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Martin Announces David Gilmour Custom Signature Guitars

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C. F. Martin & Co. will introduce two David Gilmour Custom Signature Edition D-35 guitars during NAMM Believe in Music Week, January 18-24, 2021.

Following the Christie’s Auction in 2019, where David Gilmour’s 1969 D-35 sold for 1.2 million dollars, Martin’s partners at Westside Distribution approached Gilmour about designing a new David Gilmour Custom Signature Martin guitar. Gilmour agreed to collaborate with Martin on a six string and a twelve string D-35.

“I was so excited when Westside, our U.K. distributor, contacted us about the opportunity to build a signature model for David,” said Fred Greene, Vice President of Product Development at Martin Guitar. “He is one of my all-time favorite guitar players, and having the chance to collaborate with him on an instrument was truly a bucket list moment for me. The collaboration is also a perfect fit for Martin Guitar, a company that shares David’s hope for a more sustainable world that we can leave in good conscience for generations to come.”

In the early ’70s, even with multiple albums under his belt, the lead guitarist and co-vocalist for Pink Floyd was only at the precipice of superstardom when he happened upon a musician selling a used Martin D-35 outside of Manny’s Music shop in New York City. Gilmour purchased the guitar on the spot, and it would go on to become his primary studio acoustic for both Pink Floyd and his solo recordings for more than four decades.

“Looking back on the design process,” Greene said, “My first thought was that David might want a replica of his 1969 D-35, and, while that would be cool, it would not leave a lot of room for creativity. I was so excited to hear that he was more interested in creating something unique and special to this moment in time. I knew we could provide him with options and features that would allow this new instrument to exist on its own merits, while still drawing upon his original D-35 for inspiration. Much like David’s music, this guitar is a unique and inspirational piece of art that hopefully will inspire others to create their own art.”

Starting with this idea of a “new” D-35, the Martin Custom Shop set about creating three prototypes that would later be presented to David for feedback. Typically made with rosewood, this is the first time Martin has built a three-piece back “35” with sinker mahogany, and the result is absolutely stunning. The back, sides, neck, and neck block are all made of solid sinker.

The 6 string and 12 string models are both finished in vintage gloss, a historic process normally available only on the Martin Authentic Series models. It delivers a soft sheen patina somewhere between full gloss and satin. David chose Adirondack spruce for the top of the 6 string model, as found on an early ’40s vintage D-18 that he also owns. Adirondack is a little stiffer than its more commonly used Sitka spruce cousin and offers more complex overtones. The top is torrefied using the Martin Vintage Tone System (VTS), a process that “ages” the wood, adding vintage sound characteristics without waiting years for it to happen naturally. The top braces on the 6 string are 1/4-inch Adirondack spruce, for added support and resonance, and they are scalloped and forward-shifted. The top of the 12 string is Carpathian spruce, grown in the mountains of Romania and often prized for its “best of both worlds” properties. It has the stiffness found in Adirondack, while maintaining the lower density and lightness often seen in the traditional European spruce varieties (German, Swiss, and Italian).

The fingerboard inlay on both guitars is a special pattern created for this signature edition. It’s a standard 35 layout, but the dot size has been scaled down slightly and inlaid in abalone. The neck shape for the 6 string is unique and was created specifically for David. It began as a modified low oval but is now more rounded and slightly fuller below the 5th fret, creating a neck that is very comfortable and easy to play. The 6 string also features a carbon fiber bridge plate, as found on the recent Modern Deluxe Series, offering enhanced volume and clarity.

Both models have head stamps, as found on early Martin guitars, however, this is the first time in its history that Martin has created special head stamps for an artist signature edition.

The 6 string is unusually strung with 12-gauge strings (lights)—specifically Martin Authentic Acoustic Lifespan 2.0 (MA540T). Martin Dreadnoughts usually come equipped with 13-gauge strings (mediums), however, David uses MA540T strings for all of his Martin guitars, so we felt that his fans should receive the guitar setup in the very same way that David chooses to play his.

Both guitars come in a slate blue case, a nod back to the blue case that David’s original D-35 would have left the factory in all those years ago. Finally, and as if all this isn’t already special enough, every guitar bears a custom internal paper label, each one individually signed by David himself. An incredible collector’s instrument, for a truly special musician.

Martin will produce a total of 250 guitars, split between the 6 string and 12 string models. They will be available for purchase at select Martin retailers. Please visit www.martinguitar.com/gilmour for more information.

Both models will be priced at $5,499.

Through this partnership, Martin Guitar is proud to support the David Gilmour Charitable Foundation.

Slot Games worth playing

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Slot games are very exciting – there is the sound, the sight, the anticipation, and it’s all rolled into one amazing game that you can enjoy in the comfort of your own home if you play new fluffy games online, or on the move if you have mobile apps.

The only problem with online slots – and it’s not a negative by any means – is the vast number of different games available to you. Seasoned slot players will probably have discovered their favourites, but they might wonder if they are missing out when new games are brought to the market. And new players might not even be able to make a start at all because they are entirely overwhelmed by the number of games on offer.Ā 

For both types of people help is at hand; read on to find out more about some of the slots that you must play at least once. This will give you a great place to start.Ā 

Age Of The Gods

Age of the Gods is a game by Playtech and it is all about Greek mythology which is a subject matter many people find interesting; combine that with amazing graphics and sounds and the fun element of the game and you’ve definitely got a winner.Ā 

In fact, if you love Age of the Gods you’re in luck. This was just the first in a series of games and there are now 10 in the series. You can try your hand at all of them and pick a favourite, or simply love them all.Ā 

Deal Or No Deal

There was a time when the TV show Deal Or No Deal was everything. It was everywhere. Its popularity may have waned somewhat since then – The Chase and Pointless have certainly taken its daytime quiz show crown – but the slot game built around it still carries on, and is as popular as ever.Ā 

Rather than just taking the look and sound of the show and incorporating it into a slot machine, the Deal Or No Deal game actually has elements of the real show’s gameplay in it too. For example, you can choose whether to take a deal (or no deal) during a spin when offered something interesting (ie you’ll win a certainly amount of money). Take the deal and take the money, don’t take it and let fate decide where the reels will land. There is also a nice progressive jackpot to think about too.Ā 

Thunderstruck

Thunderstruck is an immensely popular game by Microgaming. Again, it deals with a gods and goddesses theme, this time Norse rather than Greek. And it’s Thor who is at the helm of this exhilarating game. In fact, Thor turns up as the wild, so you’ll be hoping to spot him now and then!Ā 

This game has always been popular (so much so that a Thunderstruck II has been created), but the huge swathe of movies starring Thor as a main character has meant that a new selection of players have been looking for something just like this.

Video: Keanu Reeves, Alex Winter, and Randy Quaid Rehearse for Freaked

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12 milkmen is theoretically possible….13 is just silly.

Video: Spongebob Squarepants voice actor Tom Kenny as a VJ for NBC’s Friday Night Videos in 1991

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…including short footage of legendary NYC disc jockey Frankie Crocker at the two-minute mark.

Time Decorated: The Musical Influences of Jean-Michel Basquiat

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The first segment of the series on jazz and bebop, produced by Quincy Jones Productions and directed by Moses Berkson, features L.A. jazz musician Terrace Martin as well as input from Quincy Jones himself. Martin delves into how the genre, birthed in New York City much like Basquiat, played a role in his artistic vision. The series includes works by bebop artists such as Charlie Parker, Dizzy Gillespie, Thelonious Monk, and Max Roach. Music for this segment includes ā€œOrnithologyā€ by Parker, ā€œHot Houseā€ by Parker and Gillespie, ā€œOl Man Rebopā€ by Gillespie, and music from Martin’s Dinner Party.

The 34th Annual Tibet House US Benefit Concert Virtual Edition Featuring Eddie Vedder, Phoebe Bridgers, Brittany Howard and More

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One of the longest-running and most renowned live cultural events in New York City, The 34th Annual Tibet House US Benefit Concert will return this year for a special virtual edition combining live and pre-recorded segments streaming via Mandolin, the premiere concert livestream platform for artists, venues, and fans on February 17, 2021. Tickets are available here.

For the first time ever, this year’s concert offers viewers around the world the unique opportunity to experience the warmth, sense of community, and amazing music the evening has provided for so many years at Carnegie Hall. Joining esteemed composer and artistic director Philip Glass, who once again curated this year’s line-up, will be Eddie Vedder, Phoebe Bridgers, Brittany Howard, Valerie June, AngĆ©lique Kidjo, Laurie Anderson, Tenzin Choegyal, Rubin Kodheli and many, many more to be announced soon. We are also deeply honored to announce that the concert will begin with a personal video message from His Holiness the 14th Dalai Lama.

There are few events that stand the test of time, and for more than three decades this annual event has been a standout. For over 33 years, this consistently sold-out concert has assembled some of the most legendary and exciting names in music and art, dazzling concertgoers with its unique mix of surprises and mesmerizing performances.

All proceeds support the work of Tibet House US, a non-profit educational institution and cultural embassy founded in 1987 at the request of His Holiness the Dalai Lama to ensure the survival of the unique Tibetan civilization.

Throughout its rich history, the one-of-a-kind Tibet House US Benefit Concert has had hundreds of world-class artists participate including Alabama Shakes, Patti Smith, Carly Simon, David Bowie, Stephen Colbert, Lou Reed, Sharon Jones, FKA twigs, The Roots, Jim James, The Flaming Lips, Vampire Weekend, St. Paul and the Broken Bones, Blood Orange, Sigur Ros, R.E.M, Emmylou Harris, Jon Batiste, Nathaniel Rateliff, Jason Isbell and many, many more. The event has garnered praise from many, including New York Times, Rolling Stone, Hollywood Reporter, Wall Street Journal, Entertainment Weekly, Associated Press, Billboard, Vogue and more.

Banned When First Released in the ’40s, Toronto’s TREVOR OWEN Offers His Take on ā€œHorizontalā€

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The veteran Toronto-based musician Trevor Owen has just released his latest single, ā€œHorizontalā€ — available now.

Though the groovy two minute-spanning number was released as Owen’s latest single, it’s actually a cover of the 1940s tune by the famed American lyricist Hal David. ā€œHorizontalā€ was the first success David actually enjoyed in his lengthy career, though it was soon banned in Boston for being too risquĆ©… ā€œWhere lying down was apparently considered controversial,ā€ according to Owen. The song was co-written by David and Lou Ricca.

Along with ā€œHorizontal,ā€ Owen’s accompanying debut album And the Moon Rising features three other covers and six original tracks. It was released last January and produced by Marcus Vichert. Owen began recording the album in 2018 with engineer Braden Sauder at Marquee Sound in Toronto, and the record was mastered by Stephen Stepanic at JoĆ£o Carvalho Mastering.

As a young schoolboy, Owen made the decision to drop out of school back in the 1960s in order to pursue a career in music. He started playing in Yorkville clubs and pubs before landing gigs all across Canada. He played cover sets, his own original music, with bands and many other acts, until finally recording and releasing And the Moon Rising in 2020. His long-lasting career ended up paying for a post-secondary education, which resulted in him becoming a teacher in Toronto.

Watch Grateful Dead Perform on ā€˜Playboy After Dark’ After Being Secretly Dosed With LSD in 1969

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While hanbging out in Los Angeles, as the Grateful Dead did from time to time during January 1969, the group performed two of their songs, ā€œMountains of the Moonā€ and ā€œSt. Stephenā€, on the set of Playboy After Dark after secretly dosed with LSD. I’m sure they didn’t mind, but…

Hugh Hefner: I wonder if we could get you to do a number for us?
Jerry: Absolutely not.

Weezer’s New Album ‘Ok Human’ To Be Released January 29, 2021

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Los Angeles, CA’s Weezer will release their fourteenth studio album, entitled OK Human, on Friday, January 29th on Crush Music/Atlantic. The album’s first single, ā€œAll My Favorite Songs,ā€ can be heard below.

For anyone keeping score at home: 2020 was going to be the year of Van Weezer — the big riffs rock album Weezer made as an homage to the metal bands they loved growing up — until, thanks to the global pandemic, it suddenly wasn’t. The entire time, however, Weezer frontman Rivers Cuomo was busy at the piano, writing a very different album that took inspiration from another vital musical touchstone of his youth: The Beach Boys’ Pet Sounds. Throughout the summer of Covid-19, he and the band — along with a 38 piece orchestra — chipped away at masked recording sessions using all analogue technology until the record was complete. The result is an album called OK Human — a cheeky nod to Radiohead’s technophobic future-trip OK Computer, but sounding nothing at all like that record.

Taking the listener bit by bit through parts of Cuomo’s every day, it’s a Technicolor symphonic spree that meditates on how over-and-under-connected we all are, particularly in a year where we can see each other with greater ease, but can’t be physically near each other at all. In addition to it being the first time Weezer have ever featured full orchestration on any of their records, OK Human is also packed to the brim with some of the best, most personal songs Cuomo has written in the last decade, all of which shine brighter and bolder with splashes of string and horn arrangements courtesy of album producer Jake Sinclair and arranger Rob Mathes. While showcasing Cuomo’s impeccable songwriting skills, OK Human also has shades of beloved albums of yore — not just Pet Sounds, but Harry Nilsson’s Nilsson Schmilsson; Randy Newman’s self-titled debut; the stacked harmonies of The Carpenters’ records; even tints of Francoise Hardy’s Message Personnel. It is possibly the only record ever created that waxes poetic on themes of loneliness, disconnection, and reaching middle age alongside references to Mrs. Dalloway, Blackpink, the La Brea Tar Pits, Audible, and vegetarian Indian takeout, among others.

It’s hard to imagine any other band who came up in the alt haze of the 90s creating a simply perfect orchestral pop album, but that is exactly what Weezer’s done; OK Human is a testament to the excellent, enduring melodies Cuomo has written since Weezer’s inception, and the ones he continues to write today.

Weezer will be touring this summer as part of the rescheduled Hella Mega tour alongside Green Day and Fall Out Boy; all tour dates are below.

OK Human track listing:
1. All My Favorite Songs
2. Aloo Gobi
3. Grapes of Wrath
4. Numbers
5. Playing My Piano
6. Mirror Image
7. Screens
8. Bird With A Broken Wing
9. Dead Roses
10. Everything Happens For A Reason
11. Here Comes The Rain
12. La Brea Tar Pits

Weezer tour dates:
7/14/21 Seattle, WA @ T-Mobile Park
7/17/21 Los Angeles, CA @ Dodger Stadium
7/18/21 San Diego, CA @ Petco Park
7/20/21 San Francisco, CA @ Oracle Park
7/24/21 Arlington, TX @ Globe Life Park
7/27/21 Atlanta, GA @ SunTrust Park
7/29/21 Houston, TX @ Minute Maid Park
7/31/21 Jacksonville, FL @ TIAA Bank Field
8/1/21 Miami, FL @ Hard Rock Stadium
8/4/21 New York, NY @ Citi Field
8/5/21 Boston, MA @ Fenway Park
8/8/21 Washington, DC @ Nationals Park
8/10/21 Detroit, MI @ Fox Theatre
8/13/21 Hershey, PA @ Hersheypark Stadium
8/15/21 Chicago, IL @ Wrigley Field
8/17/21 Toronto, ON @ Rogers Centre
8/19/21 Pittsburgh, PA @ PNC Park
8/20/21 Philadelphia, PA @ Citizens Bank Park
8/23/21 Minneapolis, MN @ Target Field
8/25/21 Commerce City, CO @ Dick’s Sporting Goods Park

Documentary Follows Political Journey of D.O.A.’s Joe Keithley, Connections Between Music and Activism

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Today, award-winning documentary filmmaker/director Scott Crawford (CREEM: America’s Only Rock’n’Roll Magazine) and producer Paul Rachman (American Hardcore) launched a Kickstarter campaign in support of their new project, Something Better Change. The film documents hardcore punk band D.O.A.’s frontman and lead guitarist Joey ā€œShitheadā€ Keithley’s unprecedented political rise in his native Burnaby, BC Canada and his 2022 re-election journey while also exploring how music and activism often interlink via raising awareness about important social issues, inspiring people to get involved, and fostering real, dynamic change. Directed by Crawford, the documentary will also feature former U.S. Congressman Beto O’Rourke, Henry Rollins, Keith Morris (Circle Jerks), Duff McKagan (Guns and Roses), Ian MacKaye (Fugazi), Krist Novoselic (Nirvana), Jello Biafra (Dead Kennedys), and many more. You can support the doc through the film’s Kickstarter HERE.

Throughout the 1980s, defining hardcore punk band D.O.A. helped solidify and pave the way for the explosion of politically active punk artists in modern culture alongside other legends such as Black Flag, Circle Jerks, Dead Kennedys, and Minor Threat. After decades of fighting against oppression, homelessness, and corporate greed via D.O.A.’s music and in his own personal life, in 2018 frontman Joey ā€œShitheadā€ Keithley, ran for city council in his native hometown of Burnaby, B.C. With only a $7000 campaign budget on a Green Party ticket, he won, while also helping to unseat the former five-term mayor Derek Corrigan who once famously said, ā€œI would never bend over to give a homeless person a dime because he might steal my watch.ā€

However, will Keithley’s message and DIY approach to campaigning resonate with voters in the upcoming Burnaby election of 2022? And how do the ethics and activism of music translate into political action? Win or lose, Something Better Change will document every step of Keithley’s campaigning for a second term as well as explore how music often serves as an introduction to social issues that inspire people to get involved and foster dynamic change.

As Keithley recently told Rolling Stone: ā€œWhen Scott Crawford approached me about making a documentary, it wasn’t long before I saw that we shared the same vision, we both wanted tell the same story – that punk rock activism can take on any bullshit thrown our way and create results that really make a difference in our communities. When I started playing in D.O.A., I realized pretty quickly that the band was a great way to get people to listen to ideas and help to make this world a better place. Much like the band’s motto states: TALK minus ACTION = 0. I’m really getting a chance to see those positive changes in real time now that I’m an elected official.ā€

While punk rock’s upper echelon may no longer be as culturally seditious as they once were, the genre’s effect on a new generation of activists and aspiring politicians has never been clearer. ā€œNot only have I been a longtime fan of D.O.A.,ā€ director Scott Crawford states, ā€œbut Joe Keithley’s ā€˜David versus Goliath’ story of affecting change from within the political ecosystem is one that I think will resonate with audiences — especially given our current political climate. This is a film that will explore how music and activism continue to interlink, with music often serving as an introduction to social issues that inspire people to get involved and foster dynamic change.ā€

About the Filmmaker: Scott Crawford has been a documentary filmmaker for the last 10 years. His debut film was Salad Days: A Decade of Punk in Washington, DC and his second effort was the immensely popular CREEM: America’s Only Rock’n’Roll Magazine. Both films received critical acclaim and won multiple film festival awards across the globe.