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The First American Book on Canadian Rock Band The Tragically Hip Published

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On August 20th, 2016 about 11.7 million Canadians stood transfixed, watching the final concert of The Tragically Hip, and the rest of the world asked, “Who is this band?” New York Times best-selling pop journalist Marc Shapiro answers that question in the first American book about this Canadian rock band that largely shunned the spotlight but has become the standard bearer of a resurgent sense of Canadian pride and patriotism.

What is Hip? The Life And Times Of The Tragically Hip delves deep beneath the surface of this rock and roll story to discover how a band that spent more than three decades in the rock and roll trenches selling millions of albums and opening for the likes of The Rolling Stones, The Who and Led Zeppelin’s Page & Plant, remained almost unknown outside their home country, even as they rose to the level of rock royalty in Canada.

Through extensive research and some well-placed sources, author Shapiro has put together a complete look at The Tragically Hip’s rise from humble Kingston roots to endless tours, the internal struggles to keep their music fresh and the fanatic loyalty they fostered in millions of Canadian fans of all ages and generations. Fans that would unite to honor the band and shed more than a few tears when it was announced that singer Gord Downie had been diagnosed with brain cancer and that The Hip were about to embark on what may well be their final tour.

“What drew me to The Tragically Hip was a lot of questions I had,” author Shapiro said. “The most enticing to me being ‘How did they do it?’ “This was a band that almost completely avoided compromises creatively and business wise. And to be honest, their career might have turned out easier and different if they hadn’t. But you’ve got to admire anyone, band or mortal, who forges their own path regardless of the consequences. I had to know what makes rugged individualists tick and this book answers those questions.”

New York Times bestselling author Marc Shapiro has written more than 60 nonfiction celebrity biographies, more than two dozen comic books, numerous short stories, poetry, and threeshort form screenplays. His young adult book JK Rowling: The Wizard Behind Harry Potter was on The New York Times bestseller list for four straight weeks. His fact-based book Total Titanic was also on The Los Angeles Times bestseller list for four weeks. He has recently written books about Lorde, Jenni Rivera, EL James, Justin Bieber, Norman Reedus, Shonda Rimes and Donald Trump.

Well, The Pope Just Gave A Pretty Awesome TED Talk

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A single individual is enough for hope to exist, and that individual can be you, says His Holiness Pope Francis in this searing TED Talk delivered directly from Vatican City. In a hopeful message to people of all faiths, to those who have power as well as those who don’t, the spiritual leader provides illuminating commentary on the world as we currently find it and calls for equality, solidarity and tenderness to prevail. “Let us help each other, all together, to remember that the ‘other’ is not a statistic, or a number,” he says. “We all need each other.”

Good evening – or, good morning, I am not sure what time it is there. Regardless of the hour, I am thrilled to be participating in your conference. I very much like its title – “The Future You” – because, while looking at tomorrow, it invites us to open a dialogue today, to look at the future through a “you.” “The Future You:” the future is made of yous, it is made of encounters, because life flows through our relations with others. Quite a few years of life have strengthened my conviction that each and everyone’s existence is deeply tied to that of others: life is not time merely passing by, life is about interactions.

As I meet, or lend an ear to those who are sick, to the migrants who face terrible hardships in search of a brighter future, to prison inmates who carry a hell of pain inside their hearts, and to those, many of them young, who cannot find a job, I often find myself wondering: “Why them and not me?” I, myself, was born in a family of migrants; my father, my grandparents, like many other Italians, left for Argentina and met the fate of those who are left with nothing. I could have very well ended up among today’s “discarded” people. And that’s why I always ask myself, deep in my heart: “Why them and not me?”

First and foremost, I would love it if this meeting could help to remind us that we all need each other, none of us is an island, an autonomous and independent “I,” separated from the other, and we can only build the future by standing together, including everyone. We don’t think about it often, but everything is connected, and we need to restore our connections to a healthy state. Even the harsh judgment I hold in my heart against my brother or my sister, the open wound that was never cured, the offense that was never forgiven, the rancor that is only going to hurt me, are all instances of a fight that I carry within me, a flare deep in my heart that needs to be extinguished before it goes up in flames, leaving only ashes behind.

Many of us, nowadays, seem to believe that a happy future is something impossible to achieve. While such concerns must be taken very seriously, they are not invincible. They can be overcome when we don’t lock our door to the outside world. Happiness can only be discovered as a gift of harmony between the whole and each single component. Even science – and you know it better than I do – points to an understanding of reality as a place where every element connects and interacts with everything else.

And this brings me to my second message. How wonderful would it be if the growth of scientific and technological innovation would come along with more equality and social inclusion. How wonderful would it be, while we discover faraway planets, to rediscover the needs of the brothers and sisters orbiting around us. How wonderful would it be if solidarity, this beautiful and, at times, inconvenient word, were not simply reduced to social work, and became, instead, the default attitude in political, economic and scientific choices, as well as in the relationships among individuals, peoples and countries. Only by educating people to a true solidarity will we be able to overcome the “culture of waste,” which doesn’t concern only food and goods but, first and foremost, the people who are cast aside by our techno-economic systems which, without even realizing it, are now putting products at their core, instead of people.

Solidarity is a term that many wish to erase from the dictionary. Solidarity, however, is not an automatic mechanism. It cannot be programmed or controlled. It is a free response born from the heart of each and everyone. Yes, a free response! When one realizes that life, even in the middle of so many contradictions, is a gift, that love is the source and the meaning of life, how can they withhold their urge to do good to another fellow being?

In order to do good, we need memory, we need courage and we need creativity. And I know that TED gathers many creative minds. Yes, love does require a creative, concrete and ingenious attitude. Good intentions and conventional formulas, so often used to appease our conscience, are not enough. Let us help each other, all together, to remember that the other is not a statistic or a number. The other has a face. The “you” is always a real presence, a person to take care of.

There is a parable Jesus told to help us understand the difference between those who’d rather not be bothered and those who take care of the other. I am sure you have heard it before. It is the Parable of the Good Samaritan. When Jesus was asked: “Who is my neighbor?” – namely, “Who should I take care of?” – he told this story, the story of a man who had been assaulted, robbed, beaten and abandoned along a dirt road. Upon seeing him, a priest and a Levite, two very influential people of the time, walked past him without stopping to help. After a while, a Samaritan, a very much despised ethnicity at the time, walked by. Seeing the injured man lying on the ground, he did not ignore him as if he weren’t even there. Instead, he felt compassion for this man, which compelled him to act in a very concrete manner. He poured oil and wine on the wounds of the helpless man, brought him to a hostel and paid out of his pocket for him to be assisted.

The story of the Good Samaritan is the story of today’s humanity. People’s paths are riddled with suffering, as everything is centered around money, and things, instead of people. And often there is this habit, by people who call themselves “respectable,” of not taking care of the others, thus leaving behind thousands of human beings, or entire populations, on the side of the road. Fortunately, there are also those who are creating a new world by taking care of the other, even out of their own pockets. Mother Teresa actually said: “One cannot love, unless it is at their own expense.”

We have so much to do, and we must do it together. But how can we do that with all the evil we breathe every day? Thank God, no system can nullify our desire to open up to the good, to compassion and to our capacity to react against evil, all of which stem from deep within our hearts. Now you might tell me, “Sure, these are beautiful words, but I am not the Good Samaritan, nor Mother Teresa of Calcutta.” On the contrary: we are precious, each and every one of us. Each and every one of us is irreplaceable in the eyes of God. Through the darkness of today’s conflicts, each and every one of us can become a bright candle, a reminder that light will overcome darkness, and never the other way around.

To Christians, the future does have a name, and its name is Hope. Feeling hopeful does not mean to be optimistically naïve and ignore the tragedy humanity is facing. Hope is the virtue of a heart that doesn’t lock itself into darkness, that doesn’t dwell on the past, does not simply get by in the present, but is able to see a tomorrow. Hope is the door that opens onto the future. Hope is a humble, hidden seed of life that, with time, will develop into a large tree. It is like some invisible yeast that allows the whole dough to grow, that brings flavor to all aspects of life. And it can do so much, because a tiny flicker of light that feeds on hope is enough to shatter the shield of darkness. A single individual is enough for hope to exist, and that individual can be you. And then there will be another “you,” and another “you,” and it turns into an “us.” And so, does hope begin when we have an “us?” No. Hope began with one “you.” When there is an “us,” there begins a revolution.

The third message I would like to share today is, indeed, about revolution: the revolution of tenderness. And what is tenderness? It is the love that comes close and becomes real. It is a movement that starts from our heart and reaches the eyes, the ears and the hands. Tenderness means to use our eyes to see the other, our ears to hear the other, to listen to the children, the poor, those who are afraid of the future. To listen also to the silent cry of our common home, of our sick and polluted earth. Tenderness means to use our hands and our heart to comfort the other, to take care of those in need.

Tenderness is the language of the young children, of those who need the other. A child’s love for mom and dad grows through their touch, their gaze, their voice, their tenderness. I like when I hear parents talk to their babies, adapting to the little child, sharing the same level of communication. This is tenderness: being on the same level as the other. God himself descended into Jesus to be on our level. This is the same path the Good Samaritan took. This is the path that Jesus himself took. He lowered himself, he lived his entire human existence practicing the real, concrete language of love.

Yes, tenderness is the path of choice for the strongest, most courageous men and women. Tenderness is not weakness; it is fortitude. It is the path of solidarity, the path of humility. Please, allow me to say it loud and clear: the more powerful you are, the more your actions will have an impact on people, the more responsible you are to act humbly. If you don’t, your power will ruin you, and you will ruin the other. There is a saying in Argentina: “Power is like drinking gin on an empty stomach.” You feel dizzy, you get drunk, you lose your balance, and you will end up hurting yourself and those around you, if you don’t connect your power with humility and tenderness. Through humility and concrete love, on the other hand, power – the highest, the strongest one – becomes a service, a force for good.

The future of humankind isn’t exclusively in the hands of politicians, of great leaders, of big companies. Yes, they do hold an enormous responsibility. But the future is, most of all, in the hands of those people who recognize the other as a “you” and themselves as part of an “us.” We all need each other. And so, please, think of me as well with tenderness, so that I can fulfill the task I have been given for the good of the other, of each and every one, of all of you, of all of us. Thank you.

George Clooney Pops Up in Classic Movies in This Ad for Nespresso

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How far would you go for great coffee? Would you hang with George Clooney? No, wait…I was only kidding. No. Stop it. Go back over there.

https://youtu.be/imuc2dEuuAY

Father John Misty Offers “Total Entertainment Forever” In New Video Featuring Kurt Cobain…Wait…What?

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In Misty’s own words, here’s an “interactive teledildonic VR music video featuring Kurt Cobain and Feather Jam directed by Adam Green.”

Carly Rae Jepsen makes Toronto Symphony Orchestra debut this summer

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The Toronto Symphony Orchestra (TSO) is delighted to welcome Canadian multi-platinum, Grammy- and JUNO-nominated singer-songwriter Carly Rae Jepsen for a single, not-to-be-missed performance of her music accompanied by the TSO at Roy Thomson Hall on Saturday, June 17 at 7:30pm. Tickets go on sale today.

As the TSO continues to celebrate Canadian music and its many genres, the much-anticipated performance is part of the TSO’s Canada Mosaic—a Canada 150 Signature Project. Jepsen—a singer, songwriter, and actress—shares the stage with long-time collaborator Tavish Crowe (Musical Director and guitarist) and the TSO, under the musical direction of Canadian conductor Lucas Waldin. To the delight of Jepsen’s fans and TSO buffs alike, the evening includes some of the artist’s greatest hits including excerpts from her critically acclaimed album E•MO•TION.

“Canada Mosaic celebrates our musical diversity and Canadian artists. Its lineup features some amazing collaborations, including one with singer-songwriter Carly Rae Jepsen. Make the most of Canada 150 and let yourself be captivated by Canadian music!” —The Honourable Mélanie Joly, Minister of Canadian Heritage

Carly Rae Jepsen was born in Mission, BC, and was exposed to music at a very young age. Jepsen grew up listening to artists like Leonard Cohen and Van Morrison, but also had a real passion for musicals. Jepsen later attended the Canadian College of Performing Arts in Victoria, BC, where she immersed herself in all things music and dance. In 2007, Jepsen took third place in Season 5 of Canadian Idol, making herself known to national audiences from coast to coast to coast. A few years later, in 2012, Jepsen released her album Kiss, which became an international success. The single “Call Me Maybe” reached #1 in 18 countries, and she was the first Canadian to receive Billboard’s Rising Star Award. In 2015, Jepsen’s Kiss won Album of the Year and Pop Album of the Year at the JUNO Awards. She also made her Broadway début in 2014 in the title role of Rodgers & Hammerstein’s Cinderella, wowing audiences and critics alike. Her latest albums, E•MO•TION and E•MO•TION Side B, are doing much the same, receiving critical acclaim from all over the globe—including E•MO•TION being nominated for the Polaris Music Prize, and her hit single from the album, “I Really Like You”, being Certified Platinum.

The TSO presents Carly Rae Jepsen
Saturday, June 17, 2017 at 7:30pm

TICKETS ($27–$89) are available now.
Call the TSO ticket line at 416.593.1285, or order tickets online at TSO.CA.

John Green discusses mental health and social media…and Susan Sontag

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John Green discusses the ways we frame reality, the distance between the selves we put online and the selves we inhabit, and the challenge of understanding public lives as self-portraiture rather than reality. Oh, and Susan Sontag.

Paul McCartney has added a massive new run of U.S. dates to his One On One tour

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Paul McCartney has added a massive new run of U.S. dates to his One On One tour.

The newly announced dates kick off July 5th at Miami’s AmericanAirlines Arena—Paul’s first Miami appearance since his Up & Coming Tour hit Sun Life Stadium in 2010—then head northwest to Tampa, where Paul will play July 10th at the Amalie Arena, returning to the city for the first time since his 2005 US Tour. From there, One On One takes Paul to three cities and venues he’s never played before: July 13th at the Infinity Energy Arena in Duluth MN, July 15th at CenturyLink Center in Bossier City LA, and July 19th at the INTRUST Bank Arena in Wichita KS.  On July 21st Paul plays the  Wells Fargo Arena in Des Moines IA followed by a July 23rd stop at CenturyLink Center in Omaha NE, returning to both cities for the first time since 2005’s US Tour. The tour’s July run concludes on the 25th at the Hollywood Casino Amphitheatre, Tinley Park in Tinley Park IL—Paul’s first appearance in the region since his now-legendary 2015 Lollapalooza headline.

One On One’s 2017 U.S. run will resume with Paul’s first ever show at the Prudential Center in Newark NJ on September 11th.Paul will then take up residence in New York City, playing his first full show at Madison Square Garden since 2005 on September 15th, then getting back to the scene of his unforgettable 2013 Brooklyn shows to play the Barclays Center on September 19th. Paul will then head upstate to make his debut appearance in   Syracuse NY, playing the Carrier Dome on September 23rd, followed on September 26th by Paul’s first show at Long Island’s NYCB Live’s Nassau Veterans Memorial Coliseum since 2002’s Driving USA Tour. One On One’s fall dates will draw to a close October 1st at Detroit’s Little Caesars Arena, Paul’s first show at the brand new venue and first visit to the Motor City since 2015.

Paul McCartney’s One On One tour opened April 13, 2016 with Paul’s debut concert in Fresno CA. The show, which opened with Paul’s first performance of “A Hard Day’s Night” since The Beatles last played it 1965, drew instant and unanimous raves from near (“McCartney’s abundance of natural charm and charisma made this sold-out arena show feel and more like a really big piano bar”—The Fresno Bee) and far (“nearly three hours of music that moved gracefully from the intimate to the explosive… the emphasis never drifted from the music, ranging from generational anthems to post-Beatles deep cuts”—Rolling Stone). One On One has since logged 36 shows and counting, spanning the globe from North and South America to the UK and Europe and a current run of Japanese dates. Venues have ranged from packed stadiums and arenas to one of the most intimate gigs of Paul’s solo career to date at the 300-capacity Pappy & Harriet’s Pioneertown Palace in tiny Pioneertown, CA. One On One’s 2016 run wrapped up with two headlining sets at the historic Desert Trip festival in Indio, CA, which featured surprise guest appearances from Neil Young and Rihanna—a fitting coda to a tour that featured Paul joined on encores by the likes of Nirvana’s Krist Novoselic in Seattle, Jimmy Fallon in Vancouver, and both Bob Weir of the Grateful Dead and New England Patriots tight end Rob Gronkowski at a record-breaking show at Boston’s Fenway Park.

The Paul McCartney live experience is everything any music lover could ever want from a rock show—and so much more: Nearly three hours worth of the greatest moments from the last 50 years of music, dozens of songs that have formed the soundtracks of our lives. Paul and his band have played an unparalleled range of venues and locations: outside the Coliseum in Rome, Moscow’s Red Square, Buckingham Palace, The White House, a free show in Mexico for over 400,000 people, the last ever show at San Francisco’s Candlestick Park where The Beatles played their final concert 1966, and even one performance broadcast live into Space! Featuring Paul’s band of the last 10+ years – Paul “Wix” Wickens (keyboards), Brian Ray (bass/guitar), Rusty Anderson(guitar) and Abe Laboriel Jr (drums) – the show is never anything short of life-changing.

As with every Paul McCartney tour, One On One features dozens of classics from the most beloved catalog in popular music, spanning Paul’s entire career–as a solo artist, member of Wings and of course as a Beatle—and no shortage of surprises. State of the art audio and video technology ensure an unforgettable experience from every seat in the house: Massive screens, lasers, fireworks and, of course, a staggering selection of the best songs ever written or performed make every Paul McCartney show a once in a lifetime event that transcends and elevates the potential of live music.

The first public on sale of this run will be April 29th for the July 25th Tinley Park, IL date.

Tickets for the July 1st-23rd and October 1st dates will be on sale to the public May 1st.

Public on sale for the September dates will start May 5th.

American Express Card Members can purchase tickets before the general public beginning Wednesday, April 26th at 10am local time through Sunday, April 30th at 10pm local time for Bossier City, LA, Wichita, KS, Des Moines, IA, Omaha, NE, Syracuse, NY, Detroit, MI, Miami, FL, Tampa, FL, and Duluth, GA and beginning Monday, May 1st at 10am local time through Thursday, May 4th at 10pm local time for New York, NY, Brooklyn, NY, Uniondale, NY, and Newark, NJ.

Check http://paulmccartney.com/ for more information and check out an exclusive behind the scenes rehearsal video here.

In this morning’s press release, there was a typo in the tour dates.

Paul will be playing the Infinite Energy Arena in Duluth, GA not Duluth, MN. Please amend your posts on this announcement accordingly.

PAUL McCARTNEY
ONE ON ONE
North American Tour 2017

July 5 — Miami, FL — AmericanAirlines Arena
July 10 — Tampa, FL — Amalie Arena
July 13 — Duluth, GA — Infinite Energy Arena
July 15 — Bossier City, LA — CenturyLink Center
July 19 — Wichita, KS — INTRUST Bank Arena
July 21 — Des Moines, IA — Wells Fargo Arena
July 23 — Omaha, NE — CenturyLink Center
July 25 — Tinley Park, IL — Hollywood Casino Amphitheatre, Tinley Park
September 11 — Newark, NJ — Prudential Center
September 15 — New York, NY — Madison Square Garden
September 19 — Brooklyn, NY — Barclays Center
September 23 — Syracuse, NY — Carrier Dome
September 26 — Uniondale, NY — NYCB LIVE’s Nassau Veterans Memorial Coliseum
October 1 — Detroit, MI — Little Caesars Arena

Stop-Motion Animated music video for Explosions in the Sky is everything you need today

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Everything for the stop-motion animated music video for Explosions in the Sky was shot in camera using paper, projections and translucent materials like plastic and glass. The band’s brief was to create something inspired by “wilderness of the mind.” Animator Hayley Morris of Shape and Shadow thought of the beautiful chaos that is in the mind space and how that space has a multitude of transitions, whether it’s a transition from life to death or going from unknowing to knowing.

Country Music’s Biggest Stars Join Coors Banquet in Celebration of Canadian Small Town Pride

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For the third year in a row, Coors Banquet is looking to name Canada’s top One Horse Town and award them with a legendary country music concert.  Last year’s winner, Truro, Nova Scotia, was treated to the biggest concert the town has ever seen, featuring Dean Brody, Chad Brownlee, and the River Town Saints.  The 2017 contest, which officially opened April 17, boasts the biggest country music acts in its three year history: multi-platinum Grammy winning superstar Darius Rucker will be headlining the concert joined by 2017 ACM New Male Vocalist Award winner Jon Pardi, three-time reigning CCMA Female Artist Of The Year and 2017 JUNO Award winner Jess Moskaluke and hot newcomers James Barker Band.

Canadians from across the country are encouraged to nominate their town by showcasing their town pride with Coors Banquet via a photo on social media or by entering at CoorsBanquet.ca/oht.  All nominated towns will be considered and the top six will be selected as finalists.  Canadians will then be invited to vote for their favourite small town finalist, with the results determining who will host the big time concert. For a third year, Coors Banquet will be partnering with CMT (Canada) to capture exclusive footage and produce an original concert special set to air in late 2017. Additionally, the contest will be promoted across Corus Entertainment’s television networks, Global and CMT (Canada).

“I’m honoured and truly excited to be able to share the stage with Darius Rucker, Jon Pardi, and James Barker Band,” says Jess Moskaluke, JUNO Award winning Canadian country artist from Langenburg, Saskatchewan, a town of 1,048 people. “I’m from a small town and love the message behind the contest, embracing where you’re from and your community.”

“We can’t wait to tear the stage up with Darius Rucker, Jon Pardi and Jess Moskaluke for One Horse Town!” echoes James Barker Band from small town Woodville, Ontario. “A huge thank you to Coors Banquet and CMT (Canada) for including us in this amazing opportunity!”

More information on the contest including contest rules and details can be found at http://coorsbanquet.ca/oht

Canada climbs to sixth largest global recorded music market in IFPI’s Global Music Report 2017

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Today the International Federation for the Phonographic Industry (IFPI) released its Global Music Report 2017, which shows Canada is now the sixth largest recorded music market on the planet, surpassing Australia.

The annual Global Music Report compiles revenues from physical and digital sales, streaming, synchronization and performance rights, to provide a ‘state of the industry’ snapshot while highlighting innovation and investment within the industry as it progresses further into the digital age.

Here are some of the highlights of Canada’s 2016 music revenues:
* Overall recorded music revenues rose 12.8% in 2016 and totalled CAD $489.4 million
* Digital music revenues accounted for 63% of recorded music revenues in 2016
* Total streaming revenues, including subscription and ad-supported streaming, more than doubled in 2016, rising from USD $49.82 million to an impressive USD $127.8 million
* Subscription audio streaming generated the majority of all streaming revenues in 2016 at USD $94.45 million, compared to USD $15.72 million from ad-supported audio streaming and USD $17.59 million from video streams
* Digital revenues grew to USD $233 million in 2016, up from USD $170 million in 2015
* Revenues from physical sales continue to decline, falling to USD $99 million in 2016 from USD $114.4 million in 2015

Though music consumption around the world continues rise to never-before-seen levels, the “value gap” remains a significant problem, as the revenues returned to music creators have not kept pace with music consumption.

“I am happy to see Canada regain its position as the sixth largest recorded music market in the world,” said Amy Terrill, Executive Vice President of Music Canada. “While the growth in overall revenues, driven by a huge increase in subscription audio streams is very encouraging, the music community must remain united and vigilant in fixing the value gap. I urge the Canadian federal government to put creators first in any future policy decisions, such as the upcoming Copyright Act review in 2017, so that creators can be properly compensated for the record levels of music consumption we’re witnessing.”

“The whole music community is uniting in its effort to campaign for a legislative fix to the value gap and we are calling on policymakers to do this,” said Frances Moore, chief executive of IFPI, in the report release. “For music to thrive in a digital world, there must be a fair digital marketplace.”

Here are some of the key figures from global recorded music revenues:
* Global revenue growth: +5.9%
* Digital share of global revenues: 50%
* Digital revenue growth: +17.7%
* Growth in streaming revenues +60.4%
* Physical revenues: -7.6%
* Download revenue: -20.5%

Canada’s ascension to the sixth largest market follows IFPI’s announcement in February that Drake was named Global Recording Artist of 2016. Justin Bieber and The Weeknd took the number five and number ten spots, respectively, as Canadians occupied three of the top 10 positions.

Today’s Global Music Report 2017 shows that albums by Canadian artists performed very well at home in 2016, with six of the top ten album spots occupied by Canadian artists, including Drake’s Views at number one. Other Canadians in the top albums chart include Céline Dion, Leonard Cohen, Justin Bieber, The Weeknd, and The Tragically Hip.

Via