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Emily Haines And The Soft Skeleton Releases New Single “Fatal Gift” Ahead Of New Album

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Although we live life in a linear way, Emily Haines is a woman who sees the importance of the cyclical nature of time. Now a decade on from the release of her celebrated solo album Emily Haines & The Soft Skeleton, Knives Don’t Have Your Back (2006) and companion EP What Is Free To A Good Home? (2007) Emily returns with a new full length, solo album Choir of the Mind for release on September 15, 2017.

Reuniting with the same record label, Last Gang Records/eOne who handled her previous solo work, the debut single Fatal Gift is available everywhere today. “Most of the songs on the album came to me out of some recent major changes in my life, and others were composed when my life felt more stable,” says Emily. “Of them all, Fatal Gift is the song that has lived with me the longest, through many incarnations. This is the right time for the definitive version to be heard. The song embodies for me the undeniable fact that no matter how high I climb, that voice, pulling me back to my essential self remains. We all pursue symbols of achievement, but utopian material promises are hollow.”

The things you own, they own you,” is the revelatory call in Fatal Gift that begins as a beautiful, plaintive ballad of piano and voice but builds to a sonic, propulsive mantra verging on six-minute dance track. The video for Fatal Gift is available here and was directed by long time artistic collaborator Justin Broadbent who brought his considerable artistic and directorial talent to Metric’s 2012 award winning release, Synthetica. As with every element of her new record, Emily is deeply involved in the vision and execution of every single detail.

Where her two previous solo offerings largely dealt with her processing and grieving the loss of her father, the revered writer, poet and jazz lyricist Paul Haines, Emily continues to grapple with some of the harder-edged life subjects on her new LP; life, loss and being a woman in the world. But with the passage of time, and living through the career accomplishments she’s earned within her almost 20 years of being a front woman, songwriter, producer, business woman and style icon with her award-winning band Metric, Emily has an ever-evolving lens to distill her stories and life perspective, anchored by a home base within a familiar circumference of the streets of Toronto that always serve to inspire her.

Choir of the Mind was for the most part composed and inhabited in stolen moments with her piano over the past few years of intensive work with Metric. The selected songs that would become this 13 track album were recorded over a number of weeks in 2016 at Giant Studios, which is housed in those familiar blocks in the West end of Toronto where Emily and Jimmy have each lived and worked for the past two decades. The album was co-produced by Emily and her longtime band mate, spiritual advisor and musical partner Jimmy Shaw (who also mixed the album), and engineered by Kenny Luong. It sees Sparklehorse drummer, Scott Minor return to duty on “Legend of the Wild Horse,” as he also played on the original Soft Skeleton recordings.

Always focused on the songwriting and the element of performance, Emily is planning to tour Choir of the Mind with limited engagements in unique and intimate venues, driven by her singular, inspiring and artistic vision for how she wishes to present her work to her audience. These highly anticipated upcoming tour dates and more information on Choir of the Mind will be announced shortly.

Wild Women (Don’t Get The Blues) returns June 24 in Toronto

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Wild Women (Don’t Get The Blues) Returns For A Special Cocktail Cabaret
Fabulous Afternoon Party of Sassy Music & Monologue Celebrating Pride & Canada 150 with the Music of Ace Canadian Women…
Our Theme: Pride & Prejudice
Saturday, June 24th, 2017
Paintbox Bistro – Regent Park (555 Dundas St. East, Toronto)
Doors open 3:30 pm
Show starts 4:30 pm w/ 2 sets
Tickets:  $22/advance – Only 60 Seated Tickets Available
$25/door – Standing Room & Patio
http://wildwomenpp.eventbrite.com
Fabulous Food by Rogue Chef Greg Couillard

To celebrate the glorious trifecta of Pride, Canada 150 and summer 2017, Lorraine Segato and Colleen Allen bring their acclaimed and wildly popular cabaret series Wild Women (Don’t Get The Blues) to Toronto’s Regent Park on Saturday, June 24.

With the music of ace Canadian performers complemented by food creations courtesy rogue chef Greg Couillard, the afternoon event held at the Paintbox Bistro and presented by The Daniels Corporation promises to be one of the most memorable and flat-out fun of the year.

Launched by legendary singer/songwriter Lorraine Segato (as part of her two-year Artist in Residency stint at Regent Park) alongside Soulpepper Artist in Residence Colleen Allen, Wild Women (Don’t Get The Blues) showcases a diverse group of emerging and established performers presenting iconic songs that reflect the cabaret’s ever-changing theme.

On Saturday, June 24, Segato and Allen alongside Alana Bridgewater, Britta B, Carlie Howell, Diane Leah, Diane Flacks and Shawnee Talbot interpret the musical theme of Pride & Prejudice, using Canadian songs and original material in song, spoken word and theatrical monologue.

Audiences can expect to be electrified. Sixteen show-stopping performances over five previous cabarets have interpreted the powerful voices and stories of trailblazers like Ida Cox, Etta James, Janis Joplin, Edith Piaf, Amy Winehouse, Patsy Cline, Annie Lennox, Dixie Chicks, Bonnie Raitt and others.

Past performers, meanwhile – Shakura S’Aida, Lyne Tremblay, Iskwe, Suzie Vinnick, Roula Said, Miku Graham, Nicole Brooks and SATE (formerly Saidah Baba Talibah) – have visited resonant themes such as Secrets & Lies (how we hide ourselves from each other), Jagged Little Pill (revenge songs), What’s Love Got to Do With It, Saucy or Sassy Songs and Songs of Resilience.

Some Notes on this Year’s Performers:

Alana Bridgewater has performed on numerous stages throughout her career including Hairspray/ Spoon River and Shrek the Musical. She recently starred in Soulpepper’s Porgy & Bess.

Britta B is an emerging spoken word powerhouse who is a proud Regent Park resident. She recently appeared in The Journey and in competitive and feature performances nationwide, including the National Poetry Slam and Canadian Festival of Spoken Word.

Diane Flacks is a Canadian comedic actress, screenwriter and playwright who has written and starred in numerous television series. Diane was recently nominated for Outstanding Performance as an actor in Body Politic and as a writer for Outstanding New Play for Unholy for the Dora Mavor Moore Awards.

Carlie Howell weaves together her experience with jazz, classical, folk, pop, rock, reggae, klezmer, free-improv and world music traditions to create an eclectic and unique musical voice all her own.

Shawnee Talbot is an Indigenous singer/songwriter and female powerhouse known for her soulful voice and engaging live performance energy.

Diane Leah is a pianist, arranger and music director whose credits span 40 years in Canadian music including with her own group Broadsway with Heather Bambrick and Julie Michels. She has accompanied countless artists including Jackie Richardson, Alana Bridgewater, Mark Cassius, Susan Gilmour (Lady Sings The Tunes) and Thom Allison (CBC – Over The Rainbow) as well as serving as the MD for Louise Pitre. Diane was awarded the Queen’s Diamond Jubilee Medal for public service in 2013 and is the Director of Music at Metropolitan Community Church of Toronto.

Colleen Allen is one of Canada’s most in-demand musicians for live concerts and recording sessions. Based in Toronto, the acclaimed and versatile multi-instrumentalist has performed all over Canada, the U.S. and Europe with world class jazz and pop artists including Molly Johnson, David Clayton-Thomas, Holly Cole, Emilie-Claire Barlow, Rik Emmett, Marc Jordan, Andrew Craig and Jackie Richardson to name a few.

Lorraine Segato’s decades-long work as a musician, songwriter, filmmaker, event producer, artistic director and social justice activist has cemented her status as one of Canada’s foremost recording artists and cultural commentators. As the co-founder and lead singer of The Parachute Club – among the most critically lauded and commercially successful groups of the 1980s – Segato enjoyed an impressive career in the music industry before turning her attention to other creative endeavours such as directing and producing large cultural events. Most recently, she curated a cultural exhibit on Queen Street West called the Rebel Zone, and was featured in the acclaimed Hot Docs/TVO film Lowdown Tracks that followed the stories of talented homeless musicians. Its recent World Premiere at Hot Docs was embraced with rave reviews and audience ovations and came in with #2 Audience Award out of 210 Hot Doc titles. In 2016, she issued her most recent CD, Invincible Decency. She recently completed a two-year Artist in Residence stint at Regent Park and a CBC radio pilot.  Stay tuned for her long awaited one-woman show Get Off My Dress.

Sony/ATV Music Publishing Unveils Newly Enhanced Songwriter Royalty Portal

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Sony/ATV Music Publishing has introduced a number of upgrades to its state-of-the-art royalty portal SCORE, giving its songwriters access to the most comprehensive and transparent data available about their earnings.

Developed by the world’s leading music publisher, the enhanced portal provides songwriters and their representatives with real-time access to their current royalty account, rather than waiting until the end of any statement period. Account information will be constantly updated, enabling Sony/ATV’s songwriters to see their latest earnings as soon as the company receives them.

Detailed data about current earnings is available alongside an unparalleled overview of historic earnings information that can be searched and organized by song title, income source, time period and territory.

Another new feature is SCORECARD, which uses a graphic interface to offer a simple and up-to-date, top-view summary of a writer’s royalties for both current and historic periods. Through SCORECARD clients can also drill down further to access in-depth information about their earnings in unrivalled granular detail.

In the near future Sony/ATV will release a SCORE app, which will greatly improve the experience of using the portal on a smart phone or tablet.

Sony/ATV Chairman and CEO Martin Bandier said: “As the world’s No. 1 music publisher, Sony/ATV prides itself on providing our songwriters and their teams an unsurpassed level of transparency and service with highly detailed royalty information. Additionally, within the next few months we will unveil the complementary SCORE app, further providing them with an unrivalled and groundbreaking insight into both their historic and current period royalties.”

Dale Esworthy, Sony/ATV Senior Vice President, Worldwide Administration, said: “All of the administration teams around the world are proud and pleased with this new release of SCORE not only because it provides writers unparalleled access to their information, but also because it demonstrates to our writers the level of attention we pay to them and their songs. We are honored to represent their work in every corner of the globe, and bring that information to their fingertips.”

Tom Douglas, Sony/ATV Grammy, Oscar and Golden Globe nominated songwriter, said: “The new changes are amazing. The ability to see current earnings almost in real time is so helpful. The historical data provides a great snapshot as it relates to my royalties and I particularly love the ‘Song Summary’ tab. The creative relationship with a publisher is obviously critical, but maybe the most under-appreciated part of one’s relationship with the publisher is royalty and accounting.”

SCORE is the biggest and most comprehensive royalty portal in music publishing, incorporating more songs and more songwriters than any other comparable system. It is powered by Sony/ATV’s industry-leading TEMPO system and offers a state-of-the-art, global centralized database, highly accurate and transparent data from an ever-growing number of income sources worldwide, and unrivalled analysis of royalties by song title, income source, time period and territory.

The portal is overseen by an administration team which utilizes Sony/ATV’s worldwide network of local creative and administration teams, giving its clients both global reach and a personal touch. The company’s songwriters and their teams are able to obtain administrative support in their own territory directly from local administration staff, all of whom are experts in their field and have a passion for the music they represent. In addition, they are able to utilize their close relationships with the relevant societies and their colleagues around the world to accurately register songs and collect royalties.

These improvements to Sony/ATV’s royalty systems run alongside its unequaled strengths as the world’s No. 1 music publisher in areas such as A&R and synch, while managing a peerless song catalog and a roster of songwriters, including many of the greatest music talents of all time and a number of today’s global superstars. The portal upgrades are part of ongoing efforts to ensure the company’s songwriters are provided with a level of service and transparency unmatched in music publishing.

Warner Music Group Establishes New Arts Division

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Warner Music Group (WMG) has announced the creation of a new Arts Music division. This new repertoire center will focus on signing, developing, and marketing artists and releases across a spectrum of genres, including classical, musical theatre, jazz, children’s music, film scores, and other fields generally outside the pop mainstream.

Well-respected industry executive Kevin Gore – whose extensive experience includes serving as President & CEO of WMG’s Rhino Entertainment/Global Catalog Division as well as President of Universal Classics US – has been appointed President of the Arts Music division. In his new post, Gore will be based in New York and report to Eliah Seton, President of ADA Worldwide, WMG’s independent distribution and services arm.

As part of the creation of the Arts Music division, WMG has entered into a joint venture with Sh-K-Boom/Ghostlight Records, the multi-Grammy Award winning theatrical music company founded by Kurt Deutsch in 2000. Deutsch, who will continue to serve as President of Sh-K-Boom/Ghostlight, is based in New York and will report to Kevin Gore. Deutsch was also recently appointed Senior Vice President, Theatrical & Catalog Development for Warner/Chappell Music (WCM), the music publishing arm of WMG. In the latter capacity, he reports to WCM Chairman & CEO Jon Platt.

Warner Classics, one of the world’s leading classical music companies, will now come under the Arts Music division umbrella. Warner Classics includes its namesake label, as well as the Erato label, along with artists and repertoire that came to WMG as part of the company’s acquisition of Parlophone Records, most notably the renowned EMI Classics catalog. Under the new structure, Warner Classics & Erato President Alain Lanceron will report to Gore and continue to be based in Paris. One of the most admired executives in the classical world, Lanceron took the reins of Warner Classics & Erato in 2014. Since then, the company has earned a number of industry accolades, including being crowned 2016 Label of the Year at the prestigious Gramophone Awards in London.

Eliah Seton said: “By bringing together these diverse genres and labels under unified leadership, the Arts Music division will provide a dynamic, focused infrastructure devoted to nurturing outstanding artists and projects, encouraging creative cross-pollination, and strengthening our capacity for growth. I’m thrilled to welcome Kevin back to the WMG family. With his deep background at all three major music groups – from running WMG’s Rhino division to overseeing classical and musical theatre at Universal to working with jazz at Sony – he comes to our Arts Music division with unmatched hands-on experience and wide-ranging accomplishments. I’m very pleased to continue to work closely with my friend, the legendary Alain Lanceron, and delighted to welcome Kurt Deutsch who will be a fantastic asset as we expand our presence in the musical theatre world.”

Stu Bergen, CEO, International and Global Commercial Services for WMG, noted: “We are constantly enhancing and fine-tuning our operations to ensure best-in-class support for exceptional artists and music across all styles. Recognizing that there is tremendous untapped potential in music that falls outside the pop mainstream, the Arts Music division will leave no stone unturned in bringing a rich variety of music to the widest audience possible. Eliah, Kevin, Alain, and Kurt are extremely dedicated, innovative executives, and I’m excited to see what they have in store in the months and years ahead.”

Kevin Gore commented: “The genres encompassed in our Arts Music division all share passionate and devoted fan bases that have been largely underserved in the current marketplace. What’s particularly exciting is that since these fans have favored physical and download formats, there is an enormous promise for growth as they migrate to streaming services and curated experiences. The timeless appeal of so much of this music, combined with rapidly evolving opportunities in the live music and partnership marketing arenas, opens up a wealth of possibilities for both established and emerging artists across a vast creative spectrum. I want to thank Stu and Eliah for giving me this wonderful new opportunity, and I am very excited to be working again with the WMG teams around the world. And I’m truly looking forward to working with Alain and Kurt, both of whom I’ve known for many years and for whom I have tremendous respect.”

Georgia Music Partners Successfully Brought Together Various Industries To Achieve Tax Incentive For Music Industry

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Georgia Music Partners (GMP) and more than 200 music-related businesses applaud the passage of the Georgia Music Investment Act (House Bill 155), signed into law by Georgia Governor Nathan Deal. “We have started another phase in the progression of the State of Georgia as a hub for the production of entertainment”, said Governor Deal. “I am pleased with the resulting legislation and look forward to a bright future for our music industry.”

The bill passed the Georgia House of Representatives 157-11 and the Georgia Senate 46-7, thanks especially to the leadership of Representative Amy Carter (R. Valdosta, GA) and Senator Jeff Mullis (R – Chickamauga). HB-155 is expected to create thousands of new job opportunities for Georgia’s diverse music industry – currently $3.7 Billion economic impact – just as other tax incentives have expanded Georgia’s film, TV and video game industry to more than $7 billion.

“We applaud Governor Deal and the Georgia legislature for recognizing the economic and cultural significance of music production,” said Recording Industry Association of America SVP of State Public Policy and Industry Relations Rafael Fernandez, Jr. “The Georgia Music Investment Act will serve to attract businesses and music creators, securing Georgia’s place as a leading music state.”

“This is a great day not only for Georgia and Georgia music, but for musicians and artists all over the world,” said musician Chuck Leavell. “I have no doubt that this bill will result in a tremendous influx of activity in music in our state, and all of Georgia will benefit. Thanks to Governor Deal, Senator Jeff Mullis, Representative Amy Carter and all the legislators for supporting this important bill!”

The Georgia Music Investment Act (HB-155) is a 15-20% incentive that will incentivize recording and scoring projects as well as live tours from around the country and the world to rehearse and start in the state. To qualify, a production company must meet a minimum threshold of $500,000 for live performance rehearsals, $250,000 for stand-alone scoring projects (aggregate in a year) and $100,000 (aggregate in a year) for recorded music performances. If the production takes place in lesser-developed Tier 1 and Tier 2 counties, it can qualify for the additional 5% credit.

Georgia Music Partners President Tammy Hurt added, “Now the work of capitalizing on opportunities can begin as we look forward to working with the talented Georgia music businesses to attract new opportunities to Georgia.”

Photo Gallery: Rise Against and Deftones at Toronto’s Budweiser Stage

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All photos taken by Mini’s Memories. You can contact her at minismemories@hotmail.com

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Kurt Cobain Stars In His Own Horror Film Back In 1984

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In 1984, Kurt Cobain was 17 years old and did what most guys do when they have a video camera – he made a home movie with his friends. In this case, a rather crude horror film with a budget of a pack of cigarettes and alcohol, likely. Co-starring are future bandmater in Nirvana, Krist Novoselic and Dale Crover, who a year earlier had formed the Melvins with Buzz Osborne and Matt Lukin, best known today as the bassist for Mudhoney. Watch for Kurt wearing a Mr. T mask and worshiping in front of a pentagram, and another handful of shots in which Cobain pretends to slash his own throat and wrists, fake blood and all. Troma Films would have been proud.

Pink Floyd’s “Another Brick In The Wall” As Performed On A Gayageum

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Musician Luna Lee performs another awesome cover version on her classic Korean string instrument, the Gayageum, this time taking on Pink Floyd’s 1979 hit Another Brick in the Wall.

Watch Dave Chappelle’s First Appearance On Star Search

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Check out these early performances from comedian Dave Chappelle on Star Search in 1993. The then 19-year-old hit the bullseye right from the start, and his second and third appearance on the talent show sees him talk about topics that are still pretty relevant.

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A Brief History of Goth

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These days, “goth” can mean anything from wearing an all-black outfits to being overly emotional on social media. But before the Internet happened, goth meant something very specific. This is A Brief History of Goth.