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Oscar Peterson’s 100th year keeps unfolding in grand style. Mack Avenue Music Group and Two Lions Records continue the jazz legend’s centennial celebration with ‘World Tour’, their most expansive collection of the pianist’s work yet, out August 28. The set arrives as a limited-edition 6-LP 180-gram vinyl box with a 48-page hardcover book, and also as a 4-CD set with a 20-page booklet.
The collection honors the “Maharaja Of The Keyboard” with five never-before-heard live performances and a TV studio recording, spanning nearly three decades from 1969 to 1996. The accompanying book digs deep into the personal, with never-before-seen archival material that includes Peterson’s own photography, poetry, and remembrances from family, friends, and fellow musicians. The CD edition pairs notes from Kelly Peterson and Celine Peterson with tributes from his peers.
Kelly Peterson framed the project as a labor of love. “The process of choosing the material to include, the effort to ensure this set captures and expresses as much as possible, all that Oscar deserves, in celebration of this significant occasion, was a joyful time,” she said. She described the book as a tour of Oscar’s world, built over months to share a more personal view of the man, complete with previously unpublished photos and poems from his own camera and pen.
The release follows last year’s ‘Around The World’, which gathered solo, duo, and trio performances from 1969 to 1981. ‘World Tour’ widens the lens with concerts captured in Detroit, Basel, Auckland, São Paulo, and his home city of Toronto. Across the recordings, whether playing solo, alongside jazz guitar royalty Joe Pass, or in groups featuring Dizzy Gillespie, Ray Brown, Mary Lou Williams, and Louis Hayes, Peterson’s playing lifts the entire bandstand. The performances trace nearly four decades of musical evolution, and the warmth in every note makes the case for why audiences greeted him like an old friend.
World Tour Tracklist:
Go Kurosawa turned the KEXP studio into something spellbinding. Recorded April 6, 2026, the live session captures the multi-instrumentalist and vocalist (also handling cornet and percussion) leading a five-piece through three patient, atmospheric pieces: “autowalk,” “moon, please,” and “sada no umi.” Ben Hackett adds vocals, wind instruments, and keys, with Taro Yamazaki on bass, Ross McReynolds on drums and percussion, and Rich Ruth on guitar, the players locking into textures that build and breathe across each track. Hosted by Cheryl Waters, the performance is a quietly commanding showcase of a singular musical mind at work.
Celine Dion can’t keep up with the demand, so she’s adding more nights. The pop powerhouse has announced ten new dates for May 2027 at Paris La Défense Arena, answering what promoters call unprecedented demand from fans who registered for the initial Celine Dion Paris 2026 presale. What started as a five-week engagement already grew by six shows in the fall, and now the residency stretches deep into the following spring.
Concerts West/AEG Presents and Inter Concerts say dedicated sales windows for the added shows go to a select number of fans who previously registered through Fair AXS and the Paris La Défense Arena venue presale. Presales begin Wednesday, June 3, ahead of the general sale on Friday, June 5 at 23:59 CEST. Selected fans get an email from their registration point with purchase instructions the day before. Ticket and Hotel Experiences also open Wednesday, June 3 at 10 am CEST.
The show itself runs through Dion’s most beloved hits in both French and English, a tribute to the songs that have carried her career across generations. Award-winning show designer Willo Perron handles creative direction, and the production promises a reunion worth the wait between one of the greatest performers of her era and the fans who’ve followed her.
Authorized ticket sellers include Paris La Défense Arena, AXS France, Ticketmaster France, Fnac Spectacles, and Event Travel. As before, a limited number of VIP Packages and a select quantity of officially issued tickets through AXS Premium and Ticketmaster Platinum are available across all shows, subject to availability.
Celine Dion Paris 2026-2027 Dates:
Saturday, September 12
Wednesday, September 16
Friday, September 18
Saturday, September 19
Wednesday, September 23
Friday, September 25
Saturday, September 26
Wednesday, September 30
Friday, October 2
Saturday, October 3
Wednesday, October 7
Friday, October 9
Saturday, October 10
Wednesday, October 14
Friday, October 16
Saturday, October 17
Saturday, May 8
Wednesday, May 12
Friday, May 14
Saturday, May 15
Wednesday, May 19
Friday, May 21
Saturday, May 22
Wednesday, May 26
Friday, May 28
Saturday, May 29
Billy Gibbons has a new single out, and he brought a friend. The ZZ Top guitarist has released “Brown Paper Bag,” a track featuring Keith Urban on lead guitar. Gibbons kept the description simple on social media, calling Urban “my good buddy, Keith Urban, playing some good-ass guitar.” No further details on the song have surfaced yet.
The single adds to Gibbons’ run of solo work outside ZZ Top. He’s put out three solo albums to date, all via Concord Records, starting with 2015’s ‘Perfectamundo’, followed by 2018’s ‘The Big Bad Blues’ and 2021’s ‘Hardware’. “Brown Paper Bag” keeps the momentum going between projects.
The release lands just ahead of a busy summer for ZZ Top. The trio opens a European tour in Tartu, Estonia on June 22, then heads back to the States for more shows in August.
Editors found the perfect setting for their darkness among the lakes and forests of the Netherlands. The British indie rockers played Best Kept Secret 2016 at Beekse Bergen park in Hilvarenbeek, one of Europe’s most atmospheric festivals, and the scenic backdrop suited their blend of melancholy and dramatic energy. Led by the charismatic Tom Smith, the band let each chord ring out through the forest stillness, their dark synth lines and guitar swells pulling the crowd into a world where longing and hope intertwine. The set arrived as Editors promoted their fifth studio album ‘In Dream’, and it was among the first to showcase the new material and its turn toward a more electronic sound. The performance stands as a striking display of the band’s command of mood and crowd.