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Sony/ATV Music Publishing Unveils Newly Enhanced Songwriter Royalty Portal

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Sony/ATV Music Publishing has introduced a number of upgrades to its state-of-the-art royalty portal SCORE, giving its songwriters access to the most comprehensive and transparent data available about their earnings.

Developed by the world’s leading music publisher, the enhanced portal provides songwriters and their representatives with real-time access to their current royalty account, rather than waiting until the end of any statement period. Account information will be constantly updated, enabling Sony/ATV’s songwriters to see their latest earnings as soon as the company receives them.

Detailed data about current earnings is available alongside an unparalleled overview of historic earnings information that can be searched and organized by song title, income source, time period and territory.

Another new feature is SCORECARD, which uses a graphic interface to offer a simple and up-to-date, top-view summary of a writer’s royalties for both current and historic periods. Through SCORECARD clients can also drill down further to access in-depth information about their earnings in unrivalled granular detail.

In the near future Sony/ATV will release a SCORE app, which will greatly improve the experience of using the portal on a smart phone or tablet.

Sony/ATV Chairman and CEO Martin Bandier said: “As the world’s No. 1 music publisher, Sony/ATV prides itself on providing our songwriters and their teams an unsurpassed level of transparency and service with highly detailed royalty information. Additionally, within the next few months we will unveil the complementary SCORE app, further providing them with an unrivalled and groundbreaking insight into both their historic and current period royalties.”

Dale Esworthy, Sony/ATV Senior Vice President, Worldwide Administration, said: “All of the administration teams around the world are proud and pleased with this new release of SCORE not only because it provides writers unparalleled access to their information, but also because it demonstrates to our writers the level of attention we pay to them and their songs. We are honored to represent their work in every corner of the globe, and bring that information to their fingertips.”

Tom Douglas, Sony/ATV Grammy, Oscar and Golden Globe nominated songwriter, said: “The new changes are amazing. The ability to see current earnings almost in real time is so helpful. The historical data provides a great snapshot as it relates to my royalties and I particularly love the ‘Song Summary’ tab. The creative relationship with a publisher is obviously critical, but maybe the most under-appreciated part of one’s relationship with the publisher is royalty and accounting.”

SCORE is the biggest and most comprehensive royalty portal in music publishing, incorporating more songs and more songwriters than any other comparable system. It is powered by Sony/ATV’s industry-leading TEMPO system and offers a state-of-the-art, global centralized database, highly accurate and transparent data from an ever-growing number of income sources worldwide, and unrivalled analysis of royalties by song title, income source, time period and territory.

The portal is overseen by an administration team which utilizes Sony/ATV’s worldwide network of local creative and administration teams, giving its clients both global reach and a personal touch. The company’s songwriters and their teams are able to obtain administrative support in their own territory directly from local administration staff, all of whom are experts in their field and have a passion for the music they represent. In addition, they are able to utilize their close relationships with the relevant societies and their colleagues around the world to accurately register songs and collect royalties.

These improvements to Sony/ATV’s royalty systems run alongside its unequaled strengths as the world’s No. 1 music publisher in areas such as A&R and synch, while managing a peerless song catalog and a roster of songwriters, including many of the greatest music talents of all time and a number of today’s global superstars. The portal upgrades are part of ongoing efforts to ensure the company’s songwriters are provided with a level of service and transparency unmatched in music publishing.

Warner Music Group Establishes New Arts Division

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Warner Music Group (WMG) has announced the creation of a new Arts Music division. This new repertoire center will focus on signing, developing, and marketing artists and releases across a spectrum of genres, including classical, musical theatre, jazz, children’s music, film scores, and other fields generally outside the pop mainstream.

Well-respected industry executive Kevin Gore – whose extensive experience includes serving as President & CEO of WMG’s Rhino Entertainment/Global Catalog Division as well as President of Universal Classics US – has been appointed President of the Arts Music division. In his new post, Gore will be based in New York and report to Eliah Seton, President of ADA Worldwide, WMG’s independent distribution and services arm.

As part of the creation of the Arts Music division, WMG has entered into a joint venture with Sh-K-Boom/Ghostlight Records, the multi-Grammy Award winning theatrical music company founded by Kurt Deutsch in 2000. Deutsch, who will continue to serve as President of Sh-K-Boom/Ghostlight, is based in New York and will report to Kevin Gore. Deutsch was also recently appointed Senior Vice President, Theatrical & Catalog Development for Warner/Chappell Music (WCM), the music publishing arm of WMG. In the latter capacity, he reports to WCM Chairman & CEO Jon Platt.

Warner Classics, one of the world’s leading classical music companies, will now come under the Arts Music division umbrella. Warner Classics includes its namesake label, as well as the Erato label, along with artists and repertoire that came to WMG as part of the company’s acquisition of Parlophone Records, most notably the renowned EMI Classics catalog. Under the new structure, Warner Classics & Erato President Alain Lanceron will report to Gore and continue to be based in Paris. One of the most admired executives in the classical world, Lanceron took the reins of Warner Classics & Erato in 2014. Since then, the company has earned a number of industry accolades, including being crowned 2016 Label of the Year at the prestigious Gramophone Awards in London.

Eliah Seton said: “By bringing together these diverse genres and labels under unified leadership, the Arts Music division will provide a dynamic, focused infrastructure devoted to nurturing outstanding artists and projects, encouraging creative cross-pollination, and strengthening our capacity for growth. I’m thrilled to welcome Kevin back to the WMG family. With his deep background at all three major music groups – from running WMG’s Rhino division to overseeing classical and musical theatre at Universal to working with jazz at Sony – he comes to our Arts Music division with unmatched hands-on experience and wide-ranging accomplishments. I’m very pleased to continue to work closely with my friend, the legendary Alain Lanceron, and delighted to welcome Kurt Deutsch who will be a fantastic asset as we expand our presence in the musical theatre world.”

Stu Bergen, CEO, International and Global Commercial Services for WMG, noted: “We are constantly enhancing and fine-tuning our operations to ensure best-in-class support for exceptional artists and music across all styles. Recognizing that there is tremendous untapped potential in music that falls outside the pop mainstream, the Arts Music division will leave no stone unturned in bringing a rich variety of music to the widest audience possible. Eliah, Kevin, Alain, and Kurt are extremely dedicated, innovative executives, and I’m excited to see what they have in store in the months and years ahead.”

Kevin Gore commented: “The genres encompassed in our Arts Music division all share passionate and devoted fan bases that have been largely underserved in the current marketplace. What’s particularly exciting is that since these fans have favored physical and download formats, there is an enormous promise for growth as they migrate to streaming services and curated experiences. The timeless appeal of so much of this music, combined with rapidly evolving opportunities in the live music and partnership marketing arenas, opens up a wealth of possibilities for both established and emerging artists across a vast creative spectrum. I want to thank Stu and Eliah for giving me this wonderful new opportunity, and I am very excited to be working again with the WMG teams around the world. And I’m truly looking forward to working with Alain and Kurt, both of whom I’ve known for many years and for whom I have tremendous respect.”

Georgia Music Partners Successfully Brought Together Various Industries To Achieve Tax Incentive For Music Industry

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Georgia Music Partners (GMP) and more than 200 music-related businesses applaud the passage of the Georgia Music Investment Act (House Bill 155), signed into law by Georgia Governor Nathan Deal. “We have started another phase in the progression of the State of Georgia as a hub for the production of entertainment”, said Governor Deal. “I am pleased with the resulting legislation and look forward to a bright future for our music industry.”

The bill passed the Georgia House of Representatives 157-11 and the Georgia Senate 46-7, thanks especially to the leadership of Representative Amy Carter (R. Valdosta, GA) and Senator Jeff Mullis (R – Chickamauga). HB-155 is expected to create thousands of new job opportunities for Georgia’s diverse music industry – currently $3.7 Billion economic impact – just as other tax incentives have expanded Georgia’s film, TV and video game industry to more than $7 billion.

“We applaud Governor Deal and the Georgia legislature for recognizing the economic and cultural significance of music production,” said Recording Industry Association of America SVP of State Public Policy and Industry Relations Rafael Fernandez, Jr. “The Georgia Music Investment Act will serve to attract businesses and music creators, securing Georgia’s place as a leading music state.”

“This is a great day not only for Georgia and Georgia music, but for musicians and artists all over the world,” said musician Chuck Leavell. “I have no doubt that this bill will result in a tremendous influx of activity in music in our state, and all of Georgia will benefit. Thanks to Governor Deal, Senator Jeff Mullis, Representative Amy Carter and all the legislators for supporting this important bill!”

The Georgia Music Investment Act (HB-155) is a 15-20% incentive that will incentivize recording and scoring projects as well as live tours from around the country and the world to rehearse and start in the state. To qualify, a production company must meet a minimum threshold of $500,000 for live performance rehearsals, $250,000 for stand-alone scoring projects (aggregate in a year) and $100,000 (aggregate in a year) for recorded music performances. If the production takes place in lesser-developed Tier 1 and Tier 2 counties, it can qualify for the additional 5% credit.

Georgia Music Partners President Tammy Hurt added, “Now the work of capitalizing on opportunities can begin as we look forward to working with the talented Georgia music businesses to attract new opportunities to Georgia.”

Photo Gallery: Rise Against and Deftones at Toronto’s Budweiser Stage

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All photos taken by Mini’s Memories. You can contact her at minismemories@hotmail.com

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Kurt Cobain Stars In His Own Horror Film Back In 1984

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In 1984, Kurt Cobain was 17 years old and did what most guys do when they have a video camera – he made a home movie with his friends. In this case, a rather crude horror film with a budget of a pack of cigarettes and alcohol, likely. Co-starring are future bandmater in Nirvana, Krist Novoselic and Dale Crover, who a year earlier had formed the Melvins with Buzz Osborne and Matt Lukin, best known today as the bassist for Mudhoney. Watch for Kurt wearing a Mr. T mask and worshiping in front of a pentagram, and another handful of shots in which Cobain pretends to slash his own throat and wrists, fake blood and all. Troma Films would have been proud.

Pink Floyd’s “Another Brick In The Wall” As Performed On A Gayageum

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Musician Luna Lee performs another awesome cover version on her classic Korean string instrument, the Gayageum, this time taking on Pink Floyd’s 1979 hit Another Brick in the Wall.

Watch Dave Chappelle’s First Appearance On Star Search

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Check out these early performances from comedian Dave Chappelle on Star Search in 1993. The then 19-year-old hit the bullseye right from the start, and his second and third appearance on the talent show sees him talk about topics that are still pretty relevant.

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A Brief History of Goth

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These days, “goth” can mean anything from wearing an all-black outfits to being overly emotional on social media. But before the Internet happened, goth meant something very specific. This is A Brief History of Goth.

Stop Motion Animation Of The 553 Piece LEGO Beatles Yellow Submarine Set Being Built

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LEGO enthusiast Bart van Dijk has created a very smooth stop motion animation of his 553 piece LEGO Beatles Yellow Submarine set being built. The set was released on November 1, 2016, but did anyone really take it out of the box, in hopes it would one day be worth a few hundred dollars on eBay?

Science Says This Song Is The Most Relaxing Ever And Um…It’s….Yawn….ZZZZZZZ

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A team of scientists and sound therapists claims to have found the most relaxing song ever. In an experiment with the Manchester band Marconi Union, the scientists were able to create a track more relaxing than Coldplay or, more impressively, Enya. Listen to “Weightless” below and drift away into eternal chill. The track’s 60 BPM is said to trigger “entrainment,” the synchronization of brainwaves and heart rate.

Via