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The Growing Popularity Of Musical Bingo

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You have to hand it to bingo, it’s a game which has been around for centuries and it still to this day manages to hold its own in the entertainment industry. A lot of bingo’s success is down to it embracing change and technology, moving with the times to appeal to an ever-changing audience. As a result, bingo has audiences that enjoy the excitement of bingo halls to now being able to play 24/7 online as well as via mobile apps with mFortune and other popular brands. Furthermore, we have also witnessed different variants of bingo born over the years too, with one type rapidly growing in popularity.

Musical bingo is a whole new way of playing one of the world’s best loved games, with many describing it as the “after-dark version” of the classic game. It works by replacing numbers on bingo cards with song titles instead, and this variant of the game has managed to have a big impact already.

While classic bingo provides a great interactive experience, which is also a superb social occasion, musical bingo manages to take things up to a whole new level, with it arguably being even more of an interactive attraction. The first instances of musical bingo took place in pubs and bars, ideal venues as they’re both well known for music. Pubs and bars are also known for attracting teams to take part in quizzes, which have been popular for years, and musical bingo therefore works in a very similar way and has a very similar effect.

It’s not just pubs and bars where musical bingo has managed to have an impact, but with nightclubs as well. It’s been known for musical bingo to take place in trendy clubs, with partygoers ticking off songs they hear on the cards provided throughout the night, with prizes such as drinks tokens and VIP entry up for grabs. Musical bingo manages to create totally interactive experiences, regardless of where it’s played, and that’s one of the reasons why its growth is continuing in an upward trajectory.

Furthermore, musical bingo is also proving popular at retirement homes as well, and while it does once again provide great entertainment. It’s also proving useful when it comes to improving memory capacity too. Classic bingo has been a long time favourite game to be played in senior’s homes around the world today, but by adding music to the equation, players are asked to recall the titles of songs they may not have heard for a good few years, which is incredibly beneficial.

You could say that bingo at times has needed fresh life breathing into it, and what better way than by introducing music into the mix? Music appeals to people of all ages, and so does fun, excitement, and the thought of winning. It’s hard to see the popularity of musical bingo waning, especially when it can be played in pubs, bars, nightclubs, retirement homes, and even at birthday parties and other social occasions. It’s an easy game to create and organise too, making it even better.

 

What Went Into the Making of the Song “We Are The World”

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In 1985 Africa was going through a severe famine our world news was full of horrific scenes of starved people. American artists came to together and sang a powerful song that saw them raise over $60 million that went to several countries.

Writing and producing

Harry Belafonte and talent manager Ken Kragen had the idea to gather black artists to perform in a charity concert for Africa. They brought Lionel Richie to help write an original song and got Quincy Jones to agree to produce it, and he brought Michael Jackson.

The famous lyrics “We are the world, we are the children” are Lionel Richie’s work. The bulk of the song’s lyrics were Michael Jackson’s work. Quincy Jones recorded the music before recording the vocals.

The arrangement of the song and singers

The song has two stanzas, a chorus, and a rousing bridge. Seven soloists sang in the first verse, and three soloists brought in the second verse. Each of the soloists has unique voices and Quincy Jones who orchestrated their positions in the choir. He wrote everyone’s name on tape and stuck it to the floor.

The song is about 7 minutes long because it had to be the right length for radio play, yet still long enough to feature as many celebrity soloists as possible. Fortunately, the stars were respectful of Quincy Jones and ditched their demanding personalities before coming to record.

USA for Africa ran on a tight schedule and took a month to complete. All the stars came to Los Angeles in January, for the American Music Awards, and after the ceremonies, went to A&M Studios for the recordings, a period of roughly twelve hours.

Many Americans, corporate bodies like  Washington Lawn Mowing Services, colleges, universities among others were called upon to help raise money.

Trivia tidbits

Prince did not participate. He turned down the invitation to join on this charity song, but he contributed a song for the benefit album, called “4 The Tears In Your Eyes”.

Bruce Springsteen was the first non-white artist to join the project. His presence and enthusiastic involvement helped the other rock artists to follow suit.

Lionel Richie and Michael Jackson sat through several national anthems in a bid to create a song that would sound familiar to many people.

Cyndi Lauper’s jewelry caused a disturbance by jingling into the microphone.

How did the benefit song perform?

The single was released in March and sold out the first shipment of 800,000 singles. A month later, in April, the song was #1 for four weeks in the United States, and it was #1 for two weeks in the United Kingdom. The single rose to #1 on the R&B chart in May for two weeks.

Conclusion

“We Are The World” won Grammy awards for Record of the Year and Song of the Year. , and a remake of the charity song was made to give aid to Haiti. To this day, it is still an anthem for assisting stricken countries.

Songwriting Legend, Stan Rogers, and Maritime Masterpiece “Peter’s Dream” by Lennie Gallant to be Inducted to the Canadian Songwriters Hall of Fame

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Celebrating Canada’s greatest songwriters and songs, the Canadian Songwriters Hall of Fame (CSHF) partners with the 31st annual East Coast Music Awards (ECMA) to honour the legacy of a national music icon and enduring Maritime ballad. The Canadian Songwriters Hall of Fame is pleased to announce the induction of musical storyteller Stan Rogers, and the induction for the song, Peter’s Dream, by 18-time ECMA winner Lennie Gallant, who is also confirmed as a performer at this year’s ECMAs in Charlottetown, P.E.I.

After the ECMAs, music fans from across Canada and the world can see inductees celebrated through exhibitions at Studio Bell, home of the National Music Centre, in Calgary. As the physical home of the Songwriters Hall of Fame, the National Music Centre will continue to honour new inductees through on-site exhibitions, featuring stories, photos, artifacts, and memorabilia.

“I am deeply honoured to have Peter’s Dream inducted to the Canadian Songwriters Hall of Fame. It means the world to me that so many people have covered this song and were moved by it,” said Lennie Gallant. “There is no greater reward for a songwriter than to have a song take on a life of its own, and that certainly seems to have happened with Peter’s Dream. Songwriting is my passion, so to have one of my songs added to this amazing Canadian collection is something I’ll always treasure.”

The Canadian Songwriters Hall of Fame will present Stan Rogers’s induction to his family and widow, Ariel Rogers, with a performance by JUNO-winning artist, Old Man Luedecke. The song induction for Peter’s Dream will be presented to Lennie Gallant, and performed by hometown folk-pop singer Rose Cousins. Both inductions will be part of the East Coast Music & Industry Awards on Sunday, May 5th beginning at 7:30pm ADT in Charlottetown, P.E.I.

Stan Rogers was born in Hamilton, Ontario, and absorbed the sounds of traditional music while spending summers in his mother’s hometown of Canso, Nova Scotia. Rogers gained national prominence playing his own folk-roots compositions for CBC Radio and on “Celtic Godfather” John Allan Cameron’s popular TV show. In the 1970s he appeared (often with his brother Garnet) at such prestigious events as the Mariposa and Winnipeg Folk Festivals, winning over audiences nationwide with his authentic celebrations of Canadian culture and experience. Rogers wrote dozens of memorable songs, often ship- or history-related, from The Nancy, about a Great Lakes naval battle during the War of 1812, to the more contemporary Make and Break Harbour. There was also his Bluenose – symbol of his beloved Nova Scotia – and The Wreck of the Athens Queen. But his songs also explored the West (Field behind the Plow), the North (Northwest Passage) and Ontario (White Squall), making him a truly national folk bard.

“Northwest Passage” (1981) was Rogers’s last studio album before his life was cut prematurely short. He tragically died at age 33 on June 2, 1983 aboard an airplane, as he was returning home from performing at the Kerrville Folk Festival in Texas. Since his death several albums of earlier material have been released, allowing his immense talent to live on.

“Hit Me With Your Best Shot!” Songwriter, Musician and Industry Advocate Eddie Schwartz to be inducted to Canadian Songwriters Hall of Fame

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The Canadian Songwriters Hall of Fame (CSHF) has partnered with Canadian Music Week (CMW), Canada’s leading entertainment festival and conference, to celebrate the induction of musician, songwriter and producer Eddie Schwartz to the Canadian Songwriters Hall of Fame. Music industry legend and CSHF founder Frank Davies will present Eddie Schwartz with his songwriter induction during CMW’s 2019 Canadian Music and Broadcast Industry Awards Gala Dinner on Thursday, May 9 at Rebel Entertainment Complex in Toronto, ON.

“The Canadian Songwriters Hall of Fame is a testament to the astonishing cultural contribution that Canadian music creators have made at home and around the world. I am humbled, honoured and grateful to have my life’s work recognized and included in its legacy,” said Eddie Schwartz.

After the CMW event, music fans from across Canada and the world can see inductees celebrated through exhibitions at Studio Bell, home of the National Music Centre, in Calgary. As the physical home of the Songwriters Hall of Fame, the National Music Centre will continue to honour new inductees through on-site exhibitions, featuring stories, photos, artifacts, and memorabilia.

Eddie Schwartz is a Canadian musician, songwriter and record producer with worldwide critical and commercial success. Eddie is best known for writing such classic hit songs as “Hit Me With Your Best Shot” recorded by Pat Benatar, “Don’t Shed A Tear” by Paul Carrack, “The Doctor” by the Doobie Brothers, “When There’s Time for Love” by Lawrence Gowan and “Special Girl” recorded by America, as well as some 200 songs recorded and performed by artists such as Joe Cocker, Carly Simon, Robert Palmer, Jeffrey Osborne, Donna Summer, Rita Coolidge, Martina McBride, Rascal Flatts, Meatloaf, Honeymoon Suite, Amy Sky, the Chipmunks and Mountain – among others. His songs have been featured in countless videogames, dozens of movies and television shows, and on Broadway and in movies such as “Rock of Ages,” and the latest installment of “Shrek

With roots in both the US and Canada, Eddie has won numerous music industry awards including multiple JUNO, BMI, and SOCAN Awards, and PROCAN’s prestigious Harold Moon Award. Eddie is also a longstanding advocate on behalf of music creators and all rights holders. He has served as President of the Songwriters Association of Canada and the Canadian Songwriters Hall of Fame, Co-Chair of Music Creators North America, Chair of Fair Trade Music International, and was elected to six consecutive terms on the SOCAN board and Executive Committee before moving to Nashville in 1997, where he graduated from the renowned Leadership Music program in 2000.

In late 2012 Eddie was appointed a Member of the Order of Canada, and in 2017 he was elected the first North American-based President of the International Council of Music Creators (CIAM) headquartered in Paris, representing over 500,000 professional music creators on five continents.

Choreographers Break Down the Pulp Fiction Dance Scene

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Professional dancers and choreographers Lauren Yalango-Grant and Christopher Grant analyze what makes Uma Thurman and John Travolta’s diner dance scene so mesmerizing and impactful, even now, 25 years after its release.

Pixar Reveals Hidden Movie Easter Eggs

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Crack open these secret Easter eggs hiding in your favorite Pixar films. Can you unscramble them all?

Return of Bruno documentary about Bruce Willis’ singing alter-ego from1990

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The Return of Bruno is the debut album by actor Bruce Willis released by Motown in 1987. This album is an eclectic gathering of R&B music sung by Willis, with backing musicians including Booker T. Jones, The Pointer Sisters and The Temptations. It is a companion piece to an HBO special of the same title which aired shortly after the album’s release.

That Time The KLF Performed In ‘Protest’ Of The New Millennium

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The release of “Fuck The Millennium”, inspired by Jeremy Deller and his Acid Brass version of “What Time Is Love”, saw the KLF return as 2K for “23 minutes only” at the Barbican, London, September 19, 1997.

They had a brass band and police men’s choir cover all of their hits and only appeared as two old men in wheelchairs. Tony Wilson introduces them.

Photo Gallery: Cher at Toronto’s Scotiabank Arena

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

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Guy Makes Fully-Playable Guitar…Out Of Jawbreakers

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Burls Art attempted to build a Flying V shaped guitar out of 8 Mega Jawbreaker Candies, sawing and sanding them, then coating them to make it a fully-playable instrument.