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Want to be a Guitar Rock God? Get out there and Play!

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In a world where music fans look to the past for the music they love, now is the time to become a guitar rock god. The stage is set, the spot light is on. All you have to do is get the right equipment, perfect your licks, wear something garish, join or form a band, and get out there and play. There is a massive musical gap for a new rock star, and this is a gap that you could fill.

In this post, we look at what you need to become the next Hendrix or Frusciante.

Get the Best Guitar and Equipment

Ultimately, your musical prowess on your guitar will dictate how you sound, but a great sounding instrument and equipment will be essential if you are to dominate the world of rock. There is a wide range of products for guitars that will help you perfect your all-important signature sound. Every top guitarist you can think of from Gilmour to May to Clapton to Slash are instantly recognisable when they play. This is because they have a signature sound and perfecting your sound is what you should be aiming for.

Take the time to read reviews of equipment and garner what other players thought of it, before making a purchase. This invaluable information will help you in your rock god quest.

Here is a brief list of what you will need to get out there and play.

  • Guitar – Get a good one. Listen to your favourite guitarists and choose a similar model to what they play.
  • Hard guitar case – Keep your pride and joy and your future livelihood protected.
  • Amplifier – How can anyone hear your musical genius without one?
  • Pedalboard – Pedals are part of rock history, and you can buy a range of pedals to give you a great sound. Read reviews and buy pedalboards online from reputable stores.
  • Cables – Get ones that are not too long, to begin with and get spares. They can and do develop faults.
  • Picks – Experiment with a range of picks to suit your style.
  • Tuner – You want to keep your axe in tune, and there is some evidence that using a tuner will perfect your musical ear. Some pedalboards come with tuners built-in.
  • Spandex trousers and codpieces – This is completely optional, and it depends on how ‘old school’ you want to be.

Your band will need a PA system. The better music venues where you will delight the crowd will probably have one of these.

Now you have your guitar and related equipment it is time to get good!

Practice like it’s 1999

The key to perfecting your musical prowess is to practice. Soon the chords will come, and you’ll play licks and solos from your favourite guitarists. This is great, and you will impress your friends.

To start creating classic albums like Prince’s 1999 you have to take this a step further. You have to learn to write your own music and learn how music works in context with a band.

It is a good idea to join a band and start playing gigs as soon as you start to sound good. This will give you confidence and invaluable knowledge about how this rock god thing works.

Ultimately, to become a rock superstar, you have to forge your own path. You might be able to play a Hendrix classic, but you will never be Hendrix. He was a one-off.

If you become a one-off, you too will be considered a rock god! Peace and rock out!

Photo Gallery: Carly Rae Jepsen with Ralph at Hamilton’s FirstOntario Concert Hall

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

Carly Rae Jepsen
Carly Rae Jepsen
Carly Rae Jepsen
Carly Rae Jepsen
Carly Rae Jepsen
Carly Rae Jepsen
Carly Rae Jepsen
Carly Rae Jepsen
Carly Rae Jepsen
Ralph
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The 1977 Television Documentary About The Making of ‘Star Wars’ And Hosted by C-3PO and R2-D2

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On September 16, 1977, the ABC television network aired “The Making of Star Wars”, a wonderful one-hour documentary that went behind the scenes of the blockbuster new film Star Wars IV: A New Hope, which had been released in May of that year.

This TV special, the first ever Star Wars documentary, was hosted by C-3PO and R2-D2 and narrated by William Conrad, with appearances by George Lucas, Mark Hamill, Carrie Fisher and Harrison Ford.

Maintaining credibility and consistency on YouTube: Revisions to YouTube Music Charts and 24-hour record debut policy

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From “American Bandstand” to “TRL,” every generation naturally finds its own barometer to measure the hottest songs and artists of the moment. For this generation, it’s YouTube. There is simply no better current measure of the world’s music listening than YouTube. Every day, we strive to showcase and celebrate the hottest artists, songs and music videos from around the world.

Today, we’re sharing some important changes made to YouTube Music Charts, the go-to destination to see what’s popular, what’s rising and trending both locally and globally on YouTube, and updates to how we determine videos that are eligible for 24-hour record debuts on YouTube.

YouTube Music Charts have become an indispensable source for the industry and the most accurate place for measuring the popularity of music listening behavior happening on the world’s largest music platform. In an effort to provide more transparency to the industry and align with the policies of official charting companies such as Billboard and Nielsen, we are no longer counting paid advertising views on YouTube in the YouTube Music Charts calculation. Artists will now be ranked based on view counts from organic plays.

Over the last few years, fans, artists, and their teams have touted the number of views a video receives on YouTube within the first 24 hours as the definitive representation of its instant cultural impact. It’s a great honor and one we take very seriously. As we look to maintain consistency and credibility across our platform, we’ve made some necessary revisions to our methodology for reporting 24-hour record debuts.

Our goal is to ensure YouTube remains a place where all artists are accurately recognized and celebrated for achieving success and milestones. Videos eligible for YouTube’s 24-hour record debuts are those with the highest views from organic sources within the first 24 hours of the video’s public release. This includes direct links to the video, search results, external sites that embed the video and YouTube features like the homepage, watch next and Trending. Video advertising is an effective way to reach specific audiences with a song debut, but paid advertising views on YouTube will no longer be considered when looking at a 24-hour record debut. The changes will not impact YouTube’s existing 24-hour record debut holders.

Staying true to YouTube’s overall mission of giving everyone a voice and showing them the world, we want to celebrate all artist achievements on YouTube as determined by their global fans. It’s the artists and fans that have made YouTube the best and most accurate measure of the world’s listening tastes, and we intend on keeping it that way.

Additional information on how YouTube Music Charts are calculated can be found here and additional details about YouTube Views and ads can be found here.

Peter Gabriel Releases B-sides, Remixes and Rarities Album “Flotsam and Jetsam”

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Flotsam and Jetsam is a collection of B-sides, remixes and rarities from across Peter Gabriel’s solo career. Over 60 tracks are featured, mostly all of which have been previously released physically, either on 7”, 12” or CD singles, soundtrack or tribute albums, but, with a few exceptions, are being released digitally for the first time.

The collection – arranged chronologically – is split into three eras. The first, 1976-1985, covers the period from Peter first going solo to the end of his run of four self-titled solo albums. It opens with a cover version of ‘Strawberry Fields Forever’, the first time Peter featured on a release after leaving Genesis. The second, 1986-1993, are Peter’s popstar years with music released around the albums ‘So’ and ‘Us’. The third era is 1994-2016and features remixes from the ‘Up’ album, plus tracks used in various films and notable cover versions. It ends with Peter’s song ‘The Veil’, written especially for the Oliver Stone movie ‘Snowden’.

Across the collection are a handful of previously unreleased versions of songs, most notably, the extended version of ‘Slowburn’ (PG1), the full version of ‘Don’t Break This Rhythm’ (an edit featured as the B-side to Sledgehammer) and the tracks ‘Curtains (Broad Mix)’ and ‘Father, Son (Daniel Lanois and Richard Chappell Mix)’ both only previously available on the non-commercial Music Industry Trust Awards CD ‘Uscita’.

How Couples In Music Make Their Relationships Work [VIDEO]

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Music and romance go hand in hand, but making love last in the music industry can be a struggle. The history of the entertainment business is littered with failed relationships, but more and more professionals are finding a way to make love last.

On this episode of Music Biz, host James Shotwell calls on singer/songwriter Ellie Holcomb to share how she and husband Drew Holcomb maintain a strong relationship and raise a family while both remaining very active in the industry. Ellie shares advice she was given by other professionals, as well as things she has learned through her own experiences with Drew.

Richard Linklater’s “Woodshock ’85” a short doc on a punk festival in Austin, Texas

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This short documentary chronicles the chaos of the Austin, Texas music festival, “Woodshock ’85”, featuring a young Daniel Johnston promoting his “Hi, How Are You?” cassette.

Calgary’s TETRIX Release Album #17 and It Sounds Like ‘Hank Williams on Acid’

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Psych-country.

That’s it, that’s the pitch when it comes to Canada’s indie alt. outfit TETRIX and their new single, “Every House Has A Light On” — available now.

After 16 albums for the Calgary-based duo, Connor Gottfried and Neil Pockett have managed to further experiment with experimental, delivering a fresh, original sound that fuses the essence of old-time country with modern psychedelic music. And campus radio stations are responding, with their latest album debuting this very week in the Canadian Electronic Chart at #10!

“Think ‘Hank Williams on acid’ or ‘melted accordion Kraftwerk,’” Gottfried details of their release by the same name, Every House Has A Light On. “For this album, we wanted to connect vintage country chord progressions and accordion with analog drum machines and avant-garde editing.

“Each song was recorded as an extended 20 to 30-minute improv session which was then chopped and edited using Ableton Live into the final arrangement heard on the album.”

The results are as intriguing as they sound, and lands as a sonic gold star for the pair of skateboarding outsiders of sorts growing up in small-town Manitoba during the 90s. “We were surrounded by old-time country music but drawn to the punk, grunge, and electronic sounds of the outside world,” Gottfried continues. “In the early 2000’s, and after moving to Calgary, we formed TETRIX with a focus on genre-mashing improvised jazz, psychedelic, electronica, pop, noise, and punk, all run through a cutting-edge, computerized editing process.”

The concept was an easy one for Gottfried; as the main editor for TETRIX, he is also an award-winning technologist, and named one of Calgary’s Top 40 Under 40.

Between 2001 – 2018, the band released 16 albums of authentic, avant-garde experimental improv music, along with a 12” compilation LP on Belgium’s MeWe Le Disque. The band toured Europe in 2007 and their live show featured a custom LED, laser and smoke show that audience members took in through a pair of glasses specially filtered for viewing fireworks, to trippy result.

TETRIX has been featured in a number of International magazines — including Voxer, Future Music and Trax in Europe — along with an appearance of their track “Jesus Put the Purple Haze in My Veins” in a Belgium feature-length film.

Experimental by nature, Gottfried and Pockett began playing around with various analog instruments like pedal steel and sitar. It was a fateful 2015-era purchase, however, that revealed the sound you hear today: a vintage Italian accordion.

“We’ve been using a fully-improvised process throughout our time as a band and find it produces fresh interesting patterns and novel changes,” Gottfried reflects. “For this album, we primarily used that vintage Italian accordion and an Arturia Drumbrute, along with various hardware synthesizers and effects processors — including a vocoder to introduce de-pitching noise effects on the vocal tracks.

“Our aim was to try and bring the beauty of the classic country chord progressions and the rich tonality of the accordion into the context of 21st century electronic music.

“Both Neil and I were born and raised in the prairies and this album fuses that influence back into the progressive sounds we’ve been working with for the last 20 years. I’m also a visual/abstract artist and for the cover Neil and I hand-crafted sleeves from canvas, paper and acrylic using a formula I’ve developed for my large format paintings. Each cover is completely unique and this is our way of representing the elements of chance and texture that have shaped our sound.”

Every House Has A Light On is available now.

Photo Gallery: Of Monsters And Men with Lower Dens at Toronto’s Budweiser Stage

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

Of Monsters And Men
Of Monsters And Men
Of Monsters And Men
Of Monsters And Men
Of Monsters And Men
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JUNO Award Winner Jazz Vocalist Diana Panton Set To Release “A Cheerful Little Earful”

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One of the brightest jewels in the crown of Canada’s contribution to vocal jazz, two-time JUNO Award winner Diana Panton again brings her distinctive brand of sweet, sincere, swinging elegance straight to the hearts of young and old alike with her second album for children and families, A Cheerful Little Earful, to be released on October 18, 2019.

Conceived as a spirited encore to Diana Panton’s JUNO-winning debut children’s album, I Believe in Little Things, A Cheerful Little Earful is a thoughtfully curated treasure of sparkling gems from the Great American Songbook seasoned with universally recognized hits from Disney, Sesame Street, and more.

In perfect harmony with the authentic jazz sound and style of Diana Panton’s unforgettable voice is the splendid artistry of the album’s instrumental team who possess stellar international credentials of their own. Order of Canada recipient Don Thompson has established a secure place for himself in the galaxy of jazz greats for both his formidable instrumental accomplishments and his stylish and sensitive musical arrangements. Complementing all this talent is the superb playing of National Jazz Award-winning guitarist Reg Schwager.

Both Thompson and Schwager were members of the George Shearing Quartet, and their high-quality solos shimmer with beauty and veracity throughout A Cheerful Little Earful. The album provides a vibrant connection for kids and adults to the sound, the style, and the spirit of the world of jazz.

A Cheerful Little Earful sets the stage with the Rodgers & Hammerstein classic, “Happy Talk,” where the accompaniment creatively “chatters” along in perfect agreement with the light, bright sound of Diana’s cheerful vocals. The jazz waltz joie de vivre of “It’s a Most Unusual Day” provides a scintillating pulse for Diana’s effervescent voice, which itself gives flight to the joy and optimism of the song’s lyrics, while Schwager and Thompson blend the sounds of piano, guitar, vibraphone, and bass in a haunting reflection of that most sophisticated gentleman, George Shearing.

The Shearing sound takes another bow with a tune straight from the heart of the American Songbook, “Pocketful of Miracles,” while Diana’s a capella treatment of the opening verse of “Look to the Rainbow” brings out the pure fantasy of this song from the musical Finian’s Rainbow. Bilingual Diana sings in both English and French on “All in the Golden Afternoon” from Disney’s Alice in Wonderland, her French interpretation falling gracefully within the aurally delicious parameters of the French pop chanson style.

Since the release of her first album in 2005, Diana Panton’s career has never ceased to accumulate momentum, drawing international acclaim for her ten albums as well as the impressive variety and quality of her catalogue of songs. The numerous honours garnered include JUNO Awards for I Believe in Little Things in 2017 and RED in 2015, two Silver Disc Awards in Japan, six JUNO nominations, nine Hamilton Music Awards, and a host of National Jazz Awards and Canadian and American Independent Music Award nominations. I Believe in Little Things topped the jazz charts on Amazon and iTunes in Canada and the US, rising to #1 on Amazon’s “Movers and Shakers” chart and debuting at #8 on Billboard. It was also a Top 10 Jazz Bestseller at HMV Japan and #1 Jazz Album of the Year on Books.com in Taiwan. The album received a four-star review in DownBeat magazine and was one of their Best Albums of the Year for 2016. Diana’s 2017 release, solstice/equinox, was a JUNO Vocal Jazz Album nominee, a DownBeat magazine Editor’s Pick, and was named one of the Top Albums of the Year by Ici Musique.