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Gord Downie announced as the 2019 Allan Slaight Humanitarian Spirit Award Recipient

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Canadian Music Week is pleased to announce Gord Downie as the 2019 recipient of the Allan Slaight Humanitarian Spirit Award. Outside of his career as a musician, poet and front-man for The Tragically Hip, Gord committed his time to causes close to his heart. He dedicated the last few years of his life educating the country on its past, moving toward reconciliation, and also spent many years working with the Lake Ontario Waterkeepers among other organizations. Alongside his brothers in The Hip, Gord and the band supported their hometown community of Kingston during their career, giving back to local organizations with proceeds from their Kingston shows.

“Gord Downie was an inspiration to all Canadians, and his life’s work represented the embodiment of all that the Allan Slaight Humanitarian Spirit Award celebrates. His legacy continues to resonate through his music and lyrics and, most importantly, through the growth and enterprise of The Gord Downie & Chanie Wenjack Fund,” said Gary Slaight, CEO and President of Slaight Communications/Slaight Family Foundation.

Gord was inspired by Chanie Wenjack’s story, and with his brothers started the Gord Downie and Chanie Wenjack Fund. With Gord’s call to action to build a better Canada, DWF has worked to build cultural understanding and create a path toward reconciliation between Indigenous and non-Indigenous Canadians. Representatives from the Downie family will receive the award at the annual Canadian Music and Broadcast Industry Awards Gala Dinner at Rebel Entertainment Complex in Toronto on Thursday, May 9, 2019.

The Wenjack and Downie families officially founded The Gord Downie & Chanie Wenjack Fund in 2016 to support reconciliation between Indigenous and non-Indigenous peoples. DWF operated as a fund through the Toronto Foundation and Tides Canada until receiving charitable status in March 2018.

Since it’s inception DWF has developed programs and initiatives based on their three guiding pillars of awareness, education and action which contribute to a national movement where all Canadians are participating in reconciliation. They achieve this through their Legacy Schools program, Legacy Spaces program and Secret Path Week.

The DWF Legacy Schools Program launched September 2018 with a tremendous response from schools, educators, and students across Canada. The DWF Legacy Schools has 477 Legacy Schools registered, 880 Legacy School toolkits distributed to every Provinces & Territory, and 1,977 participating classrooms reaching over 59,000 students nation-wide.

Gord also spent time on the board for Lake Ontario Waterkeeper, an organization that is working to restore our waterways to ensure they are Swimmable, Drinkable and Fishable today and for future generations.

Having an early connection to water, Gord was a passionate ambassador for Waterkeeper. He worked closely with LOW to stop Lafarge from burning tires and waste materials near the town of Bath, and created the Heart Of A Lake events to bring environmental awareness to local communities through art.

Gord and The Hip worked with many charitable organizations throughout their career. Giving back to their local community of Kingston was always a top priority for the band, organizing events for local causes like Almost Home, Camp Trillium, The Community Foundation of Greater Kingston, and the benefit for their friend and radio host Glenn Williams. The band were always willing to provide their time to meaningful causes. They headlined the first War Child event in Winnipeg, which was the largest outdoor benefit concert in Canada at the time, raising national awareness and funds for the charity.

Video: The Ramones on the the Regis and Kathy Lee Show, 1988

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I don’t know how many people went out and bought Ramones’ albums after this appearance, but I’m sure glad this exists.

The Black Keys Return With 9th Studio Album, “let’s Rock,” On June 28

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The Black Keys’ ninth studio album, “Let’s Rock,” will be released June 28, 2019 via Easy Eye Sound/Nonesuch Records. The long-awaited album, their first in five years, is a return to the straightforward rock of the singer/guitarist Dan Auerbach and drummer Patrick Carney’s early days as a band. Auerbach says, “When we’re together we are The Black Keys, that’s where that real magic is, and always has been since we were sixteen.” The second song from the record, “Eagle Birds,” debuts today; it follows the previously released single “Lo/Hi.” The Black Keys’ thirty-one city North American tour begins September 23.

“Let’s Rock” was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson. “The record is like a homage to electric guitar,” says Carney. “We took a simple approach and trimmed all the fat like we used to.”

The “Let’s Rock” Tour will hit cities including Chicago, Nashville, New York, Los Angeles, and Austin (full dates below). Special guests Modest Mouse will provide support on all dates, and Shannon & The Clams, Jimmy “Duck” Holmes, *repeat repeat, and Jessy Wilson will each open select shows on the tour. The band also headlines 2019’s Life Is Beautiful festival in Las Vegas on Saturday, September 21. Tickets for all dates are on sale here.

Rolling Stone named “Lo/Hi” a “Song You Need to Know” and said, “the Keys have officially returned, louder than ever” and the New York Times calls the song “the kind of garage-boogie stomp that the band never left behind.”

Formed in Akron, Ohio in 2001, The Black Keys have released eight studio albums: their debut The Big Come Up (2002), followed by Thickfreakness (2003) and Rubber Factory (2004), along with their releases on Nonesuch Records, Magic Potion (2006), Attack & Release (2008), Brothers (2010), El Camino (2011), and, most recently, Turn Blue (2014). The band has won six Grammy Awards and headlined festivals including Coachella, Lollapalooza, and Governors Ball.

Since their last album together, both Auerbach and Carney have been creative forces behind a number of wide-ranging artists.

Dan Auerbach formed the Easy Eye Sound record label, named after his Nashville studio, in 2017, with the release of his second solo album, Waiting on a Song. Since its launch, Easy Eye Sound has become home to a wide range of artists including Yola, Shannon & The Clams, Dee White, Shannon Shaw, Sonny Smith, Robert Finley, and The Gibson Brothers; it also has released the posthumous album by Leo Bud Welch as well as previously unreleased material by Link Wray.

Patrick Carney has produced and recorded new music with artists such as Calvin Johnson, Michelle Branch, Damns of the West, Tobias Jesso, Jr., Jessy Wilson, Tennis, Repeat Repeat, Wild Belle, Sad Planets, Turbo Fruits, and more. He also created the theme music for the Netflix TV show BoJack Horseman with his late uncle, Ralph Carney.

“Let’s Rock” Track Listing:
1. Shine A Little Light
2. Eagle Birds
3. Lo/Hi
4. Walk Across The Water
5. Tell Me Lies
6. Every Little Thing
7. Get Yourself Together
8. Sit Around And Miss You
9. Go
10. Breaking Down
11. Under The Gun
12. Fire Walk With Me

The Black Keys Tour Dates
Sep 21 /// Las Vegas, NV /// Life Is Beautiful+
Sep 23 /// Denver, CO /// Pepsi Center*
Sep 24 /// Kansas City, MO /// Sprint Center*
Sep 25 /// St. Louis, MO /// Enterprise Center*
Sep 27 /// Chicago, IL /// United Center*
Sep 28 /// Minneapolis, MN /// Target Center*
Sep 30 /// Cleveland, OH /// Quicken Loans Arena*
Oct 01 /// Nashville, TN /// Bridgestone Arena*
Oct 02 /// Columbus, OH /// Nationwide Arena*
Oct 04 /// Milwaukee, WI /// Fiserv Forum#
Oct 05 /// Detroit, MI /// Little Caesars Arena#
Oct 07 /// Pittsburgh, PA /// PPG Paints Arena#
Oct 08 /// Grand Rapids, MI /// Van Andel Arena#
Oct 09 /// Toronto, ON /// Scotiabank Arena#
Oct 11 /// Boston, MA /// TD Garden#
Oct 12 /// Washington, DC /// The Anthem#
Oct 14 /// Philadelphia, PA /// Wells Fargo Arena#
Oct 15 /// Brooklyn, NY /// Barclays Center#
Oct 16 /// Washington, DC /// The Anthem#
Nov 05 /// Sunrise, FL /// BB&T Center^
Nov 06 /// Orlando, FL /// Amway Center^
Nov 08 /// Raleigh, NC /// PNC Arena^
Nov 09 /// Atlanta, GA /// State Farm Arena^
Nov 12 /// Houston, TX /// Toyota Center^
Nov 13 /// Austin, TX /// Frank Erwin Center^
Nov 14 /// Fort Worth, TX /// Dickies Arena^
Nov 16 /// Phoenix, AZ /// Talking Stick Resort Arena^
Nov 17 /// San Diego, CA /// Pechanga Arena^
Nov 19 /// Los Angeles, CA /// The Forum^
Nov 20 /// San Francisco, CA /// TBA^
Nov 22 /// Portland, OR /// Moda Center^
Nov 23 /// Tacoma, WA /// Tacoma Dome^
Nov 24 /// Vancouver, BC /// Pepsi Live at Rogers Arena^
+Festival Date
*w/ Modest Mouse and *repeat repeat
# w/ Modest Mouse and Jessy Wilson
^ w/ Modest Mouse and Shannon & the Clams

David Bowie ‘MERCURY DEMOS’ Collection Announced Featuring Nine Unreleased Songs

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As part of the ongoing celebrations marking 50 years since David Bowie’s first hit, Space Oddity, and following the recent Spying Through A Keyhole and Clareville Grove Demos collections, Parlophone is releasing a further set of recordings known as The ‘Mercury’ Demos.

The ‘Mercury’ Demos are 10 early Bowie recordings captured live in one take to a Revox reel to reel tape machine in David’s flat in spring 1969, with accompaniment from John ‘Hutch’ Hutchinson on guitar and vocals.

The version of ‘Space Oddity’ from the Demos, originally released with edits on the Sound & Vision boxset, is presented here in its true context for the first time. The other nine recordings on the album are all previously unreleased. In addition to Bowie originals, the session also includes the Roger Bunn composition Life Is A Circus (which features as an earlier demo version on the Clareville Grove Demos set) and the Lesley Duncan composition, Love Song, later recorded by Elton John for his Tumbleweed Connection album. David’s own Conversation Piece is announced as ‘a new song’ and Janine features a short nineteen second section sung to the melody of The Beatles’ Hey Jude.

The session was a basic recording of the ‘Bowie & Hutch’ duo’s set list at the time and was committed to tape at the request of Mercury Records A&R man Calvin Mark Lee who wanted the tracks to send them to his boss Bob Reno. Both Calvin and Bob are referenced during the 41-minute recording, and the demos were key in securing David his recording deal with Mercury Records.

The ‘Mercury’ Demos set will come in a replica of the original tape box and will feature 1 vinyl LP, a print, two photo contact sheets and sleeve notes by Mark Adams. The labels of the LP feature the same EMIDISC acetate styling as Spying Through A Keyhole and Clareville Grove Demos with the song titles in David’s own handwriting.

Avengers: Endgame Cast Answer 50 of the Most Googled Marvel Questions

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Avengers: Endgame stars Scarlett Johansson, Jeremy Renner, Danai Gurira, Don Cheadle and Chris Hemsworth answer 50 of the most Googled questions about Marvel. What language do they speak in Black Panther? Who can pick up Thor’s hammer? Who is stronger than Thanos?

What must be done to improve writing skills

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Found some difficulties in improving your writing? Improving writing is a time-consuming process and there are no shortcuts. The most practical method is to survive in practice and repeat revisions, while taking the experience of others. Here are some useful tips. Happy reading!

First, insist on writing and writing every day.

Spend a fixed time every day to practice writing. Initially it may feel uncomfortable, but after a month or two it will slowly become a habit. After you develop this good habit, look back a few months later and you will find that your writing level has changed significantly. You may not have natural writing skills but if you practice constantly, your abilities will increase gradually. Just try and you’ll find your way.

Second, complete the paragraph and then modify it.

Some people don’t believe in writing, and they always feel that their words aren’t good enough or that the grammar isn’t perfect. Every time you write a few words or one or two sentences, you can delete the rewrite. In this way, you will not only feel tired but also interfere with the original writing idea. Therefore, once you have an idea, record it in one step, at least after completing a related paragraph or paragraph, and then modify it. You don’t have to pursue perfection from the start.

Third, read and modify.

Sometimes it’s hard to find errors after reading the first draft for one or two times. At this time, you might want to read the changes aloud, which might make it easier to hear a few questions. For example: choice of several words, syntax, tone and so on. Don’t hesitate if you have found an idea to improve the quality of your writing. Remember, fear often blocks your creativity or your talent. Just do it!

Fourth, focus.

After you start writing today, please focus on your writing during this time and try not to be bothered by other people or other things. By focusing your attention, you can get rid of external disturbances that can pay for everything you have planned. If noise is what you experience, a quality headset can help you find focus.

Fifth, get help.

Sometimes when you find that you can’t write, you can tell your friends or colleagues about it. Sometimes one or two other people’s words can get you out of the forest. If you can’t find a friend who is skilled enough to help you, the online help option should not be ignored. You can ask for help from professionals by accessing https://writingcheap.com/paper-writing.html. Online help is a present option that greatly helps students when they have great difficulties while they do not have enough time to deal with it.

Sixth, pay attention to the break on time.

In the process of practicing writing, if you feel your brain is jammed, it’s better not to force yourself to keep writing. Fatigue with the brain will definitely not have a good effect. Getting the right rest or doing aerobic exercise will help the brain to recover.

Writing may be really difficult, and there are different ways for everyone. Some people carry a lot of vocabulary and essays, but when they mention the pen, they are in vain. Some people have done a lot of artificial writing, but it doesn’t have much effect. So, you can only find the most suitable for you in continuous training. Hopefully this article can help you to write better. Hopefully this article is useful. Thank you for reading!

 

How do you score high in an American university paper?

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Writing thesis and academic writing is homework that cannot be avoided at North American universities. Here we introduce, to write a US university paper, what are the precautions and papers to get high score skills. In this article, we focus on the following points, how to write a high-score American university paper:

Rhetorical strategy (also known as logic or persuasion)

“Rhetoric” has a lot of meaning, but it’s all about successfully connecting and persuading the audience. For students, the audience is usually a professor or other teacher. In terms of rhetorical strategies, we must pay attention to:

– Summarize everything

After the topic is taken, you will summarize all the things you will discuss in the following paragraph in the first paragraph. At the beginning of each of the following paragraphs, the first sentence is used to summarize what is discussed in this paragraph. This is the topic sentence or center of each paragraph.

– Enrich your vocabulary

Use more complex words to improve your writing. You can use a dictionary to find synonyms or synonyms for vocabulary known to enrich your vocabulary. When you find a new word, you should look for a few examples to understand how the word is used in different contexts and whether it is appropriate to use it in the context of your writing. If you have difficulty doing the above, then you can search for words on Google and learn about the use of common words. If you encounter difficulties in this section, accessing https://writemyessayonline.com/do-my-assignment.html is an option that should be considered.

– Keep your language neutral

During the learning process, you usually find topics that motivate you or make you irritated. But keep in mind here, no matter how enthusiastic you are about this topic, readers of academic writing prefer clear, accurate, and neutral descriptions of emotional, or pedagogical, language. The following two examples are compared:

Not recommended: Education is the single most important factor in career success.

Recommendation: Education is one of the important factors in career success.

Not recommended: New Horizons is the fastest spacecraft ever made.

Recommended: In 2007, New Horizons was the fastest spacecraft ever made.

Recommended: New Horizons travels at 16.21 kilometers per second.

Find opportunities to be critical

Usually the teacher wants to see their students able to think and write critically. Criticism here does not mean criticism, but questions and questions. In other words, don’t understand and accept things with what you see on the surface. Critical writing means you have to carefully examine a topic and ask questions about its various aspects and listen to various perspectives. In addition, criticality also means that you can’t believe anything because of someone’s status. Even if the achievements of an author that you find during the research process are extraordinary, that does not mean that he is right. The best way to treat them like some unnamed writers.

Personal expression

The first year of assignment in college is about personal expression, that is, writing in accordance with your own memories, impressions, or emotions. And when you move to a higher class, the writing assignments you meet often require research based information.

Writing based on research has many advantages. Academic writing readers are more confident in research-based writing because the information used will likely be validated before the article is published, and if readers have questions about that information, they can find the original source of information and confirm it themselves. Likewise, readers are more likely to believe in opinions supported by research information, not just the author’s own feelings. In advanced academic writing, if your writing is only based on things that are not clear, it is considered unreliable and tends to receive a low score.

 

Genesis Announce “Seconds Out” (Half Speed Master) Vinyl Re-Issue On May 24

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Seconds Out is the second live album from the English rock band Genesis, originally released as a double album in October 1977. It is formed of recordings from their four dates at the Palais des Sports in Paris in June 1977 on their Wind & Wuthering Tour. “The Cinema Show” was recorded in 1976 at the Pavillon de Paris during their A Trick of the Tail Tour. This re-issue will be the first time the album has been fully mastered for vinyl and will be half speed mastered by Miles Showell at Abbey Road Studios and be part of the Half Speed Mastered Range with Obi-Strip and accompanying certificate. You can pre-order it here.

Tracks
Side A
1 Squonk
2 The Carpet Crawl
3 Robbery, Assault and Battery
4 Afterglow
Side B
1 Firth of Fifth
2 I Know What I Like (In Your Wardrobe)
3 The Lamb Lies Down on Broadway
4 The Musical Box (Closing Section)
Side C
1 Supper’s Ready
Side D
1 The Cinema Show”” (Pavillon de Paris – 23 June 1976)
2 Dance on a Volcano
3 Los Endos
4 Packshot

Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings To Be Released June 7

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Columbia Records and Legacy Recordings, a division of Sony Music Entertainment, will release Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings on June 7, 2019.

A comprehensive anthology of music from the mythic first leg of Bob Dylan’s groundbreaking Rolling Thunder Revue, this 14CD box set includes all five of Dylan’s full sets from that tour that were professionally recorded. The collection also provides the listener with an intimate insider’s seat for recently unearthed rehearsals at New York’s S.I.R. studios and the Seacrest Motel in Falmouth, MA plus a bonus disc showcasing one-of-a-kind performances from the tour.

The collection features 148 tracks in all, with more than 100 of those never previously released. Included in the box set is a 52-page booklet featuring rare and never-before-seen Rolling Thunder Revue photos and a revelatory essay by novelist/musician Wesley Stace. Concurrent with the release of the 14CD box set will be a reissue of The Bootleg Series Volume 5 on vinyl, back in print for the first time since 2002 as a 3LP set with a 64-page booklet.

Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings is available for pre-order now in digital, and CD formats: https://bobdylan.lnk.to/rollthunder-boxsetPR

Launched in the fall of 1975, Bob Dylan’s Rolling Thunder Revue flouted the touring conventions of the time by featuring an eclectic cast of characters and playing small and unusual venues with little advance notice. The shows would often stretch to more than four hours long, generating some of the artist’s most dramatic and dynamic on-stage performances ever. Dylan debuted the new songs he’d written for his forthcoming Desire album (which became one of the most acclaimed and popular in his canon) with a fire and intensity that Dylan had reached ten years earlier with his incendiary tours with musicians who became The Band. He also took wild, interpretative rides through his back catalog and broke out some unexpected covers.

Dylan gathered amazing friends and collaborators for his ensemble – dubbed Guam for the tour – that included T Bone Burnett, Mick RonsonJoan Baez,  Ramblin’ Jack ElliottBobby NeuwirthScarlett RiveraRonee BlakleySteven SolesDavid MansfieldRob StonerHowie Wyeth and Luther Rix. Poet Allen Ginsberg and Joni Mitchell also brought their talents to the show’s encores. Dylan, the consummate band leader, managed to take these musicians from various backgrounds and sensibilities and mold them into a tight musical unit on stage.

Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings serves as a companion piece to the new film, “Rolling Thunder Revue – A Bob Dylan Story by Martin Scorsese,” premiering on Netflix on June 12. Every one of Bob Dylan’s performances in the movie can be found in this boxed set.

Bob Dylan – Rolling Thunder Revue: The 1975 Live Recordings

DISC 1: S.I.R. Rehearsals, New York, NY – October 19, 1975
DISC 2: S.I.R. Rehearsals, New York, NY – October 21, 1975
DISC 3: Seacrest Motel Rehearsals, Falmouth, MA – October 29, 1975
DISC 4-5: Memorial Auditorium, Worcester, MA – November 19, 1975
DISC 6-7: Harvard Square Theater, Cambridge, MA – November 20, 1975
DISC 8-9: Boston Music Hall, Boston, MA – November 21, 1975 (afternoon)
DISC 10-11: Boston Music Hall, Boston, MA – November 21, 1975 (evening)
DISC 12-13: Forum de Montreal, Quebec, Canada – December 4, 1975
DISC 14: Rare Performances

Bob Dylan – Rolling Thunder Revue: The 1975 Live Recordings

DISC 1

October 19, 1975 – S.I.R. Rehearsals, New York, NY 
1. Rake and Ramblin’ Boy* [incomplete] 
2. Romance in Durango* [incomplete]
3. Rita May*
4. I Want You# [incomplete]
5. Love Minus Zero/No Limit* [incomplete] 
6. She Belongs to Me* [incomplete]
7. Joey [incomplete]
8. Isis
9. Hollywood Angel [incomplete]
10. People Get Ready#~
11. What Will You Do When Jesus Comes?# 
12. Spanish Is the Loving Tongue
13. The Ballad of Ira Hayes
14. One More Cup of Coffee (Valley Below)* 
15. Tonight I’ll Be Staying Here with You 
16. This Land Is Your Land
17. Dark as a Dungeon*

DISC 2

October 21, 1975 – S.I.R. Rehearsals, New York, NY 
1. She Belongs to Me#
2. A Hard Rain’s a-Gonna Fall
3. Isis
4. This Wheel’s on Fire/Hurricane/All Along the Watchtower 
5. One More Cup of Coffee (Valley Below)
6. If You See Her, Say Hello
7. One Too Many Mornings#
8. Gwenevere [incomplete]
9. Lily, Rosemary and the Jack of Hearts [incomplete] 
10. Patty’s Gone to Laredo#
11. It’s Alright, Ma (I’m Only Bleeding)

DISC 3

October 29, 1975 – Seacrest Motel Rehearsals, Falmouth, MA 
1. Tears of Rage
2. I Shall Be Released
3. Easy and Slow
4. Ballad of a Thin Man
5. Hurricane
6. One More Cup of Coffee (Valley Below) 
7. Just Like a Woman
8. Knockin’ on Heaven’s Door

DISC 4

November 19, 1975 – Memorial Auditorium, Worcester, MA 
1. When I Paint My Masterpiece
2. It Ain’t Me, Babe
3. The Lonesome Death of Hattie Carroll
4. It Takes a Lot to Laugh, It Takes a Train to Cry 
5. Romance in Durango
6. Isis
7. Blowin’ in the Wind
8. Wild Mountain Thyme
9. Mama, You Been on My Mind
10. Dark as a Dungeon
11. I Shall Be Released

DISC 5

November 19, 1975 – Memorial Auditorium, Worcester, MA 
1. Tangled Up in Blue
2. Oh, Sister
3. Hurricane^*
4. One More Cup of Coffee (Valley Below) 
5. Sara
6. Just Like a Woman
7. Knockin’ on Heaven’s Door
8. This Land Is Your Land

DISC 6

November 20, 1975 – Harvard Square Theater, Cambridge, MA 
1. When I Paint My Masterpiece
2. It Ain’t Me, Babe#~^
3. The Lonesome Death of Hattie Carroll
4. It Takes a Lot to Laugh, It Takes a Train to Cry* 
5. Romance in Durango^*
6. Isis
7. Blowin’ in the Wind*
8. Wild Mountain Thyme
9. Mama, You Been on My Mind^
10. Dark as a Dungeon
11. I Shall Be Released

DISC 7

November 20, 1975 – Harvard Square Theater, Cambridge, MA 
1. Simple Twist of Fate^*
2. Oh, Sister
3. Hurricane
4. One More Cup of Coffee (Valley Below) 
5. Sara
6. Just Like a Woman#
7. Knockin’ on Heaven’s Door#^
8. This Land Is Your Land

DISC 8

November 21, 1975 – Afternoon – Boston Music Hall, Boston, MA 
1. When I Paint My Masterpiece
2. It Ain’t Me, Babe
3. The Lonesome Death of Hattie Carroll 
4. A Hard Rain’s a-Gonna Fall
5. Romance in Durango
6. Isis
7. The Times They Are a-Changin’
8. I Dreamed I Saw St. Augustine
9. Mama, You Been on My Mind
10. Never Let Me Go
11. I Shall Be Released^

DISC 9

November 21, 1975 – Afternoon – Boston Music Hall, Boston, MA 
1. Mr. Tambourine Man^
2. Oh, Sister
3. Hurricane
4. One More Cup of Coffee (Valley Below) 
5. Sara^
6. Just Like a Woman
7. Knockin’ on Heaven’s Door
8. This Land Is Your Land

DISC 10

November 21, 1975 – Evening – Boston Music Hall, Boston, MA 
1. When I Paint My Masterpiece
2. It Ain’t Me, Babe
3. The Lonesome Death of Hattie Carroll^
4. It Takes a Lot to Laugh, It Takes a Train to Cry#^ 
5. Romance in Durango
6. Isis^
7. Blowin’ in the Wind^
8. The Water Is Wide^
9. Mama, You Been on My Mind
10. Dark as a Dungeon
11. I Shall Be Released

DISC 11

November 21, 1975 – Evening – Boston Music Hall, Boston, MA 
1. I Don’t Believe You (She Acts Like We Never Have Met) 
2. Tangled Up in Blue#^
3. Oh, Sister^
4. Hurricane
5. One More Cup of Coffee (Valley Below)^
6. Sara
7. Just Like a Woman^
8. Knockin’ on Heaven’s Door
9. This Land Is Your Land

DISC 12

December 4, 1975 – Forum de MontrealMontreal, Canada 
1. When I Paint My Masterpiece
2. It Ain’t Me, Babe
3. The Lonesome Death of Hattie Carroll
4. Tonight I’ll Be Staying Here with You^ 
5. A Hard Rain’s a-Gonna Fall#^*
6. Romance in Durango#
7. Isis#~
8. Blowin’ in the Wind
9. Dark as a Dungeon
10. Mama, You Been on My Mind
11. Never Let Me Go#~
12. I Dreamed I Saw St. Augustine* 
13. I Shall Be Released

DISC 13

December 4, 1975 – Forum de MontrealMontreal, Canada 
1. It’s All Over Now, Baby Blue^
2. Love Minus Zero/No Limit^
3. Tangled Up in Blue
4. Oh, Sister
5. Hurricane
6. One More Cup of Coffee (Valley Below)#* 
7. Sara#
8. Just Like a Woman
9. Knockin’ on Heaven’s Door
10. This Land Is Your Land

Disc 14

BONUS DISC – RARE PERFORMANCES

1. One Too Many Mornings* 
October 24 – Gerdes Folk City, New York CityNew York 
2. Simple Twist of Fate* 
October 28 – Mahjong Parlor, Falmouth, MA 
3. Isis
November 2 – Technical University, Lowell, MA 
4. With God on Our Side 
November 4 – Afternoon – Civic Center, Providence, RI 
5. It’s Alright, Ma (I’m Only Bleeding) 
November 4 – Evening – Civic Center, Providence, RI 
6. Radio advertisement for Niagara Falls shows 
Niagara Falls, NY 
7. The Ballad of Ira Hayes
November 16 – Tuscarora Reservation, NY 
8. Your Cheatin’ Heart* 
November 23 
9. Fourth Time Around 
November 26 – Civic Center, Augusta, Maine 
10. The Tracks of My Tears 
December 3 – Chateau Champlain, Montreal Canada 
11. Jesse James 
December 5 – Montreal Stables, Montreal, Canada 
12. It Takes a Lot to Laugh, It Takes a Train to Cry 
December 8 – “Night of the Hurricane,” Madison Square GardenNew York, NY

# included in the film Renaldo and Clara (1978 film)
~ released on 4 Songs From “Renaldo And Clara” E.P. (1978 album)
^ released on The Bootleg Series, Vol. 5: Bob Dylan Live 1975 (2002 album) * included in Rolling Thunder Revue (2019 film)

On Discs 1-13
Bob Dylan – vocals, guitar, piano, harmonica
Joan Baez – vocals and guitar on “Tears of Rage,” “I Shall Be Released,” “Blowin’ in the Wind,” “Wild Mountain Thyme,” “Mama, You Been on My Mind,” “Dark as a Dungeon,” “The Times They Are a-Changin’,” “I Dreamed I Saw St. Augustine,” “Never Let Me Go,” “The Water Is Wide,” and “This Land Is Your Land”
Roger McGuinn – guitar and vocals on “Knockin’ on Heaven’s Door” and
“This Land Is Your Land”
Guam:
Bobby Neuwirth – guitar, vocals
Scarlet Rivera – violin
T Bone J. Henry Burnett – guitar, vocals
Steven Soles – guitar, vocals
Mick Ronson – guitar
David Mansfield – steel guitar, mandolin, violin, dobro
Rob Stoner – bass, vocals 
Howie Wyeth – drums, piano
Luther Rix – drums, percussion, congas
Ronee Blakley – vocals
and
Ramblin’ Jack Elliott – vocals, guitar
Allen Ginsberg – vocals, finger cymbals
Joni Mitchell – vocals

On DISC 14
Bob Dylan – vocals, guitar, piano, harmonica with
Joan Baez – vocals (2)
Rob Stoner – bass (2)
Eric AndersenArlen Roth – guitars (2) Guam (3, 10, 12)
Larry Keegan – vocals (8)
Robbie Robertson – guitar (12)

Western Canadian Music Awards Announce The 2019 Nominees

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The Western Canadian Music Alliance is excited to announce the incredible artists and members of the music industry that have been nominated for the 2019 Western Canadian Music Awards. The winners will be announced this fall at BreakOut West in Whitehorse, YT, taking place from October 2-6. The list of nominees can be found below, with the Heritage Award, Kevin Walters Industry Builder Award, and Hall Of Fame inductee to be announced this summer.

“We are excited to share our nominee names for the 2019 edition of the Western Canadian Awards!” exclaims BreakOut West Interim Executive Director, Nathalie Kleinschmit. “We saw nominees from all four western provinces and three northern territories this year, with a strong showing from the north, reflecting the dynamism that is taking place there. Our region is well-represented by the diversity and talent of our artists and the music they bring to the rest of Canada and beyond our borders.”

Voting is now open to members of all western Provincial or Territorial Music Industry Associations. All members will be sent an email regarding login information to vote (beginning today, Tuesday, April 30). Voting will conclude at midnight, Pacific Time, on Friday, May 17. Winners of the artistic categories will be announced on Thursday, October 3 at the WCMAwards Reception in Whitehorse, while the Industry and Specialty Award categories will be presented at the Industry Awards Brunch on Saturday, October 5.

2019 WESTERN CANADIAN MUSIC AWARDS ARTISTIC NOMINEES

Blues Artist of the Year
Brandon Isaak – BC
David Gogo – BC
Jack Semple – SK
James Buddy Rogers – BC
Ndidi O – BC

BreakOut Artist of the Year
Dan Mangan – BC
Foxwarren – SK
Nuela Charles – AB
Snotty Nose Rez Kids – BC
Striker – AB

Children’s Artist of the Year
Ginalina – BC
Raffi – BC
Rattle and Strum – AB
Seanster and the Monsters – MB
The Oot n’ Oots – BC

Classical Artist / Ensemble of the Year (Sponsored by Canadian Music Centre [CMC])
Land’s End Ensemble – AB
Turning Point Ensemble – BC
Manitoba Chamber Orchestra – MB
Vancouver Chamber Choir – BC
Carmen Braden – NT

Classical Composer of the Year
Allan Gordon Bell – AB
Carmen Braden – NT
Farshid Samandari – BC
Laurie Radford – AB
Owen Underhill – BC

Country Artist of the Year
Aaron Pritchett – BC
Brett Kissel – AB
Dan Davidson – AB
George Canyon – AB
Hunter Brothers – SK

Electronic / Dance Artist of the Year
Dirty Radio – BC
Humans – BC
I M U R – BC
Soulier – AB
Talltale – AB

Francophone Artist of the Year (Sponsored by Association des professionnels de la chanson et de la musique [APCM])
Alpha Toshineza – MB
Ponteix – SK
Rayannah – MB
Shawn Jobin – SK
Vaero – SK

Indigenous Artist of the Year
Carsen Gray – BC
Digawolf – NT
Diyet & the Love Soldiers – YT
Hellnback – MB
Northern Haze – NV

Instrumental Artist of the Year
Apollo Suns – MB
Five Alarm Funk – BC
Gordon Grdina’s The Marrow – BC
Signs & Letters – AB
West of Mabou – SK

Jazz Artist of the Year
Al Muirhead – SK
BC Double Quartet – BC
Hard Rubber Orchestra – BC
Jodi Proznick – BC
Winnipeg Jazz Orchestra – MB

Metal / Hard Music Artist of the Year
Hunting Giants – BC
Neck of the Woods – BC
Shooting Guns – SK
Striker – AB
tunic – MB

Pop Artist of the Year
Begonia – MB
Jill Barber – BC
Madison Olds – BC
Royal Canoe – MB
Sarah MacDougall – YT

Producer of the Year
Ben Kaplan, Fader Mountain Sound – BC
Madeleine Roger & Lloyd Peterson – MB
Rayannah & Mario Lepage – MB / SK
Ryan Worsley, Echoplant Sound – BC
Steve Bays – BC

Rap / Hip Hop Artist of the Year
Alpha Toshineza – MB
Bdice – BC
Merkules – BC
Snak the Ripper – BC
Vials – BC

Recording of the Year
Dan Mangan – BC
Foxwarren – SK
Jill Barber – BC
Pharis & Jason Romero – BC
Sarah MacDougall – YT

Rock Artist of the Year (Sponsored by Stingray Music)
Dan Mangan – BC
Foxwarren – SK
Digawolf – NT
Said The Whale – BC
The Sheepdogs – SK

Roots Duo / Group of the Year
Carmanah – BC
GhostBoy – AB
Pharis & Jason Romero – BC
Rosie & the Riveters – SK
Tri-Continental – AB / BC

Roots Solo Artist of the Year
Belle Plaine – SK
Joe Nolan – AB
John Wort Hannam – AB
Mariel Buckley – AB
Micah Erenberg – MB

Songwriter(s) of the Year (Sponsored by The Society of Composers, Authors and Music Publishers of Canada [SOCAN])
Dan Mangan, Cold In The Summer – BC
Jill Barber and Ryan Guldemond. Girl’s Gotta Do – BC
Mariel Buckley, Rose Coloured Frames – AB
Pharis Romero – Pharis & Jason Romero, Sweet Old Religion – BC
Roman Clarke, Waiting – MB

Spiritual Artist of the Year
Chelsea Amber – BC
Kyle Church – AB
Ms.PANIK – BC
Warren Dean Flandez – BC
West of Here – AB

Urban Artist of the Year
Hooper Turnt Sanger – BC
LOA – SK
Samurai Champs – SK
SHEA – MB
Tiny Havoc – BC

Video Director of the Year
Danie Easton – Madison Olds, Thank You – BC
Eric Peterson – Yes We Mystic, Young Evil – MB
Johnny Jansen – Said The Whale, UnAmerican – BC
Peter Ricq – Humans, Breakfast With Liz – BC
Travis Nesbitt – The Dungarees, Don’t Hold Back – AB

Visual Media Composer of the Year
Brett Elliot – Church of Zombie, Welcome to the Church – YT
Burnett/Schmidt, Reawaken (Movements I-V) – AB
Jared Robinson, Canadian Mental Health Association 100 Year Anniversary – SK
Jeffery Straker, The Storm Orchestral – SK
Tim Brown, Run for Your Life – AB

World Artist of the Year
Buckman Coe – BC
Montuno West – AB
Portiia – BC
Ryan Timoffee – AB
TANGA – BC

2019 WESTERN CANADIAN MUSIC AWARDS INDUSTRY NOMINEES
Audio Engineering Award
Ben Kaplan, Fader Mountain Sound – BC
Scott Franchuk, Riverdale Recorders – AB
Sheldon Zaharko, Zed Productions – BC
Spencer Cheyne, OCL Studios – AB
Steve Bays – BC

Community Excellence Award
National Music Centre – AB
The Dungarees – 24 Hour Gigathon – AB
The Park Show – BC
The Village Idiots – MB
West End Cultural Centre – MB

Excellence in Visual Design
Bronwin Parks – Feisty Creative – BC
Chris Morin – SK
Jadyn Klassen – MB
Roberta Landreth – MB
Shalom Toy – Cosmic Cavern Design – AB

Impact in Artistic Development
Dan Mangan, Arts & Crafts Productions – BC
Jessica Marsh, JAM Music Mgmt – AB
National Music Centre – AB
Paquin Artists Agency – MB
The Feldman Agency – BC

Impact in Live Music
Adam Oppenheim – Stampede Entertainment Inc. – AB
Dan Mangan – Arts & Crafts Productions – BC
Paquin Artists Agency – MB
West End Cultural Centre – MB
Winnipeg Folk Festival – MB

Impact in Music Marketing
Matt Olah – Calgary Folk Fest / Soaring Eagle Records – AB
National Music Centre – AB
The Village Idiots – MB
West End Cultural Centre – MB
Winnipeg Folk Festival – MB