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Save the Music Launches First-Ever Electronic Music Grant Named After Legendary Producer J Dilla

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MTV and Save the Music—a non-profit organization that has launched over 2,000 music programs within schools across the country—today announced a first-of-its-kind program supporting electronic music production to develop students’ creative and technical talents and reflect how modern music is being made today.

The grant, which was developed in partnership with Pharrell Williams’ creative collective i am OTHER and Arizona State University (ASU), is named the J Dilla Music Tech Grant after the legendary producer who worked with De La Soul, A Tribe Called Quest, Common and Erykah Badu, among others, and whose revolutionary approach to making beats continues to inspire artists more than a decade after his death. The program’s innovative combination of music technology and a forward-looking curriculum focuses on the fundamentals of electronic music creation, recording and production, bringing out each student’s inner creativity, talent, and confidence.

Beginning next month, seven high schools across the country will participate in the multi-year initiative. The schools include:

  • Barringer HS, Newark, NJ
  • High School for Public Service, Brooklyn, NY
  • South Philadelphia HS, Philadelphia, PA
  • Hialeah Senior HS, Miami, FL.
  • Arts High School, Newark, NJ
  • McDonogh 35, New Orleans, LA
  • Belmont HS, Los Angeles, CA

“This expanded focus into electronic music technology was driven by listening to the needs of the community and realizing where we could make the most impact on kids,” said Henry Donahue, Executive Director of Save the Music. “After 20 years of providing students and teachers with more than $50 million of band and string instruments, we have now added mixers, turntables, and drum machines to accurately and equitably reflect the music ecosystem today.”

“DJs with turntables and producers with MIDI controllers and state-of-the-art technology are the vanguard of new music makers today—across all musical genres,” said Amy Doyle, General Manager of MTV, and Board Co-chair of Save the Music. “The J Dilla Music Technology Grant underscores MTV and Save the Music’s commitment to cultivating the future creators, providing them with cutting edge tools and innovative instruction to enable them to participate in the future of music.”

“With the J Dilla Music Tech Grant we are deepening our collective efforts to broaden access to the highest quality music education and thinking equitably about the communities we serve to build and expand the pedagogy and curricula that foster young people’s skills, creativity, and expression,” said Evan Tobias, Associate Professor of Music Education at Arizona State University and head of the Consortium for Innovation and Transformation in Music Education.

Watch Tobe Nwigwe play “Houston Tribute”, “Caged Birds”, “Against the Grain”, “Shine” and “I’m Dope” at the Tiny Desk.

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Hailing from the southwest region of Houston and of Nigerian descent, Tobe Nwigwe made his Tiny Desk debut a family affair, with an entourage that included his seven-week old daughter. The baby was in the arms of Tobe’s wife, Fat, known for her striking beauty and lead role in the magnificently directed music videos that have paved the way to Tobe’s rapid growth on Instagram.

Watch Tobe Nwigwe play “Houston Tribute”, “Caged Birds”, “Against the Grain”, “Shine” and “I’m Dope” at the Tiny Desk.

My Next Read: Steve Gorman’s “Hard to Handle: The Life and Death of the Black Crowes–A Memoir”

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For over two decades, The Black Crowes topped the charts and reigned supreme over the radio waves, even as hair bands, grunge, and hip-hop threatened to dethrone them. With hits like “Hard to Handle,” “She Talks to Angels,” and “Remedy,” their massive success launched them to stardom in the early ’90s, earning them a place among rock royalty. They were on the cover of Rolling Stone, MTV played their videos 24/7, and Generation X re-discovered the power of classic rock and blues by digging into multi-platinum classics like Shake Your Money Maker and The Southern Harmony and Musical Companion.

But stardom can be fleeting. For the Black Crowes, success slowly dwindled as the band members got caught up in the rock star world and lost sight of their musical ambition. Despite the drinking, drugs, and incessant fighting between Chris and Rich Robinson–the angriest brothers in rock and roll, with all due respect to Oasis and the Kinks–the band continued to tour until 2013. On any given night, they could be the best band you ever saw. (Or the most combative.) Then, one last rift caused by Chris Robinson proved insurmountable for the band to survive. After that, the Black Crowes would fly no more.

Founding member Steve Gorman was there for all of it–the coke and weed-fueled tours; the tumultuous recording sessions; the backstage hangs with legends like Robert Plant, Jimmy Page, and the Rolling Stones. As the band’s drummer and voice of reason, he tried to keep the Black Crowes together musically–and in one piece emotionally. In his first-person history of the Black Crowes, Hard To Handle–the first ever account of this great American rock band’s beginning, middle, and end–Gorman makes it clear just how impossible that job was. Fortunately, Gorman tells the tale with great insight, candor, and humor. They don’t make bands like the Black Crowes anymore: crazy, brilliant, self-destructive, inspiring, and, ultimately, not built to last. But, man, what a ride it was while it lasted.

You can get the book here.

GRAMMY Award-Winning David Clayton-Thomas’ New Anti-Gun Anthem Censored for Advertising by Facebook for Being ‘Political’

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GRAMMY Award-winning Canadian musician David Clayton-Thomas’ new anti-gun anthem “Never Again” is facing restrictions on Facebook this week.

The legendary artist is using the incredible power of song to call attention to gun violence plaguing the U.S.; attempts to boost the post through the ubiquitous social media network were rejected.

“Given the current climate of gun violence in America, I felt this song should be heard now,” says Clayton-Thomas of the release. “This song is dedicated to the kids of Parkland and the March For Our Lives movement.”

“Never Again” is from Clayton-Thomas’ forthcoming album SAY SOMETHIN’, set for release early 2020 via Linus Records.

David Clayton-Thomas is a GRAMMY Award-winning Canadian musician, singer and songwriter also known as the lead vocalist for Blood, Sweat & Tears. Clayton-Thomas has received induction honours into the Canadian Music Hall of Fame, Canadian Songwriter’s Hall of Fame, and Canada’s Walk of Fame.

“Never Again” is available now.

Frank Sinatra’s ‘My Way’ 50th Anniversary Edition And ‘Sinatra Sings Alan & Marilyn Bergman’ Set For October 11 Release

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On October 11, Capitol/UMe and Frank Sinatra Enterprises will release a 50th anniversary edition of Frank Sinatra’s classic album My Way and Sinatra Sings Alan & Marilyn Bergman, a compilation of songs written by Alan and Marilyn Bergman.

Released on Reprise in March 1969, and produced by Don Costa and Sonny Burke, My Way features a varied collection of contemporary pop songs, including Lennon and McCartney’s “Yesterday,” Simon and Garfunkel’s “Mrs. Robinson,” and the iconic title track, “My Way.” Recorded on December 30, 1968, in just one take, “My Way” charted in the U.S. and stayed on the U.K. charts for a record-breaking 75 weeks.

The My Way 50th anniversary set features four bonus tracks, including a live version recorded at The Ahmanson Theatre in 1971, which is available for streaming and for immediate download with pre-order.

Sinatra Sings Alan & Marilyn Bergman features songs by the esteemed, Academy Award winning songwriting duo, including the title track from Sinatra’s 1960 Grammy-nominated album, “Nice ‘N’ Easy.” “As lyric writers,” say Alan and Marilyn Bergman in liner notes, “to have a singer understand and be able to communicate what you wrote, whether it be about love or love lost or songs that needed a humorous approach, Frank got it… his readings were always on the money and more than what we heard in our minds.”

Frank Sinatra: My Way (50th Anniversary Edition) [CD; Digital; LP; limited edition color LP]
1. Watch What Happens
2. Didn’t We
3. Hallelujah, I Love Her So
4. Yesterday
5. All My Tomorrows
6. My Way
7. A Day In The Life Of A Fool
8. For Once In My Life
9. If You Go Away
10. Mrs. Robinson
Bonus Tracks: (*Not on LP)
11. My Way – duet with Willie Nelson
12. My Way – duet with Luciano Pavarotti
13. My Way – Live at Ahmanson Theatre, Los Angeles, CA, June 13, 1971
14. My Way – Live at the Reunion Arena, Dallas, TX, October 14, 1987

Sinatra Sings Alan & Marilyn Bergman [CD; Digital; LP]
1. Nice ‘N’ Easy
2. Ol’ MacDonald
3. Sentimental Baby
4. Love Looks So Well On You
5. Sleep Warm
6. What Are You Doing The Rest of Your Life?
7. The Summer Knows
8. Summer Me, Winter Me
9. L.A. Is My Lady
10. How Do You Keep The Music Playing?
Bonus Tracks: (*Not on LP)
11. Christmas Memories
12. Leave It All To Me – previously unreleased
13. How Do You Keep The Music Playing? (1983) – previously unreleased

Thom Yorke is curating a one-off magazine to raise funds for the environmental charity Greenpeace

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Crack Magazine and Thom Yorke have collaborated on a one off, limited-edition zine, titled I See You.

The zine comprises interviews with eight artists, activists and musicians chosen by Yorke, who answer questions set by him. The zine is prefaced by Thom answering the questions himself.

Those featured in the zine are: pioneering electronic music composer Laurie Spiegel, writer and environmentalist George Monbiot, Edinburgh-based poet Harry Josephine Giles, New York contemporary artist Amy Cutler, fashion designer and founder of Undercover, Jun Takahashi, director and screenwriter Luca Guadagnino, experimental musician Kali Malone and Brooklyn-based visual artist Christian Holstad.

Thom Yorke has decided to donate any profits from the zine to Greenpeace; by purchasing the zine a donation will be made to the organisation.

It is available to pre-order from Radiohead’s W.A.S.T.E. website, as well as from the sites for Crack Magazine and his label, XL Recordings, and will be delivered to fans on 13 September.

The Philosophy of George Carlin

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“When you’re born in this world, you’re given a ticket to the freak show.”

My Morning Jacket’s Jim James And The Louisville Orchestra Announce The Release Of Their Collaborative Project “The Order Of Nature”

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Jim James, acclaimed genre-bending solo artist, passionate social activist and leader of legendary rock band My Morning Jacket, and conductor/composer Teddy Abrams & The Louisville Orchestra announce the release of their collaborative project, The Order of Nature. As two of the world’s most vibrant and versatile musicians, neither James nor Abrams shies away from a challenge, and with The Order of Nature they’ve crafted a large-scale symphonic suite that has James’ evocative songs as its foundation. Abrams built a grand orchestral house on that foundation, and the result is an explosion of music that boldly synthesizes rock and classical while taking advantage of orchestral music’s inherently cinematic nature. Featuring unreleased new songs from James as well as re-imaginings from his solo catalog, the album will be released October 18 via Decca Gold.

Lyrically, James takes a deep dive into issues vitally important to him in recent years, including equality and intolerance, human connection and acceptance. Abrams uses repeating motifs to weave the songs into a seamless whole, with the goal of capturing the idea of nature in a cinematic way and turning James’ quiet demos into a majestic tapestry that conveys the album’s themes of politics, the natural order and the hopelessness of hatred. They all spin off of the suite’s central theme, which is James’ fascination with the absence of hate in nature. Animals kill each other, but only out of hunger, while humans daily choose hate —we ignore the order of nature and that choice is wreaking havoc.

“The core idea to me is trying to reflect on the fact that nature doesn’t know how to hate,” says James. “Humans are part of nature obviously, but why do we have this thing called hatred and how do we get rid of it? We’re fighting nature and thinking we can prevail over nature, but we’re killing each other and killing the planet.”

Abrams spent months building a complex symphonic work in which the songs could breathe, writing music that captures both the quiet drama of walking alone through a snowy landscape and the urgency of trying to steer a disrupted society toward kindness.

“We’re really looking at addressing things head on,” says Abrams. “That was an interest of mine in working with Jim because he has a way of taking on challenging and divisive issues and presenting them in ways that everybody can relate to, even if you’re from different political backgrounds.”

“For me it was very inspiring, and it was also inspiring to hear what Teddy wrote,” James added, “and I really enjoyed just giving him this seed of a song and just watching it flower.”

The Order of Nature debuted April 6-7, 2018 as part of the Louisville Orchestra’s annual Festival of American Music. The second night’s performance is what you hear on this album, recorded in one take, no overdubs.

James and Abrams also today announce a three-part mini-documentary on the making of The Order of Nature. The first chapter, “Collaboration,” is available now.

Most recently, the innovative tandem announced select performance dates that will feature local orchestras. Those dates will include the legendary Kennedy Center in Washington, DC on September 4, 2019, Benaroya Hall in Seattle, WA on May 12, 2020, and Boettcher Concert Hall in Denver, CO on May 15, 2020.

JIM JAMES, TEDDY ABRAMS AND THE LOUISVILLE ORCHESTRA – THE ORDER OF NATURE TRACKLISTING:

1. WALKING IN THE SNOW
2. HERE IN SPIRIT
3. THE HUMAN TOUCH
4. IN DEMAND
5. BACK TO THE END OF THE WORLD
6. WHO AM I?
7. OVER AND OVER
8. SET IT TO SONG
9. SAME OLD LIE

JIM JAMES AND TEDDY ABRAMS – US DATES

SEPTEMBER
4 – Washington, DC – The Kennedy Center w/the National Symphony

2020
MAY
12 – Seattle, WA – Benaroya Hall w/the Seattle Symphony
15 – Denver, CO – w/the Colorado Symphony

NASA Names ‘Rolling Stones Rock’ on Mars

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For decades, the music of The Rolling Stones has had a global reach here on Earth. Now, the band’s influence extends all the way to Mars. The team behind NASA’s InSight lander has named a Martian rock after the band: ‘Rolling Stones Rock.’

The Rolling Stones — Mick JaggerKeith RichardsCharlie Watts and Ronnie Wood — were delighted with the news and commented, “What a wonderful way to celebrate the ‘Stones No Filter’ tour arriving in Pasadena. This is definitely a milestone in our long and eventful history. A huge thank you to everyone at NASA for making it happen.”

A little larger than a golf ball, the rock appeared to have rolled about 3 feet (1 meter) on Nov. 26, 2018, propelled by InSight’s thrusters as the spacecraft touched down on Mars to study the Red Planet’s deep interior. In images taken by InSight the next day, several divots in the orange-red soil can be seen trailing Rolling Stones Rock. It’s the farthest NASA has seen a rock roll while landing a spacecraft on another planet.

Actor Robert Downey Jr. made the announcement Thursday, Aug. 22 at Pasadena’s Rose Bowl Stadium before the iconic band took the stage. Backstage before making the announcement, Downey said, “Cross-pollinating science and a legendary rock band is always a good thing…”

The InSight mission is led by NASA’s Jet Propulsion Laboratory, just up the road from the Rose Bowl in Pasadena. Having helped NASA land all of its Mars missions since 1997, JPL geologist Matt Golombek is a rock star in his own right. He and fellow scientists count rocks and assess the safety of potential landing sites.

Official scientific names for places and objects throughout the solar system — including asteroids, comets and locations on planets — can be designated only by the International Astronomical Union. But scientists working with NASA’s Mars rovers have given lots of unofficial nicknames to rocks and other geological features. Doing so makes it easier for them to discuss different objects and refer to them in science papers. So while the name Rolling Stones Rock is informal, it will appear on working maps of the Red Planet.in Germany; the Swiss Federal Institute of Technology (ETH Zurich) in Switzerland; Imperial College London and Oxford University in the United Kingdom; and JPL. DLR provided the Heat Flow and Physical Properties Package (HP3) instrument, with significant contributions from the Space Research Center (CBK) of the Polish Academy of Sciences and Astronika in PolandSpain’sCentro de Astrobiología (CAB) supplied the temperature and wind sensors.

 

Bose Announces New Portable Smart Home Speaker

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Today, Bose announced the Bose Portable Home Speaker, an ultra-versatile, compact speaker that combines the convenience of battery power, the simplicity of Bluetooth, and the ease of voice control in a modern new design. The new Portable speaker also delivers improved 360-degree sound, deeper bass than any other portable smart speaker its size, and weighs a mere 2.3 pounds to effortlessly take with you — from room to room, outside and around the home, and when you leave. The Bose Portable Home Speaker is available in Triple Black and Luxe Silver on September 19th for $349.

The Bose Portable speaker has up to 12 hours of battery life to last from morning to night with zero wires. Use Bluetooth to instantly stream tracks from your phone or tablet. Using Wi-Fi, just say the word — and a Bose proprietary voice pick-up system works with the Google Assistant and Amazon Alexa, both built-in, to access playlists, podcasts, news, weather, smart home devices, and more. Choose AirPlay 2 to play music from Apple devices, or Spotify Connect to listen directly from the Spotify app. And hear it all through a new Bose acoustic package that makes everything sound better.

“Every Bose smart speaker is Bluetooth and Wi-Fi enabled, but the Portable is the first to offer a rechargeable battery — along with a short list of features everyone wants and loves,” said Ben Burns, senior product manager for Bose speakers. “We lived with it like anyone else would — with our families and friends, away from work — to make sure it was the kind of product we wanted to use, day after day. It was. And we think people who take it home will feel the same way.”

There are buttons on top for basic functionality, including Bose’s proprietary mic-off feature — which cuts power to the microphones, eliminating any possibility you can be listened to or recorded — along with power, volume, play/pause and skip tracks, wake or dismiss virtual assistants, and Bluetooth source.

The Bose Music app offers additional functionality, making set up and updates easy and intuitive. Browse content, switch music services, create a multi-room system with other Bose smart speakers and soundbars, and download software for new features: coming this year, pair the Portable with a Bose SoundLink speaker for synchronized, voice-controlled audio — a welcome advancement for the millions of SoundLink Micro, Color, Mini, and Revolve owners around the world; and next year, pair two Portables for incredible 360-degree stereo performance.

The Portable speaker is cylindrical, measuring 7.5″ high and just over 4″ across, and wrapped in a seamless, anodized aluminum enclosure shaped precisely to enable its audio performance. Inside, three passive radiators, a high-excursion driver, and a proprietary deflector distribute clear, lifelike sound evenly in every direction — including size-defying bass. Unlike conventional speakers, there’s no sweet-spot for placement or listening — it delivers the same, jaw-dropping experience wherever it is, wherever you are. And while the left and right channels in standard one-piece systems can cancel each other out — leaving audible gaps in music — the Portable speaker won’t. Bose mono-signal technology makes corrections in real time, so you hear everything the artist recorded.

The new Bose Portable is water-resistant with an IPX4 rating to survive spills, splashes, and rain; and rugged enough to withstand drops, knocks, and hits. It comes with an integrated handle for convenience, and can charge through standard USB-C, or a charging cradle that’s sold separately for $29.

The Bose Smart Speaker Family
The Bose smart speaker family now includes three speakers — the Portable Home Speaker, Home Speaker 500 and 300; and two soundbars — the Soundbar 700 and 500. They’re all Bluetooth and Wi-Fi enabled. They all work brilliantly alone or together as a multi-room system. Each delivers superior audio performance for their size, and proprietary voice pick-up using mic technology developed for Bose military, aviation, and consumer headphones. And they all keep getting better with time.

Bose smart speakers and accessories are sold directly from Bose.com, Bose retail stores, and select resellers.