire

12/31/69 2nd Set:
DISC TWO
1) Auld Lang Syne%
2) Who Knows%
3) Fire
4) Ezy Ryder*
5) Machine Gun%
6) Stone Free
7) Changes*
8) Message To Love*
9) Stop*
10) Foxey Lady

1/1/70 1st Set:
DISC THREE
1) Who Knows
2) Machine Gun
3) Changes+
4) Power Of Soul%
5) Stepping Stone%
6) Foxey Lady+
7) Stop%
8) Earth Blues+
9) Burning Desire%

1/1/70 2nd Set:
DISC FOUR
1) Stone Free%
2) Power Of Soul#
3) Changes#
4) Message To Love#
5) Machine Gun%
6) Lover Man*
7) Steal Away*
8) Earth Blues%
DISC FIVE
1) Voodoo Child (Slight Return)%
2) We Gotta Live Together#
3) Wild Thing%
4) Hey Joe*
5) Purple Haze*

*previously unreleased
+first time on CD/LP/streaming (previously only available as part of concert film)
#longer, unedited versions of previously released material, and newly remixed
%back in print on CD/LP for the first time in a decade, and newly remixed

Jimi Hendrix – Songs For Groovy Children:
The Fillmore East Concerts 8LP vinyl collection

12/31/69 1st Set:
DISC ONE/SIDE ONE
1) Power Of Soul
2) Lover Man
3) Hear My Train A Comin’
DISC ONE/SIDE TWO
1) Changes
2) Izabella
3) Machine Gun
DISC TWO/SIDE ONE
1) Stop
2) Ezy Ryder
3) Bleeding Heart
DISC TWO/SIDE TWO
1) Earth Blues
2) Burning Desire

12/31/69 2nd Set:
DISC THREE/SIDE ONE
1) Auld Lang Syne%
2) Who Knows %
3) Fire
DISC THREE/SIDE TWO
1) Ezy Ryder*
2) Machine Gun%
DISC FOUR/SIDE ONE
1) Stone Free
2) Changes*
DISC FOUR/SIDE TWO
1) Message To Love*
2) Stop*
3) Foxey Lady

1/1/70 1st Set:
DISC FIVE/SIDE ONE
1) Who Knows +
2) Machine Gun+
DISC FIVE/SIDE TWO
1) Changes+
2) Power Of Soul%
3) Stepping Stone%
4) Foxey Lady+
DISC SIX/SIDE ONE
1) Stop %
2) Earth Blues+
3) Burning Desire%

1/1/70 2nd Set:
DISC SIX/SIDE TWO
1) Stone Free%
2) Power Of Soul#
DISC SEVEN/SIDE ONE
1) Changes#
2) Message To Love#
DISC SEVEN/SIDE TWO
1) Machine Gun%
2) Lover Man*
3) Steal Away*
DISC EIGHT/SIDE ONE
1) Earth Blues%
2) Voodoo Child (Slight Return)%
3) We Gotta Live Together#
DISC EIGHT/SIDE TWO
1) Wild Thing%
2) Hey Joe*
3) Purple Haze*

*previously unreleased
+first time on CD/LP/streaming (previously only available as part of concert film)
#longer, unedited versions of previously released material, and newly remixed
%back in print on CD/LP for the first time in a decade, and newly remixed

Experience Hendrix Tour Fall 2019

Oct 1 Seattle, WA – Paramount Theatre
Oct 2 Portland, OR – Arlene Schnitzer Concert Hall
Oct 3 Eugene, OR – Hult Center for the Performing Arts
Oct 4 Oakland, CA – Paramount Theater of the Arts
Oct 5 Reno, NV – The Expo At Silver Legacy Resort & Casino
Oct 7 Davis, CA – Jackson Hall At the Robert and Margrit Mondavi Center for the Performing Arts
Oct 8 Santa Rosa, CA – Luther Burbank Center for the Arts
Oct 9 Anaheim, CA – City National Grove of Anaheim
Oct 11 Indio, CA – Fantasy Springs Resort Casino Event Center
Oct 12 Funner, CA – The Events Center at Harrah’s Resort SoCal
Oct 13 Mesa, AZ – Ikeda Theater at the Mesa Arts Center
Oct 15 Denver, CO – Paramount Theatre
Oct 16 Colorado Springs, CO – Pikes Peak Center
Oct 18 Newkirk, OK – First Council Casino Hotel
Oct 19 Tulsa, OK – The Joint at the Hard Rock Hotel & Casino
Oct 20 Houston, TX – Revention Music Center
Oct 21 Austin, TX – Austin City Limits Live at the Moody Theater
Oct 22 San Antonio, TX – Tobin Center for the Performing Arts

Broken Record with Malcolm Gladwell, Rick Rubin, and Bruce Headlam: Jack White & Brendan Benson of the Raconteurs

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Jack White and Brendan Benson of the Raconteurs play through some songs off their new record, “Help Me Stranger” and talk with Malcolm Gladwell from Jack’s Detroit home. Rick Rubin joins by phone. Jack talks through his theory that references to modern technology don’t work in modern Rock and Roll, what they’ve picked up as a band by living in Nashville, how perfect performances can sometimes be unconvincing, the songwriting process on the new record & more!