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Upgraded High Definition DVD Releases Coming From The Beatles, Elvis Presley, The Supremes, And The Temptations

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From 1948 to 1971, TV’s longest-running prime time variety program, CBS’ “The Ed Sullivan Show,” beamed the world’s biggest stars into the homes of nearly every American household live every Sunday evening. For musicians of all stripes, performing on the show was the pinnacle of television opportunities, with singular star-making potential. Among the artists vaulted to new heights of stardom via history-making appearances were The Beatles, Elvis Presley, The Temptations, and The Supremes, all of whom returned to “The Ed Sullivan Show” several times after electrifying debut performances on the program.

On May 25, SOFA Entertainment/UMe will release three DVD collections honoring Elvis Presley’s legacy on “The Ed Sullivan Show” and beyond its stage: The 3 Complete Ed Sullivan Shows Starring Elvis Presley (2DVD), which includes all three entire episodes featuring Elvis; JUST ELVIS: All His Ed Sullivan Show Performances (1DVD), featuring just his iconic performances, including his infamous 1957 performance filmed from the waist up; and Elvis: The Great Performances (2DVD), which collects three previously released documentaries featuring appearances on “The Ed Sullivan Show” and dozens of other great Elvis TV and film performances into one DVD collection: Center StageThe Man And The Music, and From The Waist Up.

In addition, three popular, previously released DVD collections: The Complete Ed Sullivan Shows Starring The BeatlesThe Best Of The Supremes On The Ed Sullivan Show, and The Best Of The Temptations On The Ed Sullivan Show have been digitally upgraded from standard definition to high definition video for release on May 25.

The Three Complete Ed Sullivan Shows Starring Elvis Presley presents the three entire “Ed Sullivan Show” episodes with Elvis’s historic performances, from September and October 1956 and January 1957. All 13 of Elvis’ electrifying performances for the program (including medleys) are featured in the 2DVD collection, as well as each show’s additional guests, including comedians Carol Burnett and Señor Wences, actor Charles Laughton, and boxer Sugar Ray Robinson. Special bonus material includes a home movie of a very early Elvis Presley performance in Houston, Texas; Elvis and Ed Sullivan remembered; and home movies of Elvis, his wife Priscilla, and their daughter Lisa Marie.

September 9, 1956
1.  Don’t Be Cruel
2.  Love Me Tender
3.  Ready Teddy
4.  Hound Dog

October 28, 1956
5.  Don’t Be Cruel
6.  Love Me Tender
7.  Love Me
8.  Hound Dog

January 6, 1957
9.  Medley: Hound Dog / Love Me Tender / Heartbreak Hotel
10. Don’t Be Cruel
11. Too Much
12. When My Blue Moon Turns To Gold Again
13. Peace In The Valley

JUST ELVIS: All His Ed Sullivan Show Performances features all 15 songs from Elvis Presley’s three appearances on the show between September 1956 and January 1957, without the show’s other guests. So explosive and radical were these performances, Elvis’ final “Ed Sullivan Show” appearance had to be filmed from the waist up due to the fears and timidity of CBS’s censors.

Elvis: The Great Performances collects three feature documentary films on two DVDs, exploring the rise, music, personality and presence of the man crowned The King of Rock ‘n’ Roll. Center Stage captures Elvis’ undeniable physical appeal and unrivaled artistic brilliance as it explores the time between his first TV appearance in 1956 to one of his very last concerts. The Man and The Music offers glimpses into Elvis’ private life and the difficult realities of his unprecedented fame. Featured are rare home movies of Elvis’ friends and family as well as his first recording, a song called “My Happiness” that he recorded at Sun Studios as a gift for his mother. From the Waist Up, narrated by U2’s Bono, follows Elvis’ remarkable trajectory to stardom, from unknown singer to icon in just 12 months. Featured are many of Elvis’ TV performances culminating with his legendary appearance on “The Ed Sullivan Show.” Other featured performances include “Blue Suede Shoes,” “Don’t Be Cruel,” “All Shook Up,” and “Return To Sender.” The collection’s bonus features include interviews with Elvis Presley band members Scotty Moore & D.J. FontanaSun Records founder Sam Phillips, and Elvis contemporaries Jerry Lee Lewis and Carl Perkins.

Newly upgraded from standard definition (720×480, 4×3) to high definition video (1920×1080, 16×9) and digitally enhanced for image clarity and stabilization, three popular “Ed Sullivan Show” collections for The Beatles, The Supremes and The Temptations will also be released:

The 4 Complete Ed Sullivan Shows Starring The Beatles collects the four entire episodes of “The Ed Sullivan Show” with history-making performances by The Beatles on two DVDs. On February 9, 1964, The Beatles stepped onto Ed Sullivan’s stage to make their U.S. TV debut. 73 million Americans tuned in and “Beatlemania” exploded. In these unforgettable live shows from 1964 and 1965, The Beatles performed 20 songs, including the Number One hits “She Loves You,” “I Want To Hold Your Hand,” “Ticket To Ride,” “Yesterday,” “Help!,” “I Saw Her Standing There,” and “All My Loving.”

The Best Of The Supremes On The Ed Sullivan Show presents 22 of the Motown legends’ greatest performances on the program on one DVD. Included is The Supremes’ first appearance on “The Ed Sullivan Show” in December 1964, which featured a performance of their Number One hit “Come See About Me.” Other timeless performances are showcased, including “You Can’t Hurry Love,” “Love Child” and “The Happening.” This collection also includes “Up The Ladder To The Roof” from the only appearance on the show by the “New Supremes” after Diana Ross went on to a solo career.

The Best Of The Temptations On The Ed Sullivan Show spotlights The Temptations’ best performances on the program on one DVD. Included is the group’s debut appearance from May 1967, in which they performed a medley of hits, including “My Girl” and “(I Know) I’m Losing You.” The collections’ other featured performances include the group’s Number One hit “I Can’t Get Next To You,” a playful version of “You’ve Made Me So Very Happy,” the Top Ten hit “Psychedelic Shack,” and the 1969 hit single “Runaway Child, Running Wild” with Dennis Edwards replacing David Ruffin. The Temptations’ final 1971 performance on “The Ed Sullivan Show” is also included, broadcast just a few months before the show went off the air, for which they performed “Get Ready” and their Number One hit “Just My Imagination (Running Away With Me).”

Garbage Pail Kids Pay Tribute To Rock And Roll Hall Of Fame Inductees

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Getting into the Rock and Roll Hall of Fame is a huge honour for those musicians – The Cars, Bon Jovi, Moody Blues, Dire Straits and Nina Simone will be remembered forever, and are now also the subjects of a new series of Garbage Pail Kids stickers. You can only get them for 4 more days, starting now here.

Here It Is. The Worst Song In The World.

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OK, it may not actually be the worst song ever recorded, but French food retailer Monoprix takes a pretty good stab at it. It’s all based on their latest campaign, and you have to wait until the end to find out why the woman in the video is continuing to listen to the song, rather than tear her headphones off by the first chorus.

https://youtu.be/2xM-hdp56VQ

The Math Behind An OK GO Music Video

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Damian Kulash, lead singer of OK Go, discusses the immense amount of math behind their video,”The One Moment”.

Black Sabbath Announce ‘Supersonic Years – The Seventies Singles’ Limited Edition Vinyl Box Set Released June 8

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Despite a run of legendary hit singles in the 1970s, Black Sabbath and the seven-inch single format didn’t always sit well together. After the release of their debut single ‘Evil Woman’ in 1970, followed by their ultimate explosive chart success with ‘Paranoid’, the band were not comfortable with the confines of the mainstream pop format and the audience it brought them, leading to their now legendary self-imposed ban on releasing singles in the early 70s.

“We didn’t intend to make a single in the first place,” said Tony Iommi to the Disc and Music Echo in 1971. “But after we’d completed the album, the ‘Paranoid’ track was sufficiently short to be a ‘trailer’ for the LP. We really didn’t expect it to do anything at all. We don’t go into the studio to make singles. We make LPs only. But if there is anything suitable as a result of the recordings, it would be considered, of course.”

Black Sabbath’s music was vast, expansive and heavy; not the kind of vision that can be easily shackled to the three-minute pop format. Record Mirror ran a story in November of 1970 stating that “Sabbath have decided to place a ‘ban’ on singles in the future. Their hit, ‘Paranoid’, as far as they are concerned is their first and last single. They will also oppose any attempt to draw singles material from future albums.”

Black Sabbath’s ‘ban’ on singles in their own country lasted for more than two years, and good to their word, no singles were issued from 1971’s ‘Master Of Reality’, but in 1972, as a harbinger from fourth LP, ‘Vol 4’, ‘Tomorrow’s Dream’ was issued as a 45 and from then on a steady run of singles followed that showed that, despite Sabbath’s initial dislike, many of their songs did lend themselves well to the format.

‘Supersonic Years – The Seventies Singles Box Set’ released June 8th, documents the band’s run of hit singles as never before and features an array of unique content.

• This limited-edition box set includes five rare single edits: Iron Man / Sabbath Bloody Sabbath / Am I Going Insane (Radio) / Hard Road / Symptom Of The Universe.

• 10 unique colour picture sleeves from around the world, either ultra-rare or exclusive to this box set.

• Remastered by renowned engineer Andy Pearce.

• New liner notes booklet detailing the rarities contained within the box set, along with the story behind the birth and evolution of the most culturally important genre of all time.

• The exclusive ‘Henry Devil’ spider-dinc seven-inch adapter that can also be used as a keyring!

The box set features the following singles:

Disc 1: Evil Woman (Don’t Play Your Games With Me)/Wicked World – 1970
Disc 2: Paranoid/The Wizard – 1970
Disc 3: Iron Man (Single Edit)/Electric Funeral – 1970
Disc 4: Tomorrow’s Dream/Laguna Sunrise – 1972
Disc 5: Sabbath Bloody Sabbath (Edited Version)/Changes – 1973
Disc 6: Am I Going Insane (Radio) (Single Edit)/Hole In The Sky – 1975
Disc 7: Gypsy/She’s Gone – 1976
Disc 8: It’s Alright/Rock ‘N’ Roll Doctor – 1976
Disc 9: Never Say Die/She’s Gone – 1978
Disc 10: Hard Rock (Single Edit)/Symptom Of The Universe (German Single Edit) – 1978

Martin Scorsese to direct Netflix original comedy special exploring the legacy of Canadian classic SCTV

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Netflix today announced that Academy Award-winning director, producer and screenwriter Martin Scorsese will direct an untitled Netflix original comedy special exploring the enduring legacy of Emmy-winning sketch comedy show SCTV.

Scorsese will reunite comedy legends and former SCTV co-stars Joe Flaherty, Eugene Levy, Andrea Martin, Catherine O’Hara, Martin Short and Dave Thomas in front of a live audience for An Afternoon with SCTV, moderated by Jimmy Kimmel. To be held at Toronto’s historic Elgin Theatre on Sunday, May 13 at 3 p.m., the filming will be part of the Netflix special, produced by longtime SCTV Producer Andrew Alexander of Second City, Emma Tillinger Koskoff of Sikelia Productions and Lindsay Cox of Insight Productions.

Canadian classic SCTV aired for six seasons between 1976 and 1984, quickly becoming one of pop culture’s touchstone comedies. The series’ stars include some of the most beloved and celebrated names in laughter, including the late John Candy and Harold Ramis.

Molly Parker talks Maureen on new Lost In Space

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By: W. Andrew Powell, The GATE

Actor Molly Parker may be best known for playing Jackie Sharp on House of Cards, but in her latest role, she’s taken to the stars for the Netflix Original series, Lost In Space, and even she was surprised by the tough character, and how the writers turned her into a bit of an action hero by the end of the first season.

For the new Lost In Space, Parker plays Maureen, an engineer trying to work with her estranged husband, while reconnecting with her three children on a mission to reach a distant new human settlement. Based on the original series from the 1960s, the family-friendly show is fun and thrilling, with a fantastic cast and story.

“The writers, at the beginning of the production, kept joking with me that they were going to turn me into an action hero,” Parker said. “I was like, ‘Yeah, right.’ That’s not my forte, but as it went along, it turned out they were serious. She’s tough, and that’s pretty fun. That’s fun to play.”

“I hadn’t seen the original when Netflix first approached me about doing the show,” Parker said. “I guess I had a kind of idea of it, that there was a robot and super-cheesy sets, so I wasn’t altogether convinced that it was altogether a good idea. But then I read the script and the script was so nuanced and you’re right into the action right away, and I felt very comforted that Netflix was making it because I knew that they would support it in the way that it would need to be supported.”

Parker was also thrilled that the series was family-friendly, and how well it works for parents and kids.

“I think there’s a real lack of shows out there that you can watch with your kids and you’re both really engaged and want to watch it. I think this fits right into that space, but it’s fun and it’s exciting, but it’s also sophisticated enough to keep adults engaged.”

Watch the series and find out more on Netflix.com.

Watch the full interview with star Molly Parker:

Lost In Space
Lost In Space

National Music Centre Announces Steven Page Is 2018’s RBC Master in Residence

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RBC Master in Residence workshops at Calgary’s National Music Centre provide opportunities for emerging artists to gain unprecedented access to masters in various genres and aspects of music. Through mentorship, lectures, and hands-on workshops, Canadian artists benefit from the unique experiences and skills of these masters. NMC will recruit these masters, and work closely to develop specific programs that unpack their distinct skills to maximize benefit for participating emerging artists.

The NMC has just announced their Master in Residence for 2018 is ex-Barenaked Ladies singer Steven Page. Great choice. His songs are etched in the canon of Canadian music. As one of the principal songwriters and lead singers for Barenaked Ladies, Page co-fronted one of the most unique success stories in Canadian music, leaving a legacy of international hits, and a rabid, global fanbase. Page continues to contribute to Canada’s musical story through his successful independent career.

As NMC’s Master in Residence for 2018, Page will provide insight into his process and offer new perspectives to aspiring songwriters. Go here to apply.

Music Business Hall of Fame To Honour Tower Records’ Russ Solomon As First Inductee

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As part of its 60th Anniversary conference, the Music Business Association (Music Biz) has announced that the Music Business Hall of Fame — which was previewed at last year’s conference and will celebrate the achievements of industry executives, companies, media, venues, institutions, and others who have significantly contributed to the growth and continued success of the music business — will have as its first inductee the late Tower Records Founder Russ Solomon, who passed away on March 4. The Hall of Fame will have its official launch as part of the Music Biz 2018 Awards Luncheon on Thursday, May 17 at the Omni Nashville Hotel. Acclaimed actor and director Colin Hanks, who directed the 2015 Tower Records documentary All Things Must Pass, will pay tribute to Solomon. Music Business Hall of Fame inductees will be selected annually by the Music Biz Board of Directors, which consists of top executives from a wide cross-section of the industry, including major and independent labels and distributors, digital music services, wholesalers, and independent record stores.

“As we celebrate our 60th Anniversary, the timing was perfect to introduce the Music Business Hall of Fame, which will give us the opportunity to highlight those who have had a tremendous and lasting impact on the business, while providing an example to the next generation who will carry it forward,” said James Donio, President of Music Biz. “I had spoken with Russ to tell him he would be the first inductee, and he was humbled and excited to have been selected and planned to be in Nashville for the ceremony. While we were shocked and saddened to learn of his sudden passing, we feel this will be such a fitting tribute to a man who revolutionized music retail with Tower Records. We can think of no one better than Russ to be the first, and for all future Hall of Fame inductees to follow.”

“Russ was indeed one of a kind, and I’m incredibly grateful that I was not only able to help tell his story with All Things Must Pass, I also learned a great deal from him. But far more importantly I got to know Russ and am lucky to have been able to call him a friend,” said Colin Hanks. “Much like the members of the Tower Records family, I will miss Russ dearly but take comfort in seeing his legacy live on and am honored to induct him into the Music Business Hall of Fame.”

Additionally, Hanks will attend a screening of All Things Must Pass at the 2018 Nashville Film Festival that will be held at 7 p.m. CT on Thursday, May 17 at the Regal Hollywood 27.

Russ Solomon started his career selling records at his father’s Sacramento drug store, opening the first Tower Records location in 1960 in the Tower Theater building. The business thrived, and in 1968, he opened his first satellite store in San Francisco, which became the largest in the U.S. His third location, in Los Angeles, brought him an increasingly high profile as the flagship store grabbed the attention of the entertainment industry. After expanding across the U.S., Tower Records became the first foreign retailer to crack the Japanese market. Their store in Tokyo’s Shibuya district was the world’s largest music store, with 52,000 square feet of sales floor.

Tower Records revolutionized the way people experienced, listened to, and bought music. It was the first music retailer to offer a comprehensive selection of music in a wide variety of genres — all in one location — with stores open until midnight, listening stations to sample new music, and employees who knew and loved the product. At Tower’s peak, Solomon was running a billion-dollar business with locations across the U.S. and in 20 countries on four continents. In contrast to many large chains, each branch did its own ordering based on local tastes, a business model that served the company well. After decades of phenomenal success, with changes in the music industry the company fell on hard times, eventually forced to liquidate and close its doors in 2006.

Colin Hanks directed the acclaimed Tower Records documentary All Things Must Pass, which premiered at the 2015 SXSW Film Festival and opened in theaters to rave reviews in the fall of 2015. He has since directed the HBO documentary Eagles of Death Metal: Nos Amis (Our Friends) — which premiered in February 2017 and received nominations for Best Documentary and Best Music Documentary at the 2017 Critics’ Choice Documentary Awards — and the animated short film The Amazing Adventures of Wally and the Worm, which debuted to positive reviews at the 2017 Tribeca Film Festival.

Think Of Scalping Tickets To The Arctic Monkeys’ Tour? They’re Going To Stop You

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Since we can’t leave it up to the government to solve the problem of ticket scalping (go see secondary sites and take a look at the sheer amount of seats available, for waaaay more than the ‘allowed’ markup deemed acceptable by the people in power), kudos to The Arctic Monkeys for taking the problem into their own hands for a solution. It might not solve ALL the problems, but at least they’re trying. And it gives the fans an even further bond with their relationship with the band.

From their website:

Tickets go on sale for our Live dates in September 2018 at 9am on Friday 13th April.

We will be undertaking the below measures to prevent tickets being resold on secondary ticket sites.

  • These tickets will be NAMED. This means the surname of the Lead Booker(PURCHASER) will be printed on ALL tickets. The name WILL NOT be changed once the booking has been made.
  • If more than 1 ticket has been purchased, each guest in the party MUST arrive with the Lead Booker(PURCHASER) at the venue on the night of the show. Failure to do so will result in the guests being turned away.
  • All Ticket Purchasers need to bring a VALID PHOTO ID which matches the Lead Booker(PURCHASER) surname on the tickets. IF YOU DO NOT HAVE THIS YOU WILL BE REFUSED ENTRY.
  • These tickets will IMMEDIATELY BECOME INVALID if resold OR OFFERED FOR SALEunless the sale is through our OFFICIAL FACE-VALUE resale partner, TWICKETS.
  • This ticket is sold by the Promoters directly to the Consumer(PURCHASER). Any tickets purchased by business or traders in breach of the Terms & Conditions of Ticket Sale will be CANCELLED.
  • Ticket sales are limited to a maximum of 4 tickets per person.

For the avoidance of doubt the ONLY official ticket sellers for these shows are:

SEETICKETS

GIGSANDTOURS

TICKETMASTER.CO.UK

TICKETMASTER.IE

LONDON THE O2 – ONLINE & PHONE ONLY – 0844 847 8000

BIRMINGHAM ARENA – ONLINE & PHONE ONLY – 0844 338 0338

MANCHESTER ARENA– ONLINE & PHONE ONLY – 0844 847 8000

SHEFFIELD FLYDSA ARENA – ONLINE & PHONE ONLY – 0114 2 565 656

NEWCASTLE METRO RADIO ARENA– ONLINE & PHONE ONLY – 0844 493 6666

DUBLIN 3ARENA – ONLINE & PHONE ONLY

DO NOT PURCHASE TICKETS FROM ANY OTHER OUTLETS – THESE TICKETS WILL BE CANCELLED.

Age Restrictions for these shows are as follows:

Standing: 16+ (ALL DATES)

Seated: U14 accompanied by an adult (Manchester, Birmingham, Sheffield, Newcastle)

U15 accompanied by an adult (London)

U16 accompanied by an adult (Dublin)