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Toronto’s Field Trip Announces 2018 Lineup: Metric and Yeah Yeah Yeahs To Headline

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Toronto’s Field Trip Announces 2018 Lineup: Metric and Yeah Yeah Yeahs To Headline

Field Trip, Toronto’s essential downtown music and arts festival, returns for its sixth year Saturday and Sunday June 2 and 3. The unofficial kick off to the city’s summer festival season represents a half-decade tradition of world-class music and arts programs inside the beautiful, Historic Fort York & Garrison Common.

Driven by a love of community and discovery, Field Trip 2018 again welcomes an incredible array of musical performances, family / all-ages programming, comedy and more. All the music, food, drink and activities integrate with collaborative explorations on themes of visual art, technology, fashion and beyond.

Field Trip’s one-of-a-kind immersive, intergenerational play space – the beloved Day Camp – will stage its biggest program yet with full programming to be announced in the coming weeks. As with every Field Trip, children 12 years old and under are admitted for free with an accompanying adult ticket purchaser. In addition to Day Camp, the historic Fort York will be brought to life with collaborative visual art installations from emerging Toronto creatives.

“Field Trip promises something for all of us. We challenge ourselves to improve the diversity and creativity of our offerings every year, but our deep connections to the City of Toronto and its creative communities remain unchanged,” said Field Trip Producer Aaron Miller.

“Fort York is an amazingly intimate site – the ability to stage an event like this in the heart of one of North America’s best and biggest cities makes Field Trip a weekend event unlike any other.”

All Field Trip 2018 tickets go on sale Friday, March 9 @ 10AM ET at FIELDTRIPLIFE.COM.

Stay tuned for more announcements on Field Trips family, comedy and food programs in the weeks to come.

WEEKEND PASSES
* GA WEEKEND (2 DAY) PASSES ARE $125.
* VIP WEEKEND (2 DAY) passes are $200.

SINGLE DAY PASSES
* GA SINGLE DAY PASSES ARE $80.
* VIP SINGLE DAY PASSES ARE $130.

* All tickets subject to facility and vendor service charges.
* Children 12 years and under are admitted FREE with an adult ticket holder. Maximum of two children per adult.
* Tickets also available at Toronto independent music retailers Rotate This and Soundscapes. VIP tickets not available via indie retailers.

FIELD TRIP 2018 LINEUP
METRIC
YEAH YEAH YEAHS
BAHAMAS
ALVVAYS
ALLAN RAYMAN
JAPANDROIDS
TROMBONE SHORTY & ORLEANS AVENUE
NONAME
DEER TICK
JACOB BANKS
THE BARR BROTHERS
MIDDLE KIDS
CHARLOTTE CARDIN
CUCO
ALLIE X
HAERTS
REUBEN AND THE DARK
PIERRE KWENDERS
DIZZY
GABRIELLE SHONK
PARTNER
LIZA ANNE
ELLEVATOR
CHRIS LAROCCA
MADDEE

Jon Snow’s Recent Big Fat Quiz of the Year Appearance Is The Future Of Music

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Jon Snow’s Recent Big Fat Quiz of the Year Appearance Is The Future Of Music

Every year, Jon Snow describes a popular song for the Big Fat Quiz of the Year and it shouldn’t be compared to the original, and in some cases, it’s even better. No one will be inviting him to Coachella – although they should – so here’s the past videos from Jon Snow Dance Party:

Drake – Hotline Bling
Taylor Swift – Look What You Made Me Do
The Weather Girls – It’s Raining Men
The B-52s – Love Shack
Justin Timberlake – Can’t Stop the Feeling
Meghan Trainor – All About That Bass

U2 Announce The Release Of Three New Vinyl Reissues

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U2 Announce The Release Of Three New Vinyl Reissues

A day before the 21st anniversary of the release of Pop, U2 announced the release of three new vinyl reissues from the group – Pop (1997), Wide Awake In America (1985) and All That You Can’t Leave Behind (2000).

Remastered and pressed on 180gsm vinyl, each reissue includes a download card and faithful reproduction of original artwork and will be released on April 13.

All That You Can’t Leave Behind, the band’s tenth studio album, garnered multiple Grammy awards following its release in October 2000 and shot to #1 in 32 countries. Produced by Daniel Lanois and Brian Eno, and recorded in Dublin (HQ, Windmill Lane, Westland and Totally Wired) and the South of France, it includes the singles Beautiful Day, Stuck In A Moment You Can’t Get Out Of, Elevation and Walk On. The artwork comprises a 16-page booklet featuring lyrics and photography by Anton Corbijn.

Pop, U2’s ninth studio album, which reached #1 in the UK, US, Ireland and 26 other countries around the world following its release in 1997. Produced by Flood, with Howie B and Steve Osborne, the album was recorded in Dublin (Hanover Quay, Windmill Lane, The Works) and Miami (South Beach Studios). It features the singles: Discothèque, Staring At The Sun, Last Night On Earth, Please, If God Will Send His Angels and Mofo.

Wide Awake In America is a four-track half live/half studio EP from 1985. Originally released only in North America and Japan, it was subsequently re-released internationally in the late 1980s. Side A features live performances of A Sort Of Homecoming and Bad from UK shows on The Unforgettable Fire tour in late 1984. Side B features two B-sides from the 12” single of The Unforgettable Fire – The Three Sunrises and Love Comes Tumbling.

IKEA Are Working With Teenagers To Get Your Party Started

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IKEA Are Working With Teenagers To Get Your Party Started

What is needed in order to throw a great party at home? That is what IKEA wants to explore together with Teenage Engineering, a collective of creatives known for making music, designing electronic instruments like synthesizers and speakers.

Music is today a natural part of our everyday life. You hear it on the subway, in stores and out on the streets – music is everywhere. When we asked people what sound they associate with their homes, most mentioned things like the sound of voices or children playing, and for many it is music. 65% of all Millennials said that they play music to get a “homely feeling” meaning that music is important in the home. And we also know that it is great music that gets the party going.

Insights of how important music is in young people’s life will be the starting point in the upcoming collection FREKVENS, where IKEA will explore how to engineer new solutions for having fun, together with Jesper Kouthoofd from Teenage Engineering.

“We know that for younger people spontaneity is key. The idea of gathering some friends could become a reality in minutes. What is then needed at home? Or maybe you want to bring along the party somewhere else? Together with Teenage Engineering we want to explore the possibilities of bringing the party with you and what else you need for a great party.” says Michael Nikolic, Creative leader at IKEA Range & Supply.

The collection FREKVENS will consist of products such as an electronic choir, vinyl player, party lighting and everything else you need in order to throw a really good music party wherever you are.

“When you are younger you usually come up with the idea of a party the same day and I think a lot of people uses IKEA that way. ‘I’m going to have a party, I need some glasses, napkins, candles and stuff and will go to IKEA to get it.’ For us, it is about finding a reason to make and play some music. Thinking about the totality of what you need for a party is a good start.” says Jesper Kouthoofd, head of design and CEO at Teenage Engineering.

The collection will be in stores globally by February 2019.

The Most Important Two Paragraphs You’ll Ever Read On The “Rock Star” Persona And #MeToo Movement

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The Most Important Two Paragraphs You’ll Ever Read On The “Rock Star” Persona And #MeToo Movement

The cases of bands like Hedley and Brand New show that men can’t use their lifestyles as an excuse anymore in the #MeToo era.

We can’t begin to have encouraging, productive conversations about how to handle instances of sexual assault and abuse or the prevention of it until music listeners and behind the scenes industry execs stop believing in, and always bringing up, this idea of the rock star, specifically when we talk about the men who assume that persona. That lacks a substantial effort of accountability. Following through on consent and respecting boundaries doesn’t make a rock star any less of a rock star. Sex has always been fundamental in music and that can still exist if we get rid of the need to define our men by how fucking awful and badass we need them to be to be desired.

It feels as though casual rock fans still have this loop playing in their head that “badness” has merit or currency and that barrier prevents us from fully pushing through. We have been urgently trying to re-script this. Without moving forward and away from this foolish, antiquated notion, we’re still sacrificing the safety of fans; still saying it’s fine to put women in positions that may harm them. And that’s not something anyone should be indifferent to.

Via

Evanescence And Lindsey Stirling Announce North American Co-Headline Amphitheater Tour

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Evanescence And Lindsey Stirling Announce North American Co-Headline Amphitheater Tour

Transcendent, two-time GRAMMY Award-winning rock band Evanescence and acclaimed Billboard Award-winning electronic violinist Lindsey Stirling today announce their co-headlining 2018 summer amphitheater tour across North America. The tour, produced by Live Nation, will kick off July 6 in Kansas City, MO at the Starlight Theatre and will make stops in 31 North American cities. The trek will wrap September 8 in Ridgefield, WA at the Sunlight Supply Amphitheater.

Artists’ pre-sales will begin tomorrow (Wednesday, March 7) at 10am local time. Tickets for the tour will go on sale to the general public beginning Friday, March 9 at 10am local time at LiveNation.com. Evanescence will offer a limited number of VIP packages for purchase that include premium seating, attending sound check and a champagne toast with Evanescence.

Both artist’s shows will be accompanied by a full orchestra, highlighting both acts musicality and their incredible performance abilities that continue to blow fans away. The orchestrated performances will also perfectly accent the astounding amphitheater venues across the U.S. and Canada that the two will be performing in, making for a magical summer evening.

The two artists recently collaborated on the song, “Hi-Lo” from the latest Evanescence album, Synthesis, which features a virtuosic violin solo by Lindsey Stirling.

EVANESCENCE AND LINDSEY STIRLING 2018 TOUR DATES:

DATE CITY VENUE
Friday, July 06, 2018 Kansas City, MO Starlight Theatre
Saturday, July 07, 2018 St. Louis, MO Hollywood Casino Amphitheatre
Monday, July 09, 2018 Detroit, MI DTE Energy Music Theatre
Tuesday, July 10, 2018 Chicago, IL*+ Ravinia Festival*
Thursday, July 12, 2018 Noblesville, IN Ruoff Home Mortgage Music Center
Saturday, July 14, 2018 Cincinnati, OH Riverbend Music Center
Tuesday, July 17, 2018 Camden, NJ BB&T Pavilion
Wednesday, July 18, 2018 Mansfield, MA Xfinity Center
Friday, July 20, 2018 Charlotte, NC PNC Music Pavilion
Saturday, July 21, 2018 Raleigh, NC Coastal Credit Union Music Park at Walnut Creek
Tuesday, July 24, 2018 Bristow, VA Jiffy Lube Live
Wednesday, July 25, 2018 Uncasville, CT Mohegan Sun Arena
Friday, July 27, 2018 Toronto, ON Budweiser Stage
Saturday, July 28, 2018 Saratoga Springs, NY Saratoga Performing Arts Center
Friday, August 10, 2018 Holmdel, NJ PNC Bank Arts Center
Saturday, August 11, 2018 Wantagh, NY Northwell Health at Jones Beach Theater
Tuesday, August 14, 2018 Simpsonville, SC Heritage Park Amphitheatre
Wednesday, August 15, 2018 Atlanta, GA* TBD*
Friday, August 17, 2018 Tampa, FL MIDFLORIDA Credit Union Amphitheatre
Saturday, August 18, 2018 West Palm Beach, FL Coral Sky Amphitheatre
Monday, August 20, 2018 Jacksonville, FL Daily’s Place
Wednesday, August 22, 2018 New Orleans, LA Bold Sphere Music at Champions Square
Friday, August 24, 2018 Dallas, TX Starplex Pavilion
Saturday, August 25, 2018 The Woodlands, TX Cynthia Woods Mitchell Pavilion
Tuesday, August 28, 2018 Albuquerque, NM Isleta Amphitheater
Wednesday, August 29, 2018 Phoenix, AZ Ak-Chin Pavilion
Friday, August 31, 2018 Chula Vista, CA Mattress Firm Amphitheatre
Saturday, September 01, 2018 Irvine, CA FivePoint Amphitheatre
Wednesday, September 05, 2018 Mountain View, CA Shoreline Amphitheatre
Friday, September 07, 2018 Auburn, WA White River Amphitheatre
Saturday, September 08, 2018 Ridgefield, WA Sunlight Supply Amphitheater

Photo Gallery: Foreigner at Kitchener’s Centre In The Square

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Photo Gallery: Foreigner at Kitchener’s Centre In The Square

All photos taken by Mini’s Memories. You can contact her at minismemories@hotmail.com

Foreigner
Foreigner
Foreigner
Foreigner
Foreigner
Foreigner
Foreigner
Foreigner
Foreigner
Foreigner
Foreigner
Foreigner

Before He Was Called Cookie Monster, The “Wheel-Stealer” Made An IBM Training Video In 1967

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Before He Was Called Cookie Monster, The “Wheel-Stealer” Made An IBM Training Video In 1967

In 1967, Sesame Street puppet creator Jim Henson used the “Wheel-Stealer” puppet for an IBM training film called Coffee Break Machine. In the sketch, called “The Computer Dinner”, the monster (with frightening eyes and fangs) devours a complex coffee making machine as it describes its different parts. When he is finished, the machine announces the monster has activated the machine’s anti-vandalism system, which contains the most powerful explosives known to man.

Two years later, Henson used a similarly-designed and equally ravenous monster for three commercials selling Munchos, a Frito-Lay potato chip. This time, the puppet was called Arnold, the Munching Monster. After the three ads were produced, Henson had the opportunity to renew the contract. He chose not to, because at that point he was working on Sesame Street — and that monster puppet was moving on to the next stage in his career. According to Frank Oz, in a later routine the then unnamed monster won a quiz show and for winning was “given the choice of $10,000 cash, a new car, a trip to Hawaii, or a cookie.” He took the cookie and from then on he was Cookie Monster.

By the way, the Cookie Monster’s real name is Sid. Really.

Watch The Beach Boys and Annette Funicello Perform “The Monkey’s Uncle” In 1965

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Watch The Beach Boys and Annette Funicello Perform “The Monkey’s Uncle” In 1965

The Monkey’s Uncle is a 1965 Walt Disney production starring Tommy Kirk as genius college student Merlin Jones and Annette Funicello, a former Mouseketeer from The Mickey Mouse Club, as his girlfriend, Jennifer. The title song, written by the Sherman Brothers, is performed by Funicello, with The Beach Boys doing backup.

Friends of Wonder: Courtney Barnett & Kurt Vile’s 35-Minute Doc Is Here

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Friends of Wonder: Courtney Barnett & Kurt Vile’s 35-Minute Doc Is Here

Got about a half hour to spare today? Then check out this documentary film by Kurt Vincent & Irene Chin about Courtney Barnett, Kurt Vile, and the community of the Loew’s Jersey Theater.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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