Fresh off a whirlwind global rollout, Fred again.. is back with “the floor (fred remix)” and “the floor (skin on skin remix)”, featuring Skin On Skin and BEAM. These new remixes mark the third release from Fred’s new USB002 chapter, following “OGdub” with Danny Brown, BEAM & PARISI and “you’re a star” with Amyl and the Sniffers.
And he’s not stopping there. Fred’s ten songs, ten shows, ten cities, ten weeks mission continues tonight at Madrid’s IFEMA, joined by Skin On Skin, DREA and Toccororo. Last week’s stop in Brussels saw Fred team up with KOMA, LAURAVIOLI, DC Noises and SHOPLIFTER, all performing inside a mind-bending installation by Boris Acket that’s following the tour city to city.
Fred even popped by GIMIC Radio, the local Brussels station founded by KOMA, for a surprise set with the full USB002 lineup.
The journey began back in 2022 with the first USB series, loaded with fan favorites like “Baby Again,” “Rumble” with Skrillex & Flowdan, “Jungle,” “leavemealone” with Baby Keem and “stayinit” with Lil Yachty, plus remixes from Nia Archives, HAAi and Rico Nasty. That first era culminated in 2024 with USB001 on vinyl.
Now, Fred again.. is proving once more that no artist is pushing the boundaries of collaboration, connection, and sound quite like he is.
At a time when AI is taking over the music industry, Hannah Schneider takes a different path on her new album ‘In This Room’ which is scheduled for release in Spring 2026. In a desire for human presence in the recording process, Hannah invited musicians she admired into her residency at the historical Thorvaldsens Museum in Copenhagen to create music.
’If these walls could talk, what would they say?’ was the inspiration behind the process. There, in the Thorvaldsens Museum, the composition and recording phase was turned on its head to investigate what happens when acoustic orchestral instruments are the very starting point. The new music is based on string effects, organic sounds, breathing and overtones, and is a distinctive mix of electronic beats, catchy melodies and modern compositions.
Produced with longtime collaborator Christian Balvig (When Saints Go Machine, and arranger for BBC Proms) and featuring Efterklang frontman Caspar Clausen, and drummer and vocalist Øyunn, amongst others, Hannah Schneider’s new record see’s her in a new lane to her previous critically acclaimed solo albums, but with the same brilliance that has established her as as one of the strongest voices in Denmark throughout her career. Her music has been used extensively in film, television and on some of the largest theater stages in Scandinavia and in 2023 and 2024 she won the Danish composers prize ‘Carl Prisen’ together with the contemporary jazz duo Kaleiido, for her work on the albums “Elements” and “Places”.
As a composer, Hannah has made a strong mark in recent years, where she has created commissioned pieces for several of the essential museums and cultural institutions across Denmark. From 2016-2021, Hannah was one half of the electronic duo AyOwA, which combine noise pop with vapor wave and melodies with improvisation in an atmospheric and playful mix with a dreamy approach. The duo has received international attention with their remarkable sound and songs, and has received airplay from BBC Radio 1 and BBC 6 Music and press acclaim from The Huffington Post, Wonderland Magazine and Clash to name a few. Hannah is also part of the performance duo Philip | Schneider, who create seductive spatial compositions and installations that engage the body, ears and mind. Starting from the voice, they explore the boundaries between the worlds of music and art.
All of these recent developments and experiences have fed wonderfully into ’In This Room’, the first taster of which is Hannah’s vibrant new single ‘Lighthouse’,which she’s now ready to unveil. Bursting with anticipation, ’Lighthouse’ describes the dizzying state of waking up in the middle of a troubling dream. With swirling strings and electronic beats, the track captures the listener in a chilling embrace.
A rising face of Texas Country, multi-platinum certified and critically acclaimed singer, songwriter, multi-instrumentalist, and producer Dylan Gossett proudly presents his anxiously awaited debut album, Westward, out now via Big Loud Texas / Mercury Records. Listen to Westward here.
This 17-track body of work invites audiences to ride shotgun with Gossett on a personal journey soundtracked by his eloquent songcraft, his signature blend of Americana and Red Dirt influences, and the kinds of heartfelt tunes born from the heart of Texas Country yet universal enough to resonate worldwide.
Among many standouts, “Hangin’ On” hitches to briskly strummed acoustic guitar propelled by an upbeat rhythm. It culminates on a chant, “‘Cause I’ll be gone in time, so I’ll just toe the line.” Watch a live performance of “Hangin’ On” from Austin’s Orb Studios HERE. Bright chords set the tone for “Snake Eyes.” Rolling the dice and taking a chance on love, he laments, “What do you know, it’s snake eyes.” It builds towards a raw and relatable refrain, “Don’t act like I’ve got nothing to lose, don’t act like you don’t damn well know the truth, ’cause it ain’t just me, it always takes two.” Then, there’s the knockout finale “Baptized By Rain.” Backed by strains of soft guitar, he paints a vivid picture as he embraces the moment, “I push it all away, while I’m getting baptized by rain.” Elsewhere, “Lord Will You Carry Me” sends a prayer upstairs and highlights his powerhouse voice at the same time. Gentle finger-picking underlines “Song About You” as he pulls everyone closer, “Sit on down, let me write a song about you.”
Ultimately, the album affirms Dylan as an essential voice in country, Americana, and folk. Dylan paved the way for the record with previously released singles “Like I Do,” “American Trail,” and “Sweet Lady.” The latter is already approaching 5 million Spotify streams with Country Central professing, “Dylan Gossett’s brand of alternative country is steadily taking shape, with a sound that’s every bit as spirited as his earthy, baritone voice.”
Written over the span of the past two years while touring the globe, the 17-track Westward album was written and entirely self-produced by Gossett. It features his signature heart-on-his-sleeve storytelling and explores themes of love, family, faith, and chasing one’s dreams.
“I think Westward means two things, generally. This album is very on-the-road written. You have all these bits and pieces from these stories that are really just about life on the road. The other side of it, and where the Westward title comes into play, was that these past few years have been so crazy and just incredible. I feel like we’ve been chasing our dream the whole way. People have always headed west for opportunities and chase their dreams by going out there. That’s where I tie it in a little bit, metaphorically. Everyone in the crew is chasing their dreams, in some way.”
If you’re an artist, or even just a passionate music fan, you know the story. It’s a tale as old as time, or at least as old as the record industry. A musician pours their heart and soul into creating something beautiful, something that connects with people on a deep level. And then… the industry steps in. A complex web of labels, publishers, streaming platforms, and middlemen, all taking a slice of the pie. By the time the money trickles down to the actual creator, it can feel like pennies on the dollar. It’s frustrating. It feels broken. And for decades, it’s just been… the way it is.
Crypto’s Role in Empowering Musicians
But what if it didn’t have to be? What if there was a way to bypass the gatekeepers and create a direct line between the artist and the fan? A way for creators to have real ownership and control over their work and their finances. It sounds like a pipe dream, but it’s starting to happen. And it’s all thanks to a technology that most of us still associate with confusing charts and internet hype: cryptocurrency.
Now, hold on. Before you click away thinking this is some tech-bro sermon, hear me out. This isn’t about getting rich quick on some meme coin. This is about a fundamental shift in power. At its core, the technology behind crypto—the blockchain—is just a secure, transparent way to record things. Transactions, ownership, agreements… you name it. And because it’s decentralized, it doesn’t need a big bank or a major label to verify everything. That simple fact is a potential game-changer for musicians.
Think about it. What if you could receive payments for your music directly from fans, anywhere in the world, without a bank taking a cut or a platform holding your money for weeks? That’s happening right now. Companies like UnitedMasters, a distribution platform for independent artists, have partnered with Coinbase to give their artists the choice to be paid in crypto. It gives artists more control and transparency over their earnings. It’s about financial empowerment, plain and simple.
And it’s not just small indie artists. The biggest names in the business are getting on board. The Weeknd partnered with the crypto exchange Binance for his ‘After Hours Til Dawn’ world tour, calling it the “first crypto-powered world tour.” The collaboration included an exclusive NFT collection for fans and a $2 million donation to his humanitarian fund, funded by Binance. This isn’t just a gimmick; it’s a major artist using this new technology to create unique fan experiences and support causes they care about, all outside the traditional sponsorship model.
This is where things get really interesting for the future of the artist-fan relationship. We’re talking about Non-Fungible Tokens, or NFTs. I know, the term has been thrown around a lot, but think of an NFT as a unique, digital certificate of ownership. For musicians, this opens up a whole new world. The rock band Kings of Leon released an entire album as an NFT. Electronic producer Deadmau5 has sold digital collectibles and accepted crypto for his merch for years. It’s a way to create true, verifiable scarcity for digital art in a way that was never possible before. It allows fans to own a piece of their favorite artist’s work, not just stream it. This creates a deeper connection and a new revenue stream that goes directly to the artist.
The Crypto Revolution: Empowering Artists in the New Digital Economy
This new digital economy, built on the rails of crypto, is popping up everywhere. It’s giving people more control over their finances in all sorts of unexpected areas. The same principles of speed, privacy, and lower fees that are empowering musicians are also transforming other industries. It’s moved beyond just art and music into entertainment and gaming, with some platforms, like certainasian bookies, now operating almost entirely within this new crypto-first world, showing just how far the tech has come. These platforms appeal to users for the exact same reasons this technology appeals to artists: they cut out the middleman and offer a more direct, efficient experience.
The point isn’t that musicians should get into sports betting. Of course not. The point is that the world is changing, and the financial tools we use are changing with it. For so long, artists have been at the mercy of a system that wasn’t built for them. It was built for the distributors. Crypto and blockchain offer a chance to flip that script. It’s a tool that enables crowdfunding for a new album, direct royalty payments, and unique digital merch that fans can truly own.
It’s still early days, for sure. It can feel a bit messy and confusing, like the early days of the internet. But the potential is undeniable. For any artist trying to build a career on their own terms, understanding this shift isn’t just a good idea—it’s essential. It’s about taking back control, one block on the chain at a time. The new tour bus might just be digital, and it’s being fueled by a whole new kind of currency.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
Love doesn’t always need to say its name. Some of the most heartfelt songs skip the word entirely but still hit you right in the feels. These tracks whisper, wink, and weep their affection without ever using the four-letter word. Here are 11 songs that prove you don’t have to say “love” to mean it.
“Always Be My Baby” – Mariah Carey Mariah’s 1996 classic wraps devotion in the sweetest melody ever written. She never says the word, but every vocal run feels like a promise that what you had will never fade away.
“Because the Night” – Patti Smith Group Written with Bruce Springsteen, this anthem burns with longing and physical connection. It’s passion in its purest, rawest form — no need to spell it out.
“Crazy for You” – Madonna Madonna trades her dancefloor edge for a slow, shimmering ballad. Every breathy whisper pulls you closer, proving desire can speak volumes without the word “love.”
“Everlong” – Foo Fighters Dave Grohl turned late-night vulnerability into one of rock’s most emotional declarations. “If everything could ever feel this real forever” might be the most romantic line ever written.
“I Will Always Be There for You” – Marlon Jackson A hidden gem from the Jackson family’s solo era, this ballad glides on pure sincerity. It’s devotion at its most understated — no grand gestures, just loyalty in melody form.
“Just the Way You Are” – Billy Joel Billy skips clichés and instead praises imperfection. It’s the soundtrack to steady, everyday affection — genuine, simple, and timeless.
“Need You Tonight” – INXS Michael Hutchence didn’t have to say “love” — his voice said everything. It’s lust, electricity, and emotional honesty packed into one irresistible groove.
“Something” – The Beatles George Harrison’s masterpiece captures adoration in the smallest gestures. “Something in the way she moves” is more poetic than any straight confession could be.
“Time After Time” – Cyndi Lauper If love had patience, it would sound like this. Cyndi’s gentle vocals promise comfort through chaos, no “I love you” required.
“Your Song” – Elton John It’s a song so personal it feels like a gift. The honesty in Bernie Taupin’s lyrics makes “love” unnecessary — you already feel it between every line.
“You’re the One That I Want” – John Travolta & Olivia Newton-John Grease’s grand finale bubbles with joy and attraction. It’s flirtation, harmony, and excitement rolled into three minutes of pure pop magic.
This year, luminary musician and Canadian Songwriter Hall of Fame inductee, Andy Kim returns to Toronto’s legendary Massey Hall on Wednesday,December 3 for another unforgettable evening celebrating the magic of the season with performances from iconic Canadian artists. The Andy Kim Christmas will bring some of the nation’s most applauded talent to Toronto with all event proceeds being donated to CAMH’s Gifts of Light.
Tickets to The Andy Kim Christmas go on sale Friday, October 17th at 10am local time here. The complete line up of musical guests taking the stage will be announced in the coming weeks.
Guests can look forward to a classic variety showcase with special holiday performances from the country’s top acts. Andy Kim’s previous guests include Colin James, Cowboy Junkies, Dan Hill, Feist, Georgia Harmer, High Flyer, Jacksoul, Jake Clemons, Jully Black, Kim Mitchell, Lights, Maestro, Men Without Hats, Metric, Michel Pagliaro, Molly Johnson, Nelly Furtado, Ron Sexsmith, Russell Peters, Sam Roberts, Sarah McLachlan, Scott Helman, Serena Ryder, Sloan, The Sadies, The Sheepdogs, Alex Lifeson, Arkells, Barenaked Ladies, Billy Talent, Bobby Bazini, Broken Social Scene, BUCK65, Buffy Sainte-Marie, Choir! Choir! Choir!, City and Colour, The Strumbellas, The Trews, Tom Cochrane, Tom Wilson, Tyler Shaw, William Prince among many others.
For decades, Kim has entertained and united people through his music. Kim started his music career at age 16 and has received top industry honours including two JUNO Awards, as well as membership in the Songwriters Hall of Fame, the Canadian Music Hall of Fame, Canada’s Walk of Fame, the Key to the City of Toronto, and has been appointed to the Order of Canada in 2024. To this day, Kim’s musical artistry is acclaimed by many who take joy in his numerous hit songs, including nine Billboard Top 40 hits such as the number one hit “Rock Me Gently” and the iconic ”Sugar, Sugar.”
With his boundless energy, heartwarming music, and magnetic stage presence, Dr. Marky continues to delight audiences of all ages. Marky’s journey has taken him around the world—from international stages to nature centers and health initiatives—blending these life experiences into a one-of-a-kind career as a beloved children’s entertainer and educator.
Infused with a passion for cultural exploration, Marky introduces young audiences to an eclectic mix of global instruments, interactive storytelling, and uplifting songs. His music and videos offer insights into health and wellness for all ages. Whether it’s a lively concert, an engaging workshop, or a festival parade, Marky’s performances are filled with singing, dancing, laughter, and unforgettable moments of connection.
Marky’s award-winning original songs—paired with timeless family favorites—create a vibrant musical experience that transcends generations. With top-notch musical arrangements and guest appearances from world-class artists, his shows resonate with kids, parents, and grandparents alike. Each performance carries positive messages that help families thrive in today’s dynamic world.
A staple at festivals and family events, Marky has become known for his joyful, inclusive approach to music and learning. Whether you’re clapping along in a concert hall or dancing in a park, Marky’s music will leave you smiling, singing, and feeling inspired.
• Canadian Folk Music Awards – Nominee, Best Children’s Album
• Parents’ Choice Award – Two-time Winner
• Folk Alliance International, NXNE & FMO – Official Juried Showcase Selections
What People Are Saying
“His warmth on stage emanates… he is as talented as they come.” – 24 Hours Newspaper, Toronto
“Marky had kids dancing and singing in the aisles… they just love his show.” – SNAP South Simcoe
“Beautiful songs with meaningful lyrics.” – JamBase, San Francisco
About ‘HERE FOR YOU’
The new children’s album, HERE FOR YOU, bridges generations with an eclectic sound, meaningful messages, and all-star musical guests. This vibrant, genre-blending journey is packed with heartwarming tunes, emotional wisdom, and collaborations from around the world.
From kindness and diversity to resilience, mindfulness, and environmental care, each song delivers messages that resonate with children and adults alike. Marky is joined by an incredible roster of guests including musicians from Jaffa Road (Middle East Fusion), Espanola (Americana Indie Rock), The Bliss iBand (Music Collective with Physical Disabilities), Kobèna Aquaa-Harrison (Ghana Highlife), Ken Whiteley (Folk Legend), The Soul Motivators (Homegrown Soul-Funk), Tommyphyll (Nigerian AfroBeat), Marito Marques (Portuguese Rhythmic Master), Yash (Dua Lipa collaborator), and The Lightning of Song (Grade 4 music class).
Together, they create a joyful soundscape blending folk, pop, global rhythms, and electronic textures. Whether you’re at a Folk Festival, a backyard dance party, or winding down for bedtime, HERE FOR YOU invites listeners of all ages to sing, move, and reflect.
Marky’s past releases have earned Parents’ Choice Awards, a Canadian Folk Music Award nomination, and praise from educators and families alike. This album offers something for every listener—whether you’re 1 or 101—and will leave you smiling, singing, and feeling inspired.
“It is filled with fun and heartwarming songs that will get you moving. The whole family will enjoy listening to this album’s music and positive messages.” – J. Farquhar, Editor-in-Chief (Chirp, Chickadee, OWL Magazines)
Visionary artist Kēvens has earned Grammy Awards consideration for his groundbreaking album ‘Call To Balance’ in the categories of Album of the Year and Global Album of the Year, recognizing his genre-defying blend of reggae, electronic, and world music that continues to inspire unity and transcend borders.
A bold, cinematic body of work, ‘Call To Balance’ weaves together powerful rhythms, immersive production, and deeply human storytelling. Across standout tracks including “Battle for Peace,” “Soñadores Legales,” “World Is Burning,” and “Sweet Lady Liberty,” Kēvens fuses the spiritual and the political into a sound that feels both timeless and urgently modern. His music, described as ReggaeEDM, is a testament to his lifelong mission: to bring people together through vibration, vision, and voice.
Born in Miami’s vibrant club scene and mentored by Cedella Marley Booker, mother of reggae legend Bob Marley, Kēvens’ career reflects a rare synthesis of heritage and innovation. From his early days performing with the Marley family’s Le Coup to sharing stages with icons like Steven Tyler, Carlos Santana, Tiësto, and Daft Punk, he has built a global following drawn to his message of positivity, spiritual awareness, and cultural connection.
“Music is my ministry,” says Kēvens. “I create to unite souls—to remind humanity that we share one rhythm, one heartbeat.” That ethos pulses through ‘Call To Balance’, which balances modern electronic textures with reggae’s organic roots, resulting in a transcendent listening experience that defies genre.
Praised by critics for its sonic craftsmanship and cultural relevance, ‘Call To Balance’ positions Kēvens as one of today’s most innovative and globally minded artists. The album’s seamless fusion of world rhythms, emotional storytelling, and masterful production exemplifies the kind of borderless artistry celebrated by the Recording Academy’s global categories.
As he continues his mission to bring light and balance through music, Kēvens’ nomination consideration marks not only a personal milestone but a recognition of a movement — one grounded in love, unity, and transformation.
“Positivity is a necessity,” Kēvens reminds us. “Music has the power to heal, to bridge divides, and to remind us of our shared humanity.”
Men Without Hats—one of Canada’s most enduring and beloved new wave bands—are back with their upcoming album ‘On the Moon,’ out November 14, 2025. Their latest single, “In Glorious Days,” out now, continues the group’s exciting new chapter, following the viral success of “I ❤️ The 80s,” which has earned over two million views and streams in just three months.
Written by frontman Ivan Doroschuk and Grammy and Juno Award-winning producer Brian Howes, “In Glorious Days” represents the band’s first experience with true creative collaboration. The track captures the spirit of classic Men Without Hats while embracing a modern synthwave aesthetic that bridges the past and future of their sound. “Working with Brian was effortless—the song came together naturally,” Ivan says. “It’s a hybrid of the classic MWH sound with a fresh sonic sensibility. I can’t wait to play it live—it’s going to be a new crowd favourite.”
‘On the Moon’ was recorded in two sessions—first at Howes’ studio in Comox Valley, Vancouver Island, where the pair collaborated on “I ❤️ The 80s” and “In Glorious Days,” and then in Victoria, BC, where Ivan and longtime producer, engineer, and guitarist Sho Murray captured the album’s more intimate moments. With additional vocals from Sahara Sloan and mastering by industry legends Mark Needham and Howie Weinberg, the record is both polished and deeply personal—a sonic journey through reflection, resilience, and renewal.
“In Glorious Days” is an anthem for anyone reclaiming their fire. With pulsing synths, driving percussion, and Ivan’s unmistakable voice, it evokes both nostalgia and transformation. Lyrically, it explores the tension between passion and self-preservation—capturing the exuberant, defiant spirit that made Men Without Hats global icons of individuality and joy.
Formed in Montreal in 1977 by Ivan Doroschuk, Men Without Hats became a cornerstone of the New Wave era with hits like “The Safety Dance” and “Pop Goes the World,” songs that have transcended generations and soundtracked everything from Super Bowl campaigns to global soccer chants. Inducted into the Canadian Songwriters Hall of Fame in 2020, the band’s influence continues to ripple through pop culture.
Today’s lineup—featuring Ivan Doroschuk (vocals), Sahara Sloan (keyboards, vocals), Sho Murray (guitar), and Adrian White (drums)—embodies the band’s signature balance of innovation and nostalgia. With over 31 million YouTube views, 9.9 million Spotify listeners, and fans spanning continents, Men Without Hats remain one of Canada’s most recognized and enduring musical exports.
In support of ‘On the Moon,’ Men Without Hats will embark on their highly anticipated Canadian tour and promises a high-energy mix of new material, classic hits, and fan-favourite deep cuts—all delivered with the wit, warmth, and flair that have defined their legacy.
Men Without Hats Tour Dates – Tickets Available at safetydance.com: OCTOBER 2025
Oct 16 – Ft. Lauderdale, FL – The Parker
Oct 17 – Miami, FL – Moss Centre
Oct 18 – Ft. Pierce, FL – Sunrise Theatre
Oct 19 – Jacksonville, FL – Florida Theatre
NOVEMBER 2025
Nov 7 – Sands Resort – Cancun
Nov 18 – Ottawa, ON – Algonquin Commons
Nov 19 – Waterloo, ON – Maxwell’s
Nov 20 – Toronto, ON – Mod Club
Nov 21 – Oshawa, ON – Biltmore Theatre
Nov 22 – Brampton, ON – The Rose Brampton
DECEMBER 2025
Dec 27 – Ocean’s Casino Resort – Atlantic City, NJ (Totally Tubular)
Dec 28 – Foxwoods Casino Resort – Connecticut (Totally Tubular)
Dec 29 – Palladium Times Square – New York, NY (Totally Tubular)
Dec 31 – Casablanca Resort – Las Vegas, NV
JANUARY 2026
Jan 18 – Winnipeg, MB – Club Regent
Jan 20 – Calgary, AB – Bell Concert Hall
Jan 22 – Edmonton, AB – Pure Casino
Jan 24 – Coquitlam, BC – Great Canadian Casino
FEBRUARY 2026
Feb 5 – Pechanga Casino – California
Feb 6 – Anaheim – House of Blues
Feb 7 – Menlo Park – Guild Theatre
Feb 27 – Mar 6 – Florida – The 80’s Cruise
As they prepare for the release of ‘On the Moon,’ Men Without Hats continue to evolve while honouring their roots—blending innovation, melody, and nostalgia in equal measure. With “In Glorious Days,” the band proves that their creative spark still burns brightly, offering a powerful reminder that great songs—and great spirits—never go out of style.
Toronto’s genre-blending duo Kid DET and Sad Classes are bringing melodic rap to new heights with “Rearview”—a powerful and emotionally charged first single from their upcoming project ‘Soul Food II: At The Cabin’, arriving October 17, 2025. The track’s energy, honesty, and cinematic flair mark a major moment for two artists whose friendship and shared story continue to define a new wave of Canadian hip-hop.
From the first beat, “Rearview” pulls listeners into a mood both reflective and resilient. The duo trades verses over smooth, melancholic production that glows with late-night drive energy. It’s the perfect start to ‘Soul Food II: At The Cabin,’ a project that continues the journey of escape, evolution, and emotional growth first introduced in their earlier work.
For Kid DET, music began as therapy. Starting to write songs at just 12 years old, he found a creative outlet for his anxiety and a path toward self-understanding. ‘Music gave me relief and helped me make sense of what I was feeling,’ he shares. That early spark grew into a lifelong mission—to make songs that help others feel seen and less alone.
Sad Classes, who began writing and rapping at the same age, came from a world where hip-hop was more than expression—it was survival. ‘I grew up in an environment where the stories you hear in gangster rap were real,’ he explains. ‘Music was how I got out, how I found peace.’ When the two met in high school—ironically the same one Drake attended—they discovered that despite their very different upbringings, music was their common ground.
Their first collaboration sparked the three-part ‘Soul Food’ concept album—a storytelling arc about self-discovery and escape. Volume II, ‘At The Cabin,’ is split into two sides: one with high-energy tracks for movement and celebration, and another that dives deep into the emotions that come when the party fades. ‘Rearview’ sets the tone, balancing introspection with momentum.
‘We made “Rearview” in one take,’ says Sad Classes. ‘We hit record on a voice memo, and what you hear today is almost exactly what came out that moment.’ That authenticity carries through to the song’s music video, directed by Fatty Soprano, whose visual flair captures the track’s mood and message perfectly.
Produced by Kid DET and Sad Classes themselves, with compositions by Conor Fitzgerald and Theevoni Theevoni, ‘Rearview’ showcases their evolution as artists and producers under Finest Edge Music Inc. The chemistry between the two has never been stronger—grounded in years of collaboration, respect, and creative growth.
‘We wanted to make something that feels like freedom,’ says Kid DET. ‘A song you can drive to, think to, and feel with. It’s about looking back only to move forward.’
As hip-hop continues to embrace melodic storytelling, Kid DET and Sad Classes stand poised to make a global impact. Their mix of raw lyricism, smooth flow, and emotionally intelligent songwriting connects across genres—bridging hip-hop, R&B, and alternative pop into one unified sound.
With ‘Rearview’ now streaming on Spotify and YouTube, and ‘Soul Food II: At The Cabin’ set for release on October 17, 2025, Kid DET and Sad Classes are driving full speed into their next chapter—one that feels both personal and universal, rooted in growth, and ready for the world to hear.
