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Watch Sesame Street Characters Debut The Classic Song ‘MANAMANA’ In 1969

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MANAMANA or Mah Nà Mah Nà was written by Piero Umiliani, an Italian composer of film scores. It originally appeared in the Italian film Sweden: Heaven and Hell (Svezia, inferno e paradiso). It was a minor radio hit in the U.S. and in Britain, but became better known internationally for its use by The Muppets in 1969. Sesame Street producer Joan Ganz Cooney heard the track on the radio and decided both it and a shaggy puppeteer named Jim Henson would be perfect additions to the show. First performed by Jim Henson, Frank Oz and Loretta Long on the fourteenth episode in November, 1969, the song entered the public consciousness of the latter half of Baby Boomer children. The following Sunday when Henson and His Muppets performed the song on the Ed Sullivan Show it became an instant classic.

Here’s the first appearance of the song from the street we all wished we grew up on.

https://youtu.be/gsjcb7w1Y-w

That Time Jodie Foster Had A Pop Music Record At The Age Of 15

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Jodie Foster began her professional career as a child model when she was three years old in 1965, and two years later she moved to acting in television series, when she debuted the sitcom Mayberry R.F.D. In the late 1960s and early 1970s, she worked in several primetime television series and starred in children’s films. Foster’s breakthrough came in Martin Scorsese’s Taxi Driver in 1976, in which she played a teenage prostitute; the role garnered her a nomination for an Academy Award.

In 1977 did what many actors and actresses have done – start a pop singing career. She released a couple of singles and made some appearances on French TV as a singer. She appeared on the soundtrack for a movie called Moi, fleur bleue (in America the title was Stop Calling Me Baby!) singing a song called “When I Looked at Your Face.” She released that track as a single and also put out another single called “Je t’attends depuis la nuit des temps.”

https://youtu.be/TPI-9ioWcxU

Neil deGrasse Tyson Not A Fan Of Pink Floyd Over ‘The Dark Side of the Moon’

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To say a lot of people bought – and continue to buy – Pink Floyd’s The Dark Side of the Moon is an understatement. Despite it only topping the Billboard Top LPs & Tapes chart for a week, it remained in the chart for 741 weeks from 1973 to 1988. With an estimated 45 million copies sold, it is Pink Floyd’s most successful album and one of the best-selling worldwide. It has been remastered and re-released several times, and covered in its entirety by several acts. One person who isn’t a fan, likely, is the world’s most famous astrophysicist Neil deGrasse Tyson, and he’s often approached to debunk or prove some of the most popular theories. The one he gets asked about the most is entirely Pink Floyd’s fault.

As Neil deGrasse Tyson explains below. “That Pink Floyd had an album with that title meant I spent decades having to undo [that fact] as an educator. That’s because “there is no dark side of the moon.” “There’s a far side and there’s a near. But all sides of the moon receive sunlight across the month.”

Photo Gallery: Our Lady Peace with Matthew Good and Ascot Royals at Hamilton’s FirstOntario Concert Hall

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

Our Lady Peace
Our Lady Peace
Our Lady Peace
Our Lady Peace
Our Lady Peace
Our Lady Peace
Our Lady Peace
Our Lady Peace
Our Lady Peace
Our Lady Peace
Matthew Good
Matthew Good
Matthew Good
Matthew Good
Matthew Good
Matthew Good
Matthew Good
Matthew Good
Matthew Good
Matthew Good
Matthew Good
Ascot Royals
Ascot Royals
Ascot Royals
Ascot Royals
Ascot Royals
Ascot Royals

Get It Now: “Good Booty: Love and Sex, Black and White, Body and Soul in American Music” By Ann Powers

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In this sweeping history of popular music in the United States, NPR’s acclaimed music critic examines how popular music shapes fundamental American ideas and beliefs, allowing us to communicate difficult emotions and truths about our most fraught social issues, most notably sex and race.

In Good Booty, Ann Powers explores how popular music became America’s primary erotic art form. Powers takes us from nineteenth-century New Orleans through dance-crazed Jazz Age New York to the teen scream years of mid-twentieth century rock-and-roll to the cutting-edge adventures of today’s web-based pop stars. Drawing on her deep knowledge and insights on gender and sexuality, Powers recounts stories of forbidden lovers, wild shimmy-shakers, orgasmic gospel singers, countercultural perverts, soft-rock sensitivos, punk Puritans, and the cyborg known as Britney Spears to illuminate how eroticism—not merely sex, but love, bodily freedom, and liberating joy—became entwined within the rhythms and melodies of American song. This cohesion, she reveals, touches the heart of America’s anxieties and hopes about race, feminism, marriage, youth, and freedom.

In a survey that spans more than a century of music, Powers both heralds little known artists such as Florence Mills, a contemporary of Josephine Baker, and gospel queen Dorothy Love Coates, and sheds new light on artists we think we know well, from the Beatles and Jim Morrison to Madonna and Beyoncé. In telling the history of how American popular music and sexuality intersect—a magnum opus over two decades in the making—Powers offers new insights into our nation psyche and our soul.

Ann Powers shared a playlist of songs mentioned in her book Good Booty with WAMU’s 1A.

Get it here.

How To Peel A Banana In 1940

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How to Peel a Banana, as published in the Newton Record of Newton, Mississippi, on February 8, 1940.

JUNO Fan Fare Presented by CBC Music takes over Metropolis at Metrotown

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Thousands of fans will rush to Metropolis at Metrotown (4700 Kingsway #604, Burnaby) on Saturday, March 24 for the opportunity to meet their favourite Canadian artists  at this year’s JUNO Fan Fare Presented by CBC Music. The afternoon will be hosted by CBC Music’s Odario Williams, Amanda Parris and CBC Vancouver’s Anita Bathe and offers fans a chance to get up close and personal with this year’s JUNO nominees (and others) as well as enjoy exciting live performances by Jess Moskaluke, High Valley, Ria Mae, Scott Helman, Tim Hicks and DAVE (Dave Ritter of The Strumbellas) will DJ the event. Fans can participate in giveaways and photo opportunities while meeting their favourite artists.

Appearing at JUNO Fan Fare for Selfie Sessions are Aaron Pritchett, Arkells, Chad Brownlee, Dallas Smith, Dan Davidson, Daniel Caesar, High Valley, James Barker Band, Jess Moskaluke, Marianas Trench, Lights, Ria Mae, Ruth B., Scott Helman, Shawn Hook, Theory, Tim Hicks and Virginia to Vegas.

JUNO Fan Fare Presented by CBC Music runs from 12 p.m. to 3 p.m. on Saturday, March 24. Fans can customize their experience from a selection of six artist photo sessions each featuring multiple artists. (Photo session one from 12 p.m. to 1 p.m., photo session two from 1 p.m. to 2 p.m. and photo session three from 2 p.m. to 3 p.m.)

Tickets are FREE and available starting Saturday, March 10 at 10 a.m. PT/1 p.m. ET at junofanfare.ca. Tickets are available on a first come, first served basis.

For more information on the 2018 JUNO Awards, please visit junoawards.ca.

Artist Submissions Now Open For Mundial Montreal

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Mundial Montréal, North America’s World Music Summit, invites artists to submit an application to be considered for a 25-minute showcase spot at their 8th annual conference on November 13 – 16, 2018. Their showcase program is extremely limited (approximately 30 spots) which do not compete with other activities/showcases in our program. The festival’s mission is to present the best world music artists from Canada, as well as international artists, to industry professionals and the Montreal public. Showcasing artists are selected from a blend of applications and invitations to create the right mix of emerging market-ready talent that reflects the needs of their talent buyer pool.

If you haven’t been to Mundial yet, check out their retrospective videos to get a sense of what the buzz is all about.

Going into its 8th edition, Mundial has exploded on the North American scene as THE place to be if you are working with global music in any capacity.

You can go here to submit.